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Bootsie Barnes, All About Philly Jazz | Philadelphia Inquirer | 01/15/2011
Bootsie Barnes, all about Philly jazz | Philadelphia Inquirer | 01/15/2011 Sign In Register Mobile Home Delivery Search for : Mob Scene - New flash opera - Jobs Feb 21, 10:25 AM | Traffic News Sports Entertainment Business Restaurants & Food Living Video Classifieds Shopping Video Movies Music/Nightlife The Arts Celebrities Television Horoscopes Comics & Games Contests Event Calendar The Cappies MUSIC/NIGHTLIFE EMAIL PRINT FONT SIZE Recommend 1 pe Posted on Sat, Jan. 15, 2011 Bootsie Barnes, all about Philly jazz By David R. Stampone For The Inquirer Even without the recent passing of several revered Philadelphia jazz artists - pianist Sid Simmons, organist Trudy Pitts, bassist Charles Fambrough - a trek up Germantown Avenue Thursday evening to catch Philly's veteran tenor- sax master Robert "Bootsie" Barnes, 73, seemed Advertise Here like the right idea. Barnes' rich tone, sympathetic ensemble ENTERTAINMENT VIDEOS interplay, and living-legacy status make him a local icon best experienced sooner rather than later. Although he's likened to both Coleman Hawkins and such soul-jazz tenors as Gene Ammons, Barnes' sound entails a classic bop capacity with ample ability to swing or soften as desired. And his gigs showcase an edifying knowledge of Philly jazz, and beyond. Saxophonist Bootsie Barnes played Mount Airy Over 90 minutes, Barnes led a quartet through Presby- terian Church on Thursday. five leisurely paced numbers within the woody confines of Mount Airy Presbyterian Church. It marked the venue's debut hosting a community Neighborhood Concerts Series show presented by Glenside's Jazz Bridge, a nonprofit organization that assists area jazz musicians with their "health, legal, financial, personal, and professional needs." Barnes, of course, has played with a who's who in local jazz over the last half-century, including an aspiring drummer pal with whom he grew up, in North Philadelphia's Richard Allen Homes, named Bill Cosby. -
Hank Mobley Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Hank Mobley 音樂專輯 串行 (专辑 & 时间表) Roll Call https://zh.listvote.com/lists/music/albums/roll-call-7360871/songs Tenor Conclave https://zh.listvote.com/lists/music/albums/tenor-conclave-3518140/songs Hi Voltage https://zh.listvote.com/lists/music/albums/hi-voltage-5750435/songs No Room for Squares https://zh.listvote.com/lists/music/albums/no-room-for-squares-7044921/songs Hank Mobley Sextet https://zh.listvote.com/lists/music/albums/hank-mobley-sextet-5648411/songs Mobley's Message https://zh.listvote.com/lists/music/albums/mobley%27s-message-6887376/songs Straight No Filter https://zh.listvote.com/lists/music/albums/straight-no-filter-7621018/songs Jazz Message No. 2 https://zh.listvote.com/lists/music/albums/jazz-message-no.-2-6168276/songs Breakthrough! https://zh.listvote.com/lists/music/albums/breakthrough%21-4959667/songs A Slice of the Top https://zh.listvote.com/lists/music/albums/a-slice-of-the-top-4659583/songs The Turnaround! https://zh.listvote.com/lists/music/albums/the-turnaround%21-7770743/songs A Caddy for Daddy https://zh.listvote.com/lists/music/albums/a-caddy-for-daddy-4655701/songs https://zh.listvote.com/lists/music/albums/the-jazz-message-of-hank-mobley- The Jazz Message of Hank Mobley 7743041/songs https://zh.listvote.com/lists/music/albums/hank-mobley-and-his-all-stars- Hank Mobley and His All Stars 5648413/songs Far Away Lands https://zh.listvote.com/lists/music/albums/far-away-lands-5434501/songs Third Season https://zh.listvote.com/lists/music/albums/third-season-7784949/songs Hank Mobley Quartet -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
Sample Material © UBC Press 2018 MARIAN JAGO
Praise for Live at the Cellar “In Live at the Cellar, Marian Jago deftly explores the phenomenon of co-operative jazz clubs, a neglected area in the study of jazz. While her book focuses on the fertile scene surrounding Vancouver’s Cellar Club and, to a lesser degree, parallel clubs in Edmonton, Calgary and Halifax, her methodology, insights, and conclusions provide an excellent basis for comparative work on co-operatives in the United States and Europe. A pioneering work, this book makes a substantial contribution to jazz scholarship.” – ROB BOWMAN, Grammy Award–winning musicologist and professor of ethnomusicology, York University “I grew up in Vancouver during the formative years of ‘the new jazz,’ and I was fortunate enough to be at the ‘right place and time’ to watch jazz history being made. These clubs were our jazz ‘school,’ where we learned all about this North American art form. Our music was formed in a ‘crucible’ of jazz, where all of the elements fused together to form something new. In Live at the Cellar, Marian Jago perfectly chronicles this chapter in Canadian jazz, something that few have revealed in such detail. Her amazing book captures the spirit and essence of that time and that experience.” – TERRY CLARKE, C.M., drummer and Canadian jazz icon “The Cellar on Watson Street was a huge part Vancouver’s jazz history and had an obvious influence on my own club, The Cellar on Broadway. I would’ve given anything to be around during the heyday of Vancouver’s jazz co-ops – this book helps me close my eyes and imagine what it was like to be there!” – CORY WEEDS, jazz musician and owner of The Cellar on Broadway Sample Material © UBC Press 2018 MARIAN JAGO live at the CELLAR vancouver’s iconic jazz club and the canadian co-operative jazz scene in the 1950s and ’60s Sample Material © UBC Press 2018 For all the players. -
Hank Mobley No Room for Squares Mp3, Flac, Wma
Hank Mobley No Room For Squares mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: No Room For Squares Country: Japan Released: 2015 Style: Hard Bop MP3 version RAR size: 1501 mb FLAC version RAR size: 1985 mb WMA version RAR size: 1349 mb Rating: 4.6 Votes: 825 Other Formats: MMF DXD AIFF WMA AUD FLAC MP3 Tracklist Hide Credits Three Way Split 1 7:47 Written-By – Hank Mobley Carolyn 2 5:28 Written-By – Lee Morgan Up A Step 3 8:29 Written-By – Hank Mobley No Room For Squares 4 6:55 Written-By – Hank Mobley Me 'N You 5 7:15 Written-By – Lee Morgan Old World, New Imports 6 6:05 Written-By – Hank Mobley Carolyn (alt. take) 7 Written By – Lee Morgan No Room For Squares 8 Written By – Hank Mobley Syrup & Biscuits 9 Written By – Hank Mobley Comin' Back 10 Written By – Hank Mobley Credits Bass – Butch Warren, John Ore Design [Cover] – Reid Miles Drums – Philly Joe Jones* Liner Notes – Joe Goldberg Photography By [Cover Photo] – Francis Wolff Piano – Andrew Hill, Herbie Hancock Producer – Alfred Lion Recorded By [Recording By], Remastered By – Rudy Van Gelder Tenor Saxophone – Hank Mobley Trumpet – Donald Byrd, Lee Morgan Notes 2015 Japanese SHM-CD with 4 bonus tracks. Barcode and Other Identifiers Barcode: 4988005850980 Other versions Category Artist Title (Format) Label Category Country Year Hank No Room For Squares BLP 4149 Blue Note BLP 4149 US 1964 Mobley (LP, Album, Mono) Hank No Room For Squares BST 84149 Blue Note BST 84149 US 1966 Mobley (LP, Album, RE) Blue Note, BST-84149, Hank No Room For Squares BST-84149, Heavenly France -
1 WDR 3 Jazz&World 21.04.2017 No Place for Squares – Der
WDR 3 Jazz&World 21.04.2017 No Place For Squares – Der Tenorsaxofonist Hank Mobley 22.04-24.00 Stand: 26.04.2017 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Hans W. Ewert Redaktion: Dr. Bernd Hoffmann Laufplan 1. This I dig of you K: Hank Mobley 6:25 HANK MOBLEY Blue Note 2434953432; LC: 00133 CD: Soul Station 2. Hankerin’ K: Hank Mobley 5:15 HORACE SILVER’S JAZZ MESSENGERS Membran 232097/054; LC: 29384 CD: Modern Jazz – Hard Bop – Horace Silver, Vol.2 3. No Blues K: Miles Davis 10:40 MILES DAVIS QUINTET Columbia CL 1812; LC: 00162 LP: Miles Davis at Carnegie Hall 4. Soul Station K: Hank Mobley 9:05 HANK MOBLEY QUARTET Blue Note 2434953432; LC: 00133 CD: Soul Station 5. Remember K: Irving Berlin 5:40 HANK MOBLEY QUARTET Blue Note BST 84031; LC: 00133 LP: Soul Station 6. If I should lose you K: Leo Robin 5:10 HANK MOBLEY QUARTET Blue Note BST 84031; LC: 00133 LP: Soul Station 7. Au privave K: Charlie Parker 7:30 HANK MOBLEY SEXTET Prestige 7061; LC: 00313 LP: Mobley’s Message 8. Message from the border K: Hank Mobley 6:00 HANK MOBLEY QUINTET Prestige 7082; LC: 00313 LP: Mobley’s 2 nd Message 9. Smokin’ K: Hank Mobley 7:30 HANK MOBLEY Prestige 7082; LC: 00313 LP: Workout 10. No room for squares K: Hank Mobley 6:55 HANK MOBLEY Blue Note BST-84149; LC: 00133 LP: No room for Squares Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
Hank Mobley Roll Call Mp3, Flac, Wma
Hank Mobley Roll Call mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Roll Call Country: US Released: 2009 MP3 version RAR size: 1429 mb FLAC version RAR size: 1186 mb WMA version RAR size: 1631 mb Rating: 4.3 Votes: 416 Other Formats: AIFF XM FLAC AAC DMF MIDI VOX Tracklist Hide Credits 1 Roll Call 10:35 2 My Groove Your Move 6:07 3 Take Your Pick 5:27 4 A Baptist Beat 8:55 The More I See You 5 6:48 Written-By – Warren*, Gordon* 6 The Breakdown 4:57 Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Paul Chambers Design [Cover] – Reid Miles Drums – Art Blakey Liner Notes – Robert Levin , 上田篤 Liner Notes [Translated By] – 赤塚四朗 Photography By [Cover Photo] – Francis Wolff Piano – Wynton Kelly Producer – Alfred Lion Recorded By – Rudy Van Gelder Tenor Saxophone – Hank Mobley Trumpet – Freddie Hubbard Written-By – Hank Mobley (tracks: 1 to 4, 6) Notes Recorded on November 13, 1960. Barcode and Other Identifiers Barcode: 4988006689701 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year BLP 4058 Hank Mobley Roll Call (LP, Album, Mono) Blue Note BLP 4058 US 1960 BNS 40013 Hank Mobley Roll Call (LP, Album, RE) Blue Note BNS 40013 UK 1977 BST 84058 Hank Mobley Roll Call (LP, Album) Blue Note BST 84058 US 1962 TOCJ-7028 Hank Mobley Roll Call (CD, Album, RE) Blue Note TOCJ-7028 Japan 2007 DBLP-062 Hank Mobley Roll Call (LP, Album, Mono, RM) Blue Note DBLP-062 Japan 2014 Related Music albums to Roll Call by Hank Mobley Hank Mobley - No Room For Squares Hank Mobley - Hi Voltage Hank Mobley - A Slice Of The Top Hank Mobley Quartet - Hank Mobley Quartet Freddie Hubbard - Goin' Up Hank Mobley - Poppin' Hank Mobley - Workout Hank Mobley - Soul Station Hank Mobley Quintet - Mobley's 2nd Message Art Blakey And The Jazz Messengers - The History Of Art Blakey And The Jazz Messengers. -
RECOMMENDED JAZZ RECORDINGS (Compiled by Paul Mckee)
RECOMMENDED JAZZ RECORDINGS (compiled by Paul McKee) Big Band Count Basie Complete Atomic Basie (Blue Note/Roulette) Chairman of the Board (Roulette) Sinatra at the Sands (w/Frank Sinatra) (Reprise) April in Paris (Verve) Duke EllinGton Blanton/Webster Band 1939-1942 (BMG RCA) And His Mother Called Him Bill (Bluebird) Jazz Party (Sony/Columbia) Such Sweet Thunder (Columbia) EllinGton at Newport (Columbia) Three Suites (Columbia) Far East Suite (Blue Bird) Basie/Ellington First Time! The Count Meets The Duke (Columbia) Gil Evans Miles Ahead (w/Miles Davis) (Columbia) Out of the Cool (Impulse) Old Bottle, New Wine (Blue Note/EMI) Great Jazz Standards (Blue Note/EMI) The Individualism of Gil Evans (Verve) Maria Schneider Evanescence (Enja) Concert in the Garden (Artistshare) Bob Brookmeyer New Works (Challenge) Get Well Soon (Challenge) VillaGe VanGuard Orchestra The Way (Music of Slide Hampton) Up from the Skies (Music of Jim McNeeley) Stan Kenton West Side Story (Capitol) New Concepts in Artistry and Rhythm (Capitol) Live at Redlands ( Creative World) Cuban Fire (Capitol) Thad Jones/Mel Lewis Live at the Village Vanguard (Solid State) Consummation (Blue Note) Suite for Pops (A&M Horizon) Terry Gibbs Dream Band Volume 1 (OJC/Contemporary) (BIG BAND CONTINUED) Bill Holman In a Jazz Orbit (VSOP) Maynard Ferguson Live at Jimmy’s (Columbia) Birdland Dream Band (RCA) Woody Herman Woody’s Winners (Columbia) Keeper Of The Flame: Complete Capitol RecordinGs (Capitol) Dizzy Gillespie Birk’s Works: Verve Big Band Sessions (Verve) Buddy Rich Big Swing Face (Blue Note/Pacific Jazz) Swingin’ New Band (Blue Note/Pacific Jazz) Charles MinGus Let My Children Hear Music (Columbia) Gerry Mulligan Concert Jazz Band Live at the VillaGe VanGuard (Verve) Clayton/Hamilton Shout Me Out! (Lightyear) Heart and Soul (Capri) Explosive! (Warner Brothers) SMALL GROUP J.J. -
Hank Mobley – Swing University Listening List
Hank Mobley – Swing University Listening List Photo: Francis Wolff ©Mosaic Images LLC/mosaicrecordsimages.com Part 1 1. “Good Night, Irene” a. Paul Gayten and his Orchestra, Regal (1950) b. Arranged by Hank Mobley 2. “Sfax” & “Orientation” a. Max Roach Septet, Debut (April 10, 1953) b. Idrees Sulieman (tpt) c. Leon Comegys (tbn) d. Gigi Gryce (alto, flute) e. Hank Mobley (tenor) f. Walter Davis, Jr. (pn) g. Franklin Skeete (b) h. Max Roach (dr) 3. “Ow” a. Hank Mobley Quintet, Newark 1953, Uptown (September 28, 1953) b. Bennie Green (tbn) c. Hank Mobley (tenor) d. Walter Davis, Jr. (pn) e. Jimmy Schenck (b) f. Charli Persip (dr) 4. “Hey Pete” a. Dizzy Gillespie Quintet, Jazz Recital, Norgran (May 25, 1954) b. Dizzy Gillespie (tpt, vocals) c. Hank Mobley (tenor) d. Wade Legge (pn) e. Lou Hackney (b) f. Charli Persip (dr) 5. “Hankerin’” & “Creepin’ In” a. Horace Silver and the Jazz Messengers, Blue Note (November 13, 1954) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 6. “Walkin’ the Fence” & “Just Coolin’” a. Hank Mobley Quartet, Blue Note (March 57, 1955) b. Hank Mobley (tenor) c. Horace Silver (pn) d. Doug Watkins (b) e. Art Blakey (dr) 7. “Soft Winds” & “Avila & Tequila” a. The Jazz Messengers at the Café Bohemia, Blue Note (November 23, 1955) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 8. “Taking a Chance on Love” a. Rita Reys with Art Blakey and the Jazz Messengers, The Cool Voice of Rita Reys, Philips (May 3, 1956) b.