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CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
Anya Gallaccio
Anya Gallaccio 1963 Born in Paisley, Scotland Lives and works in London, UK Education 1985-1988 Goldsmiths’ College, University of London, UK 1984-1985 Kingston Polytechnic, London, UK Residencies and awards 2004 Headlands Center for the Arts, Sansalitos, California, US 2003 Nominee for the Turner Prize, Tate Britain, London, UK 2002 1871 Fellowship, Rothermere American Institute, Oxford, UK San Francisco Art Institute, California, US 1999 Paul Hamlyn Award for Visual Artists, Paul Hamlyn Foundation Award, London, UK 1999 Kanazawa College of Art, JP 1998 Sargeant Fellowship, The British School at Rome, IT 1997 Jan-March Art Pace, International Artist-In-Residence Programme, Foundation for Contemporary Art, San Antonio Texas, US Solo Exhibitions 2015 Lehmann Maupin, New York, US 2014 Stroke, Jupiter Artland, Edinburgh, UK SNAP, Art at the Aldeburgh Festival, Suffolk, UK Blum&Poe, Los Angeles, US 2013 This much is true, Artpace, San Antonio, Texas, US Creation/destruction, The Holden Gallery, Manchester, UK 2012 Red on Green, Jupiter Artland, Edinburgh, UK 2011 Highway, Annet Gelink Gallery, Amsterdam, NL Where is Where it’s at, Thomas Dane Gallery, London, UK 2010 Unknown Exhibition, The Eastshire Museums in Scotland including the Dick Institiute, the Baird Institute and the Doon Valley Museum, Kilmarnock, UK 2009 Inaugural Exhibition, Blum & Poe Gallery, Los Angeles, CA, US Lehmann Maupin Gallery, New York, US 2008 Comfort and Conversation, Annet Gelink Gallery, Amsterdam, NL That Open Space Within, Camden Arts Center, London, UK Kinsale -
The Democratic Image Online Projects Exhibitions Workshops Commissions Events 2 About Look 07
THE DEMOCRATIC IMAGE ONLINE PROJECTS EXHIBITIONS WORKSHOPS COMMISSIONS EVENTS 2 ABOUT LOOK 07 LOOK 07 WAS CONCEIVED BY REDEYE AND IS A PROGRAMME OF ACTIVITIES CONCERNED WITH THE REVOLUTION IN PHOTOGRAPHY. AS CAMERA OWNERSHIP IS SKYROCKETING WORLDWIDE, LOOK 07 DESCRIBES WHAT PEOPLE ARE SAYING WITH THIS NEW LANGUAGE; WHO’S MAKING THE MOST INTERESTING PICTURES NOW; WHO’S LOOKING AT THEM; HOW THE PUBLIC IS USING PHOTOGRAPHY AS A NEW MEANS OF EXPRESSION AND THE PLACE OF THE PROFESSIONAL PHOTOGRAPHER IN ALL THIS. LOOK 07 IS… A SYMPOSIUM WORKSHOPS The Democratic Image Symposium investigates the Look 07 brings together photographers, artists and revolution in photography with some of the world’s non-professionals for exciting projects that will be top speakers on the subject. exhibited in galleries and online. ONLINE WORK COMMISSIONS Look 07’s online gallery, Flickr gallery and blog New work commissioned from a broad range of keep the conversation going. photographers and artists will make its mark upon the city. It will also lead to an open competition. EXHIBITIONS A large number of new, lens-based exhibitions will EVENTS span Greater Manchester, many tying in with the An engaging mix of gallery talks and special symposium’s theme of The Democratic Image. events celebrate different aspects of photography. WHO’S SUPPORTING LOOK 07? Look 07 gratefully acknowledges the support of the We would also like to thank our media partners, Arts Council of England, the Association of Greater The Associated Press and Metro newspaper, and Manchester Authorities, Manchester City Council, our new media supporter, Manchester Digital the Paul Hamlyn Foundation and Redeye – The Development Agency with funds from the ERDF. -
Rusholme Calendar Phil Barton.Pdf
CALENDAR 2017 CALENDAR RUSHOLME RUSHOLME Rusholme greening projects in projects greening TREASURES OF RUSHOLME OF TREASURES will go to community to go will E V I T A E R C C 100% of purchase price purchase of 100% TREASURES OF RUSHOLME & VICTORIA PARK 2017 How many of the buildings and scenes in the Treasures of Rusholme Calendar did you recognise? We are proud of our heritage and of our vibrant present and hope that the calender has encouraged you to look anew at our wonderful neighbourhood. There is so much to see and do in Rusholme! This calendar has been produced by Creative Rusholme as part of our mission to raise the profile of our community and to develop the huge cultural potential of our neighbourhood on Manchester’s Southern Corridor. With two galleries, three parks, a major conservation area, residents from all over the world, including many thousands of young people and on a major transport route to the hospitals, universities and through to the city centre, Rusholme has it all! And we’d like everyone to know it. All aspects of the calendar have been provided free of charge. Based on an original idea by local resident Elaine Bishop, local artist and photographer Phil Barton took all the photographs and put the calendar together. Copyright for all images and text rest is retained by Phil Barton ©2016 and you should contact him if you wish to purchase or use any image [email protected]. The design and printing of the calendar has been undertaken free of charge by Scott Dawson Advertising (www.scottdawson.co.uk) as part of their commitment to supporting community endeavour. -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
Thurs 25 March Additional Programme Information 090310
From the Margins to the Core? Conference Additional Programme Information Day 2 - Thursday 25 March 2010 Connecting or Competing Equalities? 09.30-09.50 Title: Diversity and cultural policy This presentation will suggest how contemporary concerns with diversity and difference present particular challenges for mainstream art historical and curatorial practice. It will locate Dr Leon Wainwright’s own practice, which overlaps historical research, collaborations with museums and galleries, and curatorial work. Briefly, he will set out the broader intellectual background on which the concept of ‘margins and core’ has emerged in the academy, and suggest why opportunities for exploring transnationalism may also become the site of ‘competing equalities’. The examples for this range from the institutional life in Britain of World Art Studies, and two exhibitions in Liverpool in 2010. Chair: Dr Jo Littler, Senior Lecturer in Media and Cultural Studies at Middlesex University As well as being the Senior Lecturer in Media and Cultural Studies at Middlesex University, Jo Littler is co-editor, with Roshi Naidoo, of The Politics of Heritage: The Legacies of Race (Routledge 2005), author of Radical Consumption? Shopping for change in contemporary culture (Open University Press, 2009) and an associate editor of Soundings. Speaker: Dr Leon Wainwright, Senior Lecturer in History, Art & Design, Manchester Metropolitan University Leon Wainwright is Senior Lecturer in the History of Art and Design at Manchester Metropolitan University, Visiting Fellow at the Yale Center for British Art, a member of the editorial board of the journal Third Text, and Guest Curator, with Reyahn King, of Aubrey Williams Atlantic Fire (Walker Art Gallery, Liverpool, 2010). -
Building Key Key P
T S BAR ING S D TREET N L EE E R I G F K R IC I D W 35 Cordingley Lecture Theatre A RD A F 147 Building key A Key 86 Core Technology Facility Manchester Piccadilly Bus 78 Academy Station stop B 42 Cosmo Rodewald ERRY S cluster 63 Alan Gilbert 47 Coupland Building 3 83 Grove House 16 Manchester 53 Roscoe Building 81 The Manchester 32 Access Summit Concert Hall T Campus buildings Learning Commons 31 Crawford House 29 Harold Hankins Building Interdisciplinary Biocentre 45 Rutherford Building Incubator Building Disability Resource 01 Council Chamber cluster 46 Alan Turing Building 33 Crawford House Lecture 74 Holy Name Church 44 Manchester Museum cluster 14 The Mill Centre (Sackville Street) 01 Sackville Street Building University residences Theatres 76 AQA 80 Horniman House cluster 65 Mansfield Cooper Building 67 Samuel Alexander Building 37 University Place 37 Accommodation Office 51 Council Chamber cluster (Whitworth Building) 3 10 36 Arthur Lewis Building 867 Denmark Building 35 Humanities Bridgeford 42 Martin Harris Centre for 56 Schunck Building 38 Waterloo Place 31 Accounting and Finance A cluster cluster Principal car parks 6 15 P 68 Council Chamber 75 AV Hill Building T 41 Dental School and Hospital Street Music and Drama 11 Weston Hall 01 Aerospace Research E 54 Schuster Building (Students’ Union) E 30 Devonshire House AD 40 Information Technology 25 Materials Science Centre Centre (UMARI) 73 Avila House RC ChaplaTinRcy RO 59 Simon Building 84 Whitworth Art PC clusters S SON cluster 31 Counselling Service 2 G 70 Dover Street BuildWinAg -
MACFEST MUSLIM Arts and CULTURE FESTIVAL
MACFEST MUSLIM ARTs AND CULTURE FESTIVAL CELEBRATING ARTS AND CONNECTING COMMUNITIES OVER 50 EVENTS JANUARY - MAY 2020 WWW.MACFEST.ORG.UK [email protected] @MACFESTUK FESTIVAL HIGHLIGHTS METALWARE FROM KEYNOTE ADDRESS FAMOUS WRITERS: THE KHALEEQ BY PROF SALIM FIRDAUSI COLLECTION AL-HASSANI CULTURAL HUBS: CREATIVE PAPER CELEBRATING OUR WOMEN OF SCIENCE CUTTING WORLD AND DIVERSE CULTURES MUSICAL FINALE SPANISH AL FIRDAUS WITH SOAS ENSEMBLE AT THE COLLECTIVE LOWRY WELCOME MUSLIM ARTS AND CULTURE FESTIVAL Welcome to our second MACFEST, a ground- Art Gallery). We are delighted to partner with breaking and award-winning Muslim Arts and Rochdale and Huddersfield Literary Festivals, Culture Festival in the North West of the UK. Rossendale Art Trail/Apna Festival, Stretford Its mission: celebrating arts, diversity and Festival and Greater Manchester Walking connecting communities. Festival. We are proud to offer you a rich feast of over 50 In addition, various schools, Colleges and the events in 16 days across Greater Manchester University of Manchester are hosting MACFEST celebrating the rich heritage of the Muslim Days, with arts and cultural activities. We are diaspora communities. There is something delighted to bring you a great line up of local, for the whole family: literature, art, history, national and international speakers, performers music, films, performance, culture, comedy, art and artists including singers and musicians from exhibitions, demonstrations, book launches, Spain and Morocco. debates, workshops, and cultural hubs. MACFEST’s opening ceremony on the 11th Join us! Over 50 events across Greater January 2020 is open to the public. Manchester and the North West are free. The venue for the packed Weekend Festival Enjoy! on 11th and 12th January, is the iconic British Muslim Heritage Centre in Whalley Range. -
An Evaluation of the Impacts and Legacies of Enquire and Watch This Space 2 3
An evaluation of the impacts and legacies of enquire and Watch this Space 2 3 Inspiring Education Summary The impacts and legacies of the • The programmes helped both national programmes at a glance and local government departments to in Galleries The evaluation of the enquire and Watch achieve their objectives in support of young The impact of two this Space programmes from 2004-9 has • The programmes increased young people’s people, education and the arts. They have demonstrated how a modest investment can access to, and interest in, the contemporary contributed to the development of education pioneering programmes lead to extensive participation in art by children visual arts, artists, galleries and museums in policy and to other programmes and their on the relationship between and young people, improve the quality of gallery their local area. achievements have been recognised by and museum education and teaching, and have Ofsted in its report, Drawing Together: art, galleries, schools and an ongoing impact on young people’s • They provided both gallery educators and craft and design in schools 2005/08 (2009) young people education and career options. artists at the beginning of their careers, and teachers and youth workers with little • The research findings about the learning These Strategic Commissioning programmes (1) previous experience of working with galleries benefits to children and young people of have enabled substantial sector development and museums, invaluable experience, insights engaging with contemporary art are an and organisational change through research, and skills. ongoing resource to inform effective practice professional training and partnerships. These and advocacy. legacies will support further participation and • They showed gallery educators, artists and educational opportunities into the future, across teachers new and creative ways to work with • The research and development model, which England. -
August 2021 • Issue 4 PROSPERO
The newspaper for retired BBC Pension Scheme members • August 2021 • Issue 4 PROSPERO THE QUEEN PENSION IN COLOUR SCHEME PAGE 7 | BACK AT THE BBC RICHARD SHARP, THE NEW BBC CHAIRMAN Richard Sharp was appointed Chairman of the BBC in February, replacing Sir David Clementi when he stepped down. s Chairman of the Board for the next four Richard has had a 40-year career in finance working years, Richard is responsible for upholding with a number of financial institutions. Most notably Aand protecting the independence of the BBC. he worked at JP Morgan and was for 23 years a He is responsible for ensuring that the BBC fulfils partner at Goldman Sachs. Subsequently Richard its mission to inform, educate and entertain and served for two terms on the Bank of England’s promotes its public purposes. The Chairman ensures Financial Policy Committee, charged with protecting that the Board’s decision-making is in the public the UK’s financial stability. Richard has served on the interest, informed by the best interests of the boards of public and private companies in the UK, audience and with appropriate regard to the impact Germany, Denmark and the United States. Wire DCMS/PA of decisions on the wider media market in the UK. Throughout his career Richard has supported and The fees for non-executive directors of the BBC Board The Board, under the Chairman, also must ensure held governance roles in a number of non-profit are set by the Secretary of State for Culture, Media that the BBC maintains the highest standards of organisations including, amongst others, the Royal and Sport. -
How Do Mainstream Cultural Market Categories Emerge: a Multi
HOW DO MAINSTREAM CULTURAL MARKET CATEGORIES EMERGE: A MULTI- LEVEL ANALYSIS OF THE CREATION OF ELECTRONIC DANCE MUSIC PIERRE-YANN DOLBEC A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ADMINISTRATION SCHULICH SCHOOL OF BUSINESS YORK UNIVERSITY TORONTO, ONTARIO NOVEMBER 2015 © Pierre-Yann Dolbec 2015 ii Abstract In my research I explore how a new market category is created in an existing market. I contribute to existing research in marketing by developing a novel framework that conceptualizes markets as constituted of three levels, and by explaining the contribution of each level to the creation of a new market category. My findings emerge from a qualitative inquiry of the creation of the category of Electronic Dance Music (EDM). I find that each level contributes differently to the creation of a mainstream cultural category. Local innovation networks (or LINs) unite consumers and producers and provide unique elements that facilitate the creation of new cultural products by consumers. Niches serve as a bridge between these local networks and a mainstream market. Niche actors contribute to the creation of a boundary infrastructure that supports the transfer, translation, and transformation of the knowledge associated with an innovative cultural product. This, in turn, facilitates the movement of an innovative cultural product from a local network to a mainstream market. Mainstream actors diffuse elements of the innovative cultural product and open what Bourdieu calls “a space of possibles”. Niche entrepreneurs and peripheral mainstream actors seize the opportunity to engineer a new cultural category. -
Tpn-Update-Digest-100422.Pdf
CONTEMPORARY VISUAL ARTS MANCHESTER ACE ACTIVITY REPORT Overview During the summer of 2009 Contemporary Visual Arts Manchester (CVAM) was focused on a research phase. We needed to understand some of the possibilities before embarking on a programme of development. During the research phase a brief was drawn up for an economic impact report that would dovetail with some work that the Renaissance North West Museums group had already completed. We also undertook a research trip to the Low Countries to: ‐ Look at urban places comparable to Manchester but further developed in ‘platforming’ of contemporary visual arts ‐ Make contacts with similar Umbrella organisations in Holland and Belgium ‐ Develop ideas for future CVAM activities ‐ Experience how other European cities use non‐art spaces for contemporary arts ‐ Foster a group identity within the Manchester arts organisations involved ‐ Witness cross‐institutional contemporary art co‐operation in European cities ‐ Hear from European arts festivals of their working situations with local arts authorities and sites A very successful trip to Liverpool followed when we met up with colleagues from LARC. However, at the end of August our co‐ordinator secured a research post and left. It took until November before a new co‐ordinator was found and planning recommenced for the visioning day and completion of the economic impact research Future agenda includes: Visioning session – We have a visioning day set up with a facilitator to help us work through the following and develop a clear action plan for this year and beyond. • Digital opportunities – how can we exploit them • Profile of contemporary visual arts in the city • Developing the contemporary visual arts ecology in the city • Long Night • Economic Impact Study – this will report soon and we want to maximise the impact of that work.