Graduate English Course Descriptions Spring 2018
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Issue 3.2 (Summer 2007)
NINETEENTH-CENTURY GENDER STUDIES ISSUE 3.2 (SUMMER 2007) The New Woman’s Work: Past, Present, and Future <1> A full generation after New Woman fiction was re-introduced to academic readers (by Elaine Showalter’s A Literature of Their Own, Lloyd Fernando’s “New Women” in the Late Victorian Novel in 1977 and Gail Cunningham’s The New Woman and The Victorian Novel in 1978) and a decade beyond outpourings of gender-inflected essays, dissertations and books aroused as the most recent fin de siècle approached, the impact of this scholarship — and of the women, the writers and the texts it studies — is far from exhausted. Although undergraduates may continue to insist that Victorian women were silent, subservient and confined to their homes, the papers from the New Woman Roundtable at the 2007 British Women Writers Conference not only reflect the conference theme, “Speaking With Authority” but also focus on the importance of work. Together, our three papers illuminate the literal work in the public sphere done by middle-class women in the 1880s and 1890s; the cultural work performed by the stereotyped “New Woman” and by the backlash against her; the twentieth-century scholarship on her that reshaped the study of modernity and examined evolving questions about gender, nationality, race, class and empire. In the early twenty-first century this work again feels urgent. Its implications fuel the search for new frames of analysis and raise complex and suggestive debates about new ways that we, collectively, might think about our own work as woman scholars and about the place of humanities in an increasingly vocational and technological system of higher education. -
The New Woman of the Fin De Siècle by Logan
A Thesis Presented to The Faculty of Alfred University Crossing the Line: The New Woman of the Fin de Siècle by Logan E. Gee In Partial Fulfillment of The Requirement for The Alfred University Honors Program May 7, 2018 Under the Supervision of: Chair: Allen Grove Committee Members: Susan Morehouse Laurie McFadden Introduction As Editor-in-Chief of the school newspaper, a double major in English and Communication Studies, and a minor in Women’s and Gender Studies, I wanted to incorporate all of my interests and studies into my Alfred University Honors thesis. At first, the options felt limited since so many theses are long scientific studies with numbers, graphs, and a few unexpected discoveries. But after talking to my advisor and other professors, I realized that my thesis did not have to be anything like that and could be completely my own. This is when I decided that I would get creative and publish a book for which I would also write the introduction. I had published a book before in the class titled “Publishing Practicum” with Dr. Allen Grove and remembered not only the time and effort I put into the book, but how much I enjoyed the entire process. I was able to practice the skills that I learned in past English classes while editing and writing the introduction, and also incorporate my knowledge of InDesign while designing the layout. Knowing I liked every piece of the project and that it combined almost all of my areas of study made me sure that I wanted to do it again for this thesis. -
The Single Woman, Feminism, and Self-Help
On Their Own: The Single Woman, Feminism, and Self-Help in British Women’s Print Culture (1850-1900) by Melissa Walker A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Doctor of Philosophy in English and Theatre Studies Guelph, Ontario, Canada © Melissa Walker, May, 2012 ABSTRACT ON THEIR OWN: THE SINGLE WOMAN, FEMINISM, AND SELF-HELP IN BRITISH WOMEN’S PRINT CULTURE (1850-1900) Melissa Walker Advisor University of Guelph, 2012 Susan Brown Cultural and historical accounts of self-help literature typically describe its development and focus in terms of the autonomous, public male subject of the nineteenth century. This literary study recognizes that as masculine self-help discourse became widely accessible in the mid nineteenth century, mid-Victorian feminist novels, periodicals, and tracts developed versions of self-help that disrupted the dominant cultural view that the single female was helpless and “redundant” if she did not become a wife and mother. I argue that the dual focus of Victorian self-help discourse on the ability to help oneself and others was attractive for Victorian feminist writers who needed to manipulate the terms of the domestic ideal of woman as influential helpmeet, if women’s independence and civic duty were to be made culturally palatable. Chapter One focuses on how Dinah Mulock Craik drew on self-help values popularized in mid-century articles and collective biographies by Samuel Smiles, while rejecting the genre of biography for its invasiveness into female lives. By imagining a deformed single artist heroine in the context of her 1851 bildungsroman, Olive, Craik highlighted and contested the objectification of women within Victorian culture while reproducing other forms of female difference based on dominant constructions of class, sexuality, and race. -
Doctors, Dandies and New Men: Ella Hepworth Dixon and Late-Century Masculinities
UvA-DARE (Digital Academic Repository) Doctors, Dandies and New Men: Ella Hepworth Dixon and Late-Century Masculinities MacDonald, T. DOI 10.1080/09699082.2012.622980 Publication date 2012 Document Version Final published version Published in Women's Writing Link to publication Citation for published version (APA): MacDonald, T. (2012). Doctors, Dandies and New Men: Ella Hepworth Dixon and Late- Century Masculinities. Women's Writing, 19(1), 41-57. https://doi.org/10.1080/09699082.2012.622980 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 This article was downloaded by: [UVA Universiteitsbibliotheek SZ], [Tara MacDonald] On: 09 February 2012, At: 03:30 Publisher: -
Individualism, the New Woman, and Marriage in the Novels of Mary Ward, Sarah Grand, and Lucas Malet Tapanat Khunpakdee Departmen
Individualism, the New Woman, and marriage in the novels of Mary Ward, Sarah Grand, and Lucas Malet Tapanat Khunpakdee Department of English Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in English 2013 1 Individualism, the New Woman, and marriage in the novels of Mary Ward, Sarah Grand, and Lucas Malet Tapanat Khunpakdee Department of English Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in English 2013 2 Declaration of Authorship I, Tapanat Khunpakdee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 17 June, 2013 3 Abstract This thesis focuses upon the relationship between individualism, the New Woman, and marriage in the works of Mary Ward, Sarah Grand, and Lucas Malet. In examining how these three popular novelists of the late nineteenth century responded to the challenge of female individualism, this thesis traces the complex afterlife of John Stuart Mill’s contribution to Victorian feminism. The thesis evaluates competing models of liberty and the individual – freedom and self-development – in the later nineteenth century at the outset and traces how these differing models work their way through the response of popular writers on the Woman Question. Ward’s Robert Elsmere (1888) and Marcella (1894) posit an antagonism between the New Woman’s individualism and marriage. She associates individualism with selfishness, which explicates her New Woman characters’ personal and ideological transformation leading to marriage. The relinquishing of individualism suggests Ward’s ambivalent response to the nineteenth-century Woman Question. -
Amy Levy - Poems
Classic Poetry Series Amy Levy - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Amy Levy(1861 - 10 September 1889) Amy Levy was born in London, England in 1861. She was the 2nd of 7 children into a somewhat wealthy Anglo-Jewish family. The children of the family read and participated in secular literary activities and the family frequently took part in home theatricals -- they firmly integrated into Victorian life. She was educated at Brighton High School, Brighton, and studied at Newnham College, Cambridge; she was the first Jewish student at Newnham, when she arrived in 1879, but left after four terms. Her circle of friends included Clementina Black, Dollie Radford, Eleanor Marx (daughter of Karl Marx), and Olive Schreiner. Levy wrote stories, essays, and poems for periodicals, some popular and others literary. Her writing career began early; her poem "Ida Grey" appearing in the journal the Pelican when she was only fourteen. The stories "Cohen of Trinity" and "Wise in Their Generation," both published in <a href=" Traveling in Europe, she met Vernon Lee in Florence in 1886, and it has been said that she fell in love with her. Vernon Lee (Violet Paget), the fiction writer and literary theorist, was six years older, and inspired the poem To Vernon Lee. Despite many friends and an active literary life, Levy had suffered from episodes of major depression from an early age which, together with her growing deafness, led her to commit suicide on September 10, 1889, at the age of twenty-seven, by inhaling carbon monoxide. -
Women Writing Decadence European Perspectives, 1880-1920
CONFERENCE PROGRAMME WOMEN WRITING DECADENCE EUROPEAN PERSPECTIVES, 1880-1920 7-8 JULY 2018 UNIVERSITY OF OXFORD Organised by: Katharina Herold (Oxford) Leire Barrera-Medrano (Birkbeck, London) SATURDAY 7 JULY 9:00 - 9:30 AM REGISTRATION 9:30 - 9:45 AM WELCOME REMARKS 9:45 - 11:00 AM KEYNOTE 1 Professor Melanie Hawthorne (Texas A&M University) 'Renée Vivien and Transnational Sapphism' 11:00 - 11:30 AM COFFEE BREAK 11:30 - 13:00 AM PARALLEL PANELS A. DISLOCATING DECADENCE Alex Murray (Queen's University Belfast) Decadent Daffodils: Michael Field and Alice Meynell Revising Romanticism Ellis Hanson (Cornell University) Virgile, Non? Lesbian Guides through Decadent Underworlds Sondeep Kandola (Liverpool John Moores University) 'Who’s Afraid of Vernon Lee?' From Decadence to Neo-Victorian Decadence in Vernon Lee’s Hauntings (1890) and Melissa Pritchard’s Palmerino (2014) B. WRITING THE SELF Lena Magnone (University of Warsaw) First female psychoanalysts and their 'poetic mothers' Anna Ready (Oxford University Press) A ‘Hysterical Woman’? Sophie Gaudier-Brzeska as a Trilingual Writer Joseph Thorne (Liverpool John Moores University) Recovering Mabel Beardsley: Female Dandy and Life-Writer SATURDAY 7 JULY 1:00 - 2:00 PM LUNCH 2:00 - 3:20 PM PARALLEL PANELS C. COSMOPOLITAN AND NATIONAL IDENTITIES Jad Adams (School of Advanced Study, University of London) Looking North – 1890s Women and Scandinavia Susana Bardavío Estevan (University of Burgos) Rethinking Decadence through Emilia Pardo Bazán: La Sirena Negra Tina O’Toole (University of Limerick) George Egerton’s Irish Decadence D. IRONY AND PARADOXES Pirjo Lyytikäinen (University of Helsinki) Willful Performances in the Jungle of Decadent Paradoxes: the Agonies of a Decadent Femme Fatale in L.Onerva’s Mirdja Viola Parente-Čapková (University of Turku) Decadent New Woman’s Ironic Subversions Jean-Paul Socard Une Décadente by Georges de Peyrebrune: A Defence of Anti-decadence 3:20 - 3:50 PM COFFEE BREAK SATURDAY 7 JULY 3:50 - 5:10 PM PARALLEL PANELS E. -
The Woman Painter in Victorian Literature
The Woman Painter in Victorian Literature The Woman Painter in Victorian Literature A NTONI A L OS A NO The Ohio State University Press Columbus Cover: Dante Gabriel Rossetti, A Parable of Love (Love’s Mirror). Reproduced by permis- sion of the Birmingham Museums & Art Gallery. Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Losano, Antonia Jacqueline. The woman painter in Victorian literature / Antonia Losano. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1081-9 (cloth : alk. paper) ISBN-10: 0-8142-1081-3 (cloth : alk. paper) 1. English fiction—19th century—History and criticism. 2. English fiction—Women authors—History and criticism. 3. Art and literature—Great Britain—History—19th century. 4. Women artists in literature. 5. Aesthetics in literature. 6. Feminism in litera- ture. 7. Art in literature. I. Title. PR878.W6L67 2008 823.009'9287—dc22 2007028410 This book is available in the following editions: Cloth (ISBN 978-0-8142-1081-9) CD-ROM (ISBN 978-0-8142-9160-3) Cover design by Melissa Ryan Type set in Adobe Garamond Pro Type design by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 In Memoriam Sarah Louise DeRolph Wampler 1908–2000 - C ONTENTS , List of Illustrations ix Acknowledgments xiii Introduction Chapter One Prevailing -
Home Editorial Authors' Responses Guidelines For
Home Search Every Field Editorial Search Authors' VICTORIAN VULGARITY Responses Eds. Susan David Bernstein and Elsie Michie (Ashgate, 2009) x + 259 pp. Guidelines Reviewed by Ariel Gunn on 2011-02-11. For Click here for a PDF version. Reviewers Click here to buy the book on Amazon. About Us Masthead This collection of essays joins an established body of scholarship on the power and role of taste in the nineteenth century, notably Leonore Davidoff and Catherine Hall's Family Fortunes (1987), Nancy Armstrong's Desire and Domestic Fiction (1987), Elizabeth Langland's Nobody's Angels (1995), and more recently Deborah Cohen's Household Gods (2006) and Marjorie Garson's Moral Taste (2007). But with few exceptions, these books Feedback focus on the tasteful middle-class woman and her fictional counterpart. While her taste played a vital role in establishing the cultural authority of the middle class, and while the middle-class woman herself plays a major role in Victorian fiction, so too does the parvenu, the snob, and the nabob--just a few of the many kinds of vulgar characters inhabiting Victorian novels. "What happens," Bernie and Michie ask, "if one takes [vulgarity] seriously as a critical category and seeks to understand the complex and contradictory processes by which it acquired its present meanings?" (11). By isolating vulgarity, the collection clarifies even as it complicates what vulgarity meant for Victorians, who are shown to be preoccupied with as well as shaped by their awareness--and wariness--of it. The charge of vulgarity was not something invented by Victorians. As Robert W. -
Theory and Interpretation of Narrative James Phelan And
THEORY AND IN TERPRETATION OF NARRATIVE JAMES PHELAN AND PETER J. RABINOWITZ, SERIES EDITORS ARRA TI V E M E A N S , N LYR IC E N D S Temporality in the Nineteenth-Century British Long Poem Monique R. Morgan T H E O H I O ST A T E U N I VERS IT Y P R E S S • C O L U MB U S Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Morgan, Monique R., 1974– Narrative means, lyric ends : temporality in the nineteenth-century British long poem / Monique R. Morgan. p. cm.—(Theory and interpretation of narrative) Includes bibliographical references and index. ISBN 978-0-8142-1111-3 (cloth : alk. paper)—ISBN 978-0-8142-9208-2 (cd-rom) 1. English poetry—19th century—History and criticism. 2. Narrative poetry—19th century— History and criticism. 3. Wordsworth, William, 1770–1850. Prelude. 4. Byron, George Gordon Byron, Baron, 1788–1824. Don Juan. 5. Browning, Elizabeth Barrett, 1806–1861. Aurora Leigh. 6. Browning, Robert, 1812–1889. Ring and the book. I. Title. II. Series: Theory and interpretation of narrative series. PR585.N26M67 2009 823.'030908—dc22 2009024593 This book is available in the following editions: Cloth (ISBN 978-0-8142-1111-3) CD-ROM (ISBN 978-0-8142-9208-2) Cover design by Jenny Poff Text design by Juliet Williams Type set in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
The Formation of a New Female Identity in the Russian
Abstract of the Thesis The Early Women’s Emancipation Movement: Formation of a New Female Identity in the Russian and Late-Victorian Novel by Elena V. Shabliy Thesis Director: Professor Raymond C. Taras Women's emancipation altered the course of Victorian and Russian literature by challenging the literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Emancipationist writing either explicitly advocated social change or embodied a feminist impulse in their treatment of particular themes and questions. The second half of the nineteenth century was marked by the emergence of the women’s movement; this focused primarily on women’s social and moral emancipation. In the 1830s and 1850s, in the German Federation of States, Denmark, England, France, Poland, Russia, and Spain women began to mobilize under the influence of emancipationist novels, discussing the role of women and shifting gender relations. This dissertation The Early Women’s Emancipation Movement: The Formation of a New Female Identity in the Russian and Late-Victorian Novel is comprised of two parts. The first part focuses on the women’s liberation movement in Russia and literary responses to the social change. The second part is dedicated to the women’s movement in Victorian England and its feminist literary discourse. Relatively little research exists on the Russian women’s movement in the nineteenth century, while there is a vast scholarship on the early women’s movement in England. To date, there is no scholarship that treats Russian and Victorian emancipationist work comparatively. The choice of female (S. V. -
Otherness and Identity in the Victorian Novel
Georgia State University ScholarWorks @ Georgia State University English Faculty Publications Department of English 2002 Otherness and Identity in the Victorian Novel Michael Galchinsky Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/english_facpub Part of the English Language and Literature Commons Recommended Citation Galchinsky, M. (2002). Otherness and identity in the Victorian novel. In W. Baker & K. Womack (Eds.), Victorian Literary Cultures: A Critical Companion, (pp. 403-420). Westport, CT: Greenwood Publishing Group. This Article is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. 1 Michael Galchinsky Department of English Georgia State University Atlanta, GA 30303 [email protected] Otherness and Identity in the Victorian Novel Much recent journalism to the contrary, migrations, diasporas, and even globalization are not phenomena originating in the post-colonial, post-industrial, post-Cold War period of our own day (Crossette). Population transfer, at least, was already a prominent feature of the post- Enlightenment, post-French Revolution era of national consolidation and imperial expansion that followed the British victories of 1815. The increased mobility of populations and their concentration in cities were distinctive signs of nineteenth century Britain, driven by the Industrial Revolution’s vast production of wealth, by the slave trade and colonial expansion, and by new technologies like the train, the canal, and the steamship. Such mobility inevitably compelled the Victorians to experience greater regional, religious, racial and national diversity.