Dear Educator: If You Asked Your Students to Brainstorm a List of Heroes, It Would Probably Include Characters Like Spiderman, Superman, and Batman
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SHREK the MUSICAL Official Broadway Study Guide CONTENTS
WRITTEN BY MARK PALMER DIRECTOR OF LEARNING, CREATIVE AND MEDIA WIldERN SCHOOL, SOUTHAMPTON WITH AddITIONAL MATERIAL BY MICHAEL NAYLOR AND SUE MACCIA FROM SHREK THE MUSICAL OFFICIAL BROADWAY STUDY GUIDE CONTENTS INTRODUCTION 3 Welcome to the SHREK THE MUSICAL Education Pack! A SHREK CHRONOLOGY 4 A timeline of the development of Shrek from book to film to musical. SynoPsis 5 A summary of the events of SHREK THE MUSICAL. Production 6 Interviews with members of the creative team of SHREK THE MUSICAL. Fairy Tales 8 An opportunity for students to explore the genre of Fairy Tales. Feelings 9 Exploring some of the hang-ups of characters in SHREK THE MUSICAL. let your Freak flag fly 10 Opportunities for students to consider the themes and characters in SHREK THE MUSICAL. One-UPmanshiP 11 Activities that explore the idea of exaggerated claims and counter-claims. PoWer 12 Activities that encourage students to be able to argue both sides of a controversial topic. CamPaign 13 Exploring the concept of campaigning and the elements that make a campaign successful. Categories 14 Activities that explore the segregation of different groups of people. Difference 15 Exploring and celebrating differences in the classroom. Protest 16 Looking at historical protesters and the way that they made their voices heard. AccePtance 17 Learning to accept ourselves and each other as we are. FURTHER INFORMATION 18 Books, CD’s, DVD’s and web links to help in your teaching of SHREK THE MUSICAL. ResourceS 19 Photocopiable resources repeated here. INTRODUCTION Welcome to the Education Pack for SHREK THE MUSICAL! Increasingly movies are inspiring West End and Broadway shows, and the Shrek series, based on the William Steig book, already has four feature films, two Christmas specials, a Halloween special and 4D special, in theme parks around the world under its belt. -
Flouting Maxim Used by the Main Characters in the Boss Baby Movie
FLOUTING MAXIM USED BY THE MAIN CHARACTERS IN THE BOSS BABY MOVIE SKRIPSI Submitted In Partial Fulfillment of the Requirements For the Degree of Sarjana Pendidikan (S.Pd) English Education Program By ELITA NUR OCTALIANTY NPM. 1402050352 FACULTY OF TEACHERS’ TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH SUMATERA UTARA MEDAN 2018 ABSTRACT Octalianty, Elita Nur. 1402050352. Flouting Maxim Used By The Main Characters In The Boss Baby Movie. A Thesis. English Department of Faculty of Teacher Training and Education University of Muhammadiyah Sumatera Utara. (UMSU). 2018. The objective of this research were to discover the types of flouting maxim, the dominant flouting maxim, and to explain the implicature of the flouting maxim in The Boss Baby movie. This research was done only on Tim and the Baby utterances because they are the main characters. There were 59 of flouted maxim as the data for this research. The descriptive qualitative design was used to analyze the data. The results of the analysis shows that all types of maxim were flouted; 31 utterances flouted maxim of relevance (52.5%), 12 utterances flouted maxim of quality (20.3%), 9 utterances flouted maxim of quantity (15.3%), and 7 utterances flouted maxim of manner (11.9%). The maxim of relevance was dominant type of maxim that was flouted by the main characters. The implication of the maxim was the people who covered his truthfullness, trick, irrelevance, ambiguity, and so on. Keyword : pragmatics, flouting maxim, movie. i ACKNOWLEDGMENTS Firstly, the researcher would like to express her greatest gratefulness to Allaah Subhanahu Wata’ala, the most gracious and the most merciful who gave her the patience, the strength and the time to finish this study. -
Movie Program Family Movies in Canada Exclusively the BEST NEW SUMMER MOVIES at ACF!
Call us now at The best copyright Exclusive access to the 1 800 289-8887 coverage for your largestlargest selectionselection ofof Movie Program family movies in Canada Exclusively THE BEST NEW SUMMER MOVIES at ACF! The best blockbusters available! 1 800 289-8887 ★ www.acf-film.com ★ [email protected] Fax: 514-493-9058 COPYRIGHT MOVIE LICENSING ABOUT US WHAT DOES THE LAW SAY? Founded in 1966, Audio Cine Films Inc. is one of the The Canadian Copyright Act applies in all cases, even if films are: largest rights representatives in Canada, and is Purchased from retail stores or online vendors. Obtained from personal collections or borrowed from the exclusive Canadian non-theatrical distributor for public libraries (for example). numerous major studios, producers and thousands of Shown freely, for charity purposes or to small groups. films. As such, it issues performance licenses that legalize Complete information on copyrights can be found at the public presentation of commercially available films. www.acf-film.com. ACF HAS EXCLUSIVE RIGHTS IN CANADA No other entity in Canada or the United States is allowed to issue public performance licenses from our partner studios (among others) and their movies. Licenses obtained from organizations outside of Canada do not cover or allow for the presentation of movies from the studios we represent in Canada. A complete listing of studios exclusively represented by ACF in Canada is available in this document. 100% Canadian . Since 1966. HOW TO OBTAIN A LICENSE? Simply complete the application form included -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized.. -
Shrek Jr. (Ages 6-18; All Youth Are Cast)
Shrek Jr. (ages 6-18; all youth are cast) Beauty is in the eye of the ogre in Shrek The Musical JR., based on the Oscar-winning DreamWorks Animation film and fantastic Broadway musical. It's a "big bright beautiful world" as everyone's favorite ogre, Shrek, leads a cast of fairytale misfits on an adventure to rescue a princess and find true acceptance. Part romance and part twisted fairy tale, Shrek JR. is an irreverently fun show with a powerful message for the whole family. Once upon a time, in a faraway swamp, there lived an ogre named Shrek. One day, Shrek finds his swamp invaded by banished fairytale misfits who have been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wisecracking donkey to confront Farquaad, he's handed a task — if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn't be complete without a few twists and turns along the way. Storytellers Wonderful roles for performers with natural stage presence and big, clear voices. These characters are important for setting up the world and moving the story forward. Bold, energetic young actors. Gender: Any Shrek He may be a big, scary, green ogre to the rest of the world, but as the story reveals, he's really just a big fellow with a big heart. Excellent actor and strong singer with comedic chops. Gender: Male Fiona She may appear to be an ideal princess straight from the fairy tale books, but there is more to her than that stereotypical image. -
Dreamworks Animation SKG, Inc
DreamWorks Animation SKG, Inc. Website dreamworksanimation.com DreamWorks Animation SKG, Inc. (NASDAQ: DWA) is an American animation studio based in Glendale, California that creates animated feature films, television program and online virtual worlds. They have released a total of 22 feature films, including Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon series. Although the studio also made traditionally animated films about serious subjects earlier, such as The Prince of Egypt, Joseph: King of Dreams, The Road to El Dorado, Spirit: Stallion of the Cimarron, and Sinbad: Legend of the Seven Seas, most of their computer-generated films and television series have now gained the studio a reputation for being focused on popular culture and satire. The studio was formed by the merger of the feature animation division of DreamWorks and Pacific Data Images (PDI). Originally formed under the banner of DreamWorks in 1997 by some of Amblin Entertainment's former animation branch Amblimation alumni, it was spun off into a separate public company in 2004. DreamWorks Animation currently maintains two campuses: the original DreamWorks feature animation studio in Glendale, California and the PDI studio in Redwood City, California. Films produced by DreamWorks Animation are currently distributed worldwide by Paramount Pictures, a subsidiary of Viacom, who acquired the DreamWorks live-action studio in February 2006, spinning it off again in 2008. History The PDI/DreamWorks Studio in Redwood City, California 1994–2004 On October 12, 1994, DreamWorks SKG was formed and founded by a trio of entertainment players, director and producer Steven Spielberg, music executive David Geffen, and former Disney executive Jeffrey Katzenberg. -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS HOLLYWOOD MUSIC IN MEDIA THE MARTIAN NOMINATION (2015) Original Score-Sci-Fi / Fantasy Film IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWARD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWARD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES MEG Lorenzo Di Bonavenutra / Belle Avery / Colin Wilson, Warner Bros. Pictures / Di Bonaventura Pictures prods. Jon Turteltaub, dir. BREATH Simon Baker / Jamie Hilton / Mark Johnson, prods. Gran Via Productions Simon Baker, dir. EQUALIZER 2 Todd Black / Jason Blumenthal / Mace Neufeld / Alex Columbia Pictures Siskin / Steve Tisch, prods. Antoine Fuqua, dir. EARLY MAN Carla Shelley / Peter Lord / Nick Park / Richard Beek / Studio Canal David Spoxton, prods. Nick Park, dir. -
SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008
SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008 SIGGRAPH 2007 Computer Animation Festival Final Report Paul Debevec USC Institute for Creative Technologies SIGGRAPH 2007 Computer Animation Festival Chair [email protected] Last Update: March 26, 2008 This document presents the final report for the SIGGRAPH 2007 Computer Animation Festival. It provides relevant information about decisions made and work executed for the various aspects of putting on the show, and suggestions for improvements for future years. If you have any questions about this report – especially if you are in the process of organizing a SIGGRAPH Computer Animation Festival or similar event yourself – please feel free to contact me at [email protected]. Paul Debevec, USC ICT Page 1 SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008 Contents Chairing a successful SIGGRAPH Computer Animation Festival was enormously rewarding but a huge amount of work. It required recruiting a skilled and dedicated CAF committee and anticipating, planning, and executing hundreds of tasks efficiently and effectively. This document describes the most significant tasks with an eye toward helping future CAF chairs learn from both the successes and lessons learned from putting on the SIGGRAPH 2007 Computer Animation Festival. The organization is as follows: Writing the Call for Participation ....................................................................................... 4 Setting the submission deadline..................................................................................... -
View / Download Resume As
Kennedy Tarrell Glendale, CA, 91206 www.kennedytarrell.com [email protected] | (402) 850-4077 Experience Netflix Animation| Story Artist – Untitled Feature – Storyboard Artist – The Cuphead Show! Burbank, CA | February 2019- Present • Storyboarding on an upcoming feature project • The Cuphead Show! - Focus on comedy and character • Pitch jokes, characters, and new ideas for sequences to directors, writers, and producers HB-Wink Productions| Story Artist – Extinct (2020) Burbank, CA | April 2018 – October 2018 • Storyboarded on an upcoming animated feature project, emphasizing comedy • Worked closely with directors to craft plot, story, humor, and compelling characters DreamWorks Animation Television| Storyboard Artist - Spirit Riding Free, various projects Glendale, CA | September 2017 – April 2018 • Storyboarded episodes for a CG action/adventure series, 22 minutes in length • Worked alongside two other storyboard artists in a team of three, on a 3 week rough, 3 week clean schedule • Storyboarded a variety of sequences depending on the tone of the episode, from horse action sequences to musical comedy to tension and suspense • Used Storyboard Pro to edit and rough time animatics, inserted sound effects, and timed acting to dialog DreamWorks Animation Television| Storyboard Revisionist - Spirit Riding Free Glendale, CA | Jan 2016 - Present • Independently storyboarded and edited a comedy musical short film for Spirit Riding Free’s YouTube Channel – completed rough and clean pass in 2 weeks • Freelanced Revisions/ Colored in animatics for All Hail King Julien and Harvey Street Kids • Worked one-on-one with Awesomeness TV to create additional illustrated content for the book adaptation of Spirit: Riding Free and various promotional materials for marketing team DreamWorks Animation Television| Production Assistant - Dawn of The Croods, Various Productions Glendale, CA | October 2014 - 2015 • Built a document detailing out storyboard conforming process for a traditionally animated show and trained storyboard & production teams based on document curriculum. -
Shrek Study Guide Grades
Alliance Theatre for Youth and Families presents STUDY GUIDE Grades 4-8 Music by Jeanine Tesori Book and Lyrics by David Lindsay-Abaire Based on the DreamWorks Animation Motion Picture and the book by William Steig Directed by Rosemary Newcott Study Guide created by students and teachers participating in the Dramaturgy by Students Program Alliance Theatre Institute for Educators and Teaching Artists Friends School of Atlanta 6th Grade ELA Teacher Johnny Pride Alliance Teaching Artist Barry Stewart Mann Shrek The Musical Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019 1 Dramaturgy: the comprehensive exploration of the context of the play. The dramaturg provides the director, actor, and/or audience information on the conditions in which the play was created, the world in which it takes place, the themes expressed, and specific elements of the play, such as characters, language, and external references. Study Guide Contents 3-4 On Paper: The Book and Author Your SHREK-selves 15 5-6 On Film: The Movies and DreamWorks Parody & Body Humor 16 7-8 On Stage: The Play, the Lyricist and the Themes: Beauty, Friendship, etc. 17-18 Composer Shrek-ish Mad-Lib 19 9 Book – Movie – Play: Three Shreks Vocabulary and Standards 20-21 10-11 Feudalism and Fairy Tales Sources and Resources 22 12-13 Ogres and Shape-Shifters Creative Crossword Solution 23 14 Shrek Creative Crossword 2 On Paper: The Book and Author The children’s picture book Shrek! was published in January of 1990. -
Kung Fu Panda 3 : the Complete Screenplays Ebook
KUNG FU PANDA 3 : THE COMPLETE SCREENPLAYS PDF, EPUB, EBOOK Joy Vallo | 106 pages | 02 Jun 2020 | Independently Published | 9798650526117 | English | none Kung Fu Panda 3 : The Complete Screenplays PDF Book Hence, the dramatic entrance. In the present, adult Po reaches beneath an old piece of wood and finds his long lost toy. New Hot Wheels adventure , trouble in hot wheel tunnels! PO Hey, that's a pretty good deal. Po's eyes widen. Let me tell ya something. PING Whoa, whoa, not my good pan! Funny and refreshing jokes that give you a great laughter and fun. PO I'm ready for my first day of panda training. PO But be super careful. PO Let's finish this. He gets tired, but continues walking up the stairs. Startled, Po accidentally backhands Monkey as the rest of the Five join him beneath the costume. The wolves begin scrambling up the pile of boats Po backhands the last wolf without even looking at him. I have set another on that path. They must be in that jail gathering intelligence, hatching a plot to use their awesomeness to defeat the weapon! Then he sees his friends, trussed up and staring at him in pure amazement, and anger fills him. Write a Review. Yelling in frustration, he rushes back at Tigress. It's like the best cape ever. The— [wheezes] You gotta We see that it is Lord Shen and Boss Wolf the one holding the torch. Kai… Nope. PO My fist hungers for justice. Inner piece of what? We'll get inside, and then Three archers take aim and fire at Po. -
Research on Application of Chinese Culture in Animated Movie Kungfu Panda Weipeng Wang School of Art,Zhengzhou University of Industry Technology,Zhengzhou451100,China
Advances in Social Science, Education and Humanities Research, volume 87 2nd International Conference on Economics, Management Engineering and Education Technology (ICEMEET 2016) Research on application of Chinese culture in animated movie KungFu Panda WeiPeng Wang School of art,Zhengzhou University of Industry Technology,Zhengzhou451100,China. [email protected] Keywords: KungFu panda;Animated movie;Chinese culture;Application research Abstract. The key to Successful the film Kungfu Panda is carefully analyzed the Chinese culture and closely related to the hot spot of mixed culture in the context of globalization, through the exact expression of Chinese and western culture give a thought to the development Chinese animation. This paper based on the film Kungfu Panda to analysis the application of Chinese culture in the film and put forward a new train of thought for Chinese animation in discover and use their native culture. Chinese animation not only need to enhance the level of technology, but also on the connotation of ascension, Chinese animation re-emergence in the world animation stage must be use this national culture. Introduction The success of the kung fu panda is fusion the Chinese culture and western culture, two kinds of culture blend in the film and mutual influence, each retain the original cultural charm. The cultural characteristics reflects in the film is a new building of western society on Chinese culture and interpretation, whether the understanding of the surface or deep cognition,it is no denying that Chinese culture used in the creation of the cartoon is successful, that is why it is popular with the audience in China[1].This article based on the application of Chinese culture in the film as a research topic, analysis the Chinese culture in character design, scene design, cultural background, and music design.