ZIMMERMAN, Jason

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JASON MICHAEL ZIMMERMAN VISUAL EFFECTS SUPERVISOR http://jzvfx.com/reels/ TELEVISION: STAR TREK: DISCOVERY (Series) CBS TV Studios/CBS Prod: Alex Kurtzman, Kevin Lafferty Dir: David Semel (VFX Supervisor) *Nomination, VES Awards 2018, Outstanding Visual Effects in a Photoreal Episode *Nomination, Peabody Awards 2018, Outstanding Entertainment *Nomination, Emmy Awards 2019, Outstanding Special Visual Effects SLEEPY HOLLOW (Seasons 1-4) 20th Century Fox TV/Fox Prod: Alex Kurtzman, Robert Orci, Len Wiseman Dir: Various (VFX Supervisor) LIMITLESS (Season 1) CBS TV Studios/CBS Prod: Craig Sweeny, Alex Kurtzman, Robert Orci Dir: Various (VFX Supervisor) TRUE DETECTIVE (Season 2) HBO Prod: Nic Pizzolatto, Scott Stephens, Steve Golin Dir: Justin Lin (VFX Supervisor) SCORPION (Pilot) CBS TV Studios/CBS Prod: Troy Craig Poon, Scott Manson Dir: Justin Lin (VFX Supervisor) MOCKINGBIRD LANE (Pilot) Universal TV/NBC Prod: Jason Taylor Dir: Bryan Singer (Creative Director/ Compositing Supervisor - Piximondo) GAME OF THRONES (Episode 210) HBO Prod: Bernadette Caulfield Dir: Alan Taylor (VFX Supervisor - Piximondo) DARK HORSE (Pilot) ABC Studios/ABC Prod: Jamie Crowell, Brian Harvey Dir: Roland Emmerich (VFX Supervisor - Piximondo) TERRA NOVA (Season 1) 20th Century Fox TV/Fox Prod: Kelly Marcel, Craig Silverstein, Aaron Kaplan Dir: Various (VFX Supervisor - Piximondo) FEATURES: THE HUNGER GAMES Lionsgate Prod: Nina Jacobson, Jon Kilik Dir: Gary Ross (Compositing Supervisor - Piximondo) SPRING BREAKERS A24 Prod: David Zander, Chris Hanley, Megan Ellison Dir: Harmony Korine (Creative Director - Piximondo) TIME OUT OF MIND (Short) Individual Prod: Emily Fenster, Daniel Midgley Dir: Adica Manis (VFX Supervisor) MISSION IMPOSSIBLE: Paramount Prod: J.J. Abrams, Bryan Burk, Tom Cruise Dir: Brad Bird GHOST PROTOCAL (Compositing Supervisor - Piximondo) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modiﬁcation 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
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Movember in Molumbus Stickme: Acupuncture H
THe aLTernanve HeaLTOTssue insiDe: sociaLTsar ROBBie STePHens are YOU a STress mess? MOvemBer in moLumBus STICK me: acupuncTure HanDS on HeannG MaDLaB APOcaLYPse siLver Moon RisinG A LITTLe DOG I.aUGHeD inTerview: miKa OUT & PFOUD o ll74470"25134 ' 7 & LOCaL CeLeBIITY BLOGGerS by Erin McCalla 2010, the shop has been enthusiastically re ceived and increasingly successful. Greg's When I enter the Blue Star Barbershop, goal was to do 100 cuts a day, and Blue Star Johnny Cash is pumping through the speak has beaten that number... handily. ers. He's singing about shooting a man in Reno, just to watch him die and subsequently He explains that it's his superb staff that ending up in Folsom Prison. Johnny Cash keeps the clients coming back. Greg has his wouldn't get his haircut in a beauty salon, and employees go through a stringent screening if you're a man (or a lesbian with a short 'do), process before they even sharpen their neither should you. shears. This isn't your bargain bin buzz cut as each potential hire goes through three in That's because this locally (and queer) owned terviews and a technical try out that's why barbershop employs people who are really you can't get a better cut in town for the focused and adept at giving great haircuts, price. ($19!) tapers and fades to "smart men who want to look sharp." He's not knocking his swanky salon sisters and brothers, but Greg is passionate when it And speaking of sharp looking men, Greg comes to a man's mop and suggests that men Hund, the suave and sawy proprietor of Blue should stay away from salons with women- Star, opened this 9-chair shop two years ago based clienteles.
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Download Resumé
BEN CAMPANARO digital compositor [email protected] | www.bencampanaro.com Los Angeles, CA | Member of The Animation Guild, IATSE Local 839 profile Emmy-Nominated digital compositor, with proven success as both an artist and an "in-the-trenches" supervisor of popular live-action and animated feature film, television, and commercial projects Excels in a fast-paced environment, specializing in efficiently solving the most daunting creative and technical challenges experience DreamWorks Feature Animation – Glendale, CA (Remote) Image Finaling Artist (Contract) Dec 2020 – Present Addressed detailed technical and creative notes on stereoscopic composites received from Lighting teams Typeset and composited replacement text elements for release in international markets Method Studios – Santa Monica, CA (Remote) Senior Compositor (Contract) Sep 2020 – Dec 2020 DNEG – Hollywood / Burbank, CA Senior Compositor (Contract) Feb 2019 – Jun 2019 Designed looks and composited magical effects, creatures, and environments for "The Dark Crystal: Age of Resistance" Prepared templates, triaged broken scripts, and finaled shots from fellow artists FuseFX – Burbank / Van Nuys, CA Digital FX Supervisor / Compositing Supervisor / Senior Compositor Nov 2015 – Jul 2018 Composited hero shots & sequences across more than 120 hours of Broadcast, Streaming, and Commercial productions Managed teams ranging from 2-50 artists with varying levels of experience Developed key looks, designed script templates for team continuity, and finaled sequences/episodes as needed
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Sermon Series by Pastor Sandy Adams Scary Families: Part Three Playing Favorites Text: Genesis 25:28
SERMON SERIES BY PASTOR SANDY ADAMS SCARY FAMILIES: PART THREE PLAYING FAVORITES TEXT: GENESIS 25:28 This morning we’re continuing a series of Bible Studies I’ve entitled, “Scary Families - Taking The Fright Out of Family Life.” Families can get scary! Of course, when a baby boomer from America hears the expression “scary families” he or she probably thinks of two television shows that aired together in the 1960s... “The Addams Family” and “The Munsters.” Both shows were satires of two entertainment genres popular at the time - “family sitcoms” and “horror flicks.” Think “Leave It To Beaver” meets “Frankenstein.” “The Munsters” were a family of monsters... Blue collar monsters who worked regular jobs, and lived semi-normal lives. With the exception of Grandpa’s dungeon in the basement - and young son, Eddie, the werewolf - they were an All-American family. It’s interesting “The Munsters” lasted just 70 episodes, but their house - “Munster Mansion” - at 1313 Mockingbird Lane - lives on. Episodes of “Murder, She Wrote,” and “Desperate Housewives,” and the movie, “The Burbs” were filmed with the house. Today, it’s on exhibit at Universal Studios in CA. On the other hand, “The Addams Family” contained a cast of more eccentric characters... the Mr. and the Mrs. - Gomez and Morticia... Crazy Uncle Fester who illuminated light bulbs by sticking them in his mouth... And of course, the Frankenstein-like butler, named Lurch, who answered with a deep, creepy, “You rang?” Tell you a funny story... It’s one of my earliest childhood memories. “The Addams Family” made its television debut in 1964.
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Murder Mystery Tree Lab: (Due Next Thursday, Oct 29, but I Hope You Can Finish It Within the Lab Period!)
Murder Mystery Tree Lab: (Due next Thursday, Oct 29, but I hope you can finish it within the lab period!) Munster House Link: The Munsters are a well-respected family living in Transylvania. There’s Herman and Lily, the parents, and their two teenage children, Eddie and Marilyn. Grandpa Munster also lives with them. One day the police are called to their home at 1313 Mockingbird Lane to solve a murder. However, the circumstances are a bit unusual. Apparently Grandpa Munster was at a Halloween Gala, and came home to find everyone gone and an hysterical maid. In piecing together her story, Grandpa, with a sinking heart, realizes that the maid has seen one member of the family being murdered. She also saw the murderer and their accomplice wrapping the body up and throwing it over the cliff into the rocky ocean below. Apparently the 4th member of the family witnessed the whole thing through a window, and has now fled the premises in fear for their life. So, to summarize, one of the Munsters has been murdered, one Munster is the murderer, one Munster is an accomplice, and one Munster is a witness. Grandpa has figured out who each one is, but can’t bear to just turn in his family members. So to assuage his conscience, he has placed clues in various rooms throughout the Munster mansion, and each room has a key code. (Because this factors into the maid’s eye-witness account, it is important to know that Herman and Eddie habitually wear black, and Lily and Marilyn are never caught wearing anything but shades of green.) Your job, as the detective on the case, is to figure out each key code to enter each room, gather the clues, and then figure out who is the murderer, who was the accomplice, who was the witness, and who was murdered before the murderer and their accomplice flee the country! (The codes must be entered into the google form on canvas to unlock the next room and clue) Good luck.
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Kid & the Kars Tour 2015
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The Good 5 Cent Cigar (4/10/2013) University of Rhode Island
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Persmap-LUCKY.Pdf
SYNOPSIS Harry Dean Stanton is Lucky, een nukkige, kettingrokende atheist op leeftijd. Iedereen kent Lucky in het zonovergoten stadje in Arizona. Veel gebeurt er niet vandaag, en morgen waarschijnlijk ook niet. Lucky keuvelt en kibbelt met een excentrieke groep dorpsgenoten en toevallige passanten, onder wie David Lynch, die zijn schildpad is verloren. Ondertussen moet hij vrede maken met het idee dat ook zijn leven eindig is. Lucky is de charmante finale van de indrukwekkende carrière van Harry Dean Stanton die naast zijn glansrol in Paris Texas te zien was in bijna 200 Hollywood films. TECHNISCHE GEGEVENS Een film van John Carroll Lynch Met Harry Dean Stanton, Ron Livingston, Ed Begley Jr, Tom Skerritt, Barry Shabaka Henley, James Darren, Beth Grant, Yvonne Huff Lee, Hugo Armstrong en David Lynch USA 2017 | Engels gesproken | Speelduur: 88 minuten Genre: drama/komedie | Formaat: HD DCP | Aspect Ratio: 1:2.35 | Geluid: 5.1 Internationale première: SXSW 2017 | Competitie Locanro 2017 Releasedatum Nederland: 8 maart 2018 Ter ondersteuning van Lucky, en ter nagedachtenis van Harry Dean Stanton brengt De Filmfreak tegelijkertijd de documentaire “Harry Dean Stanton: Partly Fiction” uit Premièretheaters: EYE, Filmhallen, Kriterion, Rialto, Focus Filmtheater, Filmhuis Den Haag, Groninger Forum, Lux, Filmtheater Hilversum, Filmschuur, Lumiere, Kino, Louis Hartlooper, De Lieve Vrouw, meer theaters t.b.c. Landelijke Persvoorstelling: donderdag 22 februari 10:30 uur Ketelhuis Amsterdam, Boekingen: Joop Verdenius - [email protected] | 06 41 37 81 38 Pers & Marketing: Herrie Film & TV, Noortje van de Sande - [email protected] | 020-4868212 JOHN CARROLL LYNCH - DIRECTOR A native of Colorado, John Carroll Lynch landed his first major film role as ‘Norm,’ opposite Frances McDormand’s ‘Marge,’ in the Coen brothers’ Academy Award-winning Fargo while he was a member of the Guthrie Theater Acting Company in Minneapolis, MN.
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Mockingbird Lane Pilot
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The Munsters Pinball
Contact us: +44 (0)20 8965 2055 Email us: [email protected] The Munsters Pinball Players will be transported to 1313 Mockingbird Lane, joining the entire Munsters family on this haunted pinball adventure. Featuring Herman, Raven, Lily, Spot and Grandpa, players will work their way towards Munster Madness in this frightfully funny and action- packed pinball world under glass. The Munsters pinball machines will be available in Pro, Premium, and Limited Edition models Stern’s The Munsters Pro, Premium, and Limited Edition models feature stunning and distinctive hand-drawn art. Each game features a custom sculpted Herman bash toy with magnetized ball catch, highlighting Herman multiball. In addition, all models include a pop-up Spot bash toy hidden under the left ramp, a custom sculpted Drag-U-La toy car featured near a left shooter lane kicker, as well as a metal turn-around, flip-up ramp. The Premium and Limited Edition models both feature Grandpa’s laboratory, a lower playfield that features 2 mini flippers, 2 ramps, a Grandpa bash target, a digital number display, and a multiball feature. The Premium model features an exclusive black and white custom art package in homage to classic black and white TV. The Limited Edition – only 600 units globally – includes additional unique features such as an exclusive mirrored backglass, anti-reflection pinball glass, shaker motor, exclusive custom art blades, a custom autographed bottom arch, a sequentially numbered plaque, and exclusive custom casket-themed cabinet artwork. Additional information Dimensions Height: 191cm Width: 69cm Category: Pinball Depth: 140cm Weight: 114Kg Manufactured by: Stern Pinball Electrocoin Sales Ltd.
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Dracula (Grandpa)
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