Technical Features of A Ninth-Century Silver Vessel of Southern China Uncovered From Famen Monastery, Shaanxi Province Panpan Tan State Key Laboratory of Solidication Processing, Center for Nano Energy Materials, School of Materials Science and Engineering,Northwestern Polytechnical University https://orcid.org/0000-0002-4956-6350 Junchang Yang (
[email protected] ) State Key Laboratory of Solidication Processing, Center for Nano Energy Materials, School of Materials Science and Engineering,Northwestern Polytechnical University Xinlai Ren Famen Temple Museum Research article Keywords: Decorative techniques, Southern silver vessel, Repoussé, Partial re-gilding, Tracing, Brazing, Famen Monastery, Tang dynasty Posted Date: February 10th, 2021 DOI: https://doi.org/10.21203/rs.3.rs-176618/v1 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License Page 1/21 Abstract Silver art is an important feature of the Tang dynasty in China and the manufacturing center for silver shifted from north to south after the mid-8th century CE. The typology, stylistics and iconography of silver vessels from both regions have been studied in detail. Moreover, the analysis of northern-origin silver vessels has garnered signicant attention in recent years. However, the technological characteristics of southern silver vessels are unknown. The current work presents a non-invasive scientic analysis on a partially-gilded silver box from Jiangnanxidao of Tang (China), which was uncovered from the pagoda crypt of the Famen Monastery in Fufeng County, Shaanxi province. The analytical results reveal that the box was made of high-quality silver, smelted by cupellation, and composed of ve pieces, which were bonded together with some sort of a soldering alloy.