Charlotte Bronte
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Two Versions of Edward Rochester: Intertextuality in Jane Eyre by Charlotte Brontë and Wide Sargasso Sea by Jean Rhys
Two Versions of Edward Rochester: Intertextuality in Jane Eyre by Charlotte Brontë and Wide Sargasso Sea by Jean Rhys Emily Eriksson ENGK01 Literary Seminar HT 2011 English Studies The Centre for Languages and Literature Lund University Supervisor: Birgitta Berglund Table of Contents Introduction ................................................................................................ 1 Intertextuality and Post-Colonial Theory................................................... 2 Edward Rochester ...................................................................................... 5 Mr. Rochester’s story and lies.................................................................... 9 Antoinette/Bertha Rochester: Destined for insanity or driven to it? ....... 12 Conclusion ................................................................................................ 18 Works Cited ............................................................................................. 20 Introduction It is almost impossible to read a text without being influenced by other texts you have read previously, at least according to the theory of intertextuality. Coined in 1966 by literary critic Julia Kristeva, the term ‘intertextuality’ deals with the idea of how one text is shaped by a number of other texts and how two readers might perceive the same article, poem or novel in very different ways depending on their reading history. These influences lead to a richer reading experience, since more information and layers are added to the story by the -
Biographical Task – Charlotte Brontë
CHARLOTTE1 BRONTË Biographical task - Charlotte Brontë At this stop you are going to learn about another famous Victorian author named Charlotte Brontë; along with her sisters Emily and Anne, Charlotte is one of the most important female writers of her time and her work is still widely read today. Again this first task will require you to use the PiXL Edge skills of organisation and resilience in order to achieve the task effectively. You can work in teams or independently to undertake your research; if working in a team one of you will need to take on the role of the leader in order to allocate the research topics. 1. Charlotte was born in 1816 followed by her lesser known brother Branwell in 1817, Emily in 1818 and Anne in 1820. What was the name of the town that they were all born in? A: Thornton, Haworth B: Bradford, Yorkshire C: Barnsley, Sheffield D: Cramlington, Newcastle 2. As children, Charlotte and her brother Branwell wrote stories set in a fantasy world. What was the name of that world? Narnia Angria Rodania Eldasia 3. Under what male pseudonym did Charlotte Brontë publish some of her work: Currer Bell Charles Brontë 2 Christian Brown Cole Boseley 4. Which was the first novel Charlotte wrote, although it wasn’t published until after her death? Jane Eyre Shirley Villette The Professor 5. In Jane Eyre, Jane's friend Helen dies from tuberculosis. Which of Charlotte's sisters is this based on? Maria Elizabeth Both 6. One of Charlotte's author friends described her as "underdeveloped, thin and more than half a head shorter than I .. -
The Development of a Byronic Hero: Jane Eyre's Rochester in Adaptations
1 The Development of a Byronic Hero: Jane Eyre's Rochester in Adaptations Karlijn Prinsen 4000889 BA Thesis English Language and Culture Utrecht University British English April 2015 Supervisors: Roselinde Supheert and Paul Franssen 2 Contents Introduction 3 Chapter 1: Rochester's First Appearance 6 Chapter 2: The Proposal 12 Chapter 3: Jane's Return to Rochester 18 Conclusion 24 Works Cited 28 3 Introduction According to Teachman, "motion picture and theatrical adaptations are often the best gauge of how important a novel from a previous century has become to the popular sensibility of our times" (186). Following this train of thought, Charlotte Brontë's Jane Eyre (1847) has remained one of the most significant published novels throughout the years, as "no decade has been without at least one new feature movie or television version of Jane Eyre" (Teachman 186). Each adaptation contains different interpretations and visions of Brontë's novel, making the content of adaptations often prone to change. One of such changes that is particularly interesting concerns the character of Edward Rochester. A variety of authors have written about Rochester's Byronic character in the novel as well as in adaptations. Stephanie Mendoza, for example, states that a transformation "occurs within the very nature of this Byronic hero" and he "changes from a superficial man to someone more genuine" (18). Sarah Wootton also focuses solely on Rochester and discusses a selection of adaptations, analysing his Byronic character. Mann argues that "filmmakers and actors must ensure that Mr. Rochester retains the brooding and temperamental nature that captivates Jane, while allowing modern audiences to see enough of his sensitive side" (152), which could be more difficult than first anticipated. -
Edward Rochester: a New Byronic Hero Marybeth Forina
Undergraduate Review Volume 10 Article 19 2014 Edward Rochester: A New Byronic Hero Marybeth Forina Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Literature in English, British Isles Commons Recommended Citation Forina, Marybeth (2014). Edward Rochester: A New Byronic Hero. Undergraduate Review, 10, 85-88. Available at: http://vc.bridgew.edu/undergrad_rev/vol10/iss1/19 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2014 Marybeth Forina Edward Rochester: A New Byronic Hero MARYBETH FORINA Marybeth Forina is a n her novel Jane Eyre, Charlotte Brontë established several elements that are senior who is double still components of many modern novels, including a working, plain female hero, a depiction of the hero’s childhood, and a new awareness of sexuality. majoring in Elementary Alongside these new elements, Brontë also engineered a new type of male hero Education and English Iin Edward Rochester. As Jane is written as a plain female hero with average looks, with a minor in Rochester is her plain male hero counterpart. Although Brontë depicts Rochester as a severe, yet appealing hero, embodying the characteristics associated with Byron’s Mathematics. This essay began as a heroes, she nevertheless slightly alters those characteristics. Brontë characterizes research paper in her senior seminar, Rochester as a Byronic hero, but alters his characterization through repentance to The Changing Female Hero, with Dr. create a new type of character: the repentant Byronic hero. Evelyn Pezzulich (English), and was The Byronic Hero, a character type based on Lord Byron’s own characters, is later revised under the mentorship of typically identified by unflattering albeit alluring features and an arrogant al- Dr. -
The Social Classes in Victorian Era Reflected in Charlotte Bronte‟S Jane Eyre Thesis Dwi Avriyanti (09320035) English Language
THE SOCIAL CLASSES IN VICTORIAN ERA REFLECTED IN CHARLOTTE BRONTE‟S JANE EYRE THESIS DWI AVRIYANTI (09320035) ENGLISH LANGUAGE AND LETTERS DEPARTMENT FACULTY OF HUMANITIES MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY MALANG 2014 THE SOCIAL CLASSES IN VICTORIAN ERA REFLECTED INCHARLOTTE BRONTE‟S JANE EYRE THESIS Presented to: Maulana Malik Ibrahim State Islamic University of Malang in Partial Fulfillment of the Requirement for The Degree of Sarjana Sastra (S.S) Dwi Avriyanti (09320035) Advisor: Dr. Hj. Isti‟adah, MA NIP. 19670313 199203 2 002 ENGLISH LANGUAGE AND LETTERS DEPARTMENT FACULTY OF HUMANITIES MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY OF MALANG 2014 STATEMENT OF AUTHENTICITY Certify that this thesis I wrote to fulfill the requirement for Sarjana Sastra entitled “The Social Classes in Victorian Era reflected in Charlotte Bronte‟s Jane Eyre” is truly my original work. It does not incorporate any materials previously written or published by another person, except those indicated in quotations and bibliography. Due to this fact, I am the only one person responsible for the thesis if there are any objections or claims for others. Malang, April 8th,2014 DWI AVRIYANTI APPROVAL SHEET This is to certify that the Sarjana’s thesis, entitled The Social Classes in Victorian Era reflected in Charlotte Bronte‟s Jane Eyre by Dwi Avriyanti has been approved by the advisor for further approval by the Broad of Examiners as one of the requirements for the Degree of Sarjana Sastra (S.S) in English Letters and Language Department. Malang, April 8th, 2014 Approved by Acknowledged by The Advisor, The Head of English Language and Letters Department, Dr. -
The Analyzing of Jane Eyre by Charlotte Bronte
LINGUAMEDIA Journal - Volume 1 Nomor 1, 2020 ISSN Online: XXXX-XXXX Penerbit: Faculty of Language and Culture University of 17 Agustus Semarang THE ANALYZING OF JANE EYRE BY CHARLOTTE BRONTE Mohammad Thoriq [email protected] SDII AL ABIDIN SURAKARTA ABSTRACT This research entitled “The Analyzing of Jane Eyre by Charlotte Bronte”. It will analyze the novel based on five aspects; plot, theme, setting, character and characterization, and point of view. Plot is story which contains the sequence of events was only connected is cause and effect, one event is cause the other event. After analyzing the story, we can know that the author uses the forward plot. What the author wants to convey is the central idea of the story and is known as the ‘theme’. This story has a theme about “The struggle of love in the differentials of social”. Then setting is when and where a story happens. Setting can be setting of time and setting of place. Character and characteristic take into consideration: What the character says; What he does, his action; What others says about him; and What others do (their action may help to indicate what the character could do or not). Point of view is the viewpoint of the story. Writers use first person point of view or third person point of view. In first person point of view, the main character tells the story. In third person point of view, the narrator tells the story. But after analyze this story; we can know that point of view is first person. The “I” is the character who tells the story. -
Jane Eyreeyre by Charlotte Brontë
JaneJane EyreEyre by Charlotte Brontë Presentation by Chad Philip Johnson For Mr. Paul Calkins ENGL13B – Online Submitted April 09th, 2012 Source: http://us.penguingroup.com/static/covers/us/9780141441146H.jpg 01 ContentsContents Introduction / Synopsis ............................................................................. 03 Charlotte Brontë ....................................................................................... 04 Parts I and II: Gateshead Hall and Lowood School ….................................. 06 Part III: Thornfield Hall ............................................................................ 07 Parts IV and V: Moor House and Ferndean ................................................. 08 Cultural Impact …...................................................................................... 09 Legacy ….................................................................................................. 10 Works Cited .............................................................................................. 11 02 IntroductionIntroduction // SynopsisSynopsis The novel Jane Eyre is a story about a young woman’s personal hardships and eventual triumphs through the perseverance of self. The setting is early 19th century England, before the dawn of the Victorian Age. The titular character tells her story in five intervals, each one belonging to a unique locale. Jane is an orphan being raised by her wealthy but cruel aunt, whose deceased husband charged that his niece be cared for. After years of mounting enmity, -
Learning Risk the Hard Way Sides
TRADE TARIFFS PET SHOP BOYS TURNING RUBBLE INTO ART THE AIDE WHO BRITISH POP DUO IN DRIVING MIGRANTS OUT, HAS THE CLOUT SCORES A BALLET BEIJING INSPIRES A BACKLASH PAGE 7 | BUSINESS PAGE 18 | CULTURE PAGE 3 | WORLD .. INTERNATIONAL EDITION | MONDAY, MARCH 12, 2018 YouTube, How Trump the great made snap radicalizer decision on Zeynep Tufekci North Korea Contributing Writer WASHINGTON OPINION Envoy’s dose of flattery At one point during the 2016 presiden- tial election campaign, I watched a opened 45-minute meeting bunch of videos of Donald Trump that could alter history rallies on YouTube. I was writing an article about his appeal to his voter BY PETER BAKER base and wanted to confirm a few AND CHOE SANG-HUN quotations. Soon I noticed something peculiar. Summoned to the Oval Office on the YouTube started to recommend and spur of the moment, the South Korean “autoplay” videos for me that featured envoy found himself face to face with white supremacist rants, Holocaust President Trump one afternoon last denials and other disturbing content. week at what he thought might be a Since I was not in the habit of watch- hinge moment in history. ing extreme right-wing fare on The envoy, Chung Eui-yong, had YouTube, I was curious whether this come to the White House bearing an in- was an exclusively right-wing phenom- vitation. But he opened with flattery, enon. So I created another YouTube which diplomats have discovered is a account and started watching videos of Overlooked key to approaching the volatile Ameri- Hillary Clinton and Bernie Sanders, can leader. -
“A Man Is Nothing Without the Spice of the Devil in Him”: Jane Eyre And
“A Man is Nothing without the Spice of the Devil in Him” Jane Eyre and Edward Rochester Navigate an Imperially- Inscribed Masculinity Rachel Willis Abstract In Charlotte Brontë’s Jane Eyre, Edward Rochester’s imperially-inscribed masculinity, anchored in Victorian patriarchal ideals, requires Jane to negotiate and eventually resist his attempts to dominate her. Recent readings of the novel by scholars like Joyce Zonana and Ralph Austen acknowledge its heavy reliance on colonial discourse, arguing that this discourse allows Brontë to critique the Western patriarchal values that Jane grapples with by displacing them onto the colonial “other.” The Victorian patriarchal society Jane lives in marginalizes her in several ways, and the novel uses colonial themes to portray this marginalization. However, these themes also offer her ways of resistance, especially in relation to Rochester. Rochester’s masculinity, which is both marginalized according to British class standards and hegemonic according to his social position and wealth, is also figured both in colonial terms as Jane’s colonizer and in terms that mark his otherness. For example, Jane associates Rochester with the “oriental” whenever he tries to dominate her in ways that go against her Christian faith, positioning him as a “savage” and a “heathen”—a man who is powerful but still in need of the civilizing (and emasculating) Protestant religion. Thus, examining Jane’s navigation of Rochester’s imperially-inscribed masculinity offers insight into the novel’s negotiation of power and oppression. Keywords Jane Eyre, masculinity, gender, postcolonial, imperialism, Christianity Otherness: Essays and Studies Volume 6 · Number 2 · December 2018 © The Author 2018. -
Reading the Intersections of Mental Illness and Masculinity in Jane Eyre
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository “I Had Dreaded Worse. I Had Dreaded He Was Mad”: Reading the Intersections of Mental Illness and Masculinity in Jane Eyre By Avalon Warner-Gonzales Honors Thesis Department of English and Comparative Literature University of North Carolina-Chapel Hill 2017 Advised by Dr. Kimberly Stern Warner-Gonzales 1 Introduction: Discourses of Madness and Mental Illness Madness has long been an object of fascination in the cultural imagination, constituting the focal point of many works of literature, television, and film. One of the most famous examples of this trend is Charlotte Brontë’s Jane Eyre, the 1848 novel that gave us the infamous “madwoman in the attic,” Bertha Mason. As we see exemplified in Brontë’s representation of Bertha, the majority of works representing madness portray it in a negative light. “Madness” as an ideological framework is more overtly couched in cultural assumptions and deep-seated prejudices as compared to our current ideological framework in place of “mental illness,” which relies more on a neutral and clinical stance thanks to advances in neuroscience and psychology in the past century. The shift toward this ostensibly neutral and objective modern psychology has its roots in the nineteenth century, which acted as a transition into the period of advancements that took place in the twentieth century.1 Thus, as a mid-nineteenth century novel, Jane Eyre straddles these two ages, and arguably displays examples of both madness and mental illness. The most obvious example is Bertha Mason, whose character is entirely based on the conventions and discourses of “madness” from the preceding century. -
Jane Eyre.Pdf
Charlotte Brontë JANE EYRE Brontë, Charlotte: Jane Eyre 1 I Aquel día no fue posible salir de paseo. Por la mañana jugamos durante una hora entre los matorrales, pero después de comer (Mrs. Reed comía temprano cuando no había gente de fuera), el frío viento invernal trajo consigo unas nubes tan sombrías y una lluvia tan recia, que toda posibilidad de salir se disipó. Yo me alegré. No me gustaban los paseos largos, sobre todo en aquellas tardes invernales. Regresábamos de ellos al anochecer, y yo volvía siempre con los dedos agarrotados, con el corazón entristecido por los regaños de Bessie, la niñera, y humillada por la consciencia de mi inferioridad física respecto a Eliza, John y Georgiana Reed. Los tres, Eliza, John y Georgiana, se agruparon en el salón en torno a su madre, reclinada en el sofá, al lado del fuego. Rodeada de sus hijos (que en aquel instante no disputaban ni alborotaban), mi tía parecía sentirse perfectamente feliz. A mí me dispensó de la obligación de unirme al grupo, diciendo que se veía en la necesidad de mantenerme a distancia hasta que Bessie le dijera, y ella lo comprobara, que yo me esforzaba en adquirir mejores modales, en ser una niña obediente. Mientras yo no fuese más sociable, más despejada, menos huraña y más agradable en todos los sentidos, Mrs. Reed se creía obligada a excluirme de los privilegios reservados a los niños obedientes y buenos. -¿Y qué ha dicho Bessie de mí? -interrogué al oír aquellas palabras. -No me gustan las niñas preguntonas, Jane. Una niña no debe hablar a los mayores de esa manera. -
Jane Eyre a New Musical (Based on the Novel by Charlotte Bronte)
Jane Eyre A New Musical (Based on the novel by Charlotte Bronte) Book by David Matthews Music by Michael Malthaner Lyrics by Charles Corritore Copyright 1998 - Matthews, Malthaner, Corritore Cast of Characters (IN ORDER OF APPEARANCE) VICAR WOOD SOLICITOR CHARLES WOODHAM MOURNERS “Gateshead” YOUNG JANE JOHN REED ELIZA REED GEORGEANA REED MRS. REED BESSIE “Lowood School” MR. BROCKLEHURST MISS SCATCHERD HELEN BURNS MISS TEMPLE JANE EYRE STUDENTS TEACHERS “Thornfield Hall” JOHN MARY ALICE FAIRFAX ADELE VARENS GRACE POOLE EDWARD ROCHESTER BLANCHE INGRAM LADY INGRAM RICHARD MASON DR. CARTER BERTHA MASON ROCHESTER SOLICITOR BRIGGS SERVANTS PARTY GUESTS “Moor House” MARY RIVERS DIANA RIVERS HANNAH ST. JOHN RIVERS Copyright 1998 - Matthews, Malthaner, Corritore Scenes and Musical Numbers ACT ONE Scene 1-1 - A Graveyard #1 - Graveyard Sequence #1...................................................Vicar Wood & Mourners Scene 1-2 - A Room at Gateshead #2 - Where Do I Belong?........................................................Young Jane Scene 1-3 - The Parlor at Gateshead #3 - Where Do I Belong/Lowood............................................Young Jane Scene 1-4 - Lowood School #3 - Where Do I Belong/Lowood (cont.).................................Students, Mr. Brocklehurst, Teachers, Young Jane #4 - Lowood School Round.....................................................Students, Teachers Scene 1-5 - Lowood, later in the day Scene 1-6 - The Classroom, a week later #5 - We Have A Duty...............................................................Scatcherd,