Parquetry Floors

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Parquetry Floors Parquetry floors are a stunning blend of wood pieces used for decorative mosaic effect. Parquetry dates back to the mid to late 1600’s and is recognisable for its highly regular, geometric patterns. Squares, triangles and lozenges, created using strips or blocks of wood, are all common parquetry forms. While parquetry has been around for centuries it is a timeless flooring product that typifies “What is old is new again”. Its undergone a recent resurgence that is highly fashionable. Choose a traditional strip flooring or if you prefer something a little more high end than ask us about our majesteux parquet range of flooring. Our parquetry range comes in the following species: Blackbutt Blue Gum Brushbox Ironbark Jarrah Spotted Gum Tallowwood Tasmanian Oak Block Parquetry Common patterns include: Block Parquetry are individual blocks machined to specific sizes and lengths. This allows the designer to create a range of different patterns limited only by the imagination. By choosing different species and colours you can vary each design. It is a great option for high traffic areas such as hallways, lounge rooms and commercial areas. Basketweave Brickbond Chevron Gothic Our traditional block parquetry is available in the following sizes: 260(L)x65x14mm 340(L)x85x19mm 260(L)x65x19mm 400(L)x80x14mm 340(L)x85x14mm 400(L)x80x19mm Different grades are available: Prestige Grade | Natural Grade Haddon Hall Herringbone Parallel Square on Square Mosaic Parquetry Mosaic is a piece of art or image made from the assembling of small pieces. Mosaic Parquetry involves manufacturing timber into fingers of uniform sizes. After this process we make a unique decorative style consisting of the timber fingers being placed on sheets that can be laid in a variety of patterns. These geometric patterns are able to give a project a unique focal point that creates a majestic and stately aura. Many mosaic materials have a long history of interior design or decorative art features. Timber mosaic is great for not only showing fantastic patterns but also the natural grain that only timber has. Why not become the envy of your friends and neighbours and get a truly unique floor. Our mosaic parquetry is available in the following sizes: 5 Finger 6 Finger Handcrafted 7 Finger Square on Square on Parallel (Available on Square on Square Square Square request) Finger Dimensions: 5 Finger Parquetry Dimensions: 133.5mm (l) x 26.7mm (w) x 8mm (t) 6 Finger Parquetry Dimensions: 133.5mm (l) x 22.3mm (w) x 8mm (t) 7 Finger Parquetry Dimensions: 133.5mm (l) x 19.1mm (w) x 8mm (t) We also offer custom parquetry works. Please enquire for further information Coffs Harbour Hardwoods 161 Tallawudjah Creek Road, Glenreagh NSW 2450 PO Box 5164, Glenreagh NSW 2450 Check us out @coffshardwoods 02 6649 2006 coffshardwoods.com.au.

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Parquetry Short
Parquetry Short PARQUETRY 520 540 545 22220 + 22229 51822 22220 565 720 790 22860 46926 54991 While all care is taken, product images may vary in colour due to possible printing process variations. Images are to be used as a guide only to give an idea of the colour and nuances of the pattern, but are not fully representative of the variations among www.moduleo.com.au the planks (which reflects the natural product which inspired the design). For a representative view of the surface structure and variations within the design, take a look at the big samples on display and ask your retailer for more advice. Parquetry Short PARQUETRY TECHNICAL SPECIFICATIONS Collection Parquetry M² per Box 2.4m2 Type Vinyl Plank M² per Pallet 192m2 Elegant Wood Emboss Em- Plank Thickness 2.5mm Surface bossed in Register Rough Sand Dimensions 632mm (L) x 158mm (W) Profile Micro Bevel Wear Layer 0.55mm Protective Coating Protectonite® Planks per Box 24 Finish Matte Colours 6 Installation Method Direct Stick PERFORMANCE SPECIFICATIONS Abrasion Rating Group T EN 660-2 Classification 23, 33, 42 EN ISO 10874 Dimensional Stability ≤0.05% EN ISO 23999 Residual Indentation Norm: ≤0.10mm, 0.03mm EN ISO 24343-1 Castor Chair No Damage EN ISO 4918 Impact Sound Reduction Ln’T,w Result Test Application Ln’T,w Result No underlay Underlay: 2mm rubber 150mm Slab + 28mm Furrings + 10mm Plasterboard 65 54 200m Slab 69 58 ISO140-7 / ISO717.2 200mm Slab + 28mm Furrings + 10mm Plasterboard 64 53 200mm Slab + R2.5 Insulation + 100mm Cavity + 10mm Plasterboard 61 50 250mm Slab + 28mm
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PARQUETRY Join Us for David's Presentation on Monday January 8
Greenville Woodworkers Guild January 2018 David Adler Woodart | PARQUETRY Join us for David’s presentation on Monday January 8. David Adler / A life-long passion When I was a young boy about 9 years old I had a neighbor who was a woodworker and crafter who made all kinds of items. I used to visit him, espe- cially in the summer when I would see him in his garden, and we would go into his woodworking shop sometimes. On one of these visits he saw my inter- est in wood and said, “Working with wood is a bond between man and nature.” These words have stuck with me all these years and are more meaningful to me now then when I was 9 years old. I am basically a third generation woodworker/lover. My grandfather, mother, and her brother were all into woodworking of one form or another. Until now my career has been as a Manufacturing Engineer. This has given me the ability to figure out how to make the Parquetry with different tools. All of my work is handmade, one-of-a-kind. I started doing wood art in September of 2000 (I was a late bloomer). Until then all I did with wood was finish rooms in the houses I’ve lived in, or the odd piece of furniture every now & then. However, since I started this “hobby” it has overtaken my left- brained Engineering life. If I don’t get to work on one of my wall hangings, or just cut wood for a few days, I get a bad case of wood withdrawal and my body and mind start to crave for a fix! Yes, I am a sawdust Junky.
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Variation of Basic Density and Brinell Hardness Within Mature Finnish Betula Pendula and B
VARIATION OF BASIC DENSITY AND BRINELL HARDNESS WITHIN MATURE FINNISH BETULA PENDULA AND B. PUBESCENS STEMS Henrik Herujarvi Research Scientist Finnish Forest Research Institute Joensuu Research Centre P.O. Box 68 FIN-80101 Joensuu, Finland (Received November 200 1 ) ABSTRACT Thc objective of this study was to analyze the variation in basic density between different horizontal and vertical locations within mature Finnish Betula pendula and B. puhescens stems. In addition, the depen- dence of Brinell hardness in radial direction, which is of importance especially for the parquetry, veneer. and plywood industries, on the basic density was investigated. Furthermore, the sources of error in the Brinell hardness test according to EN 1534 were analyzed. Both basic density and Brinell hardness were measured from small. defect-free specimens. The average basic density of B. pendula and B. pubescerz.s were 5 12 kg/m3 and 478 kg/m3, respectively. Concerning both birch species, wood material near the pith was clearly less dense than near the surface of the stem. The average Brinell hardness of B. pendula spec- irnens was 23.4 MPa, and that of B. pubescens specimens was 20.5 MPa. Brinell hardness was found to be positively correlated with basic density. Therefore, the assumption that Brinell hardness varies within a birch stem similarly to basic density is confirmed. The test method according to the EN 1534 standard was found to hc precise enough hut unnecessarily laborious for hardness tests. Finally, an alternative method is s~~ggestedfor determining Brinell hardness on an industrial scale. Kryw,orti.c: Basic density. Brinell hardness, Betula pendul(~,Beruln puhescens, furnishing, parquet, veneer, plywood.
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Beech Lumber, Edged NHLA Standard
Grading Rules Beech lumber, edged l NHLA standard FAS FAS/1F METRIC METRIC Length 2,45 m Length 2,45 m Minimum width 150 mm Minimum width 150 mm INCHES INCHES Length 8 Length 8 Minimum width 6 Minimum width 6 Yield 83,33 % Yield 83,33 % Top quality. Both sides suitable for the Better side top quality. highest requirements. SEL BET Graded same like FAS/F1 but in mini- mum 100 mm width and 1.85 m length. METRIC Length 1,85 m Minimum width 100 mm INCHES Length 6 Minimum width 4 1 2 1 2 1 2 1 2 Yield 83,33 % 1 2 1 2 1 2 1 2 No. 1 COM No. 2 COM METRIC METRIC Length 1,85 m Length 1,85 m Minimum width 80 mm Minimum width 80 mm INCHES INCHES Length 6 Length 6 Minimum width 3 Minimum width 3 Yield 66,66 % Yield 50 % High yield, guaranteed at medium and long lengths. 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 Beech lumber, unedged l EOS standard A - grade B - grade METRIC METRIC Length 2,10 m Length 2,10 m Minimum width 32 mm 100 mm Minimum width 32 mm 100 mm (thickness) 32 mm 120 mm (thickness) 32 mm 120 mm INCHES INCHES Length 7 Length 7 Minimum width 5/4 mm 4 Minimum width 5/4 mm 4 (thickness) 5/4 mm 5 (thickness) 5/4 mm 5 1 2 1 2 1 2 1 2 1 2 1 2 C - grade Red Heart METRIC Same quality conditions as for C-grade, Length 90 % 2,10 m but red heart permitted.
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Pollmeier Grading Beech
Pollmeier grading Beech DISTRIBUTED BY Pollmeier beech. Our pre-sanding is your assurance. With traditional suppliers, you often only discover hidden faults after processing – when it’s already too late. At Pollmeier, we supply pre-sanded wood. This allows you to take a »deep look« into our lumber – literally – and can make a precise sorting judgement on quality. Your advantages • pre-sanding for perfect quality control • pre-grading for less waste • more efficient machining cycles for lower labour costs • Pre-sorted* or fixed widths* on request * Further information on pages 22 / 23 The optimal quality for every application – graded for you 04 · 05 1 Both faces / • mouldings Superior • staircases high demands • solid wood boards • furniture / kitchen furniture • parquetry / floors • distributor 06 · 07 2 Cabinet 08 · 09 3 Custom Shop 10 · 11 4 One Face / • staircases / wall strings / Superior steps with one visible face 1 Face high demands • tabletops / worktops / door edge bands / door frames / solid wood boards solely one face visible 12 · 13 5 • baseboards Cabinet/Custom Shop • floors 1 Face • distributor 14 · 15 6 Redheart Wood products that require colour: Superior Colour Redheart • floors natural (incl. red heart) • beech heartwood furniture • tabletops • distributor 16 · 17 7 Colour Redheart 18 · 19 8 without colour demands Hidden or overpainted wood parts: Superior Colour • painted mouldings • carcass assemblies • dowels / round rods • other wood products without 20 · 21 colour demands 9 Colour • distributor 22 · 23 10 Pollmeier special services • sorted to widths Pollmeier special services • ripped to widths Face The top quality from Pollmeier. The dominant features of this top quality are its high yield and minimised processing times.
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C. Woods for Interior Paneling
I INTHODUCTIDN Since the first settlers cleared the land and built log cabins, American families have been surrounded by woods. Wood is an important part of the roof over our heads, the walls around us, the floors under our feet, and the furniture that provides for our comfort. Wood will continue to be used for home interiors be cause of its warmth, comfort, and beauty. A knowledge of woods, their characteristics and limitations, and an ability to recognize them can be both profitable and satisfying. II CHARACTERISTICS Of WOOD A. Hardwoods-Softwoods Woods are divided into two general classes, soft woods and hardwoods. Softwoods come from conifers, the cone-bearing trees, such as pine, fir, cedar, spruce, and hemlock. The hardwoods are deciduous; some hardwood trees shed their leaves annually. Among the hardwoods are ash, oak, elm, beech, maple, cherry, hickory, and walnut. The terms hard and softwoods can be misleading, as some "hardwoods" are actually softer than some "softwoods." Oak is one of the most durable woods used in homes for finish work, trim, and furniture. Oak's dura bility makes it highly desirable for flooring and furni ture that must withstand heavy use. Other less expen sive woods such as pine and fir are used where strength is relatively less important. 3 B. Wood Colors and Porosity moisture. In summer when humidity is high, moisture Woods may be identified by observing three char content in woods may increase to 10 to 12 percent. acteristics-color, porosity, and density (degree of Though protective coatings of paint, varnish, or hardness).
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Multi-Dimensional Assessing Quality and Durability When Specifying Timber Flooring Design by Liminal Architecture and Photography by Dianna Snape 3
Photography by Dave Kulesza. Multi-Dimensional Assessing Quality and Durability When Specifying Timber Flooring Design by Liminal Architecture and photography by Dianna Snape 3. Design by Liminal Architecture and photography by Dianna Snape 3. 1. 2. 2. 4. 5. Simon Ancher Furniture Maker, Simon Ancher Studio I work across material palettes. I include characteristics which exist in the timber Timber as beautiful steel, marble and Tasmanian timber but aren’t necessarily obvious. species in my works. Part of my process I’ve developed a way, over many years, has been to look at how I can present that gets just the right effect. And it’s Tasmanian Oak in a different light. not a treatment that’s going to wear off. I’ve played with burning and blow In fact, it’s very hard wearing because it torching and then rubbing it back. becomes heat treated. The longer it is in Tasmanian as the story it tells. It creates different textures and brings out situ, the more beautiful the patina. 1. 1. Timber2. 4. 5. 1. Dowel House 2. Supernormal Restaurant 3. Pumphouse Point 4. Landscape Restaurant 5. Freycinet Pods ARCHITECT: FMD Architects DESIGNER: Relm Furniture ARCHITECT: Cumulus Studio ARCHITECT: Circa Morris Nunn Architects BUILDERS: Cordwell Lane Dowel House is an award-winning Jason Stancombe, furniture designer Visitors to the award-winning Landscape Restaurant & Grill was The design of the RACT Freycinet where strength refurbishment of a single fronted and founder of Relm Furniture, was Pumphouse Point, designed by inspired by the island of Tasmania. Pods is unique because of the terrace by Melbourne architectural commissioned to design the dining Peter Walker of Hobart architects Located in Hobart’s historic way that the walls are curved and practice FMD Architects.
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User Encyclopedia
User encyclopedia Leitz Lexicon Edition 7 11. User encyclopedia 11.1 Materials science 11.1.1 Wood as a raw material and basic material 2 11.1.2 Wood materials 6 11.1.3 Plastics 9 11.1.4 Mineral materials 11 11.1.5 Non-ferrous metals 12 11.1.6 Composite materials 13 11.2 Cutting materials 14 11.3 Fundamental cutting principles 11.3.1 Essential geometry elements in a cutting tool 19 11.3.2 Cutting directions and procedures when cutting wood 20 11.3.3 Cutting kinematics 21 11.3.4 Processing quality 22 11.3.5 Tool parameters 25 11.4 Machine tools 11.4.1 Tool types 28 11.4.2 Types of tools 31 11.4.3 Tool clamping systems 40 11.4.4 Tool maintenance 43 11.4.5 Safety 51 11.4.6 Low noise tools 53 11.4.7 Chip and dust extraction 54 11.4.8 Tools as intelligent process components 56 11.5 Wood processing machines 11.5.1 Through feed machines 58 11.5.2 Stand alone machines 59 11.5.3 Machines for manual feed 61 11.5.4 Hand operated electrical tools 62 1 11.1 Materials science 11.1.1 Wood as a raw material and basic material As a renewable material, wood is a raw material which is important because of its strength and low density and because it is found all over the world. As a result, wood is used widely in support structures in timber construction and in non load-bearing areas such as building components, furniture or interior fittings.
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Parquetry Floors
E. L. ROBERTS & CO., CHICAGO. 325 PARQUETRY FLOORS. These floors are n ot a fad, they haYe been in use in Europe for centuries. With a little care t hey wili last a lifetime. Carpet.s are m ore expensive, require more labor t.o keep clean and are very unhealthy. A servant of average intelligence can k eep parquetry floors as if they were newly laid with but little effort. A hardwood floor is ab solutely "Hygienic"; ask your physician a:bo ut it. New homes are rarely built with out parquetry floors, and they a.re rapidly replacing carpets in the older buildings. They are 5-16 inches thick, less than the ordina ry threshold, so they can be laid in one room over the old fl oor and not inter fere with the other rooms or doorways. Anyone familiar with the use of a saw, hammer and varnish b rush can lay and finish them. Send us a plan of your rooms with exact meaourements, as on page 329, and select your design. We can then m ake you exact estimate of cost and a working plan will be "ent with the invoice for the goods showing just where each piece is to be laid. See direct ions for laying and fin ishing, pages 326 and 327. 326 E. L. ROBERTS & CO., CHICAGO. PARQUETRY FLOORS. DIRECTIONS FOR LAYING. LAYING WOOD CARPET. Start at the wall, removing the quarter round, then measure out into the room from the wall the width of the first breadth of carpet, and tack down the strips marked "A" in the following cut.
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A Beautiful Floor from Wood Scraps
ou could say I have a passion for parquet floors. They are one of my specialties as A Beautiful Ya wood-flooring contractor, and I also teach courses in parquet- floor installation. As president of the International Parquetry His- torical Society (www.parquetry Floor From .org), I’ve been able to walk on some of the most elaborate par- quet floors in the world. Parquet flooring is a mosaic of Wood Scraps wood pieces usually arranged in repeating squares. The geomet- ric variations within this square Achieving the intricate or rectangular format are just geometry of a parquet about limitless (sidebar p. 77). Although you can purchase floor doesn’t require manufactured parquet squares, much more than a almost any parquet-floor pat- tern can be made from small tablesaw, kraft paper, pieces of scrap wood that oth- erwise might be thrown away. and wallpaper paste Because I am a flooring contrac- tor, I have a readily available BY CHARLES PETERSON supply of flooring scraps, but any clear, kiln-dried lumber can be resawn to create an outstand- ing parquet pattern. Resaw the lumber, and make a template When you see the finished appearance of a parquet floor that has been cut, assembled, and installed one piece at a time, it’s hard to believe how basic and efficient the process can be. But it is. Using a ripping blade on a Paper keeps the pieces together. A sheet of 40-lb. kraft paper glued to the parquet square holds the small pieces together during installation. 74 FINE HOMEBUILDING COPYRIGHT 2007 by The Taunton Press, Inc.
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Parquetry Brochure
BORAL TIMBER Build something great™ Boral Parquetry AUSTRALIAN HARDWOOD SPECIES PEFC/21-31-38 Promoting sustainable forest management • Block parquetry is laid individually to create an attractive pattern. Contrasting coloured timber species can be used to create depth Standard sizing in the design. 260x65x18mm • Parquetry can be laid with strip flooring or a decorative border to create an interesting feature. Species • Boral Parquetry is a great solution for heavy traffic areas Available in a range of species including: such as halls, steps, entrance ways and commercial interiors. • Australian Beech • Blackbutt • If a small section is seriously damaged, it can be easily replaced • Ironbark After years of wear the entire floor can be restored by sanding • Spotted Gum and refinishing. • Tallowwood • Boral Timber products are AFS Chain of Custody certified Other species may be available on request. providing peace of mind that Boral’s parquetry is sourced from sustainably managed and legal forestry. Grades Classic Grade • Boral Timber has a system that ensures strict tolerances and Natural grade may be available on request. drying procedures to produce a sound product. • The Boral Installation Guide, building codes and Australian Standards should be adhered to when installing Boral Parquetry. Block parquetry can be laid in many attractive patterns including ABBOTT BASKETWEAVE BRICKBOND HERITAGE HERRINGBONE SQUARE ON SQUARE BCC 16873 12. 19 Note: Variations of colour within a timber species are normal, therefore photographs, samples and displays can only be indicative of the colour range of the timber species nominated. Timber is a natural product and commonly reacts to changes in atmospheric and environmental conditions such as humidity and temperature.
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By Sean Geasley
by Sean Geasley Junior Certificate School Programme Junior Certificate School Programme Materials Technology Wood Student Workbook Part 2 Sean Geasley Published in 2007 Junior Certificate School Programme Support Service Curriculum Development Unit Sundrive Road Crumlin Dublin 12 Phone: 01 453 5487 Fax: 01 402 0435 Email: [email protected] © Junior Certificate School Programme Support Service MTW Student Workbook Part 2 has been developed by Mr. Sean Geasley, Nagle Community College, Mahon, Cork. MTW Student Workbook Part 2 has been developed to extend and complement the existing MTW Student Workbook Part 1. Workbook 2 uses the same approach and layout as the original publication. Two new MTW statements (Theory 2 and Theory 3) have been developed to correspond with this additional theory material. The Junior Certificate School Programme Support Service is funded by the Teacher Education Section, Department of Education and Science and the European Social Fund. The Junior Certificate School Programme is a National Programme sponsored by the Department of Education and Science and the National Council for Curriculum and Assessment. Written by: Sean Geasley Project Co-ordinators: Jerry McCarthy and Mary Clare Higgins Layout Design: Melt Design Ltd | www.melt.ie ii | Junior Certificate School Programme – Materials | Technology | Wood Theory 2 MTW Statement Code no: 6 Student: Class: At Junior Certificate level the student can: Demonstrate knowledge of additional theory material Date Commenced: // Date Awarded: // Learning Targets – This has been
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