Thingiverse and 3D Modeling
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Key Aspects in 3D File Format Conversions
Key Aspects in 3D File Format Conversions Kenton McHenry and Peter Bajcsy Image Spatial Data Analysis Group, NCSA Presented by: Peter Bajcsy National Center for Supercomputing Applications University of Illinois at Urbana-Champaign Outline • Introduction • What do we know about 3D file formats? • Basic Archival Questions • Is there an optimal format to convert to? • Can we quantify 3D noise introduced during conversions? • NCSA Polyglot to Support Archival Processes • Automation of File Format Conversions • Quality of File Format Conversions • Scalability with Volume • Conclusions • Live demonstration Introduction Introduction to 3D File Format Reality *.k3d *.pdf (*.prc, *.u3d) *.ma, *.mb, *.mp *.w3d *.lwo *.c4d *.dwg *.blend *.iam *.max, *.3ds Introduction: Our Survey about 3D Content • Q: How Many 3D File Formats Exist? • A: We have found more than 140 3D file formats. Many are proprietary file formats. Many are extremely complex (1,200 and more pages of specifications). • Q: How Many Software Packages Support 3D File Format Import, Export and Display? • A: We have documented about 16 software packages. There are many more. Most of them are proprietary/closed source code. Many contain incomplete support of file specifications. Examples of Formats and Stored Content Format Geometry Appearance Scene Animation Faceted Parametric CSG B-Rep Color Material Texture Bump Lights Views Trans. Groups 3ds √ √ √ √ √ √ √ √ √ igs √ √ √ √ √ √ √ lwo √ √ √ √ √ √ obj √ √ √ √ √ √ √ ply √ √ √ √ √ stp √ √ √ √ √ √ wrl √ √ √ √ √ √ √ √ √ √ √ u3d √ √ √ √ √ -
Autodesk Entertainment Creation Suite
Autodesk Entertainment Creation Suite Top Reasons to Buy and Upgrade Access the power of the industry’s top 3D modeling and animation technology in one unbeatable software suite. Autodesk® Entertainment Creation Suite Options: Autodesk® Maya® Autodesk® 3ds Max® Entertainment Creation Suite 2010 includes: Entertainment Creation Suite 2010 includes: • Autodesk® Maya® 2010 software • Autodesk® 3ds Max® 2010 • Autodesk® MotionBuilder® 2010 software • Autodesk® MotionBuilder® 2010 software • Autodesk® Mudbox™ 2010 software • Autodesk® Mudbox™ 2010 software Comprehensive Creative Toolsets The Autodesk Entertainment Creation Suite offers an expansive range of artist-driven tools designed to handle tough production challenges. With a choice of either Autodesk Maya 2010 software or Autodesk 3ds Max 2010 software, you have access to award-winning, 3D software for modeling, animation, rendering, and effects. The Suite also includes Autodesk Mudbox 2010 software, allowing you to quickly and intuitively sculpt highly detailed models; and Autodesk MotionBuilder 2010 software, to quickly and efficiently create, manipulate and process massive amounts of animation data. The complementary toolsets of the Suite help you to achieve higher quality results more efficiently and more cost-effectively. Real-Time Performance with MotionBuilder The addition of MotionBuilder to a Maya or 3ds Max pipeline helps increase production efficiency, and produce higher quality results when developing projects requiring high-volume character animation. With its real-time 3D engine and dedicated toolsets for character rigging, nonlinear animation editing, motion-capture data manipulation, and interactive dynamics, MotionBuilder is an ideal, complementary toolset to Maya or 3ds Max, forming a unified Image courtesy of Wang Xiaoyu. end-to-end animation solution. Digital Sculpting and Texture Painting with Mudbox Designed by professional artists in the film, games and design industries, Mudbox software gives 3D modelers and texture artists the freedom to create without worrying about technical details. -
How to Use the 3D Printer STEP 1: Design Your 3D Part on a CAD
How to use the 3D Printer STEP 1: Design your 3D part on a CAD software What is it CAD Software? CAD (computer-aided design) software allows you to create 3D objects to print. Where can I get CAD Software? SolidWorks is a professional CAD software available free for SDSU students. Download SolidWorks at: http://engineering.sdsu.edu/support/ If you are a beginner, you can create 3D models using simple free software online. Among the most popular are: Google Sketchup, Wings 3D, Blender, and Sculptris. Optional step only if you are printing more than one part at a time? If you are printing more than one part you need to designate where you want the part printed on the printable platform. 1. Download and install the Makerbot Makerware Software found at http://www.makerbot.com/makerware/ 2. Open the MakerWare 3. Click “Add” to upload each of your parts. Upload the original file format (e.g. SolidWorks file format), not an .stl file 4. Move your parts until they are located in the desired spot. 5. Click “Make” to save your parts as an .stl file 6. Skip to STEP 3 STEP 2: Save your part as an stl. file using your CAD software. What is an .stl file? An .stl file is a language that 3D printers can read. If you try to print a SolidWorks or Google Sketchup file the 3D printer will not recognize it. STEP 3: Insert your .stl file on the 3D printer SD Card. The SD Card is plugged in near the control panel of the 3D Printer. -
NX for Mechanical Design Fact Sheet
NX for Mechanical Design Benefits Summary t Facilitates design control, The NX™ software for mechanical design provides a comprehensive set of speeds the design process, leading-edge CAD modeling tools that enable companies to design higher increases designer and quality products faster and less expensively. The NX comprehensive design team productivity and mechanical design solution lets you choose the tools and methodologies that improves design throughput best suit your design challenge. Innovative technologies deliver breakthrough t Improves design team mechanical design capabilities that set new standards for speed, performance performance, especially for and ease-of-use. handling large, complex models Transforming product development by delivering greater power, speed, t Raises product quality by quality, productivity and efficiency for mechanical design minimizing design errors NX mechanical design capabilities are unmatched in terms of the power, t Produces faster, more versatility, flexibility and productivity they deliver to your digital product accurate and complete development environment. NX enables you to establish a complete design product documentation solution for your environment, including leading-edge tools and t Produces significant time, methodologies for: effort and cost savings by t Comprehensive high-performance modeling, which enables you to facilitating design re-use seamlessly use the most productive modeling approaches – from explicit t Facilitates better integration solid and surface modeling to parametric, process-specific and history-free and coordination between direct modeling that works with models from any CAD system. multiple design disciplines, t Active mockup and assembly design, which enables you to work design teams and their interactively with massive multi-CAD assemblies while leveraging leading related CAD systems assembly management and engineering tools. -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
Cultures of Sharing in 3D Printing: What Can We Learn from the Licence Choices of Thingiverse Users?
Cultures of sharing in 3D printing: what can we learn from the licence choices of Thingiverse users? 1. Introduction A growing literature in economics and social science has explored the practices of information exchange among online communities. A strong theme within this literature is that open cultures – characterised by reciprocal sharing, weak IP, and open flows of information among practitioners – are conducive to technological innovation. In Benkler’s influential analysis, the end result is “a flourishing nonmarket sector of information, knowledge, and cultural production… subject to an increasingly robust ethic of open sharing, open for all others to build on, extend, and make their own” (2006, p.7). This phenomenon has been the focus of much recent research on collaborative production models, covering a range of topics including wikis, open- access publishing, free software and open science (e.g. Nielson 2011, Suber 2012, Anderson 2012, Hatch 2013, Phelps 2013). One lesson from this literature is that sharing practices are context-dependent. Sharing is a social practice shaped by a range of variables, and sharing practices differ from community to community and from technology to technology (Kennedy 2013). Infrastructural issues, cultural factors and legal frameworks, both explicit and implicit, play a role in shaping the context in which collaboration occurs. It is therefore necessary to understand the norms, values, structures and systems that emerge around particular forms of practice. Scholars in various disciplines have taken up this challenge by documenting the specific (rather than universal) aspects of sharing practice, such as the regulatory frameworks that govern conduct and the variable properties of technological platforms (e.g. -
Brian Paint Breakdown 1.Qxd
Digital Matte Painting Reel Breakdown Brian LaFrance Run Time: 2 Minutes 949-302-2085 [email protected] Big Hero 6: Baymax and Hiro Flying Sequence Description: Lead Set Extension Artist. helped develop sky pano from source HDR's, which fed lighting dept. 360 degree seaming of ocean/sky horizon, land, atmosphere blending. Painted East Bay city. Made 3d fog volumes in houdini, rendered with scene lighting for reference, which informed the painting of multiple fog lay- ers, which were blended into the scene using zdepth "slices" for holdouts, integrating the fog into the landscape. Software Used: Photoshop, Maya, Nuke, Houdini, Terragen, Hyperion(Disney Prop. Rendering software) Big Hero 6: Bridge Description: Painted sky, ground fog slices and lights, projected in nuke. Software Used: Photoshop, Maya, Nuke, Terragen, Hyperion Big Hero 6: City Description: Painted sky, moving ground fog clouds. Clouds integrated into digital set using zdepth "slices" for holdouts, integrating fog into the landscape. Software Used: Photoshop, Maya, Nuke R.I.P.D.: City Shots Description: Blocked out city compositions with simple geometry, projected texture onto that geometry. Software Used: Photoshop, Rampage (Rhythm and Hues Prop. Projection software) The Seventh Son: Multiple Shots Description: Modeled simple geom, sculpted in zbrush for balcony shot, textured/lit/rendered in mental ray, painted over in photoshop, projected onto modeled or simplified geometry in rampage. Software Used: Photoshop, Maya, Mental Ray, Zbrush, Rampage Elysium: Earth Description: Provided a Terragen "Planet Rig" to Image Engine for them to render views of earth, as well as a large render of whole earth to be used as source for matte painting(s). -
Replicant: 3D Printing and the Need for a Digital Millennium Patent Act Salvatore D'elia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Seton Hall University eRepository Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 5-1-2014 Replicant: 3D Printing and the Need for a Digital Millennium Patent Act Salvatore D'Elia Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Recommended Citation D'Elia, Salvatore, "Replicant: 3D Printing and the Need for a Digital Millennium Patent Act" (2014). Law School Student Scholarship. 457. https://scholarship.shu.edu/student_scholarship/457 D’Elia Replicant: 3D Printing and the Need for a Digital Millennium Patent Act Salvatore D’Elia III I. INTRODUCTION An aspiration of scientists and inventors, a darling of ‘Trekkies,’ Star Trek’s replicator is one of television’s great fictional ideas. First appearing in the late 1980s on Star Trek: The Next Generation, the replicator was a fictional device that could reproduce any food, liquid, or object its user wanted.1 Twenty years ago, the technology to create a tool out of thin air to fix a space station seemed like a possibility only on the silver screen. Today, the possibility of Star Trek’s replicator doesn’t seem so distant. In fact, NASA plans to roll out the first attempt at approaching the wonders of that technology for use on the final frontier in the near future.2 Once thought to be a science fiction fantasy, the ability to replicate models, prototypes, and ideas with a press of a button is now a reality. Three-dimensional (“3D”) printing has the potential to revolutionize the modern industry. -
Additive Manufacturing Technologies
ADDITIVE MANUFACTURING TECHNOLOGIES NOVEMBER 15, 2014 Contents What is 3D Printing/Additive Manufacturing? ....................................................................................... 2 Technologies used for 3D Printing .......................................................................................................... 2 Powder Bed Fusion Technology .................................................................................................. 2 1. Selective Laser Sintering (SLS) ................................................................................................. 2 2. Selective Laser Melting (SLM) ................................................................................................. 4 3. Direct Metal Laser Sintering (DMLS) ....................................................................................... 6 4. Electron Beam Melting (EBM) ................................................................................................. 7 5. Selective Heat Sintering (SHS) ................................................................................................. 9 Light Polymerization Technology .............................................................................................. 11 1. Stereolithography (SLA) ........................................................................................................ 11 2. Digital Light Processing (DLP) ................................................................................................ 13 Fused Deposition Modelling -
Intermediate 3D Printing Software: Sculptris Thursday, 7:00Pm August 20Th
3D Printing Basics Today we’ll cover: • What is 3D printing? • Reasons to 3D print • Ways to 3D print • Free Creation tools • Thingiverse • Downloading and printing using MakerBot Introduction By the end of this class you will be: • Familiar with the basic elements of 3D printing • And be able to download and print from Thingiverse Objectives 3D printing provides a variety of practical uses, but it is also a way to learn valuable computer modeling skills. In addition, Elmhurst is a place to offer cutting edge technology not easily available to the public. Here at EPL What is it? A 3D printer works essentially like a traditional printer except it prints in plastic layers to make 3-dimensional designs. 3D printers can print in several different materials including plastic, limestone, and even wood and metal. What is 3D Printing? Some reasons you may use a 3D printer include: • Replacing a broken cabinet handle • Making fun gifts • Printing the case for a prototype electronic component • And maybe most importantly, learning to use 3D printing software is a valuable skill Reasons to Print Print or Create? Ways to Print So today we’ll only cover the basics of using predesigned files. There are many ways to create your own designs using free creation tools. Free Creation Tools Tinkercad • Web-based 3D modeling software • Includes lesson modules that lead you through 3D design basics • Great beginner design platform Free Creation Tools 123D Catch app • Take photos and create 3D scans of virtually any existing object with this app • Use with a -
Science Fiction Artist In-Depth Interviews
DigitalArtLIVE.com DigitalArtLIVE.com SCIENCE FICTION ARTIST IN-DEPTH INTERVIEWS THE FUTURE OCEANS ISSUE ARTUR ROSA SAMUEL DE CRUZ TWENTY-EIGHT MATT NAVA APRIL 2018 VUE ● TERRAGEN ● POSER ● DAZ STUDIO ● REAL-TIME 3D ● 2D DIGITAL PAINTING ● 2D/3D COMBINATIONS We visit Portugal, to talk with a master of the Vue software, Artur Rosa. Artur talks with Digital Art Live about his love of the ocean, his philosophy of beauty, and the techniques he uses to make his pictures. Picture: “The Sentinels” 12 ARTUR ROSA PORTUGAL VUE | PHOTOSHOP | POSER | ZBRUSH WEB DAL: Artur, welcome back to Digital Art Live magazine. We last interviewed you in our special #50 issue of the old 3D Art Direct magazine. That was back in early 2015, when we mainly focussed on your architectural series “White- Orange World” and your forest pictures. In this ‘Future Oceans’ themed issue of Digital Art Live we’d like to focus on some of your many ocean colony pictures and your recent sea view and sea -cave pictures. Which are superb, by the way! Some of the very best Vue work I’ve seen. Your recent work of the last six months is outstanding, even more so that the work you made in the early and mid 2010s. You must be very pleased at the level of achievement that you can now reach by using Vue and Photoshop? AR: Thank you for having me again, and thank you for the compliment and feedback. I’m humbled and honoured that my work may be of interest for your readers. To be honest, I’m never quite sure if my work is getting better or worse. -
Texture Mapping with Mudbox and 3Ds Max
Texture Mapping with Mudbox and 3ds Max by Joshua Holland Graphic Communication Department College of Liberal Arts California Polytechnic State University 2011 ABSTRACT Texture Mapping with Mudbox and 3ds Max Joshua Holland Graphic Communication Department, December 2011 Advisor: Kevin Cooper The purpose of this study was to determine the intuitiveness of texture mapping and compressibility of files generated using Autodesk 3ds Max 2012 versus Autodesk Mudbox 2012. This will be used by anyone starting to learn how to texture map and who is comparing programs that have the capability to do so. This will save users time in researching which program is better suited for their needs. This study investigated how Autodesk 3ds Max 2012 and Autodesk Mudbox 2012 compared in mapping textures to 3D models. A basic computer skills assessment test and an intuitive test was administered to twelve participants. They were ranked based on their computer skills assessment scores, texture map completion time with 3ds Max, and texture map completion time with Mudbox. Exported files sizes for 3D models using 3ds Max and Mudbox were also compared to determine which was smaller. Participants were not included in the file size portion of the study. Results from twelve participants in the intuitive test showed that Mudbox proved to be more intuitive for first time users attempting to apply a texture to a 3D object. However, 3ds Max offers more control and precision in performing these tasks at the cost of a large learning curve and a less of a fluid interface. The compressiblity test showed that 3ds Max produced a smaller file size.