DOCSLIB.ORG

Aux 88 Presents Black Tokyo Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aux 88 Presents Black Tokyo Mp3, Flac, Wma Aux 88 Aux 88 Presents Black Tokyo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Aux 88 Presents Black Tokyo Country: US Released: 2010 Style: Techno, Electro MP3 version RAR size: 1936 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1955 mb Rating: 4.1 Votes: 110 Other Formats: ADX APE AHX MP1 FLAC WMA MIDI Tracklist Hide Credits Intro (Japanese) 1 1:34 Vocals – Erika Tele 2 Groove Theory 5:18 3 Black Tokyo 5:07 4 Tokyo Drive 4:11 Stance (Interlude) 5 1:05 Vocals – Erika Tele 6 Reel To Real (Club Mix) 5:17 7 Electronic Cinema (Soho Studio Mix) 5:03 8 Electric Underground 5:27 9 Soul Of Black 5:26 10 Stance 5:45 11 Dragon Fly 5:49 12 Kyoto Station 5:04 13 Smoke Screen 5:12 14 Winter In Japan (Original Mix) 3:59 15 Tokyo Telacom 4:17 16 Shadow Dancing 6:16 17 Black Tokyo (Acapella) 0:27 Companies, etc. Distributed By – Wordandsound Phonographic Copyright (p) – Technosis Copyright (c) – Technosis Phonographic Copyright (p) – Tommy Tunez Copyright (c) – Tommy Tunez Distributed By – Diamonds and Pearls Made By – WWW.ILOVEIMPRINT.COM Pressed By – Arvato Digital Services Bertelsmann, USA – J865301 Credits Written-By, Producer, Performer, Other [Conceived By] – Keith Tucker, Tommy Hamilton Notes (c)&(p) 2010 Technosis BMI (c)&(p) 2010 Tommy Tunez Distributed by Diamonds And Pearls Music in cooperation with Word And Sound. Barcode and Other Identifiers Barcode: 827170110922 Matrix / Runout: www.iloveimprint.com 11289 + + J865301 Mastering SID Code: IFPI LY93 Mould SID Code: IFPI 1023 Comments about Aux 88 Presents Black Tokyo - Aux 88 HeonIc Well, every sour review needs its foil, and I think this album is brilliant. New or revolutionary? Hardly, but I have never expected that EVER from AUX 88's catalogue. If anything, I rely on them like I rely on UR and Submerge to produce great sounding Detroit techno that doesn't forget its roots. On Black Tokyo they abandon the electro-breaks in favor of electro-house, or electro-techno if you like. Who cares how to define it, it's good. The sound is very smooth, and on more than a few occasions reminded me of the Drexcyian project "the other people place" on Warp. There are lyrics throughout, as is common of most AUX 88 albums, but thematically I really liked what they were saying here. It reminded me of an updated version of songs like "Future" and "Technicolor" by Juan Atkins. I think the exact reason I like AUX 88 so much is because they stay true to their roots, while exploring various different kinds of concepts with each album. I admit, I'm jaded about the amount of garbage being released these days that is supposedly being marketed to me as cutting edge electronic music, and I tend to mostly follow the artists from "back in the day" that have a sense of perspective and history, but also a unique artistic vision, as most of this kind of material is still more forward thinking than most of what the "Laptop generation" can muster. AUX 88 I believe has this, and if you like the softer side of Drexcyia, you should really check this album out. Malodora I think the only saving grace of this album in my view is the production on it, which is flawless, so cleanly put together & most of the sounds are truly amazing, from some of the pads & drum sounds - cut & managed like a surgeon.But the whole thing seems very 'samey' & partially dated in parts too.The lyrics/spoken word poems in 'Soul Of Black' are a futuristic myriad for those who wish to open their minds. A very nice track.But overall: I'm not sure where AUX 88 are meant to be headed with this release but I'm not up for going to 'Black Tokyo' anytime soon. Related Music albums to Aux 88 Presents Black Tokyo by Aux 88 Deep Purple - Tokyo 1991 Final Night Subliminal Gravity - Tokyo Tokyo Police Club - A Lesson In Crime Doc Scott / LTJ Bukem - Tokyo Dawn / Cosmic Interlude (12") - EARTH12001 Watusi - Tokyo Techno Drive Deep Purple - Woman From Tokyo / Black Night (Live Version) Tokyo Tower - Black Bass 雅-MIYAVI- - Neo Tokyo Samurai Black World Tour Vol.1.
Load more

Recommended publications
  • Santiago Salazar Santonio Echols Sean Deason Seth
    ANN SAUNDERSON GARY MARTIN QUENTIN HARRIS ANGIE LINDER GARY CHANDLER ALAN OLDHAM GERALD BRUNSON ROBERT HOOD AUX 88 GENERATION NEXT RICK WILHITE A NUMBER OF NAMES GARI ROMALIS RYAN CROSSON ANDY TOTH GREGORY COLLIER RAY 7 ANNIX RICK WADE ANDY GARCIA HEINRICH MÜLLER REGGIE HARRELL AMP FIDDLER RON COOK ALEXANDRES LUGO INNER CITY A BLAKTONY HORTON SUPERDRE ALTON MILLER JUAN ATKINS SCAN 7 ANTHONY SHAKE SHAKIR JAY DENHAM STACEY “HOTWAXX“ HALE ABDUL QADIM HAQQ JOHN E. COLLINS SCOTT GROOVES JTC SANTIAGO SALAZAR BLAKE BAXTER JOSH GREENWOOD SANTONIO ECHOLS BRUCE BAILEY J. GARCIA SEAN DEASON BUZZ GOREE JAY DANIEL SETH TROXLER BILL BEAVER JEFFREY WOODWARD SAM VALENTI BRIAN KAGE JESSICA CARE MOORE STRAND JOE BEEZY BIG STRICK SINISTARR BURDEN BROTHERS JEFFREY SFIRE BRENT SCUDDER JON DIXON SEAN TATE BRIAN GILLESPIE JENNY LAFEMME SOULFUL UNDERGROUND JOY SANTIAGO CLARK SHAUN REEVES CORNELIUS HARRIS SUGA SHONUFF & FLO REAL CLAUDE YOUNG JR. KENNY LARKIN CARL CRAIG KEITH TUCKER TONY FOSTER CAROL MARVIN KEVIN SAUNDERSON TIM BAKER CRAIG HUCKABY KEVIN REYNOLDS TOMMIE COOL CLIFF THOMAS KENT SPENCER TIMELINE CHUCK DANIELS KEITH WORTHY T.LINDER K-HAND CHEZ DAMIER THOMAS BARNETT CHARLES HICKS KEVIN DYSARD CHARIVARI GROUP KERO THERESA HILL KAI ALCE TODD JOHNSON D. RICHARDSON TOMMY HAMILTON DAVINA BUSSEY LEE CURTISS TONY NOVA DETROIT TECHNO MILITIA LUKE HESS T. CARLITA DANIEL BELL LINDA G TIM STEWARD DJ GODFATHER LOS HERMANOS DJ ROACH WINNETTRA SAWYER DJ MORESSE MONTY LUKE WALTER WASACZ DJ BONE MIKE HUCKABY MIKE HIMES DJ AL ESTER 4 HOUR OF LOVE DIMITRI HEGEMANN MARK TAYLOR DJ FINGERS MIKE ARCHER DJ ASSAULT MARCELLUS PITTMAN ZANA SMITH DEREK PLASLAIKO MIKEL SMITH DJ TAZ MODEL 500 DJ RAYBONE JONES MIKE BANKS DJ ART PAYNE MIKE AGENT X CLARK DJ PSYCHO MERACHKA DIVINITI MICHAEL FOTIAS DARKCUBE MILTON BALDWIN DJ SEOUL MOODYMANN DJ MINX MIKE GRANT DJ DI’JITAL MIKE SERVITO DJ CENT MARSHALL APPLEWHITE DEEPCHORD MARK FLASH DRU RUIZ MATTHEW DEAR DRAND D-WYNN NEIL V.
    [Show full text]
  • Detroit Version US
    Extract From GLOBAL TEKNO 1.0 Jean-Yves Leloup, Jean-Philippe Renoult, Pierre Emanuel Rastoin (US-English translation by Black Sifichi) Detroit, summer 1998 by Jean-Philippe Renoult There are no charter planes to Detroit and certainly no direct flight from Paris. When we give our destination to the customs officer who carries out the usual formalities at the stop over in Philadelphia, he bursts out laughing: - What, why the hell are you going to Detroit? - Well... to take landscape pictures. - Good luck, you will need it! It’s a fact, Detroit Michigan is not listed in the tour operators schedule but it is certainly present on the world map of contemporary electronic music. In the uncomfortable plane, which finally takes us there, we go over and over the story which ravers and techno heads repeat like a founding myth. After Kraftwerk, who blended with one unique rhythm Stockhausen and Pop music, followed a black trinity who gave birth to the sound of techno. It developed here, on the polluted edges of Lake Huron. The three founders are Juan Atkins, Derrick May, Kevin Saunderson. All three, born respectively in 1962, 1963 and 1964, instilled a black, funky and sensual groove into one of the first purely technological dance music. An essential mutation, which Derrick May sums up in a quote, which has remained well-known: « Our music is the meeting in one and the same elevator of George Clinton and Kraftwerk. It is the mirror image of Detroit: a complete error. » Of all our destinations, Detroit was the most anachronistic but also the most fundamental.
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Technology Fa Ct Or
    Art.Id Artist Title Units Media Price Origin Label Genre Release 149181 Lavonz Vs Deneshae Personality 1 12in € 15 Nld Lckon 2st 19/07/2001 444094 Mr. Rumble Ft. Brasstooth Whoomp 1 12in € 11 Eu Incen 2st 22/08/2003 469546 Phuturistix Deep Down 1 12in € 15 Nld Locke 2st 5/04/2001 504765 Sims, Ben Live Young Die Fast 1 12in € 14 Eu Pu.Pl 2st 7/04/2004 726568 Stel & Viton Wooden Swords -1- 1 12in € 14 Eu Audth 2st 17/01/2005 500862 Tea Dancers Waking Up the World 1 12in € 14 Eu Freer 2st 21/09/2001 659323 Black Moustache Spiritual West 1 12in € 17 Usa Inde A/R 25/01/2005 239010 Blow Bonus Album -10'- 1 12in € 18 Nld K Rec A/R 30/01/2003 389719 Das Butcher 7-All In Blood/Mummy 1 12in € 17 Imp S.Lik A/R 27/02/2004 806378 Modest Mouse 7-A Life In Arctic Sounds 1 12in € 13 Usa Suicq A/R 29/12/1999 499486 Outhud/!!! Lab Remix 2 1 12in € 18 Nld Gsl A/R 3/05/2001 672563 Rondo Brothers Aquarium Dreams 1 12in € 14 Usa Coudg A/R 30/06/1990 357637 Rondo Brothers Hey Stewardess 1 12in € 14 Usa Coudg A/R 7/09/2004 553194 Brand New Heavies Never Stop + Mixes 1 12in € 14 Usa De.Vi Acj 4/11/2004 630363 Clarke, Alice 7-Don't You Care 1 12in € 13 Eu Acidj Acj 10/04/2006 061268 DJ Bomba/Jihan Ready and Waiting 1 12in € 16 Eu Deepl Acj 5/07/2004 682128 Fedreghini, Paolo Circus In C Minor 1 12in € 16 Eu Sche Acj 11/11/2004 615069 Fedreghini, Paolo Please Don't Leave -2tr- 1 12in € 16 Eu Sche Acj 1/04/2003 682129 Fedreghini, Paolo Spread Your Love 1 12in € 16 Eu Sche Acj 11/11/2004 249843 Goulart, Eli Mestre Andre 1 12in € 16 Eu Uniqu Acj 19/01/2004 248163 Imc Vs.
    [Show full text]
  • Manners of Unfolding in the Last Angel of History
    BLAGKGAMERA AN INTERNATIONAT FILM IOURNAL Volume 6, Number 2, Spring 2015 The New Series + INDIANA UNIVERSITY PRESS orjrrr( tr ot sc ol,Att.Y tuBt,tsIIN1; I LaIra lJ. l,4arks/r/r,re A!: M0nad,0atabase, flenix 113 Reed, Kodwo Eshun, and numerous others argue in the film, ever since Afri_ cans were kidnapped, forced onto slave ship holds and plantations, and for- Glose-Up: lohn Akomfrah and the Black bidden to use their languages, their descendants have survived and created Audio Film Gollective in this alienated, dislocated state. They have done so by assembling futures from fragments of the past, preferring to disdain the present thaf accords Database, Remix: Manners of Monad, them less than human status or, at best, offers "inclusion'in a humanity not Unfolding rn The Last Angel of History oftheir design, and using technology and art to invent when historical re- search fails to yield an1'thing useful. fohn Akomfrah and Edward George picked up on critic John Corbett,s observation of the uncanny similarity between Sun Ra, Lee Scratch perry, Launa U. Mnnxs and George Clinton, Black musicians respectively in jazz, reggae, and funk: all ofwhom, while unaware of each other's practices, deployed the captivat- ing discovery that they came to Earth from another planet on a spaceship.3 As Clinton says in the film, "Space for Black people is not something new. I Abstract really believe we've been there, we're returning to there, and the conscious- Black Audia FiIm Collective\ The Last Angel of History (1996) sketches the artistic ness ofBlack people, ofall humankind, is striving to return.
    [Show full text]
  • Sanders Resigns Amid Charges Celestine Sanders, Former Adams Middle Said Charges Against Her Lack Integrity
    lomelbwn COMMUNICATIONS NETWORK Your hometown newspaper serving Westland for 35 years Thursday, May 25, 2000 hometownnewspapers.net 75C VoJut* 35 Number 103 Westland, Michigan ©2000 HomeTown Communication* Network** IN THE PAPER Sanders resigns amid charges Celestine Sanders, former Adams Middle said charges against her lack integrity. achievement test scores. TODAY Sanders, 52, declined to comment on School principal, was arraigned Wednesday on Sanders, a Wayne resident, voluntar­ charges including embezzlement from school the embezzling charges that could land ily surrendered to police Wednesday her in prison. She also chose not to morning, shortly before she wa) Model behavior: Young accounts. She has agreed to repay the district, issue a statement to her former 900 arraigned by Livonia District Judge people enjoyed a recent according to the school superintendent. students. Kathleen McCann. Sanders is charged Model Rocket Day in BY DARRKLL CLEM Superintendent Greg Baracy said "She has nothing to say to anyone at with 10 felony counts of embezzlement STAFF warm this time," Hatchett said. over $50 by a public official; two felony dclein#o«.homecomixLJiet Wednesday. Westland./A9 Even BO, defense attorney Elbert Sanders, a 30-year district employee charges of embezzlement over $1,000 Adanis Middle School Principal Hatchett portrayed Sanders as being and popular seven-year principal, is by an agent or trustee; and one misde­ Celestine Sanders, charged Wednesday innocent of 13 criminal charges stem­ accused of embezzling thousands of meanor charge of embezzlement over HOMETOWN LIFE with embezzling school money, has ming from allegations that she took dollars between Jan. 8, 1998, and early $200 by an agent or trustee.
    [Show full text]
  • Distillery Magazin #004 | Februar 2006 |
    DISTILLERY MAGAZIN #004 | FEBRUAR 2006 | WWW.DISTILLERY.DE INHALT: 01 EDITORIAL/IMPRESSUM 02 PROGRAMMBERSICHT 04 WINTER SUN 06 DANIEL STEFANIK 10 THE ADVENT 14 STARS FOR SOUL 16 AUDIO WERNER 18 THE HACKER 20 HORIZON 22 ONE NIGHT IN NYC 24 STYLECONFUSION 28 SAVAS PASCALIDIS 30 HOTTA FIRE Immer wieder Detroit! Die Legende ist nicht nur eine Erzhlung. REGGAESTATION Nein sie ist ausgefllt mit Leben. 32 OCTAVE ONE Unermdlich sind Musiker auf der Suche nach 38 PAUL BLACKFORD dem unentdeckten Sound. 40 PLATTENKRITIKEN The Octave One gehren seit 1990 dazu. Ins Leben gerufen wurde Octave One von den 44 DJ-CHARTS Brdern Lenny und Lawrence Burden. Lynell, Lorne und Lance mischen immer mal mit. In Familie scheints manchmal doch ganz schn zu sein. Und nach ber 100 Platten ber die Jahre landeten sie 2000 mit dem Track "Blackwater" einen weltweiten Hit, der sich auf 30 Compilations wiederfand. IMPRESSUM Die Burden Brder arbeiteten mit Derrick May, DRUNK Top Magazin #004 | Februar 2006 Underground Resistance, Keith Tucker, Eddie Herausgeber: Distillery Clubanschrift: Kurt-Eisner Str. 108a, 04275 Leipzig Fowlkes, Juan Atkins, Anthony ÔShakeÕ Shakir, Office: Industriestr. 85-95, 04229 Leipzig Members of the House, Terrence Parker, und Tel.: 0341/35597400 Fax: 0341/35597410 The Martian (Red Planet). Sie remixten Massive mail: [email protected], website: www.distillery.de Redaktion: Marcel Baer (V.i.S.d.P.), Ren Plzing Attack, DJ Rolando (Jaguar), Steve Bug, John Mitarbeiter dieser Ausgabe: Maren Probst, Steffen Bennemann, Thomas, The Trampps, Rhythm is Rhythm und Julius Luge, Malcolm, Andreas Glauch, Flip, Mr. K, Headnoaks Inner City. Reicht erstmal. Ihre eigenen Label Cover: Disko 69 Grafik: Uraeus, Disko 69, Blackred - mail: [email protected] betreiben sie standesgem§ natrlich auch: 430¡ Druck: Druckstore, Auflage: viel zu wenig West und in der Vergangenheit den legendren Vertrieb: im Club, Recordstores, selektierte Konsumeinrichtungen, Technobass-Ableger Direct Beat.
    [Show full text]