Venezia & Bristol Bluffs Management Consultants, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Venezia & Bristol Bluffs Management Consultants, Inc West St Deed Reference: " Unauthorized alteration or addition " Copyright 2016" Venezia & Bristol Bluffs Management Consultants, Inc. to Andrew M. & Diana L. to a map bearing a Licensed Associates. All rights reserved Griffith by Deed filed October 20, 2004 in Liber 1129 of Deeds at Page 206. Professional Engineer's or unauthorized duplication is a Professional Land Surveyor's seal in violation of all applicable laws" any way is a Violation of Section 7209" Parrish St Ext Western Blvd Abstract Reference: Site Details: This survey is subject to any facts an updated Deerfield Dr Existing Zoning is Residential (R-1-30) abstract of title may reveal. Minimum Lot Size: 30,000 SQ. FT. Minimum Lot Width: 125 FT Map Reference: City of Canandaigua Front Setback: 60 FT. Town of Canandaigua Ontario County filed map No. 1058. Rear Setback: 40 FT. (15' Accessory) Site Ontario County filed map No. 17176. Side Setback: 25 FT. (15' Accessory) West Lake Rd Ontario County filed map No. 33948. Maximum Building Height = 35 FT. Middle Cheshire Rd Ontario County filed map No. 31332. Maximum Lot Coverage = 20% Vicinity Map N.T.S. City of Canandaigua Town of Canandaigua E-mail [email protected] N/F Frank Nicoletta N/F Joseph & Judith Liber 1234 Page 784 S79° 08' 59"E 438.66' Marafioti Liber 922 Page 499 Side Setback S27° 07' 09"E N/F Genevera Mott N/F Paul & Erlinda Liber 1344 Page 634 Bentley Liber 922 Page 499 513.00' Fax. No. (585) 396-0131 N/F Jack Boylan Rear Setback Liber 905 Page 364 N/F James & Bonita Ann Powers Liber 1001 Page 242 N/F Angus Alan Jacobson Liber 1217 Page 156 Approx. Location Leach Field Area = 8.425 Acres 426.81' To Centerline (585)396-3267 City of Canandaigua 2 Story ( 66' R.O.W. ) N/F James & Joyce Richmond Frame House Liber 1019 Page 111 135.0' Pool Deck Patio S62° 58' 41"W Middle Cheshire Road N/F Max Hillring Liber 1227 Page 364 Asphalt Drive N10° 50' 31"E 40.0' S79° 08' 59"E 250.00' 48.0' Proposed Garage Side Setback N10° 50' 71.82'31"E 58.1' Canandaigua New York, 14424 See Boundary Line Agreement Liber 1328 Page 387 N80° 25' 37"W 134.3' 381.89' N/F James & Tamara Casey Liber 899 Page 247 N/F Diane Breton 202.94' Liber 1328 Page 388 N/F Melissa Dean Liber 1212 Page 730 N10° 50' 31"E 50' N10° 721.25' 5120 Laura Lane Legend P.K. nail found N/F Stephen & Victoria Gardner Iron pin or pipe found P.K. nail set Liber 1119 Page 493 Iron pin set Concrete Monument Drill hole Benchmark Utility pole Utility lines 0 70 140 E/T E/T R.O.W. line Feet Property lines This is to certify that I am a Licensed Land Surveyor and that this plan Centerline was completed on 02/16/2017 from notes of an instrument survey Site Plat prepared for: Tax Map# 97.02-2-10.0 performed on 02/13/2017 Scale: 1" =70' Andrew M. & Diana L. Griffith Job # 17022 Showing Land At VENEZIA 3331 Middle Cheshire Road Rocco A. Venezia Town of Canandaigua signed LAND SURVEYORS AND CIVIL ENGINEERS www.veneziasurvey.com License No. 049761 County of Ontario State of New York.
Recommended publications
  • Diana (Old Lady) Apollo (Old Man) Mars (Old Man)
    Diana (old lady) Dia. (shuddering.) Ugh! How cold the nights are! I don't know how it is, but I seem to feel the night air a great deal more than I used to. But it is time for the sun to be rising. (Calls.) Apollo. Ap. (within.) Hollo! Dia. I've come off duty - it's time for you to be getting up. Enter APOLLO. He is an elderly 'buck' with an air of assumed juvenility, and is dressed in dressing gown and smoking cap. Ap. (yawning.) I shan't go out today. I was out yesterday and the day before and I want a little rest. I don't know how it is, but I seem to feel my work a great deal more than I used to. Dia. I'm sure these short days can't hurt you. Why, you don't rise till six and you're in bed again by five: you should have a turn at my work and just see how you like that - out all night! Apollo (Old man) Dia. (shuddering.) Ugh! How cold the nights are! I don't know how it is, but I seem to feel the night air a great deal more than I used to. But it is time for the sun to be rising. (Calls.) Apollo. Ap. (within.) Hollo! Dia. I've come off duty - it's time for you to be getting up. Enter APOLLO. He is an elderly 'buck' with an air of assumed juvenility, and is dressed in dressing gown and smoking cap.
    [Show full text]
  • Forward and Backward Private Searchable Encryption from Constrained Cryptographic Primitives
    Forward and Backward Private Searchable Encryption from Constrained Cryptographic Primitives Raphael Bost∗ Brice Minaudy Olga Ohrimenkoz Abstract Using dynamic Searchable Symmetric Encryption, a user with limited storage resources can securely outsource a database to an untrusted server, in such a way that the database can still be searched and updated efficiently. For these schemes, it would be desirable that updates do not reveal any information a priori about the modifications they carry out, and that deleted results remain inaccessible to the server a posteriori. If the first property, called forward privacy, has been the main motivation of recent works, the second one, backward privacy, has been overlooked. In this paper, we study for the first time the notion of backward privacy for searchable encryption. After giving formal definitions for different flavors of backward privacy, we present several schemes achieving both forward and backward privacy, with various efficiency trade-offs. Our constructions crucially rely on primitives such as constrained pseudo-random functions and punc- turable encryption schemes. Using these advanced cryptographic primitives allows for a fine-grained control of the power of the adversary, preventing her from evaluating functions on selected inputs, or de- crypting specific ciphertexts. In turn, this high degree of control allows our SSE constructions to achieve the stronger forms of privacy outlined above. As an example, we present a framework to construct forward-private schemes from range-constrained pseudo-random functions. Finally, we provide experimental results for implementations of our schemes, and study their practical efficiency. 1 Introduction Symmetric Searchable Encryption (SSE) enables a client to outsource the storage of private data to an untrusted server, while retaining the ability to issue search queries over the outsourced data.
    [Show full text]
  • Calendar of Roman Events
    Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th.
    [Show full text]
  • Chaucer's Handling of the Proserpina Myth in The
    CHAUCER’S HANDLING OF THE PROSERPINA MYTH IN THE CANTERBURY TALES by Ria Stubbs-Trevino A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2017 Committee Members: Leah Schwebel, Chair Susan Morrison Victoria Smith COPYRIGHT by Ria Stubbs-Trevino 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Ria Stubbs-Trevino, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This thesis is dedicated to my indomitable mother, Amber Stubbs-Aydell, who has always fought for me. If I am ever lost, I know that, inevitably, I can always find my way home to you. ACKNOWLEDGEMENTS There are three groups of people I would like to thank: my thesis committee, my friends, and my family. I would first like to thank my thesis committee: Dr. Schwebel, Dr. Morrison, and Dr. Smith. The lessons these individuals provided me in their classrooms helped shape the philosophical foundation of this study, and their wisdom and guidance throughout this process have proven essential to the completion of this thesis.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Treason in My Breast: Wormwood and Hamlet's Petrarchism Permalink https://escholarship.org/uc/item/8k99054x Author Morphew, Jason Ligon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Treason in My Breast: Wormwood and Hamlet’s Petrarchism A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Jason Ligon Morphew 2017 © Copyright by Jason Ligon Morphew 2017 ABSTRACT OF THE DISSERTATION Treason in My Breast: Wormwood and Hamlet’s Petrarchism by Jason Ligon Morphew Doctor of Philosophy in English University of California, Los Angeles, 2017 Professor Helen E. Deutsch, Co-Chair Professor Lowell Gallagher, Co-Chair T.S. Eliot viewed Hamlet as a dramatic failure, because “like the sonnets, it is full of some stuff that the writer could not drag to light.” C.S. Lewis, Harold Bloom, and Alexander Shurbanov agree that the play contains a lyric essence, but they do not trace that essence to its source. “Treason in My Breast” argues that Hamlet is a Petrarchan poem, a more fully realized expression of the Italian poet’s influence than Shakespeare’s Sonnets or Romeo and Juliet. Out of this argument emerges a poetic anthropology of the early modern Human: beginning in Petrarch’s poetry, reaching its apex in Hamlet, terminating in the poems of Jonathan Swift. After explicating in the Introduction the most explicitly Petrarchan document in Hamlet—the II.ii letter-poem from the Prince to Ophelia—Chapter One explores the ii letter-poem’s philologically vexed “etcetera” moment, represented in the Second Quarto of the play as an ampersand, a ligatory symbol invented by Cicero’s slave and secretary Tiro.
    [Show full text]
  • Summer Reading an Introduction to Greek Mythology
    7th Grade Summer Reading Assignment: Dear incoming seventh graders, Read this article to prepare for our book series in grade seven: Percy Jackson and the Olympians. Fill in the gods and goddesses chart. I look forward to bringing you into Percy’s world where the natural co -exists with mythology.. An Introduction to Greek Mythology Greek mythology is not only interesting, but it is also the foundation of allusion and character genesis in literature. In this lesson plan, students will gain an understanding of Greek mythology and the Olympian gods and goddesses. Learning Objectives ● Under s t and the Gr eek view of c r eation. ● Under s tand the ter ms C haos , Gaia, Ur anus , C r onus , Z eus , R hea, Hy per bor eans , E thiopia, Mediter r anean, and E ly s ian F ields . ● Desc r ibe the Gr eek view of the wor ld’s geogr aphy. ● Identif y the names and key f eatur es of the Olympian gods/goddesses. ● Cr eate their own god/goddess. ● C r eate their own my t h explaining a natur al phenomenon. Lesson 1: Greek Creation Mythology Although when we think of my thology we think of a c ollec tion of s tor ies , ther e is a beginning to them. Under s tanding the beginning of the s tor y , the c r eation of the wor ld, gives us a f r amewor k to build upon as we lear n about the dif f er ent myths. The short answer to how the Gr eeks viewed the cr eation of the wor ld is this: Sc ar y old gods c ame f irst; they got stomped down by their kids, who wer e better look ing, y ounger gods .
    [Show full text]
  • II JANUS Looking Back
    Looking Back An Interim Minister needs to discover the role of prior clergy, members who are ministers or long to be, movers and shakers, key players, and the people with power. Some of these will be active in a congregation. Others will exert strong influence, quietly, in a non-public way. Try asking congregants who the three most important people in the congregation were and who the three most important people are now. Pay attention to those whose names come up over and over again! You’ll want to learn about your congregation’s relationships with: neighboring congregations the district the UUA the larger community, neighborhood, city, or town itself, its family system, and its ways of doing things Get “the facts,” as widely interpreted as possible. Talk to pastors of nearby churches. Talk to the District Executive and/or Program Consultant. Ask the UUA for a membership profile for the last ten–or twenty!–years. John Weston has described the role of an interim minister on arrival as something between a detective and an anthropologist. Interim work requires deep listening, sturdy trust, commitment to the process of learning and growing, and explicit recognition and honoring of the congregational community. Arrive with a voracious curiosity. Ask wise questions with your mind and with all your senses wide open, with no “shoulds” attached. Be a sponge, absorb all the information you can gather. Keep a copy of Lyle Shaller’s The Interventionist handy for cues and insights. As you begin your interim work, stay constantly alert for systems and patterns in the congregation’s activities and history.
    [Show full text]
  • Classical Mythology in English Renaissance Drama: an Analysis of Romeo and Juliet
    CLASSICAL MYTHOLOGY IN ENGLISH RENAISSANCE DRAMA: AN ANALYSIS OF ROMEO AND JULIET Trabado de fin de grado presentado por Gonzalo Carpintero Díez Línea temática: Renaissance literature Prof. Tutor: Francisco Javier Castillo Curso Académico: 2014-2015 Convocatoria: julio 2 TABLE OF CONTENTS 0. ABSTRACT ........................................................................................................................... 5 1. INTRODUCTION .................................................................................................................. 5 2. CLASSICAL MYTHOLOGY IN THE ENGLISH RENAISSANCE: A GENERAL VIEW .................................................................................................................. 7 3. MYTHOLOGY AND ROMEO AND JULIET ....................................................................... 9 4. ANALYSIS OF THE MYTHOLOGICAL REFERENCES IN ROMEO AND JULIET ..... 12 4.1. Aurora ............................................................................................................................ 12 4.2. Cupid ............................................................................................................................. 13 4.3. Diana/Cynthia ................................................................................................................ 17 4.4. Venus ............................................................................................................................. 19 4.5. Vesta .............................................................................................................................
    [Show full text]
  • The Political Position and Symbolism of Ancient Rome's Vestal Virgin
    Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2010 The oP wer of Virginity: The olitP ical Position and Symbolism of Ancient Rome’s Vestal Virgin Kathryn Ann Wagner Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the European History Commons, History of Gender Commons, and the Women's History Commons Recommended Citation Wagner, Kathryn Ann, "The oP wer of Virginity: The oP litical Position and Symbolism of Ancient Rome’s Vestal Virgin" (2010). Student Theses, Papers and Projects (History). 80. https://digitalcommons.wou.edu/his/80 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. I The Power of Virginity: The Political Position and Symbolism of Ancient Rome's Vestal Virgin By Kathryn Ann Wagner HST 499: Senior Seminar Spring 2010 Western Oregon University Primary Reader: Professor Benedict Lowe Secondary Reader: Professor Narasingha Sil Course Instructor: Professor John Rector II The Power of Virginity By: Kathryn Ann Wagner I The Vestal virgin has forever been an image of a woman draped in white priestly garments, carrying herself with an air of purity and near divinity. The Vestal's image is one that has captured the imagination of writers, painters, sculptures and scholars for centuries. However this near divine woman is more than what she appears.
    [Show full text]
  • Roman Images of Diana Bettina Bergmann Mount Holyoke College
    ! "! A Double Triple Play: Roman Images of Diana Bettina Bergmann Mount Holyoke College John Miller’s study of Augustan Apollo inspired me to return to Paul Zanker’s The Power of Images in the Age of Augustus (1988), a book that demonstrated the immense potential of an interdisciplinary approach rather than exclusive focus on any one artistic mode. Nearly a quarter of a century later, this session continues to grapple with the challenges of interdisciplinarity and assessment of the Augustan era. Miller’s subtle analysis of poets’ intricate language invites a renewed consideration of the relationships among texts, sites, and images. The operations that he describes -- conflating, juxtaposing, allusion, correspondence, association – can be related directly to the analysis of topography and monuments as well. I also would like to extend his recommendation to “analyze variations in light of one another” and consider visual images of an elusive figure in his book, the divine twin Diana. The goddess appears, often as an afterthought, literally placed in parentheses after a mention of Apollo, until she assumes prominence in Miller’s insightful treatment of the saecular games (Chapter Five). As I will argue, however, in the visual environment of Augustan Rome, she would have been impossible to bracket out. While the goddess, fiercely independent, often appeared alone, in the second half of the first century B.C.E. she became a faithful companion of Apollo. Diva triformis The late republic and early empire saw an explosion of images of the divine sister, who, like Apollo, evolved into a dynamic, shape-shifting deity, slipping from one identity to another: Hecate, Trivia, Luna, Selene, even Juno Lucina.
    [Show full text]
  • ROME FOUNDED Biographies, Discussion Questions, Suggested Activities and More ANCIENT ROME Setting the Stage
    THIS DAY IN HISTORY STUDY GUIDE APR. 21, 753 B.C. : ROME FOUNDED Biographies, discussion questions, suggested activities and more ANCIENT ROME Setting the Stage Beginning in the eighth century B.C., Ancient Rome grew from a small town on central Italy’s Tiber River into an empire that at its peak encompassed most of continental Europe, Britain, much of western Asia, northern Africa and the Mediterranean islands. Among the many legacies of Roman dominance are the widespread use of the Romance languages (Italian, French, Spanish, Por- tuguese and Romanian) derived from Latin, the modern Western alphabet and calendar and the emergence of Christianity as a major world religion. After 450 years as a republic, Rome became an empire in the wake of Julius Caesar’s rise and fall in the fi rst century B.C. The long and triumphant reign of its fi rst emperor, Augustus, began a golden age of peace and prosperity. By contrast, the empire’s decline and fall by the fi fth century A.D. was one of the most dramatic implosions in the history of human civilization. About a thou- sand years after its founding, Rome collapsed under the weight of its own bloated empire, losing its provinces one by one: Britain around 410; Spain and northern Africa by 430. Attila and his brutal Huns invaded Gaul and Ita- ly around 450, further shaking the foundations of the empire. In September 476, a Germanic prince named Odovacar won control of the Roman army in Italy. After deposing the last western emperor, Romulus Augustus, Odovacar’s troops proclaimed him king of Italy, bringing an ignoble end to the long, tu- multuous history of ancient Rome.
    [Show full text]
  • Ritual Killing in Ancient Rome: Homicide and Roman Superiority Dawn F Carver, Jasmine Watson, Jason Curtiss Jr
    EL RIO: A STUDENT RESEARCH JOURNAL HUMANITIES Ritual Killing in Ancient Rome: Homicide and Roman Superiority Dawn F Carver, Jasmine Watson, Jason Curtiss Jr. Colorado State University-Pueblo ABSTRACT The ancient Romans outlawed human sacrifice in 97 BCE after increasing discomfort with the practice, but ritual killing still occurred because it was justified in a way that preserved Roman superiority. The ancient Romans interpreted the favor of the gods as justification to perform ritual killings. This paper explains the difference between human sacrifice and ritual killing using a wide collection of primary source documents to explain how the Romans felt that their supe- riority depended on the continued practice of ritual killing. The ancient Romans had to differ- entiate between ritual killings and human sacrifice to maintain their superiority over other soci- eties, but to maintain the favor of the many Roman gods, they needed to perform ritual killings. CC-BY Dawn F Carver, Jasmine Watson, Jason Curtiss Jr. Published by the Colorado State University Library, Pueb- lo, CO, 81001. 3 SPRING 2018 Aelia was exhausted, she had been in labor all night and into the following day, but the baby would not come. She was worried, she had heard the slaves talking about two wolves that had come into Rome last night right around the time her pains had started. Such a bad omen, her baby must be alright, but the signs were worrisome. There is a commotion outside, people are shouting. What are they saying about the sun? Oh no, the baby is coming! Where is the midwife? She is still outside; please come back! Moments later, a baby’s wail breaks through to the midwife who rushes back in to find that Aelia has had her baby.
    [Show full text]