FEBRUARY 2013 Welcome to

It’s official: Barry Edelstein has arrived! As of January 1, The Old Globe and San Diego’s theatre community have a new artistic voice. With Barry’s arrival, the Globe completes its transition to a dual-leadership structure, the model in place at most regional theatres, with Barry serving as Artistic Director and Michael G. Murphy as Managing Director. DOUG GATES Managing Director Michael G. Murphy and recently appointed In this time of great energy and excitement, we are Artistic Director Barry Edelstein. implementing our leadership transition plan, which will help Barry become acquainted with his new hometown and give him the opportunity to get to know the many constituencies of The Old Globe. Over the next few months, Barry will be meeting with Globe artists, staff, Board members, volunteers, donors and others. As The Brothers Size and Pygmalion begin performances, we look forward to the opportunity to introduce Barry to the Globe’s most important constituency: you, our audience. On page 9 of this program you will find a special note from Barry about The Brothers Size. Look for this ongoing feature for each of our future productions. We hope it gives you some insight into the artistic significance of the work on our stages and deepens your theatregoing experience. This production of The Brothers Size marks the San Diego debut of Tea Alagic´, an extraordinary director and longtime collaborator of playwright Tarell Alvin McCraney. Remember those two names — they are theatre artists to watch, and we are proud to welcome them to the Globe. We look forward to seeing you at the theatre! Don’t be shy — introduce yourself. We’re eager to hear your thoughts about the Globe as we open this exciting new chapter in its story.

Barry Edelstein Michael G. Murphy Artistic Director Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 Board of Directors LEADERSHIP GIFTS The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major Happy New Year and welcome to The Old Globe! contributions have been designated for artistic, endowment and facilities Thank you for joining us for The Brothers Size, set projects, and help The Old Globe on a Louisiana Bayou, a powerful family tale of remain one of our country’s great freedom, desire and the strength of the human theatre institutions. heart told through West African mythology. $20,000,000 or greater As Chair of The Old Globe Board, I am proud Donald† and Darlene Shiley to support one of the region’s largest and $10,000,000 or greater most respected not-for-profit performing arts Conrad Prebys organizations, and I am grateful to those of you who do the same. Your loyal attendance is gratifying evidence of the broad appeal $5,000,000 or greater Sheryl and Harvey White of the Globe, and we work very hard to have a positive impact on you and our Kathryn Hattox entire community. Karen and Donald Cohn Just as important as your attendance, your charitable gifts and volunteer $2,000,000 or greater activity are the fuel that drives our institution. Individuals like you are the Viterbi Family Foundation foundation of the Globe’s annual fund income, which represents 64% of our $1,000,000 or greater contributed income. We thank you for your interest and hope that you’ll not California Cultural and only support the Globe with your own annual contribution but that you’ll also Historical Endowment serve as an ambassador, bringing friends with you every time you attend. Estate of Dorothy S. Prough The Rivkin Family On behalf of the Board of Directors, thank you for making the Globe a part of Estate of Beatrice Lynds your life. Audrey S. Geisel/San Diego Enjoy the performance! Foundation Dr. Seuss Fund Mr. and Mrs. Victor H.† Ottenstein Mrs. Helen Edison† Harold W. Fuson, Jr. The Stephen & Mary Birch Foundation Chair, Board of Directors The Kresge Foundation †In Memoriam

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Sheila Lipinsky Jordine Von Wantoch Gordon Luce (1925-2006) Mary Beth Adderley* Ramin Pourteymour Pamela J. Wagner Dolly Poet (1921-2007) Elizabeth Altman Paula Powers* Jim Wening Deborah Szekely Pamela Cesak Conrad Prebys* Lynne Wheeler Hon. Pete Wilson Nicole A. Clay David Reagan Debbie Wilson Joseph J. Cohen Sandra Redman Karin Winner EMERITUS DIRECTORS Peter J. Cooper* Crystal Sargent June Yoder Garet B. Clark Valerie S. Cooper Jean Shekhter Vicki Zeiger J. Dallas Clark (1913–2005) Ann Davies Ann Steck *Executive Committee Member Bea Epsten Silvija Devine Steven J. Stuckey Sally Furay, R.S.C.J. Pamela A. Farr Daniel L. Sullivan, Ph.D. HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Karen Fox Julie H. Sullivan, Ph.D. Mr s. Richard C. Adams Delza Martin (1915–2005) Victor P. Gálvez Rhona Thompson (1912–2005) Darlene Shiley Kathryn Hattox* Evelyn Mack Truitt Clair Burgener (1921-2006) Patsy Shumway Deni Jacobs Debra Turner Mrs. John H. Fox (1908–2003) Carolyn Yorston-Wellcome Daphne Jameson Linda Van Vark Audrey Geisel Jo Ann Kilty Stacey LeVasseur Vasquez Paul Harter

2 PERFORMANCES MAGAZINE Production Sponsors

The Old Globe applauds Microsoft for their outstanding in-kind gift to the theatre and is delighted to be part of Microsoft’s Unlimited Potential efforts. This very generous gift will enable the Globe to improve upon its high level of technological capabilities and support the theatre’s plan to upgrade its IT Critical Infrastructure. These upgrades will enable better customer service and communication by utilizing new software, upgrading necessary licenses and expanding storage capacity. Microsoft has pledged to partner with thousands of organizations around the world to expand technological capabilities and achieve its mission, and the Globe is fortunate to be a recipient of Microsoft’s generosity.

National Corporate Theatre Fund (NCTF) is a not-for-profit association dedicated to sustaining America’s finest theatres, on the stage and in the community, through innovative partnerships with companies, individuals and artists. Based in New York, NCTF provides a national vehicle for the flow of theatre, collaboration and ideas to and from key national markets. NATIONAL CORPORATE Through support of NCTF, partners keep American theatre alive by funding theatre THEATRE FUND education programs, artistic programs and theatre infrastructure. Together, NCTF serves theatres and companies, a win-win partnership focusing on shared values and creativity. Impact Creativity is NCTF’s new national arts education campaign and a response to The Old Globe and other resident theatres’ call to save and grow their education programs, which serve over 500,000 children in school districts nationwide.

CURRENT NCTF CONTRIBUTORS

LEADERSHIP CIRCLE PACESETTERS Skadden, Arps, Slate, Joseph F. Kirk ($200,000+) ($15,000-$24,999) Meagher & Flom LLC* Michael Lawrence and The James S. and Lynne P. Turley Acquis Consulting Group George S. Smith, Jr. Dr. Glen Gillen* Ernst & Young Fund Bloomberg John Thomopoulos** Jonathan Maurer and for Impact Creativity** Steven Bunson Willkie Farr & Gallagher LLP* Gretchen Shugart** Clear Channel Outdoor** MetLife John G. Miller SUPPORTERS CMT/ABC** Theatermania.com/ John R. Mathena ($2,500-$9,999) Gretchen Shugart* Ogilvy & Mather THEATRE EXECUTIVES American Airlines James S. Turley Theodore Nixon** ($50,000-$99,000) Mitchell J. Auslander** UBS Frank Orlowski AOL Bingham McCutchen* Edison Peres Bank of America DONORS Broadway Across America* Planet Data* Ernst & Young ($10,000-$14,999) Columbia Records* Thomas Quick American Express Foundation Dantchik Family* BENEFACTORS Seyfarth Shaw LLP* James E. Buckley* Paula Dominick** ($25,000-$49,999) TD Bank Christopher Campbell/Palace Dramatists Play Service, Inc. * BNY Mellon TrialGraphix* Production Center John R. Dutt Cisco Systems, Inc.* Evelyn Mack Truitt* Datacert, Inc.* Christ Economos** Citi Vernalis Systems Dorsey & Whitney Foundation Bruce R. and Tracey Ewing** Cleveland Clinic* Michael A. Wall* Epiq Systems* Pamela Farr Goldman, Sachs & Co. Wilkins Management* Marsh & McLennan Companies Richard Fitzburgh Morgan Stanley Isabelle Winkles** The McGraw-Hill Companies Steve & Donna Gartner** Pfizer, Inc. The Ralph and Luci Schey Nancy Hancock Griffith* *Fund for New American Theatre RVM INC. * Foundation** Kathleen Hancock* Wells Fargo** Includes In-kind support RBC Wealth Management Mariska Hargitay** Sharp Electronics Gregory S. Hurst **Gave to Impact Creativity

PERFORMANCES MAGAZINE 3 PRESENTS THE BROTHERS SIZE

BY TARELL ALVIN MCCRANEY

Peter Ksander Michelle Hunt Souza Gina Scherr Paul Peterson SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Jonathan Melville Pratt Jan Gist Caparelliotis Casting Diana Moser ORIGINAL MUSIC DIALECT COACH CASTING STAGE MANAGER

DIRECTED BY TEA ALAGIC´

The Brothers Size is presented by special arrangement with Dramatists Play Service, Inc., New York. —————————————————— SHERYL AND HARVEY WHITE THEATRE Conrad Prebys Theatre Center January 26 - February 24, 2013

4 PERFORMANCES MAGAZINE THE CAST (in order of speaking) OGUN HENRI SIZE...... Joshua Elijah Reese OSHOOSI SIZE...... Okieriete Onaodowan ELEGBA...... Antwayn Hopper

Percussionist...... Jonathan Melville Pratt

Stage Manager...... Diana Moser

SETTING San Pere, Louisiana, near the Bayou. Distant Present.

There will be no intermission.

PRODUCTION STAFF Assistant Director...... Samuel Hunter Production Assistant...... Sarah Kolman

The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 5 Meet Barry Edelstein The Globe’s New Artistic Director

The Old Globe Board community outreach and artist-training programs. of Directors recently He was Associate Producer of The Public’s announced the recent Broadway production of The Merchant appointment of Barry of Venice starring Al Pacino. Other productions Edelstein as Artistic he supervised there were As You Like It and Director. A nationally All’s Well That Ends Well directed by Daniel recognized director, Sullivan, King Lear with Sam Waterston and Bill producer, author Irwin, Measure for Measure directed by David and educator, Barry Esbjornson, The Winter’s Tale directed by Michael will work together Greif, Twelfth Night with Anne Hathaway, Othello with Managing with Philip Seymour Hoffman and Hamlet with Director Michael G. Michael Stuhlbarg. He supervised the addition of Murphy to lead San Shakespeare to The Public’s Public LAB small- Diego’s flagship arts scale producing series with his own production institution. of Timon of Athens with Richard Thomas in the

JOSEPH MORAN JOSEPH title role, and he supervised Love’s Labour’s Lost, Barry was most Titus Andronicus and the upcoming Troilus and recently the Director of the Shakespeare Cressida in that series. He launched The Public’s Initiative at New York City’s Public Theater. In Mobile Unit tour to prisons, homeless shelters this capacity he oversaw all of the company’s and other underserved audiences with Measure Shakespearean productions, including its famous for Measure and Richard III. This body of work led Shakespeare in the Park series in Central Park, NPR to call Barry “one of the country’s leading as well as The Public’s extensive educational, Shakespeareans.”

Barry Edelstein (right) with John Turturro at a workshop of Richard III at Classic Stage Company. Alessandro Nivola and Gwyneth Paltrow in As You Like It, directed by Barry Edelstein at Williamstown Theatre Festival.

6 PERFORMANCES MAGAZINE JOAN MARCUS JOAN (from left) Daniel Oreskes, Ron Rifkin and Noah Robbins in The Twenty-Seventh Man, directed by Barry Edelstein at The Public Theater. (from left) Mary Lou Rosato and Uma Thurman in The Misanthrope, directed by Barry Edelstein at Classic Stage Company. DIXIE SHERIDAN Barry Edelstein (left) with Steve Martin during rehearsal for Martin’s Wasp and Other Plays at New York Stage and Film. JOAN MARCUS JOAN (from left) Chris McKinney, Richard Thomas, Mark Nelson, Cary Donaldson and Max Casella in Timon of Athens, directed by Barry Edelstein at The Public Theater.

From 1998-2003 Barry was Artistic Director of Most recently in New York he directed the premiere of Off Broadway’s Classic Stage Company, where he novelist Nathan Englander’s first play, The Twenty-Seventh directed Richard III starring John Turturro and Julianna Man, at The Public. Margulies and The Winter’s Tale starring David Strathairn. He also staged the world premiere of Steve Martin’s Barry’s book Bardisms: Shakespeare for all Occasions The Underpants, which he commissioned, Ben Jonson’s “instructs and entertains” (New York Post) and was The Alchemist and Molière’s The Misanthrope starring re-released in paperback in 2010. His book Thinking Uma Thurman in her stage debut. At Williamstown Shakespeare (called by New York magazine “a must- Theatre Festival, he directed As You Like It starring read for actors”) is the standard text on American Gwyneth Paltrow. His other New York credits include Shakespearean acting. Arthur Miller’s All My Sons (which won the Lucille Lortel Award for Best Revival) and, at The Public, Steve Martin’s Barry has taught at The Juilliard School, New York Wasp and Other Plays, Julius Caesar starring Jeffrey University’s Graduate Acting Program, Yale School of Wright for Shakespeare in the Park and The Merchant Drama and University of Southern California. He has of Venice featuring Ron Leibman’s Obie Award-winning lectured on theatre around the USA and the world and portrayal of Shylock. has written on the subject for The New York Times, The Washington Post, The New Republic and American He has also directed many contemporary and classic Theatre. He is a graduate of Oxford University where he plays at leading regional theatres. His first film, My Lunch studied as a Rhodes Scholar. He and his wife, Hilit, have with Larry, starring Lisa Edelstein (no relation) and Greg two children, Tillirose and August. Germann, played the festival circuit in 2006 and 2007.

PERFORMANCES MAGAZINE 7 Tarell Alvin McCraney and Tea Alagic´ on The Brothers Size

Director Tea Alagic´ first staged The Brothers Size when she and playwright Tarell Alvin McCraney were classmates at Yale University. Since then, Alagic´ and McCraney have taken the play on an extraordinary journey: Alagic´ directed the world premiere in New York as well as productions in Washington, DC and Dublin, Ireland. The play launched McCraney’s career and brought both artists into the national spotlight.

The two of you worked together on the very doesn’t have to be told in this way, but this play first productions of The Brothers Size. Tea, takes this form (three actors in a room handing what drew you back to the play to work on it the story to you, sometimes directly, other again? Tarell, what makes Tea a good director times not) so that you feel as if you’ve shared for this piece? the experience or been there and have the right and ability to share it, pass it on, yourself. You TEA: I love this play. I loved it from the first own it more. day I read it in 2006, and I love the fact that we created it together. It’s like our baby. Tarell and TEA: The production arose, in part, out of I know each other well, we know each other’s restrictions — when I first directed the piece Tarell Alvin McCraney work and we know each other’s aesthetics. I had to not only direct it but also design it, It also helps that we were both actors and everything from sets to lights to costumes. dancers before we became what we are today, On the one hand, our resources were limited since a profound concern for voice, movement and demanded an approach to the text that and body strongly influences our work. was feasible within these practical limitations. On the other hand, its many allusions posed TARELL: The things that made Tea a great a challenge to the reader or viewer, whose person to work on my first professional play familiarity with the figures Tarell weaves into back in that small room in New Haven are the his work is restricted. But I also asked, “What is same things that make it lucky for us that she’s universal about this play?” I come from Bosnia; I returning to it. She’s incredibly smart, not just in know very little about African American history, terms of intellect and theatrical knowledge but aside from the bits and pieces I gathered Tea Alagic´ also in her intuition and ability to understand while attending Yale and living in the U.S. So it the emotional weight of a piece. You want a became of personal importance for me to find director with that kind of fearless curiosity and out how this production could be universal tenacity in the room. to every country, every place in the world, no matter what color or race people are. The most How would you describe the style of The productive question, though, turned out to be Brothers Size? Why does the story need to be the most specific one: When I first read the told in this way? play, I asked Tarell, “What are these names? I’ve never heard of these names: Oshoosi, Ogun, TARELL: The Brothers Size is a fable and is told Elegba.” And he said, “Oh, I just took them from in this manner in order for it to be passed on. It Yoruba.” So I thought, “OK, we can actually

8 PERFORMANCES MAGAZINE put this more into the world of Yoruba gods and ritualistic concepts.” Rather than seeking more general terms in which to understand the play, it was from the the intensification of the specific tone Artistic Director and world that made it resonate and become accessible. I went back to the way the Yoruba in Nigeria talk to each Once a decade, perhaps even less frequently, the American theatre produces other through drumming. That’s a sort a new voice that changes its future course. David Mamet’s was that voice of conversation they have village to when it was first heard in the 1970s, for example. Its scabrous, staccato bursts village. And it is also how they perform charted the bobs and weaves of American confidence men and charlatans on on the open ground — they create a the make. Tony Kushner’s voice came in the ’80s. Full of dense argument, fueled space to perform in and for people to by moral indignation and leavened with acid irony, his arch cadences made his come in and watch. That was part of my work a cosmopolitan, American answer to George Bernard Shaw. inspiration. Tonight you will hear the voice that will define the American theatre of the 2010s: that of Tarell Alvin McCraney. McCraney’s raw material is the music of How did music become such a vivid urban African America. Percussive and jazzy one moment, slow and insinuating part of the play? How does music the next, it sweeps through breathtakingly sharp turns from a kind of profane and language come together in the poetry to a shockingly sacred street-talk. A character whose vocabulary performance of the piece? comprises a mumble of monosyllabic curses in one moment suddenly waxes hyper-articulate enough to narrate his own stage directions in description of his TARELL: Music and the words were inner world. It’s theatre as contact-sport; playwriting as virtuoso musicianship. always intertwined. The words were While McCraney’s idiosyncratic voice is entirely unique, his themes are placed on the page in rhythms and anything but. He is the rare young writer who embraces the old as much as when said correctly they erect a kind the new. Myths and classic tales — not solely from the Western tradition — are of song. The music, the language, the McCraney’s source material. His stories are new narratives forged in the molds bodies all come together to aid us in of ancient forms. delivering the story to the audience. Tonight’s play, The Brothers Size, is the work that proclaimed McCraney’s TEA: When I first directed the play, I arrival on the scene, and in it is everything that makes this writer so special. didn’t know we were going to include The relationship between Ogun and Oshoosi Size is at once deeply, indeed drumming. In rehearsal, we started painfully, intimate, and yet also primal, even mythic. Their fraternal bond is so highlighting beats. Tarell doesn’t rich, so multilayered, that it recalls the great, epic brotherly loves whose stories explicitly mark all pauses in his stage are central to our culture: those of Cain and Abel, and Jacob and Esau, and directions but there are still changes Romulus and Remus. But the play’s locale is very much the here and now: a or beats. In a naturalistic drama, these greasy auto shop on the outskirts of town. And its preoccupations are solidly beats are psychological, but I thought, of today: how a man finds his identity in the roiling, riven culture of urban let’s accentuate them even more, make America, with its prejudices and pressures closing in from every direction. And them physically palpable and show most striking of all, its heart is — refreshingly — irony-free: as deeply felt and them with the beats of the drums. In unselfconsciously open as can be. rehearsal we had the actor playing Like most truly original talents, McCraney simultaneously breaks from and Elegba playing the drum, doing those echoes the work of his predecessors. Listen closely tonight and you’ll hear, beats, and then they gradually became bubbling beneath McCraney’s play, not only the American world outside the a score. theatre’s doors, but also the American playwrights who paved his way. Mamet’s here, with his hustlers; Kushner too, with his moralists. August Wilson’s earnest The play includes a lot of strong chroniclers of African American life are in this play, as are the carnivalesques language, including the “n-word.” Do of the great African American playwrights Adrienne Kennedy and George C. you see the word as controversial? Wolfe. I sometimes think that if the Pulitzer-prized stage giants Arthur Miller Why do you feel the characters speak and Suzan-Lori Parks had a kid, he’d be a lot like Tarell McCraney. Where this the way they do? extraordinary talent will take us next is one of the most exciting prospects in the American theatre — and in American culture, too. I can’t wait to find out TARELL: All language is strong and can and to make sure The Old Globe is there for all the fun. be controversial. The words used in this play are a part of the lives of the men Thanks for being here. Enjoy the show! we are depicting. I would only worry if they were an untrue color or pigment of that portrait. Barry Edelstein continued on page 12 PERFORMANCES MAGAZINE 9 YORUBA MYTHOLOGY Orishas and Their Meaning

By Danielle Mages Amato

The Brothers Size, says playwright Tarell Alvin McCraney, was “inspired by Yoruba life and traditions, steeped in Southern rhythms and cadences and seamed shut with the fire of urban music and dance.” Today, there are more than 20 million Yoruba, living mostly in the West African countries of Nigeria, Benin and Ghana. The Yoruba worship a creator god, Olodumare, and a rich pantheon of other deities, called orishas, that represent different aspects of nature or the spirit. Each of the characters in The Brothers Size is named for a different Yoruba orisha, and their personalities are strongly influenced by that orisha.

10 PERFORMANCES MAGAZINE OGUN The orisha of iron, fire and war. Ogun is the patron of blacksmiths and the deity of all metalwork and metalworkers. He is often pictured with an iron tool or sword in his hand. In The Brothers Size, Ogun owns a garage and works wonders with cars. He is steady and solid, but he can also seem hard and unyielding to his brother Oshoosi.

OSHOOSI The orisha of the forest, the hunter, the wanderer. Oshoosi is often portrayed as a loner, a stranger, a solo traveler into strange realms. In The Brothers Size, Oshoosi is newly returned from a journey to prison, and he is struggling with how to live on the outside. He does not seem to have a clear path in life, and his brother berates him for his lack of direction.

ELEGBA The trickster, the teacher of difficult lessons. Elegba is the orisha of the crossroads and patron of travelers who holds power over fortune and misfortune. In many legends, Elegba plays tricks on unsuspecting humans in order to put them on the path to maturity. In The Brothers Size, Elegba is Oshoosi’s friend from prison, who shows up on the Size doorstep at this major crossroads moment in Oshoosi’s life. Elegba’s presence causes discord between the brothers, as Elegba seems to be tempting Oshoosi to take risks that could put him back in prison.

YORUBA IN THE UNITED STATES McCraney emphasized that his use of the Yoruba Yoruba culture and mythology made their way to mythology is a specifically American vision. “You can the Americas during the years of the Atlantic slave trace the myths to Africa,” he says, “but that’s not trade. Many Yoruba were brought to Cuba, the how I learned them. The orisha stories I learned are Dominican Republic, Haiti and the Caribbean and American myths, not West African stories.” from there made their way to the United States, especially to Florida and the other Gulf Coast states. The Yoruba beliefs combined with indigenous traditions and Christian teachings to form belief systems like today’s Santería, Vodun and Oyotunji. For McCraney, growing up in Miami, this rich mixture “You can trace the of traditions was part myths to Africa, of what it meant to be African American. “From but that’s not how a young age,” he has said, I learned them. “I found myself running into people — Lucumi, Grillo by Jean-Michel Basquiat, 1984. The orisha stories Santero — in Miami who would tell me that I am I learned are a child of Yemoja or that YORUBA AND MUSIC American myths, the deities speak to me As with art and religion, Yoruba has had a profound strongly…the Yoruba have influence on Caribbean and Cuban music. The not West African been with me, around foundation of Yoruba musical practice is the drum, stories.” me — even when I didn’t which has a powerful significance in both ritual know it.” Many African ceremonies and cultural life. The Brothers Size is American, Afro Cuban in many ways an experiment in rhythm, and the and Afro Caribbean artists have been inspired by constant presence of the percussionist is another traditional Yoruba stories and practices. Painter nod to Yoruba tradition and shamanistic storytelling. Jean-Michel Basquiat, whose father was Haitian, The production showcases modern instruments and frequently included images of Ogun and Elegba in rhythms that reflect a Yoruba influence, including his art, combining them with Catholic saints and Cuban congas, West African djembes and various American figures like Charlie Parker and Joe Lewis. pan-African and South American instruments, In a 2009 interview with American Theatre magazine, played to a traditional Afro Cuban beat. PERFORMANCES MAGAZINE 11 JEFFREY WEISER JEFFREY Tea introduces The Brothers Size on the first day of rehearsal. continued from page 9 TEA: As much as Tarell uses poetic I had a war in my country, and I had language and the style is abstract, to leave my country in 10 minutes, The play is dedicated to “my the story is so truthful and so honest because bombs were coming into the brothers.” What does the question of and the brother relationship is city and destroying everything. And my brotherhood in the play mean to each extraordinarily well portrayed. I have parents said, “Take this bag and run.” of you? tears when I’m watching it. It’s at once And they told me, “We’re going to see very funny and very tragic. You can see each other in two weeks.” And we didn’t TARELL: (Laughing) I spend about 90 how much sacrifice this older brother see each other until many, many years pages telling you what brotherhood is prepared to make for his younger after that. The play tells us a story of means, can mean, might mean, should brother, and that’s a universal story. I unconditional love; it’s a family story, mean to me, so I’ll let Tea take this one. connect it to my own family. In 1992, and everyone can relate to that.

UP Henrik Ibsen’s A Doll’s House NEXT March 23 - April 21 Adaptation by Anne-Charlotte Hanes Harvey and Kirsten Brandt Directed by Kirsten Brandt

The Old Globe’s Classics Up Close series continues with this Ibsen masterwork. In a time of financial desperation, a young wife makes a dangerous decision, taking an illegal risk to save her husband’s life. Years later, her secret comes back to haunt her, and its revelation will shake the foundations of her entire world. Ibsen’s A Doll’s House is a true landmark of modern drama. Director Kirsten Brandt and Ibsen translator Anne-Charlotte Hanes Harvey collaborate to create a new adaptation of the play expressly for the intimate Sheryl and Harvey White Theatre.

12 PERFORMANCES MAGAZINE Profiles

ANTWAYN HOPPER Theatre Company and many others. premiere of his commissioned play Head (Elegba) most recently Mr. Onaodowan is also a professional of Passes in April 2013. His play Choir appeared in the New York lover of life and giver of hugs. Boy, commissioned by Manhattan Theatre premiere of A Civil War Club, will be produced there in June 2013 Christmas directed by JOSHUA ELIJAH REESE and previously played to sold-out crowds Tina Landau (New York (Ogun Henri Size) is at the Royal Court Theatre in London Theatre Workshop), and reprising the role of Ogun this past fall. Mr. McCraney was the Royal prior to that he played Kilroy in the revival after being a part of the Shakespeare Company’s International of Camino Real (Goodman Theatre). West Coast premiere of Playwright in Residence from 2008 to His other New York credits include Hair The Brother/Sister Plays in 2010 where he co-edited and directed (Broadway), the premiere of Lesser San Francisco at Magic the Young People’s Shakespeare Mercies (Exit, Pursued by a Bear), Yeast Theatre and also most recently with production of Hamlet, which toured Nation (the triumph of life) (New York Syracuse Stage, which toured Cape Town throughout the U.K. and was presented International Fringe Festival), Show Boat and Johannesburg, South Africa. He has at the Park Avenue Armory in New York. in concert (Carnegie Hall), Roller Derby appeared regionally as Elegba in The He is the recipient of the prestigious (New York Musical Theatre Festival) and Brothers Size, Nate in Charlayne Whiting Writers’ Award and Steinberg readings or workshops at Roundabout Woodard’s Flight and Devaun in the world Playwright Award as well as London’s Theatre Company, New York Stage premiere of When January Feels Like Evening Standard Award for Most and Film and York Theatre Company. Summer, which was a recipient of the Promising Playwright, the inaugural New His select regional credits include the M. Elizabeth Osborn Award (City Theatre, York Times Outstanding Playwright Award world premiere of Whoopi Goldberg’s Pittsburgh), Floyd “Schoolboy” Barton in and the inaugural Paula Vogel Award in White Noise (Le Petit Théâtre du Vieux Seven Guitars (American Stage Theatre Playwriting. He is a graduate of the New Carré), Rent (Syracuse Stage), Porgy Company), Youngblood in Jitney World School of the Arts High School, and Bess in concert (Cincinnati Pops (Pittsburgh Playwrights Theatre The Theatre School at DePaul University Orchestra), Irving Berlin’s White Company), Davey Battle in Take Me Out in Chicago and Yale School of Drama. Christmas (The Denver Center for the (Bare Bones Theater Company) and He is a resident playwright at New Performing Arts) and The Who’s Tommy Octavius Caesar in Julius Caesar Dramatists and a member of Teo (Dallas Theater Center). Mr. Hopper’s (Pittsburgh Irish and Classical Theatre). Castellanos/D-Projects in Miami. His film credits include The Dark Knight film credits include the forthcoming ´ Imogene opposite Kristen Wiig, and he Rises, One for the Money, Riddle, TEA ALAGIC (Director) previously has appeared on television in “A Gifted Unstoppable and Homecoming. His directed the world premiere of The Man” (CBS) and “Bored to Death” (HBO). television credits include “The Kill Point,” Brothers Size at The Public Theater, He holds a B.F.A. from Carnegie Mellon “Person of Interest,” “Three Rivers,” Those The Studio Theatre and Abbey Theatre. University. Who Kill and “Low Winter Sun,” which will She has also directed Brandon Jacobs- premiere on AMC this year. Mr. Reese is a Jenkins’ A Light Design (Baryshnikov Art OKIERIETE graduate of Point Park University with a Center), Martyna Majok’s Petty Harbour ONAODOWAN (Oshoosi B.F.A. in Theatre and a minor in Dance. (Carlotta Festival of New Plays at Yale Size) has appeared on University), Frances Ya-Chu Cowhig’s Broadway in Cyrano TARELL ALVIN MCCRANEY (Playwright) Lidless (Walkerspace Theater/Page 73 de Bergerac directed by is best known for his acclaimed trilogy, Productions), Cori Thomas’ Waking Up Jamie Lloyd and Off The Brother/Sister Plays: The Brothers (The Ensemble Studio Theatre), Naomi Broadway in Neighbors Size, In the Red and Brown Water and Iizuka’s Anonymous (National Hispanic (The Public Theater) and Langston in Marcus; or the Secret of Sweet. They have Cultural Center in Albuquerque), Rainer Harlem directed by Kent Gash (Urban been performed at McCarter Theatre Werner Fassbinder’s The Marriage of Stages). His Off Off Broadway credits Center in Princeton, The Public Theater Maria Braun (ZKM in Croatia), Jack include The Shipment directed by Young in New York, Steppenwolf Theatre Womack and Elliot Sharp’s Binibon (The Jean Lee (The Kitchen) and Pontius Pilate Company in Chicago and at a trio of Kitchen), Alberto Villarreal Diaz’s Events in The Last Days of Judas Iscariot theatres in the Bay Area (Marin Theatre with Life’s Leftovers (DramaFest in Mexico (Richmond Shepard Theatre). He was Company, American Conservatory City) and Saviana Stanescu’s Aliens with also seen in the First National Tour of Theater and Magic Theatre), as well as Extraordinary Skills (Women’s Project). American Idiot. His regional credits the Young Vic in London (Olivier Award She holds an M.F.A. in Directing from Yale include Ruined directed by Liesl Tommy nomination) and around the world. University School of Drama. (Huntington Theatre Company, Berkeley His other plays include The Breach Repertory Theatre and La Jolla (Southern Rep, Seattle Repertory PETER KSANDER (Scenic Design) is a Playhouse), Coalhouse in Ragtime, Guys Theatre), Wig Out! (Sundance Institute scenographer currently based in Portland, and Dolls and an opening performer for Theatre Lab, Royal Court Theatre, Oregon. His design credits include scenic Bernadette Peters and Brian Stokes Vineyard Theatre, GLAAD Award for and/or lighting designs for Botanica Mitchell (New Jersey Performing Arts Outstanding New York Theater: Broadway (Collapsable Giraffe, 3-Legged Dog), Center). He is a graduate of the William and Off-Broadway) and American The Brothers Size (The Public Theater, Esper Studio for acting. He has been Trade (Royal Shakespeare Company The Studio Theatre, Dublin), Othello featured in several readings at The Public and Hampstead Theatre). Steppenwolf (Theatre for a New Audience, Intiman Theater, New York Stage and Film, Lark Theatre Company, where he is an Theatre), On the Levee (LCT3), 1:23 and ensemble member, will produce the world Behind the Eye (Cincinnati Playhouse in

PERFORMANCES MAGAZINE 13 Profiles the Park), A House in Bali (Bang on a Can, at the Edinburgh Festival Fringe, The Katie Workum, Jennifer Nugent, Jonah Cal Performances, Brooklyn Academy of Korean Festival, Sibiu International Bokaer, Princeton University, The Juilliard Music), Making of Americans (Walker Art Theatre Festival, Dublin Fringe Festival, School of Drama and The Juilliard School Center), Laude in Urbis (Compagnia SummerWorks Theatre Festival in Toronto of Dance. His credits include Dancing at de Colombari, Orvieto, Italy), This Place and Tremors Festival in Vancouver. Lughnasa, The Cherry Orchard, Uncle is a Desert with Jay Scheib (Boston Her regional credits include Milwaukee Vanya, Ivanov, Platonov and The Seagull Institute of Contemporary Art, Under Repertory Theater, Two River Theater (Lake Lucille), The Greeks, Part One: The the Radar Festival), Drum of the Waves Company, Asolo Repertory Theatre, Maltz War and The Brothers Size (The Public), of Horikawa (The Theatre of a Two- Jupiter Theatre, Yale Repertory Theatre, The Greeks, Part Two: The Murders and Headed Calf) and Saint Joan of the Yale Baroque Opera Project, The Empty The Brothers Size (Abbey Theatre), The Stockyards (Stillpoint Productions/ Space and Williamstown Theatre Festival. Greeks, Part Three: The Gods (Juilliard), PS122). His design work has appeared in She received a Bessie Award nomination the critically acclaimed “Thirteen” for the Buenos Aires in Translation Festival, for her work with Company XIV and has Keigwin + Company’s Runaway (Juilliard, the Exit Festival at the Maison des arts exhibited at Prague Quadrennial. She is a Joyce Theater), “Triptych” for Keigwin de Créteil, the Ontological-Hysteric graduate of Vanderbilt University and Yale + Company’s world premiere (Joyce Incubator, PICA’s Time-Based Art School of Drama. Theater), “Two Way Dream” for Camille Festival, the National Theatre in Hungary A. Brown’s City of Rain (Joyce Theater, and at the Massachusetts Institute of PAUL PETERSON (Sound Design) has Princeton), the world premiere of the Technology. In 2008 he won an Obie designed over 100 productions at The evening-length score “Motor” for Brian Award for the scenic design of Untitled Old Globe, including God of Carnage, Brooks Moving Company (Lincoln Mars (This Title May Change) (PS122). Nobody Loves You, Anna Christie, Center) and “The Chain Suite” for Helen He holds a M.F.A. from California Institute Odyssey, Engaging Shaw, Life of Riley, Simoneau’s Flight Distance III. Mr. Pratt of the Arts and is an assistant professor at Plaid Tidings — A Special Holiday Edition was among seven out of 500 applicants Reed College. of Forever Plaid, Welcome to Arroyo’s, from 60 countries to have been awarded Brighton Beach Memoirs, Broadway the Sacatar International Arts Fellowship MICHELLE HUNT SOUZA (Costume Bound, The Last Romance, Lost in in Bahia, Brazil. He has recently scored the Design) has previously designed the Yonkers, I Do! I Do!, The Mystery of Irma films A Study in Colour by Celia Rowlson- Globe productions of Pericles and Vep, Cornelia, Kingdom, Six Degrees Hall, Blue for Kate Spade and an evening- Romeo y Julieta and the Old Globe/USD of Separation, The Women, Dr. Seuss’ length work “Big City” with Brian Brooks Graduate Theatre Program productions How the Grinch Stole Christmas!, Bell, Moving Company, which premiered at of Twelfth Night, The Winter’s Tale and Book and Candle, Two Trains Running, the Joyce on May 30, 2012. He has also The Two Gentlemen of Verona. Her San Hold Please, Restoration Comedy, Pig recently completed a collaboration Diego credits include Miss Electricity (La Farm, Moonlight and Magnolias, Vincent with Keigwin + Company entitled Jolla Playhouse), The Tempest (MiraCosta in Brixton, Lucky Duck, The Intelligent “Flexus (12 Chairs) for the Joyce in College), Rabbit Hole, Shipwrecked! An Design of Jenny Chow, Blue/Orange, June 2012 and is currently working Entertainment, The Dresser, A Christmas Time Flies, Pentecost, Compleat Female on another. Additionally, Mr. Pratt is Carol, Don’t Dress for Dinner, String Stage Beauty, The Boswell Sisters, working on two new commissions for of Pearls and Dracula (North Coast Crumbs from the Table of Joy, and Camille A. Brown, one that premiered on Repertory Theatre), Christmas on My many more. His regional credits include December 12, 2012 at Juilliard and one Mind and Joseph and the Amazing designs for Milwaukee Repertory that premiered at the Joyce in January Technicolor Dreamcoat (Lamb’s Players Theater, San Jose Repertory Theatre, 2013. www.jonpratt.org. Theatre), Dog Act (MOXIE Theatre), A CENTERSTAGE, La Jolla Playhouse, Bright Room Called Day (Diversionary Sledgehammer Theatre (Associate Artist), JAN GIST (Dialect Coach) has been Theatre) and The Playboy of the Western Mo’olelo Performing Arts Company, San Voice, Speech and Dialect Coach for Old World (New Village Arts). Her UC San Diego Repertory Theatre, North Coast Globe productions since 2002. She has Diego credits include Good Breeding, Repertory Theatre, Diversionary Theatre, coached at theatres around the country The Love of the Nightingale and Measure Malashock Dance, University of San including Ahmanson Theatre, La Jolla for Measure. Ms. Souza’s designs for Dog Diego, San Diego State University and Playhouse, Oregon Shakespeare Festival, Act, A Bright Room Called Day and The Freud Playhouse at UCLA. Mr. Peterson The Shakespeare Theatre Company in Love of the Nightingale earned Patté received his B.F.A. in Drama with an DC, The American Shakespeare Center, Awards for Theater Excellence. Ms. Souza emphasis in Technical Design from Utah Shakespeare Festival, Alabama is a graduate of the M.F.A. program at UC San Diego State University. Shakespeare Festival, Arena Stage, San San Diego. Diego Repertory Theatre, Milwaukee JONATHAN MELVILLE PRATT (Original Repertory Theater, PlayMakers Repertory GINA SCHERR (Lighting Design) recently Music, Percussionist) is a composer, singer, Company, Indiana Repertory Theatre, designed 20 Years of Encores! at New percussionist, multi-instrumentalist and American Players Theatre and Mo’olelo York City Center. Her other New York producer living in Brooklyn. Collaborators Performing Arts Company. Ms. Gist has credits include Aliens with Extraordinary and commissioners with whom he has been a guest on KPBS radio’s “A Way with Skills, Binibon, Our Lot, Vendetta worked include The Old Globe, Keigwin + Words,” narrated San Diego Museum Chrome, Ugo’s Last Dance, Atomic Company, Brian Brooks Moving Company, of Art documentaries, coached dialects Farmgirl, Momma, God’s Waiting Room, Camille A. Brown, The Public Theater, for the film The Rosa Parks Story and Cherubina, The Wife, Pitch and Gulf View Abbey Theatre, Brian Mertes, Mimi recorded dozens of Books To Listen To. Drive. She has designed internationally Garrard Dance Theatre, Daniel Charon,

14 PERFORMANCES MAGAZINE She is a founding member of The Voice and her M.F.A. in Directing from Purdue. Shakespearean acting. He is also the and Speech Trainers Association and When not doing theatre, she splits her author of Bardisms: Shakespeare for All has presented at many national and time between Nova Scotia and the classic Occasions. Mr. Edelstein is a graduate of international conference workshops for wooden sailboat Simba I. Ms. Moser is Oxford University, where he studied as a them and for The Voice Foundation. She a strong supporter of the Bard Prison Rhodes Scholar. has taught workshops in Russia for the Initiative, which provides a college International Voice Teachers Exchange at education to inmates. MICHAEL G. MURPHY (Managing The Moscow Art Theatre and at London’s Director) served as General Manager Central School of Speech and Drama. BARRY EDELSTEIN (Artistic Director) of The Old Globe from 2003 to 2012, She has been published in VASTA is a stage director, producer, author and overseeing the Production, Education, Journals, and chapters in books include educator. Widely recognized as one of Human Resources, Information The Complete Vocal Warm-Up, More the leading authorities on the works of Technology and Facilities Departments, as Stage Dialects and an interview in Shakespeare in the United States, he well as Front of House operations. He also Voice and Speech Training in the New has directed nearly half of the Bard’s managed the construction of the Globe’s Millennium: Conversations with Master works. As Director of the Shakespeare new theatre and education facilities. Teachers. She is a professor in The Old Initiative at The Public Theater (2008- Prior to the Globe, he was the Managing Globe/USD Graduate Theatre Program. 2012), he oversaw all of the company’s Director of Austin Lyric Opera in Austin, www.jangistspeaking.com. Shakespearean productions, as well as Texas, Director of Administration of San its extensive educational, community Diego Opera and General Manager of CAPARELLIOTIS CASTING (Casting) outreach and artist-training programs. San Diego Repertory Theatre. Before recently cast the Globe productions At The Public, Mr. Edelstein staged relocating to San Diego from New York, of Pygmalion and Good People. Their Julius Caesar starring Jeffrey Wright he held similar positions at Theatre for Broadway casting credits include Craig for Shakespeare in the Park and The a New Audience and the Joyce Theater Wright’s Grace, Theresa Rebeck’s Dead Merchant of Venice featuring Ron Foundation’s American Theater Exchange. Accounts, Sharr White’s The Other Place, Leibman’s Obie Award-winning portrayal He also served as negotiating assistant Lyle Kessler’s Orphans (upcoming), of Shylock. He was also Associate for the League of Resident Theatres and Seminar, The Columnist, Stick Fly, Good Producer of The Public’s Broadway sales representative for Columbia Artists People, Bengal Tiger at the Baghdad Zoo, production of The Merchant of Venice Theatricals Corporation. Mr. Murphy The House of Blue Leaves, Fences, Lend starring Al Pacino. From 1998-2003 has served on the Board of Directors of Me a Tenor and The Royal Family. he was Artistic Director of Classic the San Diego Performing Arts League They also cast for Manhattan Theatre Stage Company, where he produced and serves as a Management Trustee Club, Second Stage Theatre, Atlantic and directed some of New York’s most for San Diego County Theatrical Trusts, Theater Company, LCT3, Ars Nova, memorable classical productions. the pension and welfare trust for IATSE Goodman Theatre, Arena Stage, Mr. Edelstein’s Shakespearean directorial stagehands in the San Diego region. He Ford’s Theatre and three seasons with credits include productions of The was also an adjunct faculty member of Williamstown Theatre Festival. Their Winter’s Tale with David Strathairn, the Music Department at the University recent and upcoming film and television Timon of Athens with Richard Thomas, of San Diego. Mr. Murphy earned his credits include HairBrained (with Brendan As You Like It with Gwyneth Paltrow B.F.A. degree in Stage Management Fraser) and Steel Magnolias (Sony for and Richard III with John Turturro. His from Webster University in St. Louis, Lifetime). additional credits include the Lucille Missouri and his M.F.A. in Performing Arts Lortel Award-winning revival of Arthur Management from Brooklyn College of DIANA MOSER (Stage Manager) recently Miller’s All My Sons; the world premiere of the City University of New York. stage managed The Recommendation, Steve Martin’s The Underpants, which he August: Osage County, Rafta, Rafta…, commissioned; Molière’s The Misanthrope JACK O’BRIEN (Artistic Director Brighton Beach Memoirs, Broadway starring Uma Thurman in her stage debut; Emeritus) served as the Artistic Director Bound and The Whipping Man at The Old and the world premiere of novelist of The Old Globe from 1982 through Globe. Her additional credits at the Globe Nathan Englander’s play The Twenty- 2007. Mr. O’Brien most recently directed include Lost in Yonkers, I Do! I Do!, The Seventh Man. He has also directed new Norbert Leo Butz and Katie Holmes Price, Opus, Six Degrees of Separation, and classical work extensively at regional in Theresa Rebeck’s Dead Accounts The Pleasure of His Company, The Glass theatres around the USA. Edelstein has on Broadway. His Broadway credits Menagerie, In This Corner, 2007 Summer taught Shakespearean acting at The also include: Catch Me If You Can, Shakespeare Festival, Restoration Juilliard School, NYU’s Graduate Acting Impressionism, The Coast of Utopia (Tony Comedy, Christmas on Mars, A Body Program and the University of Southern Award), Dr. Seuss’ How the Grinch Stole of Water, Lobby Hero, Fiction and The California. He has lectured on theatre Christmas!, Dirty Rotten Scoundrels (Tony Intelligent Design of Jenny Chow. around the USA and the world and has nomination), Henry IV (Tony Award), Ms. Moser’s regional credits include La written on the subject for The New Hairspray (Tony Award), Imaginary Jolla Playhouse, San Diego Repertory York Times, The Washington Post, The Friends, The Invention of Love (Tony Theatre, Arena Stage, The Repertory New Republic and American Theatre. nomination, Drama Desk Award), The Theatre of St. Louis, New York Theatre His book Thinking Shakespeare (called Full Monty (Tony nomination), More to Workshop, Berkshire Theatre Festival, by New York magazine “a must-read Love, Getting Away with Murder, Pride’s The Children’s Theatre Company and for actors”) was published in 2007 and Crossing, The Little Foxes, Hapgood Arizona Theatre Company. Ms. Moser is now the standard text on American (Lucille Lortel Award, Best Director), received her B.A. from Bard College Damn Yankees, Two Shakespearean

PERFORMANCES MAGAZINE 15 Corporate Season Sponsors

In 1995, the Season Sponsor program was initiated by Globe Board Members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is deeply grateful to its Corporate Season Sponsors, each of whom has generously supported the 2012-2013 season.

LEAD SEASON SPONSORS $75,000 or greater

Sponsor since 2007 Sponsor since 2000

Charter Sponsor since 1995

SEASON SPONSORS $50,000 or greater

Charter Sponsor since 1995 Sponsor since 2004 Sponsor since 2007

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

Actors (Tony nomination), Porgy and Diegans to have had an entire year (1987) Bess (Tony Award). Metropolitan Opera: proclaimed in his honor, and to be named CAPARELLIOTIS CASTING II Trittico. London: Love Never Dies, one of San Diego’s “Living Treasures.” He David Caparelliotis Hairspray (Olivier nomination). National was a founder of the California Theatre Lauren Port Theatre: His Girl Friday. Six movies for Council and a former vice president of the Miriam Mintz PBS’s “American Playhouse.” Awards: California Confederation of the Arts. 2008 Theatre Hall of Fame Inductee, His numerous honors include The San Diego 2005 John Houseman Award, ArtServe Union-Tribune list of 25 persons who shaped Michigan 2008 International Achievement the city’s history; the Governor’s Award Award, Honorary Doctorate, University for the Arts; University of Arizona Alumni SPECIAL THANKS of Michigan. Honorary Doctor of Humane Association’s Outstanding Citizen, for his Letters, University of San Diego. Film contribution to their Fine Arts department; The Array Mbira featured in this (actor): Sex and the City 2. San Diego State University’s Outstanding production was provided by Array Alumnus; Conservator of American Arts Instruments, www.TheArrayBbira.com CRAIG NOEL (Founding Director) was Award from American Conservatory first appointed director in 1939, directing Theater; the San Diego Press Club 15 productions prior to World War II. Since Headliner Award; San Diego Gentleman then he directed more than 200 plays of Distinction Award; and a combined of all styles and periods and produced tribute from the Public Arts Advisory This theatre operates under an agreement an additional 270 productions. His between the League of Resident Theatres Council and the San Diego County Board of and Actors’ Equity Association, the union of vision for The Old Globe resulted in the professional actors and stage managers in the Supervisors. Mr. Noel was particularly proud United States. establishment of the Shakespeare Festival of the following three honors representing and the San Diego Junior Theatre in the education and theatre: Honorary Doctorate late ‘40s, the expansion to two theatres in The Directors are members of the Society of Humane Letters, University of San Diego, of Stage Directors and Choreographers, the ‘50s, Globe Educational Tours in the Honorary Doctorate in Fine Arts, San Diego an independent national labor union. ‘70s and Teatro Meta and the Old Globe/ State University and the annual Awards for University of San Diego MFA program in Excellence in Theatre named in his honor This Theatre operates under an Agreement the ‘80s. During the 1940s, Mr. Noel served by the San Diego Theatre Critics Circle. In with the International Alliance of Theatrical Stage Employees Local No. 122. as dialogue director for the 20th Century 2007, he received the National Medal of Fox Studios and was the former director of Arts — the nation’s highest honor for artistic the Ernie Pyle Theatre in Tokyo. Described excellence — in a ceremony at the White The Scenic, Costume, Lighting and Sound by Variety as the eminence grise of San House. Craig Noel died on April 3, 2010 at Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE. Diego theatre, Mr. Noel is one of the few San the age of 94.

16 PERFORMANCES MAGAZINE Education

SUMMER SHAKESPEARE INTENSIVE For high school-aged students, our Education Department offers two top-notch programs that provide training and scholarships toward a future in the theatre. High school students looking for an opportunity to study classical acting and perform in The Old Globe’s Lowell Davies Festival Theatre can audition for the SUMMER SHAKESPEARE INTENSIVE. This four-week program immerses participants in deep study of one of Shakespeare’s plays and gives students a professional-level

JEFFREY WEISER JEFFREY experience as they rehearse their show. Students work with the Globe’s stage managers and costume, props and scenic departments in an exhilarating theatre experience.

Here’s what former students have to say about the Summer Shakespeare Intensive! “The hardest fun you could ever have.” – Mico Ramos “A wonderfully empowering program that not only increased my confidence in my acting skills, but my confidence in myself.” – Meghan McKenzie HENRY DIROCCO HENRY “This is the best program I have ever done. I have been to a lot of workshops and done a lot of camps, but the Intensive is by far the

best one. I learned a million different things, and everyone who taught the program was HENRY DIROCCO HENRY professional and insightful.” – Kelly Prendergast

(top) 2012 Summer Shakespeare “I had an amazing time in the Shakespeare Intensive. Everything was done at a very Intensive participants begin their professional level while still keeping a sense of fun and enjoying theatre.” – Derl Clausen training with movement exercises; (bottom) A Midsummer Night’s Dream, 2012 Summer Shakespeare Intensive. Auditions for the Summer Shakespeare Intensive will take place on March 9 and 10, 2013. J. KATARZYNA WORONOWICZ. KATARZYNA J. The semi-finalists, finalists and winners of the 2012 Globe Honors.

GLOBE HONORS is a competition for San Diego County Winners of the semi-finals move on to the finals round where students who have worked on plays and musicals at their they perform their audition pieces onstage in The Old Globe schools and in the community. The competition consists of Theatre. All winners receive $1,000 scholarships. auditions for actors and singers and an interview process for Auditions for Globe Honors will be held on May 4 and 5, 2013. technical theatre students.

For more information about Education Programs, please contact [email protected] or visit www.TheOldGlobe.org/Education.

PERFORMANCES MAGAZINE 17 Individual Season Sponsors

In 1995, the Season Sponsor program was initiated by Globe Board Members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following donors who have generously supported the 2012-2013 season.

LEAD SEASON SPONSORS $75,000 or greater

Karen and Donald Cohn Darlene Marcos Shiley Audrey S. Geisel Sheryl and Harvey White Charter Sponsors since 1995 In memory of Donald Shiley Sponsor since 1998 Sponsors since 2000 Charter Sponsor since 1995

Conrad Prebys and Debbie Turner Mary Ann Blair Peter Cooper and Norman Blachford Sponsors since 2004 Sponsor since 2007 Sponsors since 2008

SEASON SPONSORS $50,000 or greater

Elaine Lipinsky Family Foundation Globe Guilders John A. Berol The County of San Diego Charter Sponsor since 1995 Charter Sponsors since 1995 Sponsor since 1996 Sponsor since 1996

Kathryn Hattox Joan and Irwin Jacobs Mary Beth Adderley and Sponsor since 1998 Sponsors since 2002 Elizabeth & Ryan Williams Sponsors since 2004

Valerie and Harry Cooper June E. Yoder Brian and Silvija Devine Sponsors since 2005 Sponsor since 2010 Sponsors since 2012

18 PERFORMANCES MAGAZINE Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission Globe Guilders The Shubert Foundation for Arts & Culture The James Irvine Foundation Sheryl & Harvey White Foundation The County of San Diego Microsoft Audrey S. Geisel/The San Diego Darlene Marcos Shiley, Foundation Dr. Seuss Fund in memory of Donald Shiley

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation Elizabeth & Ryan Williams Valerie & Harry Cooper Conrad Prebys & Debra Turner The Legler Benbough Foundation Mr. & Mrs. Brian K. Devine Qualcomm Foundation John A. Berol Edgerton Foundation United Mary Ann Blair Kathy & John Hattox Wells Fargo Karen & Donald Cohn HM Electronics, Inc. June E. Yoder, Cohn Restaurant Group/ Joan & Irwin Jacobs Fund of the in memory of David Yoder Prado Restaurant Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Higgs Fletcher & Mack, LLP Gloria & Dick Rasmussen Balboa Park Celebration, Inc. Elaine & Leonard Hirsch San Diego Gas & Electric® Bank of America The Hull Family Sheraton San Diego Hotel & Marina Alan Benaroya Inn at the Park Patsy & Forrest* Shumway Richard & Kathy Binford Jo Ann Kilty Mickey Stern California Bank & Trust Barbara G. Kjos Ms. Jeanette Stevens Pamela & Jerry Cesak National Corporate Theatre Fund Gillian & Tony Thornley Elaine & Dave Darwin Neiman Marcus Union Bank Nina & Robert Doede Paula & Brian Powers U.S. Bank Pamela A. Farr Random House Children’s Books Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Carol & George Lattimer Anne Taubman & David Boyle Nikki & Ben Clay Jeffrey & Sheila Lipinsky Evelyn Mack Truitt Joseph Cohen & Martha Farish Family Foundation Nita & Henk van der Werff Ann Davies Rebecca Moores Pamela J. Wagner Karen Fox & Harvey Ruben National Endowment for the Arts Dr. Steve & Lynne Wheeler Hal & Pam Fuson Rafael & Marina Pastor Karin Winner Diana Glimm Tom & Lisa Pierce Laurie Mitchell & Brent Woods Lee & Frank Goldberg Allison & Robert Price Pamela & Marty Wygod Dr. & Mrs. Harry F. Hixson, Jr. Price Family Charitable Fund Carolyn Yorston-Wellcome Deni & Jeff Jacobs Reneé Schatz Daphne H. & James D. Jameson Jean & Gary Shekhter

PERFORMANCES MAGAZINE 19 Annual Fund Donors

FOUNDER CIRCLE Michael & Katy Dessent Col. & Mrs. Ben Pollard Gary & Barbara Blake Family Fund of ($5,000 to $9,999) Jim & Sally Ditto Bill & Mo Popp the Jewish Community Foundation Lawrence G. Alldredge & Dawn Moore Dan & Phyllis Epstein Daniel Porte Jr., MD Steve & Elizabeth Bluhm Anonymous Mr. & Mrs. Ira S. Epstein The Arthur & Jeanette Pratt Nancy Brock Bradford W. Bates Mary & David Fitz Memorial Fund Cecilia Carrick & Stan Nadel Joan & Jeremy Berg Susanna & Michael Flaster Joseph & Jane Rascoff Harry & Sandra Carter Barbara Bloom Jean & Sid Fox Sarah B. Marsh-Rebelo & Walter & Cheryl Deegan The Louis Yager Cantwell Samuel I. & John Henry Fox John G. Rebelo Dorothy R. Dring Private Foundation Foundation at Chrissy & Roger Roberts Paul & Clare Friedman Carol & Jeff Chang Union Bank of California Nancy Robertson Gay and Lesbian Fund for San Diego Clifford & Carolyn Colwell Chuck Freebern Mary & Eugene Rumsey, MD at The San Diego Foundation R. Patrick & Sharon Connell Charles & Millicent Froehlich Carole Sachs Mr. & Mrs. Arthur A. Greenberg Bernard J. Eggertsen & Joy & Dr. Fred Frye Warren & Beverly Sanborn Kaaren Henderson Florence Nemkov Elaine & Murray* Galinson Sanderson Family Donor Advised Bill & Nancy Homeyer Marion Eggertsen Barbara & Albert Garlinghouse Fund at the Rancho Santa Fe Kenneth & Marilyn Jones Barbara & Dick Enberg Bill & Judy Garrett Foundation Louis & Mary Beth Kelly Dr. & Mrs. Robert Epsten Teresa George Drs. Joseph & Gloria Shurman Robert Kilian & Kathleen Slayton Carol Spielman-Ewan & Joel Ewan Nancy Reed Gibson Dee E. Silver, MD Bill & Linda Kolb Martha & George Gafford Wendy Gillespie Elene & Herb Solomon Dr. & Mrs. James E. Lasry Drs. Thomas & Jane Gawronski Robert Gleason & Marc Matys Nancy & Alan Spector and Family Don & Mary Jane Lincoln Norm Hapke & Valerie Jacobs Hapke Walter Goeddel* Barbie & Dan Spinazzola Edward & Nancy Lyon Gordon & Phyllis Harris Sheila & Tom Gorey Nancy Steinhart & Jasna Markovac & Gary Miller Alexa Kirkwood Hirsch Dr. & Mrs. William Gott Rebecca Goodpasture F. Dale & Lois Marriott William Karatz Timothy P. Haidinger Eugene & Hannah Step Marcia Mattson Brooke & Dan Koehler Ms. Cheryl Haimsohn Karen & Don Tartre Dr. & Mrs. M. Joseph McGreevy Peter Manes & Yoko Sakaguchi Guy & Laura Halgren Lou & Doris Vettese Jack Meek Paul & Maggie Meyer Pat & Rick Harmetz Zelda J. Waxenberg Judith & Neil Morgan Money/Arenz Foundation, Inc. Drs. Patrick Harrison & Eleanor Lynch Jan Harden Webster & Raul Ortega Virginia Oliver Caroline & Nicolas Nierenberg Liz & Gary Helming The Patricia and Christopher Weil Dr. Julie Prazich & Dr. Sara Rosenthal Matthew & Judith Pollack Rhonda Heth & Thomas Mabie Family Foundation Robert & Doris Reed John & Marcia Price Richard & Janet Hunter James E. & Kathryn A. Whistler The Ralph B. Rogers Foundation Family Foundation Hutcheson Family Fund at San Diego Concierge Association Rivkin Family Fund I at The San Diego Foundation ($1,500 to $2,499) Richard Seer & Douglas Wallingford The San Diego Foundation Drs. Sonia & Andrew Israel Anita Busquets & William Ladd Alan & Esther Siman Bob & Julie Sullivan Jerri-Ann & Gary Jacobs Devora & Ron Eisenberg Dave & Phyllis Snyder Deborah Szekely Pat JaCoby of Great News! Ann & Robert Steck Pat & Jack Thomas Mary & Russell Johnson Gary & Carrie Huckell Greta & Steve Treadgold Cherie Halladay Tirschwell Jackie Johnston William & Edythe Kenton Celeste & Gene Trepte Dixie & Ken Unruh Katleman Family Fund of the Sherry & Larry Kline Stan & Anita Ulrich Carol Vassiliadis Jewish Community Foundation Robin J. Lipman Jo & Howard Weiner Jordine Skoff Von Wantoch Dr. Gerald & Mrs. Barbara Kent Nancy & James Mullen David & Irene Weinrieb Pat & Bob Whalen Bob* & Gladys King In Memory of Dolly & Jim Poet Mary Kay West Ken & Sheryl King Marie & Don Prisby Howard & Christy Zatkin CRAIG NOEL CIRCLE Webster & Helen Kinnaird Marisa SorBello & Peter Czipott ($2,500 to $4,999) Jane & Ray* Klofkorn James & Ellen Weil GOLD Dr. & Mrs. Wayne Akeson Curt & Nancy Koch Shirli Fabbri Weiss ($500 to $999) Gail Andrade and Betty & Dr. Leonard Kornreich In Memory of Freda Altschuler & John & Jennifer Andrade Rosalie Kostanzer & Michael Keefe DIAMOND Sylvia Goldin Anonymous (3) Bob & Laura Kyle ($1,500 to $2,499) Anonymous (5) Judith Bachner & Eric Lasley Jean & David Laing Anonymous George Amerault Jan & Rich Baldwin Peter Landin & Michelle Cardinal Jeff & Donna Applestein Drs. Gabriela & Mike Antos Bobbie Ball Terry & Mary Lehr Mrs. Lazare F. Bernhard Earl Asbury Diana J. Barliant* & Nowell Wisch Ms. Sherrill Leist Steve G. Bjorg The Backman Family Jan Bart Dr. Ronald & Mrs. Ruth W. Leonardi Jane Cowgill Andris Baltins Melissa Garfield Bartell & James & Pamela Lester Enid Gleich Bruce & Patricia Becker Michael Bartell Sandy & Arthur Levinson George C. Guerra Amnon & Lee Ben-Yehuda Mr. & Mrs. Bear Barbara & Mathew Loonin Leo S. Guthman Fund Drs. John & Karen Berger Linda Birch Sue & John Major Jerry Lester, MD/Rosarito, Mexico Jay Biskupski & Catherine Imrie Charlotte & Charles Bird Merriel F. Mandell, PhD Dr. Robert & Marcia Malkus Bob & Joyce Blumberg Joan Bishop, in memory Jackie & Charlie Mann Fund of the Joy & Ronald Mankoff Deb & Brand Brickman of Harold McNeil Jewish Community Foundation Holly McGrath & David Bruce Dr. & Mrs. Simon C. Brumbaugh, Jr. Paul Black Elizabeth & Edward McIntyre Akiko Charlene Morimoto & Greg & Loretta Cass Dr. Herman & Irene H. Boschken Elizabeth B. Meyer Hubert Frank Hamilton, Jr. Luc Cayet & Anne Marie Pleska Dr. & Mrs. Edgar D. Canada Grace & Scott Miller Mark Niblack, MD Lynne Champagne & Wilfred Kearse Edward & Pamela Carnot Barbara & Mike Morton Susan Parker Jack & Carol Clark George & Ellen Casey Sara F. Moser Shearn & Linda Platt Ronald D. Culbertson Garet & Wendy Clark Jim & Ruth Mulvaney Foundation at Esther Rodriguez Honorable Vincent Di Figlia Richard & Stephanie Coutts The San Diego Foundation Jack & Louise Strecker Dr. Donald & Eilene Dose Susan Barlow Cowell Elspeth & Jim Myer Margery & John Swanson Jacqueline & Stanley Drosch Gigi & Ed Cramer Joyce & Martin Nash Elisabeth K. Ecke Timothy & Marie Cunning Bob Nelson PLATINUM Bill Eiffert & Leslie Hodge Carlo & Nadine Daleo Lyn Nelson ($1,000 to $1,499) Drs. Susan & George Fee Darlene G. Davies, in memory Arthur & Marilyn Neumann Anonymous Esther & Robert Feier of Lowell Davies Lawrence Newmark Sondra & Robert Berk Fund of the Richard & Beverly Fink Pat & Dan Derbes L. Robert & Patricia L. Payne Jewish Community Foundation Family Foundation

20 PERFORMANCES MAGAZINE Annual Fund Donors

(continued) Peter & Frances Splinter Mr. & Mrs. Bruce Gemberling Clifford T. Pentrack & Pauline Forman & Jack Burke Ronald & Susan Styn Fred & Lisa Goldberg Mary E. Giovaniello Susan & Steven Garfin Clifford & Kay Sweet Carole & Howard Goldfeder Dr. & Mrs. Richard Perlman Theresa A. Georgi Brenda & Robert Tomaras Euvoughn L. Greenan Abigail Pike Arthur Getis Jeffrey & Sheila Truesdell Craig & Catherine Greene Pricor Family Norman & Patricia Gillespie Ms. C. Anne Turhollow & Gary & Anne Grim Alex & Eileen Pue J. M. Gillman Mr. Michael J. Perkins Theodore Gryga Kathy & Jay Rains Louise & Doug Goodman Marlene G. Lipsey Turrentine George D. Hardy Irl R. & Clarice Robinson Robert & Edry Goot Natalie C. Venezia & Paul A. Sager Mark & Corrine Harvey Stuart & Linda Robinson Drs. Barbara B. & Leonard J. Gosink Karen Walker Garry & Sharon Hays Judy Rosen Chris Graham & Michael Albo Kathy & Jim Waring Joan Henkelmann Dr. Norman & Barbara Rozansky Carol & Don Green The Washkowiak’s Gerald M. Hermanson & Marsha Sable Richard & Candace Haden Ms. Sandy Wichelecki Donna L. Buckner Samiljan Family Fund of the Helen M. Hammond Dennis & Carol Wilson Suzanne & Lawrence Hess Jewish Community Foundation Jeff & Judy Handler Cass Witkowski Family Blaine Hibbard Lillian Schafer James & Ruth Harris of the Ms. Abbe Wolfsheimer Donald J. Hickey Carl Schott Jewish Community Foundation Brendan M. & Kaye I. Wynne Christine Hickman & Dennis Ragen Martin & Connie Schroeder Virginia Hawkins Peggy & John Holl Elsa & Jim Sears Jamie Henson & Robert Houskeeper SILVER Robert Hyman John & Patricia Seiber Mike Hogan Enterprises ($250 to $499) Susan D. Inot Lori Severson & Eric Longstreet Bruce & Jane Hopkins Margaret Acampora Ed & Linda Janon Alex V. Sher Stephen Hopkins & Dr. Carey Pratt Sybil & B.J. Adelson Tony & Nancy Janus Curt Sherman Joseph & Donna Hynes Chris & Natalie Anderson Mrs. Katherine Jarvis Eunice M. Simmons, M.D. Isaacs Brothers Foundation at Cyla Andrus Dr. Natasha Josefowitz Anne & Ronald Simon The San Diego Foundation Alicia Atun & Elaine Rendon* Dr. James & Sharon Justeson Malcolm E. Smith Dr. & Mrs. Clyde W. Jones Anonymous (7) Drs. Irvin & Nancy Kaufman Norman & Judith Solomon Kathy & Rob Jones John & Elizabeth Bagby Capt. & Mrs. Robert S. Kayler Susanne Stanford & Tom Matthews Patricia & Alexander Kelley Mark J. Ballam Julia Kenyon Don Stanziano & Michael Sikich Dr. Marvin Kripps Beverly Bartlett Evelyn Klees, in memory of Ann & Robert Steiner LABS, Inc./Silvia Dreyfuss Sharon & Bill Beamer Robert Edwin Klees Dave & Jan Stormoen Barney Lanz Edgar Berner Family Fund of the Mr. & Mrs. Robert Kucinski Helga & Sam Strong Rick & Sherry Levin Jewish Community Foundation Michelle LaGrandeur Eric & Marian Suggs Marshall & Judy Lewis Fund of the John & Sally Berry James & Janice LaGrone John & Linda Sunkel Jewish Community Foundation Nicholas B. Binkley Dr. & Mrs. Steven Landgarten Mrs. J.B. Swedelius Carl Maguire & Margaret Sheehan Robert Blanton & Ann Clark Elliott & Phyllis Lasser Linda Tallian Sally & Luis Maizel Kathleen Blossfield Dixon & Pat Lee John & Gail Tauscher Drs. Betty Joan Maly & John Meyers Gaylyn N. Boone & James R. Dorcy Allen Lemberg Family Mr. & Mrs. Brian J. Taylor Ron & Mercy Mandelbaum Helen & Douglas Boyden Ellen & Ira Levine Marshall & Leila Taylor Rev. Stephen J. Mather LaVerne & Blaine Briggs B. Leonard Levy Mr. & Mrs. Reed Thompson McAuliffe Family Donor Advised Fund at the Lois & Larry Lewis Tim & Judy Tillyer Ronald McCaskill & Robyn Rogers Rancho Santa Fe Foundation Morris & Zita Liebermensch Doug & Lynn Todd Mr. & Mrs. William M. McKenzie Glenn & Jolie Buberl Timothy S. Lucey Doris Trauner & Richard Stanford Charles & Billie McKnight Ruth Bunn Bill Luckow Capt. & Mrs. Ben Trovaten Rena Minisi & Rich Paul David Burns & Diane Lischio Neil A. Malmquist Nancy Alice Vaughn Charles & Susan Muha Mary-Kay Butler Deborah & Frederick Mandabach Johanna Vertullo Shirley Mulcahy Helen M. Caldwell Russell Mangerie Mrs. Barbara C. Ward Marsha J. Netzer William & Shirley Carrington Patricia Manning Judith L. White Evy & Ed Newton Elaine Chortek Harold & Beverly Martyn Olivia & Marty Winkler Rod & Barbara Orth Janet & Maarten Chrispeels William McBride Mr. & Mrs. John W. Witt Barbara B. Oswalt Lisa Churchill Robert McCommins Mr. & Mrs. William F. Wolff Julius J. Peal Fund at Richard Clampitt & Rachel Hurst Dennis A. McConnell Philip & Elsa Wood The San Diego Foundation John Cochran & Sue Lasbury Oliver McElroy & Karen Delaurier Vicky Zollweg & Michael Dunteman In Memory of Margaret Peninger Alan L. & Frances E. Cornell Teresa McEuen Dr. Ken Pischel & Charley & Barb Crew Mr. & Mrs. David McNair *In Memoriam Mr. & Mrs. Alan Davis Dr. & Mrs. Robert Meredith Dr. Katherine Ozanich This list current as of December 27, 2012. Drs. Paul & Katherine Ponganis Florence C. DeLucia The Michael Family Rowling Family Charitable Fund of the Ms. Angela DeCaro Dr. & Mrs. Paul E. Michelson For additional information on how you Jewish Community Foundation Caroline S. DeMar Phyllis Minick may support The Old Globe’s artistic, Crystal A. Rubin Bethany Derrough C. F. Monroe education and community programs, Frank Ruyak Dutch & Dawn Dershem Craig & Betsey Monsell please visit our website at Simon & Ruth Sayre Hon. Harry M. & Kee Elias Dr. & Mrs. Robert Morrison www.TheOldGlobe.org or contact Mr. & Mrs. Russell Schnapp Mr. & Mrs. Victor Engleman Mary Jo Murphy Rachel Plummer, Major Gifts Officer, Linda J. Seifert The Englunds Paul Nelson at (619) 231-1941 x2317 or Stella Shvil Professional Fiduciary Sherry L. Franklin, MD Katherine Newton [email protected]. Beverly & Howard Silldorf Dr. & Mrs. Richard Friedman Thomas & Tanya O’Donnell Mr. William D. Smith & John & Mary Garvelink Dr. David & Elizabeth Ostrander Dr. Carol Harter Rita J. Geisel Susan & Jim Oxford

Become a Member of the Annual Fund Annual Fund donations support both the artistic work of the Globe and the variety of educational opportunities that we offer for Did you know that your ticket or subscription purchase covers only the San Diego community. As an Annual Fund member, you will also 50% of the cost of your seat? As a not-for-profit theatre, The Old Globe enjoy many benefits that will enhance your theatregoing experience. relies on the generous support of patrons like you to contribute the rest. For more information contact [email protected]

PERFORMANCES MAGAZINE 21 Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE ($15,000 to $24,999) National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: Acquis Consulting Group Marsh & McLennan Companies American Express Foundation The McGraw-Hill Companies AOL MetLife Bank of America Morgan Stanley Bloomberg Pfizer, Inc. BNY Mellon RBC Wealth Management James E. Buckley RVM Inc. Steven Bunson The Ralph and Luci Schey Foundation Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center Skadden, Arps, Slate, Break-Away Tours ResMed Foundation Cisco Systems, Inc. Meagher & Flom LLC Clear Channel Outdoor George S. Smith, Jr. Citi TheaterMania.com/Gretchen Shugart FOUNDER CIRCLE ($5,000 - $9,999) Cleveland Clinic John Thomopoulos Bertrand at Mister A’s First American Trust CMT/ABC The James S. and Lynne P. Turley Ernst Nokia Inc. Hyatt Regency La Jolla Datacert, Inc. & Young Fund for Impact Creativity Dorsey & Whitney Foundation UBS CRAIG NOEL CIRCLE ($2,500 - $4,999) Epiq Systems Wells Fargo Cubic Corporation HoyleCohen Northgate González Market Ernst & Young Willkie Farr & Gallagher LLP Goldman, Sachs & Co. Public Support

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Jacqueline Brookes Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the Old Globe Theatre and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Richard Seer...... Director of Professional Training Properties DEVELOPMENT Edward Nelson...... Interim General Manager Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Institutional Grants Dave Henson...... Director of Marketing and Communications Kristin Steva Campbell...... Assistant to the Director Bridget Cantu Wear...... Associate Director, Planned Giving Todd Schultz...... Director of Development Kristine Hummel...... Prop Assistant Eileen Prisby...... Events Manager Mark Somers...... Director of Finance M.H. Schrenkeisen...... Shop Foreman Rachel Plummer, Keely Tidrow...... Major Gifts Officers Robert Drake...... Director of Production Rory Murphy...... Lead Craftsman Jessica Burger...... Development Manager, Roberta Wells-Famula...... Director of Education Josh Camp, Trish Rutter...... Craftspersons Individual Annual Giving David Medina...... Properties Buyer Angelique von Thun...... Major Gifts Associate David Buess...... Property Master, Globe Diane Addis...... Membership Administrator ARTISTIC Seamus O’Bryan...... Stage & Property Master, White Kacie Bluhm...... Development Assistant Adrian Noble...... Shakespeare Festival Artistic Director Rico Zamora...... VIP Donor Ticketing Eric Louie, Justin Waldman...... Associate Producers Lighting Danielle Mages Amato...... Literary Manager/Dramaturg Shawna Cadence...... Lighting Director Donor Services Bernadette Hanson...... Artistic Associate Sarah Lawler...... Lighting Fellow Janette Jack, Barbara Lekes, Stella Livoni, Desiree Nash...... Community Outreach Coordinator Tonnie Ficken...... Master Electrician, Globe Richard Navarro, Michael Prince, Stephanie Reed, Katherine Harroff...... Community Teaching Artist Jim Dodd...... Master Electrician, White Susie Virgilio, Judy Zimmerman...... Suite Concierges Jan Gist...... Resident Vocal Coach Kevin Liddell...... Master Electrician, Festival Will Calvert, Mark Dewey, Sam Ibrahim, MARKETING PRODUCTION Rafael Vallejo...... Electricians Jeffrey Weiser...... Public Relations Director Debra Pratt Ballard...... Associate Director of Production Ed Hofmeister...... Associate Director of Marketing Suzanne Conway...... Company Manager Sound Mike Hausberg...... Public Relations Associate Carol Donahue...... Production Coordinator Paul Peterson...... Sound Director Kelly Boyle...... Digital and Print Publications Coordinator Mark Hartshorn...... Master Sound Technician, Globe Marissa Haywood...... Marketing Assistant Stage Management Dana Pickop...... Master Sound Technician, White Susie Virgilio...... Marketing/Events Assistant Leila Knox...... Production Stage Manager ADMINISTRATION Subscription Sales Technical Brian Franko...... Assistant General Manager Scott Cooke...... Subscription Sales Manager Benjamin Thoron...... Technical Director Shana Wride...... Administrative Assistant Tom Budd, Anna Bowen-Davies, Arthur Faro, Andy Fink, Janet Kavin, Pamela Malone, Wendy Berzansky...... Associate Technical Director Darlene Davies...... The Old Globe Historian Yolanda Moore, Jessica Morrow, Ken Seper, Travis Barrett...... Assistant Technical Director Cassandra Shepard, Jerome Tullmann, Sean Fanning...... Resident Design Assistant Information Technology Grant Walpole...... Subscription Sales Representatives Eliza Korshin...... Technical Assistant/Buyer Dean Yager...... Information Technology Manager Christian Thorsen...... Stage Carpenter/Flyman, Globe Thad Steffen...... Information Technology Assistant Manager Ticket Services Carole Payette...... Charge Scenic Artist John Ralston...... Information Technology Assistant Bob Coddington...... Ticket Services Manager Jessica Amador, W. Adam Bernard, Jenn Imbler, Marsi Bennion...... Ticket Operations Manager Erica Orr, Edward Roxburgh...... Scenic Artists Human Resources Dani Meister...... Group Sales Manager Gillian Kelleher...... Master Carpenter Sandra Parde...... Human Resources Director Tony Dixon, Robert Dougherty...... Festival Master Carpenter Kathy Silberman...... Interim Human Resources Manager Rob Novak...... Lead Ticket Services Representatives Andrew Young...... Charge Carpenter, White Kari Archer, Sarah Ditges, Kathy Fineman, Laura McEntyre...... Automation Coordinator Maintenance Merri Fitzpatrick, Steve Greenhalgh, Alejandro Fernando Avita, Daniel Capiro, Chris Chauvet, James Ford...... Facilities Manager Gutierrez, Tyler Jones, Michael McCullock, Caryn Jason Chohon, Bob Dougherty, Jack Hernandez, Violanda Corona, Ismael Delgado, Miguel Gaspar, Morgan, Jordyn Patton, Christopher Smith, Josh Letton, Seamus O’Bryan...... Carpenters Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Carly Wickham-Stickler...... Ticket Services Representatives Eszter Julian, Jeremy Luce...... Deck Crew Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Jerome Kinchen...... Irvine Intern Nicolas Torres, Leonardo Rodriguez ...... Building Staff PATRON SERVICES Mike Callaway...... Theatre Manager Costumes PROFESSIONAL TRAINING Mary Taylor, Samaria Ship...... House Managers Stacy Sutton...... Director Llance Bower...... Program Coordinator Kristen Cairns...... Front of House Assistant Charlotte Devaux...... Resident Design Associate Brian Byrnes, Maria Carrera, Cynthia Caywood, Elaine Gingery...... Food and Beverage Manager Maureen Mac Niallais...... Assistant to the Director Ray Chambers, Gerhard Gessner, Jan Gist, Timothy Acosta, Missy Bradstreet, Shelly Williams...... Design Assistant/Shopper Fred Robinson, Abraham Stoll...... M.F.A. Faculty Nellie R. del Rosario, Kai Drey, William Henderson, Michelle Hunt Souza...... Design Assistant William Hartley, Corey Johnston, Sondra Mejia, Benjamin A. Murrell, Paige Plihal, Stephanie Larson, Nate Parde...... M.F.A. Production Staff Wendy Miller...... Tailors/Draper Amanda Rhoades, Michelle Thorsen...... Pub Staff Erin Cass, Joan Mathison...... Draper Jasmine Morgan, Jessica Platt, EDUCATION Stephanie Rakowski...... Gift Shop Supervisors Babs Behling, Annie Glidden Grace...... Assistant Cutters Kim Montelibano Heil...... Education Programs Manager Mary Miller...... Costume Assistant Carol Green...... Speakers Bureau Coordinator Security/Parking Services Joanna Stypulkowska...... Stitcher Jennifer Barclay Newsham, Amanda Cooley Davis, Rachel “Beahr” Garcia...... Security Supervisor Erin Carignan...... Craft Supervisor James Cota, Jo Anne Glover, Lisel Gorell-Getz, Dallas Chang, Sherisa Eselin, Jeff Howell, Stephanie Parker...... Lead Craft Artisans Brian Hammond, Jason Heil, Erika Malone, Janet Larson, Jeffrey Neitzel...... Security Officers Molly O’Connor...... Wig and Makeup Supervisor Erika Phillips, James Pillar, Damon Shearer, Oscar Gonzalez, Kim Parker...... Assistant to Wig and Makeup Supervisor Cynthia Stokes, Mark Wischkaemper...... Teaching Artists Alberto Holloway...... Parking Lot Attendants Anna Maldonado...... Wig Assistant Michael Prince, Norman Ramos...... VIP Valet Attendants Beverly Boyd...... Wardrobe Supervisor FINANCE Beth Merriman...... Crew Chief, Globe Carly Bennett-Valle...... Senior Accountant Anna MacDonald...... Crew Chief, White Trish Guidi...... Accounts Payable/Accounting Assistant Ana Maldonado, Heather Premo, Adam Latham...... Payroll Coordinator/Accounting Assistant Jack O’Brien...... Artistic Director Emeritus Noelle Van Wyk...... Wardrobe Crew, Globe Tim Cole...... Receptionist Craig Noel...... Founding Director Marie Jezbera...... Rental Agent

24 PERFORMANCES MAGAZINE