Dubai: Re-Designing Labor Worker Communities
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Anexos. Anexo 01 Publicación Cronológica De Los Libros De Buckminster Fuller
ANEXOS. ANEXO 01_ PUBLICACIÓN CRONOLÓGICA DE LOS LIBROS DE BUCKMINSTER FULLER. Recopilación extraía del Instituto Buckminster Fuller Buckminster Fuller, R. (1928). 4D Time Lock. Publicado privadamente en Chicago, Illinois, 200 copias: Biotechnic Press, Lama Foundation, Albuquerque, New Mexico (1929, 1970, 1972). Buckminster Fuller, R. (1938). Nine Chains to the Moon. J. B. Lippincott Company, Philadelphia, New York, London, Toronto 1938; republished Doubleday & Company, Inc., Garden City, New York. 1963. Buckminster Fuller, R. y Marks, R.W. (1960). The dymaxion world of Buckminster Fuller. Anchor Press, Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1962). Untitled epic poem on the history of industrialization. Simon & Schuster, New York. Buckminster Fuller, R. (1963). Education automation. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1963). Ideas and Integrities. Prentice Hall, Englewood Cliffs, New Jersey. 1963; Collier, Macmillan, Toronto, Canada. 1963. Buckminster Fuller, R. (1963). No more secondhand god. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller R. (1963). Operating manual for spaceship earth. E.P. Dutton & Co., New York. 1963, 1971. Buckminster Fuller R. (1968). Capítulo “How Little I know” en What I have learned. Simon & Schuster, NewYork. Buckminster Fuller, R. (1969). Utopia or Oblivion. Bantam Books, New York. Buckminster Fuller, R. (1970). The Buckminster Fuller reader. Editado por James Meller. Jonathan Cape, UK., London. 1970. Penguin Books, Ltd., Middlesex, England. 1970. Buckminster Fuller, R. con Angel, J. y Fiore, Q. (1970). I seem to be a verb Bantam Books, New York. Buckminster Fuller, R. (1970). Intuition. Anchor Press, Doubleday & Company, Inc., Garden City, New York; Impact Publishers, San Luis Obispo, California. -
Buckminster Fuller
Buckminster Fuller Richard Buckminster Fuller (/ˈfʊlər/; July 12, 1895 – July 1, 1983)[1] was an American architect, systems theorist, author, designer, inventor, and futurist. He Buckminster Fuller styled his name as R. Buckminster Fuller in his writings, publishing more than 30 books and coining or popularizing such terms as "Spaceship Earth", "Dymaxion" (e.g., Dymaxion house, Dymaxion car, Dymaxion map), "ephemeralization", "synergetics", and "tensegrity". Fuller developed numerous inventions, mainly architectural designs, and popularized the widely known geodesic dome; carbon molecules known as fullerenes were later named by scientists for their structural and mathematical resemblance to geodesic spheres. He also served as the second World President of Mensa International from 1974 to 1983.[2][3] Contents Life and work Education Fuller in 1972 Wartime experience Depression and epiphany Born Richard Buckminster Recovery Fuller Geodesic domes July 12, 1895 Dymaxion Chronofile World stage Milton, Massachusetts, Honors U.S. Last filmed appearance Died July 1, 1983 (aged 87) Death Los Angeles, Philosophy and worldview Major design projects California, U.S. The geodesic dome Occupation Designer · author · Transportation Housing inventor Dymaxion map and World Game Spouse(s) Anne Hewlett (m. 1917) Appearance and style Children Allegra Fuller Snyder Quirks Language and neologisms Buildings Geodesic dome Concepts and buildings (1940s) Influence and legacy Projects Dymaxion house Patents (1928) Bibliography See also Philosophy career References Further reading Education Harvard University External links (expelled) Influenced Life and work Constance Abernathy Ruth Asawa Fuller was born on July 12, 1895, in Milton, Massachusetts, the son of Richard J. Baldwin Buckminster Fuller and Caroline Wolcott Andrews, and grand-nephew of Margaret Fuller, an American journalist, critic, and women's rights advocate Michael Ben-Eli associated with the American transcendentalism movement. -
Artificial Nature (Towards a New Production) Carles Sala 2012 03 23 - 2021 04 11 Refs
A punts, (interiors) nº 24 Artificial Nature (Towards a New Production) Carles Sala 2012 03 23 - 2021 04 11 refs. AA 2010-11 Design Research Laboratory. Course tutors: Theodore Spyropoulos, Ryan Dillon. Updated 2021 v 1. Layout by Félix Arranz ETSAB UPC 2021 #a_punts #etsab #etsabUPC #laupc #paranimfarquitectura #dpaUPC #profesoradoETSAB #professoratETSAB In a lapse of time of three different generations, the architects Antoni Gaudí, Richard Buckminster Fuller and Frei Otto, took nature as a reference, so as to bring its optimal form to architectural constructability. They all conceived design as an integrative non- linear process of translation, from the drawing to its physical construction; even if they did not have such an embedding and powerful tool as the one we have today: computation. This essay will dissect, analyze and compare their technique, technology and tectonics by which they achieved such successful results, in terms of architectural form, material exploration and the structural performance, based on the natural paradigm. If they brought such a novel approach to modern and postmodern architecture, feasible to construct, by the optimization of their contemporary means and resources within reach –each one in its own historical context–, this paper will explore how its legacy is being applied today since computation has embedded all phases of design into one. And what is more important, how the upcoming new model of production is already pushing architecture towards a new paradigm shift. · 2 · Artificial Nature. Towards a New Production Introduction The formation of the word ‘Architecture’ comes from the Greek terms ‘arché’, which refers to the principles and theory, and ‘techné’ that in fact becomes the etymological root for what it represents: technology and technique, which are the principles for tectonics. -
Evaluating the Functional Performance of Small-Scale Public Demountable Buildings
Evaluating the Functional Performance of Small-Scale Public Demountable Buildings Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by: Junjie Xi June, 2013 ii Abstract This thesis investigates the design, operation and use of contemporary demountable buildings, and explores how functional performance can be assessed in small-scale examples for public use alongside with their relationship to other design elements. The research focuses on three case studies that do not require a high-technology building environment or complex construction skills. Demountable buildings are defined as those that are transported in a number of parts for assembly on site. Contemporary demountable buildings respond to ecological issues, social impacts, technological innovation and economic demands. They can be used to measure a society’s development in environmental sustainability, innovation and economic growth through various forms. Small-scale demountable buildings fulfil many temporary habitation needs in diverse roles, such as non-emergency transitional housing, ephemeral exhibition buildings and seasonal entertainment facilities. The purpose of examining functional performance is to assess if, and how, the requirements of the design have been achieved. This enables project operators to address functional performance from a public perspective by reflecting on the scope and ambition of their projects. This thesis draws on existing literature to investigate previous and on-going research relating to demountable buildings, including classification, the construction process and project management. It also examines selected existing evaluation methods that cover principles, modelling and computer- based solutions from a wider research area, including Guidelines Developed by City Council and Culture Sectors; Assessment Methods in Humanitarian Response and Methods in Environmental Assessment. -
Modernity and Technology
MODERNITY AND TECHNOLOGY Fuller, Rudolph, and Eames: case studies of the homes but methods of mass-production had to be employed. experimental use of military technology and Obviously, following the two wars, many former military industries materials in the post-war house turned their attention to providing materials for the construction of homes. Fuller, Rudolph, and Eames were some of the most innovative Jori Erdman American architects in adapting military technology and industrial Clemson University products to the house. Architecture has long benefited from the application of technological The houses they designed following their experiences in the military advancements in other fields, such as industry and the military. represent serious attempts to reconcile the much more dramatic Some of the most innovative developments have come through the advances in material technology available to the military at that inventiveness of architects in finding applications for materials made time. These houses were also attempts to reconcile the Modern for non-architectural purposes. In the work of at least three post- Movements fascination with industrialization, particularly the work World War I and II architects, the application of military technology of Le Corbusier. Le Corbusier's adage, "the house is a machine for played a significant role in their response to housing. The American living" combined with the industrial imagery in Towards a New architects Charles Eames, Buckminster Fuller, and Paul Rudolph all Architecture inspired generations of young architects to find transferred material applications from the military to housing, or, associations between new materials and the idea of the house. more specifically, houses.' Their various .experiences with ships, Towards a New Architecture was. -
R. Buckminster Fuller. Inventions; Twelve Around One M1592
http://oac.cdlib.org/findaid/ark:/13030/c8z60r9d No online items Guide to R. Buckminster Fuller. Inventions; twelve around one M1592 : limited edition portfolio of screenprints and text Dept. of Special Collections & University Archives Stanford University Libraries. 557 Escondido Mall Stanford, California, 94305 Email: [email protected] 2014 Guide to R. Buckminster Fuller. M1592 1 Inventions; twelve around one M1592 Title: R. Buckminster Fuller. Inventions; twelve around one : portfolio of thirteen screenprints and text Identifier/Call Number: M1592 Contributing Institution: Dept. of Special Collections & University Archives Language of Material: English Physical Description: 3.5 Linear feet(1 large portfolio; no. XII of XX, containing 13 signed prints) Date: 1981 Physical Location: Special Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/spc. Abstract: Each of the thirteen prints consists of two 30" x 40" screenprinted sheets, one of which illustrates drawings for a patent invention by Fuller, and the second sheet illustrates the realization of the concept. General Physical Description note: Patent invention drawings screenprinted in white ink on clear polyester film overlaid on blue backing sheet to create the effect of a blueprint. Photo realization of invention screenprinted on Lenox 100 percent rag paper. Screenprinted polyester film sheet as an overlay screenprinted photo realization sheet. The text pages and blue backing are Curtis Tweedweave 100% rag paper made especially for the Fuller portfolio series. Creator: Fuller, R. Buckminster (Richard Buckminster), 1895-1983 Preferred Citation [identification of item], R. -
From Bauhaus to Ecohouse
From Bauhaus to Ecohouse A HISTORY FROM OF ECOLOGICAL DESIGN BAUHAUS TO ECOHOUSE PEDER ANKER Louisiana state university Press Baton rouge Published by l Copyright © 2010 by Louisiana State University Press All rights reserved Manufactured in the Unitedouisiana States softate America university Press First printing designer tyP Printerefaces and :binder Michelle A. Neustrom : Chapparral Pro, Trade Gothic, Museo Library of Congress Cataloging-in-Publication Data Anker, Peder. : Thomson-Shore, Inc. From Bauhaus to ecohouse : a history of ecological design / Peder Anker. p. cm. Includes bibliographical references and index. ISBN 978-0-8071-3551-8 (cloth : alk. paper) 1. Architecture—Environmental aspects. 2. Architecture and science—History—20th century. 3. Architecture, Modern—20th century. I. Title. NA2542.35.A54 2010 720'.47—dc22 The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 2009020217 �� Acknowledgments > vii Introduction > 1 1 The Bauhaus of Nature > 9 2 Planning the Economy of Nature > 24 3 The New American Bauhaus of Nature > 37 4 The Graphic Environment of Herbert Bayer > 54 5 Buckminster Fuller as Captain of Spaceship Earth > 68 6 The Ecological Colonization of Space > 83 7 Taking Ground Control of Spaceship Earth > 96 8 The Closed World of Ecological Architecture > 113 Conclusion: The Unification of Art and Science > 126 Cast of characters > 133 Notes > 139 Index > 177 Illustrations follow p. 82 CONTENTS contents Acknowledgments > vii Introduction > 1 1 The Bauhaus of Nature > 9 2 Planning the Economy of Nature > 24 3 The New American Bauhaus of Nature > 37 4 The Graphic Environment of Herbert Bayer > 54 5 Buckminster Fuller as Captain of Spaceship Earth > 68 6 The Ecological Colonization of Space > 83 7 Taking Ground Control of Spaceship Earth > 96 8 The Closed World of Ecological Architecture > 113 Conclusion: The Unification of Art and Science > 126 Cast of characters > 133 Notes > 139 Index > 177 Illustrations follow p. -
Folleto De La Exposición. Castellano
FOLLETO TEXTOS DE SALA “PARA CAMBIAR ALGO, CONSTRUYE UN NUEVO MODELO QUE CONVIERTA AL ANTERIOR EN OBSOLETO” Curiosidad Radical. En la Órbita de Buckminster Fuller Del 16 de septiembre de 2020 al 14 de marzo de 2021 PORTADA Buckminster Fuller en su clase de Black Mountain College, verano de 1948. Cortesía The Estate of Hazel Larsen Archer / Black Mountain College Museum + Arts Center. CURIOSIDAD RADICAL. EN LA ÓRBITA DE BUCKMINSTER FULLER RADICAL.CURIOSIDAD DE BUCKMINSTER EN LA ÓRBITA Hazel Larsen Archer. “Curiosidad Radical. En la Órbita de Buckminster Fuller” es un viaje por el universo de un investigador y visionario inclasificable que, a lo largo del siglo XX, anticipó las grandes crisis del siglo XXI. Generador de un fascinante cuerpo de trabajo que atraviesa la arquitectura, la ingeniería, la metafísica, las matemáticas y la educación, Richard Buckminster Fuller (Milton, 1895 - Los Ángeles, 1983) dibujó una nueva manera de aunar diseño y ciencia con el potencial revolucionario de cambiar el mundo. Buckminster Fuller ante el Dymaxion Car y el Fly´s Eye Dome durante su 85 aniversario en Aspen, 1980. © Roger White Stoller La exposición se asoma al caleidoscopio Fuller desde el estado de emergencia del mundo en 2020, un momento convulso e incierto en el que estamos sometidos a múltiples crisis sistémicas -crisis ecológica, desigualdad, urbanización masiva, tensiones geopolíticas extremas- en las que Fuller no dejó de trabajar. Presentar esta exposición en medio de una pandemia da lugar a que se agudice la perspectiva colectiva sobre el contexto y, por lo tanto, podamos acercarnos a las ideas de Fuller desde el núcleo de un sistema en colapso y con la convicción de que hay que transformarlo. -
RICHARD BUCKMINSTER FULLER. Prototipos Para La Industrialización De La Vivienda
RICHARD BUCKMINSTER FULLER. Prototipos para la industrialización de la vivienda. AUTOR: Lara Monfort Ballester TUTOR: Guillermo Guimaraes Igual Valencia, septiembre de 2015 ÍNDICE 1.- Presentación 2.- Estado de la cuestión 3.- Objetivos 4.- Metodología 5.- Los prototipos de vivienda de Buckminster Fuller 6.- Industria, diseño y vivienda en Buckminster Fuller 7.- Conclusiones 8.- Bibliografía 9.- Créditos fotográficos 1.- PRESENTACIÓN “En 1927, llegué a la conclusión de que el funcionamiento del hombre parte de una falacia fundamental. Parte de la base de que el hombre estaba abocado al fracaso, por lo que tenía que demostrar que merece vivir, así que el hombre piensa: ‘voy a demostrar que puedo ganarme la vida, los demás están destinados a morir.’ Concluí que esa es la falacia. El hombre fue diseñado para triunfar de manera extraordinaria, posee unas características magníficas. Así que lo que hacía falta era averiguar cuáles son los grandes patrones por los que se rige el universo y cómo el hombre metafísico, es decir, la mente, podía dominar lo físico. Así que pensé que mi primera gran estrategia para descubrir cómo utilizar los recursos mundiales para cubrir las necesidades de todos sería empezar por ocuparse del equipamiento para vivir.” Snyder, R. (1971-1980): The world of Buckminster Fuller. Master & Masterworks Productions. [Documental] Con estas palabras recogidas en el documental de Robert Snyder, Richard Buchminster Fuller (1895-1983), muestra su determinación de cambiar al hombre y la sociedad por medio del diseño de la vivienda. Arquitecto, ecologista, matemático, cartógrafo, filósofo, ingeniero, inventor, futurista y maestro, es uno de los pensadores norteamericanos más destacados del siglo veinte. -