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Verizon Communications Inc. 2020 Form 10-K
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark one) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 1-8606 Verizon Communications Inc. (Exact name of registrant as specified in its charter) Delaware 23-2259884 (State or other jurisdiction (I.R.S. Employer Identification No.) of incorporation or organization) 1095 Avenue of the Americas New York, New York 10036 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 395-1000 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Trading Symbol(s) Name of Each Exchange on Which Registered Common Stock, par value $0.10 VZ New York Stock Exchange Common Stock, par value $0.10 VZ The NASDAQ Global Select Market 1.625% Notes due 2024 VZ24B New York Stock Exchange 4.073% Notes due 2024 VZ24C New York Stock Exchange 0.875% Notes due 2025 VZ25 New York Stock Exchange 3.250% Notes due 2026 VZ26 New York Stock Exchange 1.375% Notes due 2026 VZ26B New York Stock Exchange 0.875% Notes due 2027 VZ27E New York Stock Exchange 1.375% Notes due 2028 VZ28 New York Stock Exchange 1.125% Notes due 2028 VZ28A New York Stock Exchange 1.875% Notes due 2029 VZ29B New York Stock Exchange 1.250% Notes due 2030 VZ30 New York Stock Exchange 1.875% Notes due 2030 VZ30A -
Current, September 10, 2012
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-10-2012 Current, September 10, 2012 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 10, 2012" (2012). Current (2010s). 114. https://irl.umsl.edu/current2010s/114 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. September 10, 2012 Vol. 46 Issue 1383 News 3 Features 4 Gallery 210 hosts a winning set of A&E 5 exhibits to kick off its fall season Opinions 6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, As is typical of Gallery 210’s receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Staff Writer Comics 8 artists whose pieces were on display came to join Ken Anderson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri – St. Louis’ in the festivities and field the questions of 210’s work for the Jubilee) were also present, as was and graphite, Alvarez used paper and mixed resident exporter of St. Louis art and culture, eager patrons. Arny Nadler, the sculptor behind “Whelm.” media and Corley employed cardstock, string and Mon kicked off its fall season on September 6 with a Thursday’s reception welcomed Deb Douglas, The artists’ work varied immensely. -
Aller 210 Hosts a Wi Ning Set 0 Exhib Ets to Kick Off Its All Season
UMSL's independent student news September 10, 2012 Vol. 46 Issue 1383 News ................... 3 0 Features .......... 4 aller 210 hosts a wi ning set A&E ........................ 5 exhib ets to kick off its all season Opinions........ :6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, Staff Writer As is typical of Gallery 21O's receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Comics .............. 8 artists whose pieces were on display came to join Ken And'erson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri - St. Louis' in the festivities and field the Questions of 21O's work for the Jubilee) were also present, as was and graph ite, Alvarez used paper and mixed resident exporter of St. L0uis art and culture, eager patrons. Arny Nadler, the sculptor behind "Whelm." media and Corley employed cardstock , string and Mon kicked off its fall season on September 6 with a Thursday's reception welcomed Deb Douglas, The artists' work varied immensely. For dye. Each artist's work communicated different public reception. The gallery's latest Heather Corley and Gina Alvarez, who presented "Expsoure 15," Douglas's work featured blown up themes. Dou glas prefers to capture such additions ~ "Exposure 15," the UMSL Faculty their work in "Exposure 15 ." Professor of collages; Corley had a un ique sculptural piece abstraction s as nostal gia , rel ationsh ips and Jubilee and "Whelm" (the large metal sculpture photography, Dan Younger, associate professor called "Certain Uncertainty," which took pattern in her wo rk. -
Vendor Contract
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Market Research Research and Education
June 1, 2020 UW Finance Association The Outlook of Mergers and Acquisitions for 2020 Market Research Research and Education The Outlook of Mergers and Acquisitions for 2020 All amounts in $US unless otherwise stated. Before the Pandemic Author(s): When 2019 came to a close, it marked the end of more than a Albert Liu Research Analyst decade-long bull run. The market was at all-time highs and Onat Karacan businesses were flourishing. Corporate transactions were Research Analyst prominent during this time as companies sought to grow their Editor(s): businesses to new heights. John Derraugh and Brent Huang Co-VPs of Research and Education Mergers and Acquisitions (M&A) deals were no exception. A recent poll done by the Deloitte US M&A Team, who surveyed a thousand executives at corporations and private equity firms, found that the majority agreed that transaction activity will remain robust for the year 2020. Exhibit 1: Infographic on professional perspective of M&A deal volume expectations going into 2020. (Deloitte) Deal volume expectations 63% Increase 79% 33% Stay the same 18% 4% Decrease 3% Fall 2019 Fall 2018 Before the pandemic, M&A activity had been declining for a few years, as the decade-long bull run began to increase and inflate valuations of corporations. While professional expectations were bullish on the volume of M&A transactions in 2020, the presence of larger deals was anticipated to decrease. According to Deloitte, the marketplace is seeing more interest in deals in the sweet spot between $100 million and June 1, 2020 1 UW Finance Association The Outlook of Mergers and Acquisitions for 2020 $500 million. -
Patterson Hood Looks Back to Move Forward on His New Best Release, Murdering Oscar (And Other Love Songs)
ONE YEAR ISSUE! FREE! METRIC • ASHER ROTH • CYCLE OF PAIN THE GINGER ENVELOPE • ST. VINCENT • CAGE THE ELEPHANT • MATTHEW SWEET CARS CAN BE BLUE • EELS • AND MORE! FOR FANS OF MUSIC & THOSE WHO MAKE IT ISSUE 8 TEN QUESTIONS WITH...311 THE UNDYING ROCK Father OPERA GIRLS IN ATHENS ROCK... Knows LITERALLY NIC CAGE: A STAR’S Best: TREK Patterson Hood PLUS! ULTIMATE Looks Back to MUSICIAN’S Move Forward GEAR GUIDE ATHFEST TURNS 13: OUR 2009 GUIDE 13th annual 4 days of music, art, camping & loving le: Profi SWOP 13th annual No overlapping sets, 35 Headlining Bands, 40+ Hours of music, All Ages, rain or Shine, Even Better VIP section, Microbrews, Kids area, Family camping, Drum circles, Food & Craft vendors & much much more! Ad Name: Full Flavor Closing Date: 1.7.9 Trim: 8.25 x 10.75 Item #: PSE20089386 QC: RR Bleed: 8.75 x 11.25 Job/Order #:594830-199138 Pub: Athens Blur Live: 7.5 x 10 cover story Father Knows (14) Athens legend and Drive By-Truck- ers frontman Patterson Hood looks back to move forward on his new Best release, Murdering Oscar (And Other Love Songs). —Alec Wooden (41) (45) After 19 years, 311 continues Athens’ homegrown music to uplift spirits with reggae- and arts festival continues infused rock on the first to get stronger with each album in nearly four years. passing year. tenquestions with311 — Nicole Black No — Alec Wooden Mystery About it: (51) (45) Ten bands beat the new singles craze and prove the concept album is back on the rise. turns — Natalie B. -
Toolkit for Teachers – Technologies Is Supplementary Material for the Toolkit for Teachers
Toolkit for Technologies teachers i www. universitiesofthefuture.eu Partners Maria Teresa Pereira (Project manager) [email protected] Maria Clavert Piotr Palka Rui Moura Frank Russi [email protected] [email protected] [email protected] [email protected] Ricardo Migueis Sanja Murso Wojciech Gackowski Maciej Markowski [email protected] [email protected] [email protected] [email protected] Olivier Schulbaum Francisco Pacheo Pedro Costa Aki Malinen [email protected] [email protected] [email protected] [email protected] ii INDEX 1 INTRODUCTION AND FOREWORD 1 2 CURRENT SITUATION 3 2.1 INDUSTRY 4.0: STATE OF AFFAIRS 3 2.2 TRENDS 3 2.3 NEEDS 4 2.3.1 Addressing modern challenges in information acquisition 4 2.3.2 Supporting collaborative work 4 2.3.3 IT-assisted teaching 4 3 TECHNOLOGIES FOR EDUCATION 4.0 7 3.1 TOOLS SUPPORTING GROUP AND PROJECT WORK 7 3.1.1 Cloud storage services 7 3.1.2 Document Collaboration Tools 9 3.1.3 Documenting projects - Wiki services 11 3.1.4 Collaborative information collection, sharing and organization 13 3.1.5 Project management tools 17 3.1.6 Collaborative Design Tools 21 3.2 E-LEARNING AND BLENDED LEARNING TOOLS 24 3.2.1 Direct communication tools 24 3.2.1.1 Webcasts 24 3.2.1.2 Streaming servers 26 3.2.1.3 Teleconferencing tools 27 3.2.1.4 Webinars 28 3.2.2 Creating e-learning materials 29 3.2.2.1 Creation of educational videos 29 3.2.2.2 Authoring of interactive educational content 32 3.2.3 Learning Management Systems (LMS) 33 4 SUMMARY 36 5 REFERENCES 38 4.1 BIBLIOGRAPHY 38 4.2 NETOGRAPHY 39 iii Introduction and foreword iv 1 Introduction and foreword This toolkit for teachers – technologies is supplementary material for the toolkit for teachers. -
ESTTA1036119 Filing Date: 02/14/2020
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1036119 Filing date: 02/14/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 88094045 Applicant IMH Columbia, LLC Applied for Mark THE MERRIWEATHER Correspondence DAVID V. RADACK Address ECKERT SEAMANS CHERIN & MELLOTT, LLC 600 GRANT STREET, 44TH FLOOR PITTSBURGH, PA 15219 UNITED STATES [email protected], [email protected], lamor- [email protected] 412-566-6777 Submission Applicants Request for Remand and Amendment Attachments MOTION TO REMAND THE MERRIWEATHER.pdf(15649 bytes ) THE MERRIWEATHER APPEAL BRIEF.pdf(88500 bytes ) EXHIBIT A THE MERRIWEATHER_Part1.pdf(3027937 bytes ) EXHIBIT A THE MERRIWEATHER_Part2.pdf(2942201 bytes ) EXHIBIT B THE MERRIWEATHER.pdf(3242075 bytes ) EXHIBIT C THE MERRIWEATHER.pdf(314919 bytes ) EXHIBIT D MERRIWEATHER.pdf(29279 bytes ) EXHIBIT E THE MERRIWEATHER.pdf(183581 bytes ) EXHIBIT F MERRIWEATHER.pdf(403263 bytes ) EXHIBIT G THE MERRIWEATHER .pdf(2218486 bytes ) EXHIBIT H MERRIWEATHER.pdf(100152 bytes ) EXHIBIT I THE MERRIWEATHER Part1.pdf(3482996 bytes ) EXHIBIT I THE MERRIWEATHER Part2.pdf(4474539 bytes ) EXHIBIT I THE MERRIWEATHER Part3.pdf(5104906 bytes ) EXHIBIT J THE MERRIWEATHER.pdf(300909 bytes ) Filer's Name David V. Radack Filer's email [email protected], [email protected], ipdock- [email protected] Signature /David V. Radack/ Date 02/14/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In re: IMH Columbia, LLC Law Office 114 Serial No. 88/094,045 Examining Attorney – Brian J. Pino Filed August 27, 2018 For THE MERRIWEATHER Attorney Reference No. -
2012 April 21
SPECIAL ISSUE MUSIC • • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATE: APRIL 21 ORDERS DUE: MAR 21 SPECIAL ISSUE ada-music.com 2012 RECORD STORE DAY-RELATED CATALOG Artist Title Label Fmt UPC List Order ST. VINCENT KROKODIL 4AD S 652637321173 $5.99 ST. VINCENT ACTOR 4AD CD 652637291926 $14.98 ST. VINCENT ACTOR 4AD A 652637291919 $15.98 BEGGARS ST. VINCENT MARRY ME BANQUET CD 607618025427 $14.98 BEGGARS ST. VINCENT MARRY ME BANQUET A 607618025410 $14.98 ST. VINCENT STRANGE MERCY 4AD CD 652637312324 $14.98 ST. VINCENT STRANGE MERCY 4AD A 652637312317 $17.98 TINARIWEN TASSILI ANTI/EPITAPH A 045778714810 $24.98 TINARIWEN TASSILI ANTI/EPITAPH CD 045778714827 $15.98 WILCO THE WHOLE LOVE DELUXE VINYL BOX ANTI/EPITAPH A 045778717415 $59.98 WILCO THE WHOLE LOVE ANTI/EPITAPH CD 045778715626 $17.98 WILCO THE WHOLE LOVE ANTI/EPITAPH A 045778715619 $27.98 WILCO THE WHOLE LOVE (DELUXE VERSION) ANTI/EPITAPH CD 045778717422 $21.98 GOLDEN SMOG STAY GOLDEN, SMOG: THE BEST OF RHINO RYKO CD 081227991456 $16.98 GOLDEN SMOG WEIRD TALES RHINO RYKO CD 014431044625 $11.98 GOLDEN SMOG DOWN BY THE OLD MAINSTREAM RYKODISC A 014431032516 $18.98 ANIMAL COLLECTIVE TRANSVERSE TEMPORAL GYRUS DOMINO MS 801390032417 $15.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO A 801390024610 $11.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO CD 801390024627 $9.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO A 801390021916 $23.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO CD 801390021923 $15.98 ANIMAL COLLECTIVE STRAWBERRY JAM -
Magic Quadrant for Unified Communications As a Service, Worldwide
LICENSED FOR DISTRIBUTION Magic Quadrant for Unified Communications as a Service, Worldwide Published: 23 August 2016 ID: G00291960 Analyst(s): Daniel O'Connell, Bern Elliot Summary UCaaS is now a viable alternative for many (not all) enterprise deployments. Enterprise planners should look for expanded global capacity, better customer service and project management, an expanded set of APIs, and the ability to deploy a richer set of UC functionality led by mobility and video. Market Definition/Description This document was revised on 30 August 2016. The document you are viewing is the corrected version. For more information, see the Corrections page on gartner.com. Unified communications as a service (UCaaS) supports the same functions as its premises-based unified communications (UC) counterpart. The chief difference is that UCaaS adheres to a cloud service delivery model. Gartner therefore uses the same six broad communications functions for both (see Note 1 for detailed definitions): • Voice and telephony, including mobility support • Conferencing — Audioconferencing, videoconferencing and web conferencing • Messaging — Email with voice mail and unified messaging (UM) • Presence and instant messaging (IM) • Clients — Including desktop clients and thin browser clients • Communications-enabled applications — For example, integrated collaboration and contact center applications Two types of cloud delivery architectures are in the UCaaS market. The first is multitenant, in which all customers share a common (single) software instance. The second is multi-instance, in which each customer receives its own software instance. Both the multitenant and multi-instance architectures possess such cloud characteristics as shared infrastructure (for example, data centers, racks, common equipment and blades), shared tools (for example, provisioning, performance and network management tools), per-user-per-month pricing, and elasticity to dynamically add and subtract users. -
Verizon up to Speed Live Friday, July 24, 2020 [Music]. >> Hello My Name Is Christallyne Pagulayan I'm Currently an Indire
Verizon Up To Speed Live Friday, July 24, 2020 _Redefining Communication Access www.acscaptions.com _ [Music]. >> Hello my name is Christallyne Pagulayan I'm currently an indirect account manager based here in viva Las Vegas. I've been with Verizon for ten years now ten years this month I was born and raised in the Philippines. About 40 minutes or an hour from Manila. I've always been that person that's always like a go-getter let's go after it let's go. I traveled with my flipflops with one luggage and $500 in my pocket. All I knew was I was going to San Francisco. I had a map and my American Dream. Until now it still gives me goosies when I think about it I'm like oh, my God what was I thinking I arrived it was freezing cold I used my $500 to get boots I was freezing Verizon said they were hiring for part-time service rep long story short I got the job for me along the way the journey with Verizon my journey in the uses being resilient and patience and compassion helped me in my life where I came from in the Philippines there's places where they don't have electricity. I am so thankful that Verizon has provided me the means of being able to help out. So last month along with my high school classmates we were able to generate almost 300,000 pesos so we could buy basic needs, basic food and basic medical supplies and here in Vegas every weekend I make masks with my mother. -
Northumbria Research Link Northumbria Research Link
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Northumbria Research Link Citation: Sexton, Jamie (2019) Low Budget Audio-visual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez. In: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury. ISBN 9781501342332 (In Press) Published by: Bloomsbury URL: https://www.bloomsbury.com/us/the-bloomsbury-handb... <https://www.bloomsbury.com/us/the- bloomsbury-handbook-of-popular-music-video-analysis-9781501342332/> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/39862/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies.