DOCSLIB.ORG

Jungle Book Audition Scripts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Nyra, Chitra Chitra brings the audience to an old, NYRA: Visitors? (NYRA moves towards Chitra and well-known storyteller to hear Mowgli’s story. squints out into audience.) So we do, so we do. And there's no need to tell me why they're here. Visitors NYRA: (Squinting) Who's there? Who speaks? Is that come to this village for only one reason: to hear the you, Chitra? story of the jungle boy. The one the wolves named CHITRA: Yes, Nyra. Mowgli. (Chuckles) What a peculiar name to give a child, for it means Little Frog. Did you ever hear the NYRA: Come closer. Don't make me squint. You know my like? Only I, Nyra, know the true story. You'll have to pay eyes aren't what they once were. Did I hear you something to hear it, though. A good storyteller is worth speaking with someone? a coin or two. I can't be expected to tell this strange CHITRA: Yes. account week in and week out without something to NYRA: Who was it? (RIKKI-TIKKI dances in.) There's that show for my trouble. mongoose again. Must he follow you everywhere you CHITRA: Our visitors gave me a coin of worth. go? (To Rikki-Tikki) Begone! NYRA: A coin of worth, eh? I'll be the judge of that. Let CHITRA: He means no harm. me see it. (She holds out her hand and CHITRA gives NYRA: No harm? Last week he turned over my cooking her a coin. She quickly hides the coin in a pocket. She pot and spilled the stew. (With a threatening gesture) Be takes a step toward the audience.) Make yourselves off with you, Son of Mischief! (shakes head) Conceited comfortable while I tell you a story from the book of the mongoose. jungle. CHITRA: (To audience) Like Mowgli, Nyra can understand the language of the jungle creatures. I never know what they're saying. Nyra introduces the story and characters. NYRA: Get yourself a proper pet. A tame monkey or a parrot, perhaps. A mongoose may be fine for trapping NYRA: Long ago, Shere Khan came into this village and snakes, but otherwise it's nothing but aggravation. One terrorized all who lived here. There is nothing to fear thing after another. Overturned cooking pots and stolen more than the breath of a man-eating tiger. Mowgli's eggs. father was struck down by the fearsome beast, and in the confusion, Mowgli, barely old enough to walk, CHITRA: Nyra? wandered off into the jungle. His mother was left alone NYRA: Eh? in their home, husband and child both gone. (Pause.) CHITRA: (Gestures to audience) We have visitors. Oh, wicked, wicked Shere Khan. Messua, Toomai, Villagers Toomai finds Mowgli entering the village and brings MESSUA: The same age as my lost Nathoo would be… him to the village elder, assuming Mowgli to be a VILLAGER: Messua, do you think this boy could be dangerous troublemaker. Nathoo? TOOMAI: Be still, wild thing of the jungle! TOOMAI: Nonsense! MESSUA: Who is this boy, Toomai? VILLAGER: He was swallowed up by the man-eating tiger TOOMAI: I caught him spying on the village from the tall years ago. grass at the edge of the jungle. Planning some mischief, MESSUA: His eyes are the same color. And his nose and no doubt. chin are the same as my dead husband's. Give me your VILLAGER: Long have we heard rumors of a wild boy hand, boy. No, the other one. (MESSUA turns it over to living in the jungle. Now we have found these rumors to show the palm. She gasps.) be true. CHITRA: What is it? TOOMAI: He has the smell of the wolves about him. Have MESSUA: He is my Nathoo! This scar on his hand. I you never heard of children being raised by wolves? remember the day he got it. He laid his hand on a hot VILLAGER: They bring bad luck! We must drive this one kettle and was badly burned. from the village. MOWGLI: You mean that you are my mother? I have only TOOMAI: He is no better than an untamed beast. known Mother Wolf… VILLAGER: He will wreak havoc on the village! MESSUA: (Hugs him.) You have come back to me, Nathoo. I have missed you so much. MESSUA: But where did he come from? VILLAGER: (Mowgli howls, startling everyone) The boy is quite mad! TOOMAI: I know how to deal with mad things from the jungle. MESSUA: No, Toomai! The boy is frightened. You mustn't harm him. (Kneels in front of Mowgli.) There's nothing to fear. I won't let anyone hurt you. Now, how old are you, boy? CHITRA: He looks about eleven or twelve. Rikki-Tikki-Tavi, Jungle Creatures, Wolves A strange, mischievous rhyme repeated The young wolves are trying to decide whether they frequently by Rikki-Tikki-Tavi. should remain loyal to their old wolf pack leader, or divert their allegiance to the villainous Shere Khan. RIKKI-TIKKI: (Chanting and dancing gleefully) Eye to eye and head to head. WOLF 1: It will seem very odd to have a man-eating tiger Turn for turn and twist for twist leading the pack. The hooded cobra, again has missed. WOLF 2: I don't like the idea. Thanks to Rikki-tikki-tavi. Oh, yes. WOLF 3: Nor do I. Still, Shere Khan makes a good case. WOLF 1: And Akela is growing old and weak. He's already missed his kill! Rikki-Tikki finds Young Mowgli wandering lost in the dangerous jungle after Shere Khan WOLF 3: It is a very serious matter when the leader of the attacks the village. pack misses a kill. RIKKI-TIKKI: (amused, to himself) Hmmm…a man-cub WOLF 2: If he fails too many hunts, the young cubs will alone in the Jungle? Very curious… He must have been starve. chased off by Shere Khan! Well, his people may have WOLF 1: Even so, a tiger? been killed but the tiger shall not feast on this cub! No, WOLF 2: Better a tiger to lead the pack than a wolf who he shall be safe, thanks to Rikki-Tikki-Tavi. Thanks to can no longer hunt. Rikki-Tikki-Tavi. Oh, yes. WOLF 3: True. We young wolves must think of our future! Jungle Creatures commenting on the meeting between the respected wolf pack leader and the despised Shere Khan. JUNGLE CREATURE: Imagine. Shere Khan, here in the jungle! JUNGLE CREATURE: Who would have thought it? SNAKE: It's a bad busssinesssssss. JUNGLE CREATURE: I hope he's been well fed. Tabaqui, Wolves, Akela Tabaqui is sent by Shere Khan to speak with Akela, TABAQUI: It's not what I want. I wouldn't presume. It's instead he begins bragging of his “beautiful howl” to what my master desires. the younger wolves. AKELA: Your master is a man-killer and I have forbidden TABAQUI: There's no use trying to impress a jackal such him from the jungle trails. as I with your wolf howlings. The cry of a jackal is more TABAQUI: Ah, Great Leader, it is as I told the young than a match. (Throws back head and howls/wails.) ones. This is the dry season. All are welcome at the There. What did I tell you? Don't I have a fine voice? water hole. Jungle Law. WOLF 1: Doesn't matter. Jackals are not welcome at AKELA: Shere Khan entered a village and there he killed Council Rock. Akela, our wise pack leader forbids it. a defenseless man. WOLF 2: You gnaw bones after others have eaten away TABAQUI: But an accident. He would speak to you on a the meat because you are too lazy to hunt for yourself. matter of great importance. He begs you grant him an TABAQUI: (Mocking, prideful) Tsk, tsk. What a harsh audience, O Wise and Majestic Akela. opinion you have of Tabaqui. Anyway, I am not here by AKELA: I am feeling generous this morning. I will grant choice. I am here on my master's business. him an audience. WOLVES: Master? TABAQUI: (Backing OFF, bowing mockingly) Too kind, too TABAQUI: The great and powerful Shere Khan. kind. I shall convey your message to my master. He awaits in the tall grass by the water hole. He has no WOLF 1: Shere Khan shouldn't be in this jungle. wish to intrude. Such a gentleman is Shere Khan. WOLF 2: Akela has forbidden it. TABAQUI: Ah, young wolves, you have forgotten something. This is the dry season of the water hole. All jungle creatures are free to quench their thirst. That is the law. The Law of the Jungle. AKELA: What brings you to Council Rock, scavenger? TABAQUI: (Mocking) A jackal can't help being what he is, O Wise One. Can a leopard change its spots? Can a wolf change its fur? AKELA: What do you want? Shere Khan, Akela Shere Khan is introduced by the storyteller. SHERE KHAN: Surely the young wolves don't want a man-cub running in the pack. SHERE KHAN: Hear the words of the great Lord Shere Khan! I have the right to rule this jungle. Am I not the AKELA: I decide these things, not you, Shere Khan. I strongest and most merciless? I, Shere Khan, fear know your hatred of man. I know your hatred of those nothing. NOTHING! Not even the mighty elephant. who live in the nearby village. That is why I banished When the time is right I will make my move and… you from the territory of our pack so many years ago.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In

    February 26, 2021 Amazon Warehouse Workers In

    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
  • Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela

    Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela

    Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela Shere Khan Gray Mowgli Keva Fatin Baloo Monkey 1 Monkey 2 Monkey 3 Monkey 4 Kaa Asa Villager 1 Villager 2 Child 1 Child 2 Toomai Scene 1 (Stage is set with small pots of fake greenery. There are also two ‘rocks’ onstage; one being Council Rock, the other, Bagheera’s Perch. A DEER enters, gracefully. Music begins softly as the deer moves from plant to plant, dancing. The music changes ominously. Quickly, the WOLF PACK surrounds the DEER. The WOLVES circle in on the deer, blocking it from view. DEER exits by the time the pack opens up again. A rustling from the bushes. The pack turns as one.) RAKSHA. Who moves within our grounds who does not use the Stranger’s Hunting Call? BAGHEERA. (Entering SR, carrying a bundle) We be of one blood, ye and I. RAKSHA. Bagheera. BAGHEERA. I tell you now, return to your den. It is not safe out tonight. RAKSHA. What is it? BAGHEERA. Shere Khan is out hunting. RAKSHA. On our grounds? BAGHEERA. He will not obey the Law of the Jungle. He is lame and wishes for easier prey. SEYVA. Our buck will be no easier for a lame tiger to catch. BAGHEERA. It is not buck he hunts tonight ... but man. RAKSHA. Man? SEYVA. In the jungle? BAGHEERA. Travelers. And their kin (nodding toward the bundle.) SEYVA. Bagheera. BAGHEERA. (Looking only at RAKSHA) I ask only that you take the cub with you. Just until Shere Khan moves on. RAKSHA. And you believe he will be safe then? BAGHEERA.
  • The Jungle Book: Mowgli and the Great Kaa

    The Jungle Book: Mowgli and the Great Kaa

    THE JUNGLE BOOK: MOWGLI AND THE GREAT KAA From the story “Kaa’s Hunting” by Rudyard Kipling Adapted by Kate Pogue © 1993 Kate Pogue ALL RIGHTS RESERVED Duplication Prohibited Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=1917 The Jungle Book: Mowgli and the Great Kaa - 2 - STORY OF THE PLAY The curtain rises on a jungle in India in the middle of the 19th century. A tribe of monkeys come chasing in with the boy Mowgli in their midst. They run in and out of the hut Mowgli has built. In the middle of their play, Kaa, the great python, comes through the jungle terrifying them and Baloo (a great bear) and Bagheera (a panther) who are Mowgli’s friends and protectors. The monkeys disperse and Baloo and Bagheera, finding Mowgli safe from Kaa, scold the boy for playing with the monkeys. They teach him how to make himself safe in the jungle while exacting a promise from him that he won’t go off with the monkeys again. They fall asleep. The monkeys, eager to get Mowgli to make them huts like his to keep them protected from the elements, wake him and drag him off with them through the jungle. Baloo and Bagheera go to the great Kaa to ask for help in rescuing Mowgli from the monkeys. As Kaa despises the monkeys for their dirty habits and also finds them delicious to eat he agrees to go with them. The monkeys have taken Mowgli to the Lost City. As he tries to teach them to make a hut Mowgli discovers how undisciplined, selfish and thoughtless the monkeys are and longs to be back with Bagheera and Baloo.
  • Jungle-Book-Playbill-Virtual.Pdf

    Jungle-Book-Playbill-Virtual.Pdf

    Virginia’s Leading Family Theatre Company Hugh R. Copeland—Artistic Director PRODUCTION STAFF Director…………..……..….………..……………...………………… HUGH R. COPELAND Production Stage Manager……….……………………………….………….LAURA LAVAN Sponsored in part by Costume Designer……………………………………………….………...…..ANNE HILTON Costumers Volunteers……..….ROBIN POWELL, STACY CARTWRIGHT AND KATY DOTY, SEPHANIE TREVINO Set Crew…………………………….SCOTT CHASEY, BECKY CHASEY, ANDY THORNHILL KATY DOTY, DEANNA HAMMOND, JOHN LAPETINA, ALAN TAYLOR, JIMMY MCKENZIE AND KAYVON HOSSEINIPOOR Photographer………………………………………………………………….....JERRY DUCK Stage Managers………………………………… ANDY THORNHILL, STEPHANIE TREVINO Backstage Crew……….. SHANNON THORNHILL, LAURIE GLICK, MARIE VACCARELLA, KATY DOTY, ANGELA TAYLOR, THERESA BREMBY, JENNIFER WHITMORE, BETTINA SELBY, JESSICA MCKENZIE, MEGAN HOOSEINIPOOR Music and Lyrics by House Managers………………………………...THERESA HYLER, STACEY CARTWRIGHT Richard M. Sherman, Robert B. Sherman Ushers………………… ANGELA TAYLOR, SHAWTINA CROSS, MEGAN HOSSEINIPOOR THERESA BREMBY, KATY DOTY, DAWN KERMAN, VALERIE WANG, KELLY YOUNG And Terry Gilkyson JESSICA MCKENZIE Book adapted and Additional Lyrics by Marcy Heisler HURRAH STAFF Founder and Artistic Director……………………………………......HUGH. R. COPELAND Music Adapted and Arranged by Managing Director………………………………………....………..…….….KELSEY BACKE Bryan Louiselle Director of Education/ Box Office Manager…………………...…..……....LISA WALLACE Director of Development……………………………………………..…EILEEN CARPENTER Based on the Screenplay by Production Manager…………………………...………………………..…….LAURA
  • Trailfinderwolf 01.Pdf

    Trailfinderwolf 01.Pdf

    Cub Scout Booklet All rights reserved. No part of this publication may be translated or adapted into any language, or reproduced, stored or transmitted by any means whatsoever, including illustrations and cover designs, without the prior written authorisation of the Interamerican Scout Office, which represents the owners of the copyright. Reservation of rights applies equally to the national scout associations which are members of the World Organization of the Scout Movement. Copyright registration: 133.001 ISBN: 956-8057-12-9 This first edition of 3,000 copies was printed in June 2003. Interamerican Scout Office Av. Lyon 1085, 6650426, Providencia, Santiago, Chile tel. (56 2) 225 75 61 fax (56 2) 225 65 51 [email protected] www.scout.org/interamerica World Organization of the Scout Movement Cub Scout Booklet You are already at the Trail-Finder Wolf stage! Now you and you think can walk and a little before run faster and acting, too. more freely you must be asking a lot more about the things you don't know You will learn a lot of new things with us You are going to have some good times. We promise. 2 You are also able to help your smaller sisters and brothers in the Pack, who will be beginning to follow in your footsteps. This Booklet belongs to Address Telephone Pack Scout Group I joined the Pack on This Booklet is private property. Please do not read it without permission. Thank you! 3 the adventure of the cold lairs Near the hills of Seonnee, the home of Akela's Free People of the Wolves, were the Cold Lairs.
  • Home and Who: a Rhetorical Analysis of Rudyard Kipling's "Tiger! Tiger!' and "Letting in the Jungle"

    Home and Who: a Rhetorical Analysis of Rudyard Kipling's "Tiger! Tiger!' and "Letting in the Jungle"

    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle" Steven Clark Estus Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Estus, Steven Clark, "Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle"" (2003). Theses Digitization Project. 2343. https://scholarworks.lib.csusb.edu/etd-project/2343 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. HOME AND WHO: A RHETORICAL ANALYSIS OF RUDYARD KIPLING'S "TIGER! TIGER!" AND "LETTING IN THE JUNGLE" A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Steven Clark Estus June 2003 HOME AND WHO: A RHETORICAL ANALYSIS OF RUDYARD KIPLING'S "TIGER! TIGER!" AND "LETTING IN THE JUNGLE" A Thesis Presented to the Faculty of California State University, San Bernardino by Steven Clark Estus June 2003 Approved by: Mat, Bruce/G.o ldenl, Chair, English Date Holly Hdnry Maureen Newlin ABSTRACT It has often been expressed that British writer Rudyard Kipling was a pitiless, xenophobic imperialist, the nineteenth century's chief apologist for imperialism. In the flesh, guilty: at one time or another, he was all of these things.
  • VIRTUAL VÉRITÉ ©2016 Disney

    VIRTUAL VÉRITÉ ©2016 Disney

    VIRTUAL VÉRITÉ ©2016 Disney USING TECHNIQUES HONED ON TWO OF THE MOST INNOVATIVE FEATURE FILMS, GRAVITY AND AVATAR, FILMMAKERS CREATE A COMPLEX CG WORLD FOR A HUMAN BOY RAISED BY WOLVES IN INDIA BY BARBARA ROBERTSON he feral boy tries to capture the magic of the Mowgli’s animal guides, protec- Mowgli, the only live-action Mowgli’s animated feature while embrac- tors, companions, and enemies. actor in the film. adventures ing technology available in 2016. Ben Kingsley is Bagheera, the Legato was the overall visual Twith animals “The film plays homage to black panther that leads Mowgli effects supervisor for The Jungle in India have the 1967 film, but it’s a movie to the wolf den. Lupita Nyong’o Book, with Andy Jones the been a familiar part of many rooted in real life,” says Visual and Giancarlo Esposito provide overall character animation people’s lives since Rudyard Effects Supervisor Rob Legato. mother and father wolves Rak- supervisor. The Moving Picture Kipling first published his series “It’s a fun experience, and part sha and Akela’s voices. The Ben- Company (MPC) created all the of children’s stories in maga- of that fun is getting dark and gal tiger Shere Khan threatens CG animals and environments zines during 1893–1894. The scared. When the tiger is chas- Mowgli’s life using Idris Elba’s for 1,200 shots, which comprise collection, now known as “The ing Mowgli, that tiger looks real. voice. Baloo, a bear that speaks most of the film. Weta Digital Jungle Book,” has inspired com- Your heart will be pumping like with Bill Murray’s voice, guides handled a sequence with King ic books, cartoons, animated crazy.
  • 1895 the SECOND JUNGLE BOOK Rudyard Kipling

    1895 the SECOND JUNGLE BOOK Rudyard Kipling

    1 1895 THE SECOND JUNGLE BOOK Rudyard Kipling Kipling, Rudyard (1865-1936) - An English novelist, short-story writer, and poet who spent most of his youth in India, and is best known for his children’s classics. In 1907, Kipling was the first English writer ever to be awarded the Nobel Prize in literature. The Second Jungle Book (1895) - A sequel to “The Jungle Book.” This volume presents more animal stories for children, many of which again include the jungle boy, Mowgli, as the central character. 2 Table Of Contents HOW FEAR CAME . 3 THE LAW OF THE JUNGLE . 15 THE MIRACLE OF PURUN BHAGAT . 17 A SONG OF KABIR . 28 LETTING IN THE JUNGLE . 29 MOWGLI’S SONG AGAINST PEOPLE . 49 THE UNDERTAKERS . .50 A RIPPLE SONG . 66 THE KING’S ANKUS . 67 THE SONG OF THE LITTLE HUNTER . 80 QUIQUERN . 81 ANGUTIVUN TINA . 99 RED DOG . 100 CHIL’S SONG . 118 THE OUTSONG . 134 3 HOW FEAR CAME The stream is shrunk- the pool is dry, And we be comrades, thou and I; With fevered jowl and dusty flank Each jostling each along the bank; And by one drouthy fear made still Forgoing thought of quest or kill. Now ‘neath his dam the fawn may see, The lean Pack-wolf as cowed as he, And the tall buck, unflinching, note The fangs that tore his father’s throat. The pools are shrunk- the streams are dry, And we be playmates, thou and I, Till yonder cloud- Good Hunting!- loose The rain that breaks our Water Truce. The Law of the Jungle- which is by far the oldest law in the world- has arranged for almost every kind of accident that may befall the Jungle People, till now its code is as perfect as time and custom can make it.
  • Empathy in Rudyard Kipling's Jungle Books, Mirrored in Illustrations By

    Empathy in Rudyard Kipling's Jungle Books, Mirrored in Illustrations By

    Journal of Literature and Art Studies, January 2018, Vol. 8, No. 1, 1-31 doi: 10.17265/2159-5836/2018.01.001 D DAVID PUBLISHING Empathy in Rudyard Kipling’s Jungle Books, Mirrored in Illustrations by John Lockwood Kipling and Aldren Watson Norman Arthur Fischer Kent State University (Retired), Kent, Ohio, USA Rudyard Kipling’s Jungle Books depict empathy in the animal and animal-human world, and the illustrations of Rudyard’s father, John Lockwood Kipling, and the American artist and prolific illustrator, Aldren Watson, help depict that empathy. Lockwood Kipling was both influence on and interpreter of the Jungle Books, as shown above all in the development from his Beast and Man in India of 1891 through his illustrations for the 1894 Jungle Book, and 1895 Second Jungle Book, to his illustrations that appear in the rearranged stories of The Jungle Book, and Second Jungle Book in the 1897 Scribners Outward Bound (O/B) editions. A variation on Lockwood’s O/B mode of Jungle Books illustrations is found in Watson’s illustrations for the 1948 Doubleday edition, Jungle Books, which is the title I will use throughout.1 Part One details the influence of two animal empathy writers, Lockwood Kipling and Ernest Thompson Seton, on the Jungle Books. Part Two uses recent philosophical studies of empathy in the animal and human relationship. Part Three applies a German philosophy of art history to the new look of the O/B and Doubleday Jungle Books. Part Four interprets selected Jungle Books stories in the light of Parts one, two and three.
  • The Jungle Book

    The Jungle Book

    The Jungle Book The Jungle Book The story A wolf family finds a young boy wandering in the jungle and adopts him, giving him the name Mowgli. He becomes part of the wolf pack, and Baloo, the old bear and Bagheera, the panther, teach him the Law of the Jungle. However, Shere Khan, the tiger, doesn’t like having a child who will become a man living in the jungle, and wants to kill him. One day Mowgli is taken prisoner by the monkeys who live in an abandoned city in the jungle. Baloo and Bagheera get help from Kaa, the python, and rescue him. As Mowgli gets older he is in great danger from Shere Khan. The one thing that all animals are afraid of is fire, so he goes to a nearby village and steals a pot with fire in it. He uses the fire to fight Shere Khan, but he knows that he will have to kill Shere Khan to be safe. As Mowgli gets older, the animals begin to realize that he can’t live with them in the jungle when he is a grown man. He returns to the village where he is adopted by a family. But Shere Khan finds him. This time Mowgli kills Shere Khan. But the villagers are now afraid of Mowgli, so they chase him away and he returns to live in the jungle. 1 Explorers 4: The Jungle Book Teacher’s Notes This page has been downloaded from www.macmillanenglish.com/younglearners © Macmillan Publishers Limited 2015 The Jungle Book Introducing the book The contents page The cover • Ask the children to turn to the contents page.
  • Jungle Book Characters Primary Names Held by Leaders

    Jungle Book Characters Primary Names Held by Leaders

    Jungle Book characters Primary names held by Leaders JUNGLE NAME ANIMAL QUALITY Akela Lone Wolf Leader Bagheera Black Panther Teacher of Jungle Skills Baloo Bear Teacher, Lawgiver Chil Kite Observer Hathi Elephant ‘The True Master of The Jungle’ Kaa Rocky Python Tree Climber Kim Little friend Helpfulness Mowgli Little frog Friends to animals Raksha Mother wolf Intensely loyal Rama Great herd bull Leader leader Rikki Tikki Tavi Mongoose Cheeriness Jungle Book characters Secondary names held by Leaders JUNGLE NAME ANIMAL QUALITY Grey Brother Brother Wolf Loyal friend Ikki Porcupine Truthful Jacala Crocodile Acting Mang Bat Obedience Mao / Mor Peacock Smart appearance Mysa Wild Buffalo Good hearing Phao Wolf Leader (to be) Wontolla Solitary Wolf Lies out from any Pack / hopping Other names held by Leaders JUNGLE NAME ANIMAL QUALITY Father Wolf Wolf Father Kala Nag The Wise Old (Name meaning: Elephant Black Snake) Tha First of Elephants Creator & Judge Jungle Book characters Jungle villains JUNGLE NAME ANIMAL QUALITY Bander-log Monkey People People without a Law Buldeo Village Hunter Hunter & teller of stories (about himself) Dewanee Water Madness Feared by all Jungle Creatures Dholes Red Dogs Killers Gidur-log Jackel People - Gonds Hunters Little wild people of the jungle Grampus Killerwhale Killer Karait Dusty Brown Death Snakeling Ko Crow Chatter Mugger Ghaut Large Crocodile - Nag Cobra Kills for pleasure Nagaina Nag’s Wicked Wife Kills for pleasure Sea Vitch Walrus No manners Samthur Cattle - Shere Khan Tiger Bullying & Killer Tabaqui
  • Film a Re-Reading of the Jungle Book

    Film a Re-Reading of the Jungle Book

    www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 4 December 2018 | ISSN: 2320-2882 Adapting to Jungle: Film a Re-reading of The Jungle Book Aishwarya K R Student Kerala University Abstract: This paper addresses the postcolonial re-reading of Rudyard Kipling’s The Jungle Book and its film adaptations, The Jungle Book (2016) and Mowgli: The Legend of the Jungle (2018). Kipling’s The Jungle Book is an authoritative voice in imprinting imperial ideology of the West. The way the law of the jungle operates in the story has been re-read as a metaphorical functioning of the British imperial officialdom in the sub-continent. Theorizing power and employing it in the narrative of the colonial discourses have been foundational to the territorial as well as textual triumph of the Raj. This paper employs post-colonialism and film adaptation theory for its analytical framework. Index Terms - Post colonialism, anti-native, anti-nature. The fiction and theories of post colonialism raise the significant question ‘can we ever become post- colonial?’ The comparative analysis of the book The Jungle Book by Rudyard Kipling and its two film adaptations The Jungle Book released in the year 2016 and Mowgli: The Legend of Jungle (2018) based on post-colonial film theory. In addition, these three primary texts have been comprehended based on the contemporary culture of the British Empire and the way these have been characterised in the film adaptations. The depiction of anti-native and anti-nature within the texts have been comprehended and highlighted explicitly by notions of post colonialism and its reflection in the film adaptations.