Colonel Hathi, Elephant Leader: Scene 4: Dawn Patrol (Commanding, Pompous, Self-Important)
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Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela
Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela Shere Khan Gray Mowgli Keva Fatin Baloo Monkey 1 Monkey 2 Monkey 3 Monkey 4 Kaa Asa Villager 1 Villager 2 Child 1 Child 2 Toomai Scene 1 (Stage is set with small pots of fake greenery. There are also two ‘rocks’ onstage; one being Council Rock, the other, Bagheera’s Perch. A DEER enters, gracefully. Music begins softly as the deer moves from plant to plant, dancing. The music changes ominously. Quickly, the WOLF PACK surrounds the DEER. The WOLVES circle in on the deer, blocking it from view. DEER exits by the time the pack opens up again. A rustling from the bushes. The pack turns as one.) RAKSHA. Who moves within our grounds who does not use the Stranger’s Hunting Call? BAGHEERA. (Entering SR, carrying a bundle) We be of one blood, ye and I. RAKSHA. Bagheera. BAGHEERA. I tell you now, return to your den. It is not safe out tonight. RAKSHA. What is it? BAGHEERA. Shere Khan is out hunting. RAKSHA. On our grounds? BAGHEERA. He will not obey the Law of the Jungle. He is lame and wishes for easier prey. SEYVA. Our buck will be no easier for a lame tiger to catch. BAGHEERA. It is not buck he hunts tonight ... but man. RAKSHA. Man? SEYVA. In the jungle? BAGHEERA. Travelers. And their kin (nodding toward the bundle.) SEYVA. Bagheera. BAGHEERA. (Looking only at RAKSHA) I ask only that you take the cub with you. Just until Shere Khan moves on. RAKSHA. And you believe he will be safe then? BAGHEERA. -
Jungle-Book-Playbill-Virtual.Pdf
Virginia’s Leading Family Theatre Company Hugh R. Copeland—Artistic Director PRODUCTION STAFF Director…………..……..….………..……………...………………… HUGH R. COPELAND Production Stage Manager……….……………………………….………….LAURA LAVAN Sponsored in part by Costume Designer……………………………………………….………...…..ANNE HILTON Costumers Volunteers……..….ROBIN POWELL, STACY CARTWRIGHT AND KATY DOTY, SEPHANIE TREVINO Set Crew…………………………….SCOTT CHASEY, BECKY CHASEY, ANDY THORNHILL KATY DOTY, DEANNA HAMMOND, JOHN LAPETINA, ALAN TAYLOR, JIMMY MCKENZIE AND KAYVON HOSSEINIPOOR Photographer………………………………………………………………….....JERRY DUCK Stage Managers………………………………… ANDY THORNHILL, STEPHANIE TREVINO Backstage Crew……….. SHANNON THORNHILL, LAURIE GLICK, MARIE VACCARELLA, KATY DOTY, ANGELA TAYLOR, THERESA BREMBY, JENNIFER WHITMORE, BETTINA SELBY, JESSICA MCKENZIE, MEGAN HOOSEINIPOOR Music and Lyrics by House Managers………………………………...THERESA HYLER, STACEY CARTWRIGHT Richard M. Sherman, Robert B. Sherman Ushers………………… ANGELA TAYLOR, SHAWTINA CROSS, MEGAN HOSSEINIPOOR THERESA BREMBY, KATY DOTY, DAWN KERMAN, VALERIE WANG, KELLY YOUNG And Terry Gilkyson JESSICA MCKENZIE Book adapted and Additional Lyrics by Marcy Heisler HURRAH STAFF Founder and Artistic Director……………………………………......HUGH. R. COPELAND Music Adapted and Arranged by Managing Director………………………………………....………..…….….KELSEY BACKE Bryan Louiselle Director of Education/ Box Office Manager…………………...…..……....LISA WALLACE Director of Development……………………………………………..…EILEEN CARPENTER Based on the Screenplay by Production Manager…………………………...………………………..…….LAURA -
What We've Made of Louis Prima John J
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2005 Taming the Wildest: What We've Made of Louis Prima John J. Pauly Marquette University, [email protected] Published version. "Taming the Wildest: What We've Made of Louis Prima," in Afterlife as Afterimage: Understanding Posthumous Fame. Eds. Steve Jones and Joli Jensen. New York: Peter Lang International Academic Publishers, 2005: 191-208. Publisher Link. © 2005 Peter Lang International Academic Publishers. Used with permission. chapter 1 O Taming the Wildest What We've Made of Louis Prima jOHN j. PAULY For over forty years, Louis Prima had survived one change after another in the pop~ ular music business. He was, in succession, a trumpet section player in his home~ town ofNew Orleans, the front man for a popular New York City jazz quintet, and the leader of a touring big band. In the 1950s, with his career flagging, he reinvent~ ed himself as a spectacular Las Vegas lounge act, then nudged his career through the 1960s with help from his old friend, Walt Disney. He explored many forms of popular music along the way, but aspired only, in his own words, to "play pretty for the people." The same man who wrote the jazz classic "Sing, Sing, Sing," would also record easy listening instrumental music, Disney movie soundtracks, and ltalian~American novelty songs. In all these reincamations, he performed with an exuberance that inspired his Vegas nickname, "the wildest." Prima's career would end in deafening silence, however. He spent the last thirty~five months of his life in a coma, following a 197 5 operation in which doctors partially removed a benign tumor from his brain stem. -
Ecc7c5db099cb3c6dc4400d575
ased on Rudyard Kipling’s timeless stories, inspired by Disney’s classic animated lm, and directed by Jon Favreau, BThe Jungle Book is an all-new live-action epic adventure about a man-cub named Mowgli who’s been raised by a family of wolves. Mowgli nds he is no longer welcome in the jungle when the fearsome tiger, Shere Khan, who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther- turned-stern mentor, Bagheera, and the free-spirited bear, Baloo. Along the way, Mowgli encounters jungle creatures that don’t exactly have his best interests at heart, including Kaa, a python whose seductive voice and gaze hypnotizes the man- cub, and the smooth-talking King Louie, who tries to coerce Mowgli into giving up the secret to the elusive and deadly red ower: re. The Jungle Book seamlessly blends live-action with photorealistic CGI animals and environments, using up-to-the-minute technology and storytelling techniques to immerse audiences in an enchanting and lush world. With screenplay by Justin Marks, produced by Jon Favreau and Brigham Taylor. Mysterious and dense jungles exist all over the world. They’re full of rich vegetation, curious creatures and precious natural resources that inspire adventurous stories. Discover the magic of nature as you step into the tropical wilderness of Mowli’s home to explore the dynamic harmony and tension of the jungle and its inhabitants. Educator Guide Objectives Further Explore the World of THE JUNGLE BOOK • Increase students’ knowledge of animal species and their habitats through The Jungle Book Educator’s Guide includes nearly 50 pages of lessons and interactive and inquiry-based lessons. -
VIRTUAL VÉRITÉ ©2016 Disney
VIRTUAL VÉRITÉ ©2016 Disney USING TECHNIQUES HONED ON TWO OF THE MOST INNOVATIVE FEATURE FILMS, GRAVITY AND AVATAR, FILMMAKERS CREATE A COMPLEX CG WORLD FOR A HUMAN BOY RAISED BY WOLVES IN INDIA BY BARBARA ROBERTSON he feral boy tries to capture the magic of the Mowgli’s animal guides, protec- Mowgli, the only live-action Mowgli’s animated feature while embrac- tors, companions, and enemies. actor in the film. adventures ing technology available in 2016. Ben Kingsley is Bagheera, the Legato was the overall visual Twith animals “The film plays homage to black panther that leads Mowgli effects supervisor for The Jungle in India have the 1967 film, but it’s a movie to the wolf den. Lupita Nyong’o Book, with Andy Jones the been a familiar part of many rooted in real life,” says Visual and Giancarlo Esposito provide overall character animation people’s lives since Rudyard Effects Supervisor Rob Legato. mother and father wolves Rak- supervisor. The Moving Picture Kipling first published his series “It’s a fun experience, and part sha and Akela’s voices. The Ben- Company (MPC) created all the of children’s stories in maga- of that fun is getting dark and gal tiger Shere Khan threatens CG animals and environments zines during 1893–1894. The scared. When the tiger is chas- Mowgli’s life using Idris Elba’s for 1,200 shots, which comprise collection, now known as “The ing Mowgli, that tiger looks real. voice. Baloo, a bear that speaks most of the film. Weta Digital Jungle Book,” has inspired com- Your heart will be pumping like with Bill Murray’s voice, guides handled a sequence with King ic books, cartoons, animated crazy. -
1895 the SECOND JUNGLE BOOK Rudyard Kipling
1 1895 THE SECOND JUNGLE BOOK Rudyard Kipling Kipling, Rudyard (1865-1936) - An English novelist, short-story writer, and poet who spent most of his youth in India, and is best known for his children’s classics. In 1907, Kipling was the first English writer ever to be awarded the Nobel Prize in literature. The Second Jungle Book (1895) - A sequel to “The Jungle Book.” This volume presents more animal stories for children, many of which again include the jungle boy, Mowgli, as the central character. 2 Table Of Contents HOW FEAR CAME . 3 THE LAW OF THE JUNGLE . 15 THE MIRACLE OF PURUN BHAGAT . 17 A SONG OF KABIR . 28 LETTING IN THE JUNGLE . 29 MOWGLI’S SONG AGAINST PEOPLE . 49 THE UNDERTAKERS . .50 A RIPPLE SONG . 66 THE KING’S ANKUS . 67 THE SONG OF THE LITTLE HUNTER . 80 QUIQUERN . 81 ANGUTIVUN TINA . 99 RED DOG . 100 CHIL’S SONG . 118 THE OUTSONG . 134 3 HOW FEAR CAME The stream is shrunk- the pool is dry, And we be comrades, thou and I; With fevered jowl and dusty flank Each jostling each along the bank; And by one drouthy fear made still Forgoing thought of quest or kill. Now ‘neath his dam the fawn may see, The lean Pack-wolf as cowed as he, And the tall buck, unflinching, note The fangs that tore his father’s throat. The pools are shrunk- the streams are dry, And we be playmates, thou and I, Till yonder cloud- Good Hunting!- loose The rain that breaks our Water Truce. The Law of the Jungle- which is by far the oldest law in the world- has arranged for almost every kind of accident that may befall the Jungle People, till now its code is as perfect as time and custom can make it. -
Empathy in Rudyard Kipling's Jungle Books, Mirrored in Illustrations By
Journal of Literature and Art Studies, January 2018, Vol. 8, No. 1, 1-31 doi: 10.17265/2159-5836/2018.01.001 D DAVID PUBLISHING Empathy in Rudyard Kipling’s Jungle Books, Mirrored in Illustrations by John Lockwood Kipling and Aldren Watson Norman Arthur Fischer Kent State University (Retired), Kent, Ohio, USA Rudyard Kipling’s Jungle Books depict empathy in the animal and animal-human world, and the illustrations of Rudyard’s father, John Lockwood Kipling, and the American artist and prolific illustrator, Aldren Watson, help depict that empathy. Lockwood Kipling was both influence on and interpreter of the Jungle Books, as shown above all in the development from his Beast and Man in India of 1891 through his illustrations for the 1894 Jungle Book, and 1895 Second Jungle Book, to his illustrations that appear in the rearranged stories of The Jungle Book, and Second Jungle Book in the 1897 Scribners Outward Bound (O/B) editions. A variation on Lockwood’s O/B mode of Jungle Books illustrations is found in Watson’s illustrations for the 1948 Doubleday edition, Jungle Books, which is the title I will use throughout.1 Part One details the influence of two animal empathy writers, Lockwood Kipling and Ernest Thompson Seton, on the Jungle Books. Part Two uses recent philosophical studies of empathy in the animal and human relationship. Part Three applies a German philosophy of art history to the new look of the O/B and Doubleday Jungle Books. Part Four interprets selected Jungle Books stories in the light of Parts one, two and three. -
The Jungle Book
The Jungle Book The Jungle Book The story A wolf family finds a young boy wandering in the jungle and adopts him, giving him the name Mowgli. He becomes part of the wolf pack, and Baloo, the old bear and Bagheera, the panther, teach him the Law of the Jungle. However, Shere Khan, the tiger, doesn’t like having a child who will become a man living in the jungle, and wants to kill him. One day Mowgli is taken prisoner by the monkeys who live in an abandoned city in the jungle. Baloo and Bagheera get help from Kaa, the python, and rescue him. As Mowgli gets older he is in great danger from Shere Khan. The one thing that all animals are afraid of is fire, so he goes to a nearby village and steals a pot with fire in it. He uses the fire to fight Shere Khan, but he knows that he will have to kill Shere Khan to be safe. As Mowgli gets older, the animals begin to realize that he can’t live with them in the jungle when he is a grown man. He returns to the village where he is adopted by a family. But Shere Khan finds him. This time Mowgli kills Shere Khan. But the villagers are now afraid of Mowgli, so they chase him away and he returns to live in the jungle. 1 Explorers 4: The Jungle Book Teacher’s Notes This page has been downloaded from www.macmillanenglish.com/younglearners © Macmillan Publishers Limited 2015 The Jungle Book Introducing the book The contents page The cover • Ask the children to turn to the contents page. -
Jungle Book Characters Primary Names Held by Leaders
Jungle Book characters Primary names held by Leaders JUNGLE NAME ANIMAL QUALITY Akela Lone Wolf Leader Bagheera Black Panther Teacher of Jungle Skills Baloo Bear Teacher, Lawgiver Chil Kite Observer Hathi Elephant ‘The True Master of The Jungle’ Kaa Rocky Python Tree Climber Kim Little friend Helpfulness Mowgli Little frog Friends to animals Raksha Mother wolf Intensely loyal Rama Great herd bull Leader leader Rikki Tikki Tavi Mongoose Cheeriness Jungle Book characters Secondary names held by Leaders JUNGLE NAME ANIMAL QUALITY Grey Brother Brother Wolf Loyal friend Ikki Porcupine Truthful Jacala Crocodile Acting Mang Bat Obedience Mao / Mor Peacock Smart appearance Mysa Wild Buffalo Good hearing Phao Wolf Leader (to be) Wontolla Solitary Wolf Lies out from any Pack / hopping Other names held by Leaders JUNGLE NAME ANIMAL QUALITY Father Wolf Wolf Father Kala Nag The Wise Old (Name meaning: Elephant Black Snake) Tha First of Elephants Creator & Judge Jungle Book characters Jungle villains JUNGLE NAME ANIMAL QUALITY Bander-log Monkey People People without a Law Buldeo Village Hunter Hunter & teller of stories (about himself) Dewanee Water Madness Feared by all Jungle Creatures Dholes Red Dogs Killers Gidur-log Jackel People - Gonds Hunters Little wild people of the jungle Grampus Killerwhale Killer Karait Dusty Brown Death Snakeling Ko Crow Chatter Mugger Ghaut Large Crocodile - Nag Cobra Kills for pleasure Nagaina Nag’s Wicked Wife Kills for pleasure Sea Vitch Walrus No manners Samthur Cattle - Shere Khan Tiger Bullying & Killer Tabaqui -
Film a Re-Reading of the Jungle Book
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 4 December 2018 | ISSN: 2320-2882 Adapting to Jungle: Film a Re-reading of The Jungle Book Aishwarya K R Student Kerala University Abstract: This paper addresses the postcolonial re-reading of Rudyard Kipling’s The Jungle Book and its film adaptations, The Jungle Book (2016) and Mowgli: The Legend of the Jungle (2018). Kipling’s The Jungle Book is an authoritative voice in imprinting imperial ideology of the West. The way the law of the jungle operates in the story has been re-read as a metaphorical functioning of the British imperial officialdom in the sub-continent. Theorizing power and employing it in the narrative of the colonial discourses have been foundational to the territorial as well as textual triumph of the Raj. This paper employs post-colonialism and film adaptation theory for its analytical framework. Index Terms - Post colonialism, anti-native, anti-nature. The fiction and theories of post colonialism raise the significant question ‘can we ever become post- colonial?’ The comparative analysis of the book The Jungle Book by Rudyard Kipling and its two film adaptations The Jungle Book released in the year 2016 and Mowgli: The Legend of Jungle (2018) based on post-colonial film theory. In addition, these three primary texts have been comprehended based on the contemporary culture of the British Empire and the way these have been characterised in the film adaptations. The depiction of anti-native and anti-nature within the texts have been comprehended and highlighted explicitly by notions of post colonialism and its reflection in the film adaptations. -
A Study Companion
The Jefferson Performing Arts Society Presents A Study Companion 1118 Clearview Pkwy, Metairie, LA 70001 Ph 504.885.2000 Fx 504.885.3437 [email protected] www.jpas.org 1 TABLE OF CONTENTS TEACHERS’ NOTES……………………………………………………….3 LOUISIANA CONTENT STANDARDS………………………………….4 Jungle Book, THE BOOK……………………………………………….…….5 Rudyard Kipling, THE AUTHOR………………………………………….27 KIPLING’S INFLUDENCE ON CULTURE…………………………………....36 The Jungle Book, THE FILMS………………………………………………….…42 The Jungle Book, THE PLAY……………………………………………………...52 LESSONS………………………………………………………………………….55 RESOURCE LIST…………………………………………………………………….106 2 TEACHERS’ NOTES JPAS Theatre Kids! take the stage once more in another classic Disney tale brought to life through song and dance on stage! Performed by an all-kid cast, the jungle is jumpin' with jazz is this exciting Disney classic! Join Mowgli, Baloo, King Louie and the gang as they swing their way through madcap adventures and thwart the ferocious tiger, Shere Khan. With colorful characters and that toe-tapping jungle rhythm, The Jungle Book KIDS is a crowd-pleaser for audiences of all ages! Music by Richard M. Sherman and Robert B. Sherman and Terry Gilkyson Lyrics by Richard M. Sherman and Robert B. Sherman and Terry Gilkyson Additional lyrics by Marcy Heisler Book adapted by Marcy Heisler Music adapted by Bryan Louiselle Music arranged by Bryan Louiselle This Study Companion provides background information on Rudyard Kipling’s book, published in 1894, biographical information on Kipling, background information on the Disney films and play and lesson plans that pull directly from the book, films and play. One focus of the lesson plans is to highlight how an author’s individual voice can shape the telling and re-telling of a tale. -
Cubs Membership Award
Cubs Membership Award What is Cubs and Its Theme ‘The Jungle Book’, Group Name & Leader© By Samantha Eagle © All Rights Reserved 2013 © All Rights Reserved 2013 Copyright Notices © Copyright Samantha Eagle All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means mechanical or electronic, including photocopying and recording, or by any information and retrieval system, without permission in writing from the publisher. The purchaser is authorised to use any of the information in this publication for his or her own use ONLY. For example, if you are a leader trainer you are within your rights to show any or all of the material to other leaders within your possession. However it is strictly prohibited to copy and share any of the materials with anyone. Requests for permission or further information should be addressed to Samantha Eagle, PO Box 245, La Manga Club Murcia, 30389, Spain. Published by Samantha Eagle PO Box 245, La Manga Club Murcia, 30389, Spain. Email: [email protected] Legal Notices While all attempts have been made to verify information provided in this publication, neither Author nor the Publisher assumes any responsibility for errors, omissions, or contrary interpretation of the subject matter given in this product. Page | 1 © All Rights Reserved 2014 Cubs Membership Award What is Cubs and Its Theme The Jungle Book, Group Name & Leader© Overview The theme of Cubs is based on the ´Jungle Book´ by Rudyard Kipling. Many of the tales in the Jungle Book relate to what the children do in Cubs.