77D39 Metro Rollerball and Fountain Pen Kits.Pub

Total Page:16

File Type:pdf, Size:1020Kb

77D39 Metro Rollerball and Fountain Pen Kits.Pub 77D39 Metro Rollerball & Product : #154679, #154680, #154681, #154682 8/10/2015 Fountain Pen Kits Gluing Blanks to Tubes: From Setup To Sanding: Rough the entire surface of the tube using 180-grit paper. These are the supplies we suggest you have on hand to com- Next, using either a thick CA or 5-Minute Epoxy, apply adhe- plete this pen kit: sive to both the tube and the inside of the blank. To secure 15 the brass tube into the inside of the blank make sure to rotate /32 " Pen Maker’s Bit Cap Blank the tube as you insert it into the blank. This will help ensure 25 /64 " Pen Maker’s Bit Body Blank even coverage of the adhesive and a much more secure 3⁄ 3⁄ bond. 1 - 4" x 4" x 2" Cap Blank 3⁄ 3⁄ 1⁄ 1 - 4" x 4" x 2 2" Body Blank Squaring the Blank to Length: Pen Mandrel When squaring the blanks to length Metro Bushings (154684) work only to the brass. Removing brass Thick CA or 5 Minute Epoxy will affect the overall length of the blank which is critical to the proper operation Drill or Drill Press of the pen. Sandpaper/Micro-Mesh Barrel Trimmer Drill Pen Press Eye & Ear Protection Sand Dust Mask Cutting & Drilling Blanks: Note: Additional length has been added to the over- all length of the blank to 15 25 /32 " & /64 " Mandrel Preparation: accommodate for squar- ing the ends of the blank. Cap Body .531" .531" .531" .455" 3⁄ 3⁄ Body 4" Cap 4" 25 15 /64 " /32 " 1 3 3 2 ⁄2" ⁄4" 2" ⁄4" Woodcraft, 406 Airport Industrial Park, P.O. Box 1686, Parkersburg, WV 26102-1686 • 2014 by Woodcraft Supply, LLC. “Helping You Make Wood Work” is a registered trademark of Woodcraft Supply, LLC. 77D39 Metro Rollerball & Product : #154679, #154680, #154681, #154682 8/10/2015 Fountain Pen G H I K Rollerball Pen Parts J F A B C D E B L G H I K Fountain Pen Parts J F A B C D E B L M Turning & Finishing the Blanks: Fountain Pen Body: Turn the blank to your desired profile, leaving the blank slight- Follow the same steps for the assembly of the Rollerball Body, the below step is for the Fountain Pen Assembly. ly proud of the bushings. With the lathe spinning, begin sand- ing with 120-grit paper, and progress through the finer grits Plug Pump (L) or Ink Cartridge (M) into the Fountain Pen finishing at 320-grit. Once finished with sanding, apply a fin- Nib (A), thread assembly (A, L or M) into the Threaded Body ish of your choice. Connector (B). Assembly: Cap: Slide the smaller diameter end of the Cap Thread Tube (H) Roller Ball Body: into the Center Band Assembly (G) and press into one end of the Finished Cap (I). Slide Decorative Ring (C) lip end first onto one of the two Nib Adapters (B) and press into the larger diameter end of Next slide Clip (J) over the lip of Finial (K) and press into Finished Body (D). the open end of the Finished Cap (I). Press End Cap (F) into the threaded end of remaining Nib Adapter (B). Slide Trim Ring (E) lip end first onto the other end of the Nib Adapter and press into the open end of the Fin- ished Body (D). Slide the Spring, large end first into the open end of the Finished Body (D) followed by the Ink Refill (L). Finish the as- sembly by threading Nib (A) onto the end of the Nib Adapter (B). Woodcraft, 406 Airport Industrial Park, P.O. Box 1686, Parkersburg, WV 26102-1686 • 2014 by Woodcraft Supply, LLC. “Helping You Make Wood Work” is a registered trademark of Woodcraft Supply, LLC. .
Recommended publications
  • Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5
    MSDS for #23884 - ALEENES TACKY GLUE Page 1 of 5 Item Numbers: 23884-1004, 23884-1008 Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5 Item Numbers: 23884-1004, 23884-1008 Page 2 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 3 of 5 Item Numbers: 23884-1004, 23884-1008 Page 3 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 4 of 5 Item Numbers: 23884-1004, 23884-1008 Page 4 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 5 of 5 Item Numbers: 23884-1004, 23884-1008 Page 5 of 5 MATERIAL SAFETY DATA SHEET Issue Date: 01/16/2008 ========================================================================================================== SECTION I - PRODUCT IDENTIFICATION ------------------------------------------------------------------------------------------------------------------------------------------------ Product Name: Anita’s Acrylic Yard & Garden Craft Paint Product Nos: 11801- 11832 Product Sizes: 2 fl. oz, 8 fl. oz. Product Class: Water Based Paint ========================================================================================================== SECTION II - HAZARDOUS INGREDIENTS ------------------------------------------------------------------------------------------------------------------------------------------------ None ========================================================================================================== SECTION III - PHYSICAL & CHEMICAL DATA ------------------------------------------------------------------------------------------------------------------------------------------------
    [Show full text]
  • 123 Catalog Lowres.Pdf
    GENERAL TERMS OF SALES & POLICIES Order Requirements Freight Terms u Minimum order is $250.00 per order. u All prices are F.O.B El Monte, California. u Minimum order per item is by box pack. u All freight charges are the responsibility of the cus- u All orders must be signed by the buyer and include tomer. complete company and contact information. u We ship by UPS Ground or common carrier of our Payment Terms choice, unless a specific carrier is requested by the u All first order customers are prepaid. customer. u We accept Cash, Check, Money orders, Cashier’s u Freight charges are determined by the weight and ship- checks, Credit cards (Visa, MasterCard, Discover and ping destination of the order. American Express). u We do not guarantee freight rates. u If payment is not received within 30 days, your order will be automatically cancelled. Claims & Returns u Customers may be eligible to receive Net terms u Upon receipt of merchandise, customer must inspect upon Credit Department approval. To process a delivery. Any damages or shortages must be noted on credit application, it must be submitted with a the trucker’s delivery receipt. minimum order of $1,000.00. Credit application must u Claim form for shortages & damages must be include at least three trade references, a bank informa- submitted to your sales representative within 72 hours tion with the account number, and the owner’s signa- of receiving order. ture to obtain bank information. Credit card informa- u Prior approval is required before any returns can be tion is required in case order purchased is not paid.
    [Show full text]
  • 77E19 Arete Rollerball Pen Kit Instructions
    77E19 Arete Rollerball Pen Kit Product : #163763 1/16/2018 Gluing Blanks to Tubes: Rough the entire surface of the tube using 180-grit paper. Next, using either a thick CA or 5 Minute Epoxy, apply adhe- sive to both the tube and the inside of the blank. To secure the brass tube be sure to rotate the tube as you insert it into the blank. This will help ensure even coverage of the adhesive and a much more secure bond. From Setup To Sanding: Squaring the Blank to Length: These are the supplies we suggest you have on hand to com- When squaring the blanks work only to the brass. Removing plete this pen kit: brass will affect the overall length of the blank which is 27 /64 " Pen Maker’s Bit critical to the proper operation of the pen. If using a barrel 3 3 5 27 /4 " x /4 " x 2- /16 " Pen Blank trimmer/pen mill use a /64 " diameter (153200). Pen Mandrel Arete Pen Kit Bushings (163764) Thick CA or 5 Minute Epoxy Sand Drill or Drill Press Sandpaper/Micro-Mesh 27 Drill Barrel Trimmer / Pen Mill Pilot Shaft /64 " Diameter (153200) Pen Press Eye & Ear Protection Dust Mask Mandrel Preparation: Cutting & Drilling Blanks: Note: Additional length has been added to the overall length of the blank to accommodate for 27 squaring the ends of /64 " the blank. .521" .477" Turning & Finishing the Blanks: Turn the blank to your desired profile, leaving the blank slight- 3 ly proud of the bushings. With the lathe spinning, begin sand- /4" ing with 120-grit paper, progress through the finer grits, fin- ishing at 320-grit.
    [Show full text]
  • 19Th Century Writing Activity: Pen &
    Lesson Plan: #NoyesArtatHome 19th Century Writing Activity: Pen & Ink Activity based on letters on display in the Noyes Museum’s Estell Empire Exhibition For ages 12 & up Experience with cursive* writing not necessary Assistance from an adult would be helpful. Overview: Round Hand Script: This was the dominant cursive* writing style among 19th century writing “masters,” whose An account book from John Estell’s general store models were engraved on metal. Letters Circa 1836 – 1837 sloped to the right, and thick lines were © Collection of Stockton University produced on the downstrokes using a flexible, straight-edged (not pointed) pen nib (tip). Thin lines were made by using the corner of the nib. Round hand included decorative swirls referred to as “command of hand.” Copperplate: This type of writing was made with a flexible, pointed metal pen. Copperplate script differs from round hand in the gradual swelling of the broad strokes on curved forms and the narrowness of the backstrokes of b, e, and o. Definitions from Britannica.com: https://www.britannica.com/topic/black-letter Project Description: This lesson provides a brief overview of handwriting in the 19th century and a hands-on writing activity. First, paint with a teabag to make “old” looking paper. To write, use a quill** pen with black ink or watered-down paint, or a marker. Try to read and copy the example of 19th century writing. Can you write your own name, or a whole letter to a friend? Supplies: 8.5 x 11” piece of paper A tea bag; preferably a darker tea such as black tea (Lipton, Red Rose) A watercolor brush Your choice of: a quill** pen and black ink, watered-down black paint with a fine-tipped brush, or a black marker (for example: Crayola – “broad line” or Sharpie – “fine point,” the newer, the better) *Cursive writing is a style of writing in which all of the letters in a word are connected.
    [Show full text]
  • Turning a Gentlemen's Pen Mandrel Setup and Turning 1
    v01.13 Turning a Gentlemen's Pen Mandrel Setup and Turning 1. Assemble the bushings and blanks on the pen mandrel as Supplies Needed shown below. Be sure that the ends of the blanks with the • 37/64" Drill Bit • Sandpaper/Finish reference mark meet together at the center of the mandrel. • 15/32" Drill Bit • Drill or Drill Press • 7/8" x 7/8" x 5 1/2" Pen Blank • Barrel Trimmer/Disc Sander • Pen Mandrel • Pen Press or Clamp • Gentlemen's Pen Bushings • Eye and Ear Protection Bushing Bushing Nib Coupler End Cap • Glue (Thick CA or Epoxy) .653" .653" Bushing Bushing .527" Cutting and Drilling the Pen Blank .597" 2. Advance a 60˚ revolving cone center into the dimpled end of 1. Draw a 1" line lengthwise across the center of the blank to help the mandrel and tighten using light pressure. Do Not over maintain proper grain alignment when turning. tighten the tailstock or mandrel nut as this may cause the 2. Cut each blank 1/4" longer than the brass tube. mandrel to flex resulting in off-center barrels. 3. Using a drill press with the blank secured in a vise or clamp, 3. Turn both blanks to the desired shape leaving the blanks drill a hole through the center of the blank stopping an 1/8" slightly larger than the bushings. short of the bit exiting the blank. Drill at 2,000–3,000 rpm 4. Sand the blanks using progressively finer grits of sand paper, backing the drill bit partially out of the hole every 1/2" to then apply the finish.
    [Show full text]
  • Writing Instruments 1.800.877.8908 93
    92 Russell-Hampton Company WRITING INSTRUMENTS www.ruh.com 1.800.877.8908 93 Waterman Pens Detail 92 Russell-Hampton Company www.ruh.com 1.800.877.8908 93 Serving Rotarians Since 1920 A. R66032 Quill® Heritage Roller Ball Pen Features include: newly designed teardrop clip & inlaid feather band, high gloss black lacquer cap, gold accents, fine-point black Roller Ball refill, with full-color slant top Rotary International logo, & handsome display box. Lifetime guarantee. Unit Price $34.95 • Buy 3 $32.95 ea. • Buy 6 $30.95 ea. • Buy 12+ $29.95 ea. B. R66040 Quill® Heritage Roller Ball Pen Elegant teardrop clip and inlaid feather band highlight this beautiful brushed chrome, smooth writing Quill® rollerball pen. Rotary International emblem in crown. Lifetime guarantee. Gift Boxed. Unit Price $34.95 • Buy 3 $33.20 ea. • Buy 6 $31.45 ea. • Buy 12+ $29.70 ea. C. R66012 Waterman® Hemisphere Black Pen & Pencil Set • Classic high gloss black lacquer finish complimented with 23.3-karat gold electroplated clip & trim. Die-struck Rotary emblems affixed to the crowns. Ball pen is fitted with a black ink, medium point refill. Pencil is fitted with 0.5mm lead. Waterman Signature Presentation Blue Box with satin lining. Unit Price $107.95 • Buy 2 $102.50 ea. • Buy 3+ $97.25 ea. D. R66011 Waterman® Hemisphere Black Ball Pen • Same ball pen as sold in above set. Water- man Signature Presentation Blue Box with satin lining. Unit Price $51.95 • Buy 3 $49.35 ea. • Buy 6 $46.85 ea. • Buy 12+ $44.55 ea.
    [Show full text]
  • Stylos Writing Instruments Since 1981 a Fountain Pen Is One of Those Rare Objects Which Connects with Us on So Many Levels
    stylos writing instruments since 1981 A fountain pen is one of those rare objects which connects with us on so many levels. In our most creative mode, it is an extension of our mind which through gestures of our hand convert random thoughts into intelligible concepts, ideas or expressions. Every time we use a writing instrument - we write code. Sometimes people understand it. Sometimes there are layers in the meaning of the words we write. Often, we give away more in the style and stroke of our writing than in the actual words themselves. In many cultures, the written letter and word is considered “art”. I take every opportunity to infuse art into everyday objects. With pens it’s even more tactile sensual and very personal. STYLOS is sculpture. It’s a little “kiss of art” you can carry with you. kostas metaxas the heart of a great pen is the nib... Introducing the world’s first universal nib system - change from a premium German “BOCK” , “SCHMIDT” [YOWO] steel, titanium, gold or palladium nib, or rollerball, fineliner in a few seconds. stylos titanium stylos titanium stylos titanium set stylos titanium set - red capsule stylos titanium a precious nib housed in a sensual sculpture STYLOS TITANIUM is about simplicity and movement. There is a French saying which best explains it: “Faire vivre le trait.” - Make a line come alive. STYLOS TITANIUM is the sublime “body” of a fine writing instrument. The heart of a fine writing instrument is the nib. Made from different noble materials, it has the ability to influence your relationship between mind, hand and paper.
    [Show full text]
  • © All About Planners 1
    PEN COMPARISON PILOT SAKURA STAEDTLER ZEBRA PAPERMATE Fineliner Pilot Frixion Fineliner Pen Sakura Pigma Micron Pen Triplus Fineliner 0.3mm Zebra Zensations Sarasa Flair UF (Ultra Fine) Pilot Drawing Pen 0.8mm Fineliner Pen 0.8mm Flair M (Medium) Zebra Mackee Care Refillable Double-Sided Marker Extra Fine/Fine Gel Pen Pop’Lol 0.7mm Gelly Roll Maxum Gel Ink Pens 0.4, Sarasa Clip 0.5mm Inkjoy Gel 0.7 Juice Up 0.4mm Ballsign 0.5mm 0.5mm G2 Gel Pen 0.7mm Ballpoint Pen Acroball 0.5mm, S20 ballpoint Grasso Ball Ballpoint 0.7mm Concrete Ballpoint Pen - Retractable - 0.7mm Inkjoy 100 Ball 1.0M 0.7mm medium point 1mm Mini Ballpoint pen - 0.7mm Kilometrico Emulsion Ink - 0.7mm InkJoy 300RT Ballpoint Dual Tip Pen Futayaku Double-sided Brush No Twin-tip handwriting pens 3mm Mildliner Double-Sided No Pen Fine/Medium & 0.8mm Highlighter Brush Needle Tip Hi-Tec C Maica 0.4mm Sakura Pigma Micron No Liquid Rollerball Needle Pen - No 0.5mm Marker Pen Pilot Lettering Pen Sakura Pigma Calligrapher Pen Triplus Broadliner 0.8mm Sarasa Fineliner No Erasable Frixion Erasable 0.3, 0.35, 0.4, No No No Replay Erasable Gel Pen (but I 0.5, 0.7 & 0.9mm don’t recommend) Refillable Frixion Erasable No No No No Colors available Does it have a white Pop’Lol 0.7mm Gelly Roll No Yes No pen? Bright Pop’Lol 0.7mm Gelly Roll Moonlight Bright Triplus 0.3mm Fineliners Yes Yes Fluorescent Pastel Pop’Lol 0.7mm Gelly Roll Souffle Triplus 0.3mm Fineliners Yes Yes Neon Pop’Lol 0.7mm Gelly Roll Triplus 0.3mm Fineliners Yes No Metallic G2 Gel Pen 0.7mm Gelly Roll Metallic, Stardust Metallic Markers Yes PM300 Gel Performance Prone to ghosting or No Light ghosting Light ghosting No No bleed through? (Based on majority of pens from this brand) How long does the ink Depends how often you use Have had for 3+ years and ink Have had for 3+ years and ink Have had for 3+ years and ink Have had gel & ballpoint pens last? them.
    [Show full text]
  • The Triton Rollerball Pen Kit Instructions
    77C94 Revised 04/15/11 The Triton Rollerball Pen Kit Product #151262 Gold with Chrome 151263 Chrome with Gold General Instructions 5. Mandrel Preparation Whether you’re a novice turner or a pro, you’ll find these projects Woodcraft’s new Pen and Pencil Maker’s Mandrel system are all quick and easy to make. Using cut-offs and shorts, the allows you to turn a variety of small projects without requiring type everyone saves but doesn’t know what to do with, you’ll find the purchase of a unique, special mandrel each time. The only yourself making handsome, custom woodturning projects which item you will need to purchase to turn new projects is the spe- are great for gifts or for sale. The following is general in nature, cially designed bushing set for the project of your choice. The please refer to the instruction sheet on the opposite side for mandrel is provided with either a #1 Morse Taper (141468) or a specific dimensions and sizes for your project. #2 Morse Taper (141469). If you prefer to use the mandrel in a three jaw chuck, simply loosen the Morse Taper set screw and 1. Cutting Blanks slide the Morse Taper off of the shaft. Now the mandrel shaft may Cut wooden blanks to the size specified in the enclosed instruc- be mounted directly in your three jaw chuck. With the bushing tions. For your safety, be sure that the blanks are solid and have sets specified on the project instruction sheet, mount your wood no holes, checks or other defects.
    [Show full text]
  • Quill Pen and Nut Ink
    Children of Early Appalachia Quill Pen and Nut Ink Grades 3 and up Early writing tools were made from materials people could find or easily make themselves. Children used a slate with chalk and stone to write lessons at schools. They also practiced drawing and writing with a stick in dirt. Penny pencils for slates were available at general stores. Paper was purchased at stores too. Before the invention of pencils and pens, children used carved twigs or goose-quill pens made by the teacher. Ink was made at home from various ingredients (berries, nuts, roots, and soot) and brought to school. Good penmanship was highly valued but difficult to attain. Objective: Students will make pen and ink from natural materials and try writing with these old- fashioned tools. Materials: Pen: feathers, sharp scissors or a pen knife (Peacock or pheasant feathers make wonderful pens, but any large feather from a goose or turkey works well too.) Ink: 10 walnut shells, water, vinegar, salt, hammer, old cloth, saucepan, small jar with lid, strainer. (After using the homemade ink, students make like to continue practicing writing with the quill, so you may want to provide a bottle of manufactured ink for further quill writings.) Plan: Pen: Cut off the end of the feather at a slant. Then cut a narrow slit at the point of the pen. Ink: 1. Crush the shells in cloth with a hammer. 2. Put shells in saucepan with 1 cup of water. Bring to a boil, and then simmer for 45 minutes or until dark brown.
    [Show full text]
  • Pitt Artist Pen Calligraphy !
    Pitt Artist Pen Calligraphy ! A new forest project in Colombia secures the livelihoods of small farmers and the Faber-Castell stands for quality wood supply for Faber-Castell – a unique environment protection programme, Founded in 1761, Faber-Castell is one of the world’s oldest industrial companies and is now in certified by the UN. the hands of the eighth generation of the same family. Today it is represented in more than With a socially exemplary and sustainable reforestation project in Colombia, Faber-Castell con- 120 countries. Faber-Castell has its own production sites in nine countries and sales companies tinues to reinforce its leading role as a climate-neutral company. On almost 2,000 hectares of in 23 countries worldwide. Faber-Castell is the world’s leading manufacturer of wood-cased pencils, grassland along the Rio Magdalena in Colombia, small farmers are planting tree seedlings for fu- producing over 2000 million black-lead and colour pencils per year. Its leading position on the ture pencil production. The fast-growing forests not only provide excellent erosion protection for international market is due to its traditional commitment to the highest quality and also the large this region plagued by overgrazing and flooding, they are also a reliable source of income for the number of product innovations. farmers living in modest circumstances, who are paid for forest maintenance and benefit from the Its Art & Graphic range allows Faber-Castell to enjoy a great reputation among artists and hobby proceeds from the timber. The environmental project was one of the first in the world to be certi- painters.
    [Show full text]
  • The Origins of the Musical Staff
    The Origins of the Musical Staff John Haines For Michel Huglo, master and friend Who can blame music historians for frequently claiming that Guido of Arezzo invented the musical staff? Given the medieval period’s unma- nageable length, it must often be reduced to as streamlined a shape as possible, with some select significant heroes along the way to push ahead the plot of musical progress: Gregory invented chant; the trouba- dours, vernacular song; Leoninus and Perotinus, polyphony; Franco of Cologne, measured notation. And Guido invented the staff. To be sure, not all historians put it quite this way. Some, such as Richard Hoppin, write more cautiously that “the completion of the four-line staff ...is generally credited to Guido d’Arezzo,”1 or, in the words of the New Grove Dictionary of Music, that Guido “is remembered today for his development of a system of precise pitch notation through lines and spaces.”2 Such occasional caution aside, however, the legend of Guido as inventor of the staff abides and pervades. In his Notation of Polyphonic Music, Willi Apel writes of “the staff, that ingenious invention of Guido of Arezzo.”3 As Claude Palisca puts it in his biography of Guido, it was that medieval Italian music writer’s prologue to his antiphoner around 1030 that contained one of the “brilliant proposals that launched the Guido legend, the device of staff notation.”4 “Guido’s introduction of a system of four lines and four spaces” is, in Paul Henry Lang’s widely read history, an “achievement” deemed “one of the most significant in
    [Show full text]