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094-Au91431 1956 31
BRAHMS: Viola Sonatas, Op. 120 A These are the "clarinet" sonatas, so called because Brahms composed them for a clarinetist friend. They Paul Doktor, violist. Nadia Reisenberg, A were published alternately for the viola, however, and the rich, mellow tones of this instrument are perfectly pianist A suited to them. Doktor's superb musicianship weaves a mood all its own, but Miss Reisenberg's sensitive Westminster WN- or SWN-18114 12" pianism is complementary in the extreme. The sound is unusually lifelike. RP GINASTERA: Quartet No. 1 B-B Ginastera's slow movement has a certain atmospheric beauty; its mingling of impressionism and jungle LAJHTA: Quartet No. 7, Op. 49 A-A evocations recalls early Villa-Lobos. His fast movements, however, are built on rhythmic ostinati that become Paganini Quartet B-B tiresome. La¡hta is a kind of Hungarian Virgil Thomson. His language is diatonic, spiced with dissonance and Decca DL-9823 12" Magyar tunes. His Opus 49 is attractive but inconsequential. Earnest performances. AS LECLAIR: 6 Violin Sonatas • Leclair's music does not stray far from the idiom of his time (when polyphony was "old fashioned" but George Alès, violinist; Isabelle Nef, harp- • melodic writing had not yet found its strength). These sonatas are thoroughly violinistic, and if the listener sichordist • can occasionally predict the next passage of sequential modulation there are compensating moments of London L'Oiseau -Lyre OL-50087 8 2-12" lovely invention. Playing is vigorous, musical, sometimes rough in tone. SF PROKOFIEV: Violin Sonata, op. 94 A-B The transcribed flute sonata of Prokofiev has enjoyed a succession of variously KAREN KHACHATURIAN: Violin A-A superb performances on LP. -
Donald N. Ferguson, Musician-Scholar and the Elements of Musical Expression
Minnesota Musicians of the Cultured Generation Donald N. Ferguson, Musician-Scholar and the Elements of Musical Expression 1) Early Years 3 2) First Years in Minneapolis 13 3) A Leader among Music Teachers 17 4) The Quest Begins in Earnest 21 5) The Quest Deepens 26 6) Sudden Illumination 28 7) Fruits of a Sabbatical Year 33 8) The Bach Society 38 9) Retirement 45 10) List of works 48 11) Footnotes 53 As a supplement to this text, Dr. Laudon"s article "The Elements ofExpression in Music, A Psychological View" can be consulted in The International Review ofthe Aesthetics and Sociology ofMusic, IRASM 37 (2006) 2, 123-133 Robert Tallant Laudon Professor Emeritus of Musicology University of Minnesota 924 - 18th Ave. SE Minneapolis, Minnesota (612) 331-2710 [email protected] 2003 Donald N. Ferguson Ferguson around the time ofhis London residence A charcoal sketch by an unknown artists in possession ofthe Ferguson family Donald N. j:;crQusonc.. Ferguson around 1950 Courtesy of University ofMinnesota Archives Photo by the photographer and Curator ofPhotos, Museum of Modem Art New York City Donald N. Ferguson Donald N. Ferguson, Musician-Scholar and the Elements ofMusical Expression Sometime in the late 1940s, after the war, the Bureau of Concerts and Lectures began a unique series which brought a series of master pianists of the world to the University of Minnesota-each of these, a specialist: Rubenstein for Chopin, Arrau for Beethoven, and Tureck for Bach among others. While Rosalyn Tureck was in town, she gave a master class in the auditorium of Scott Hall. -
Walt Whitman (1819-1892)
Whitman 1 Walt Whitman (1819-1892) 2 Section headings and information Poems 6 “In Cabin’d Ships at Sea” 7 “We Two, How Long We Were Foole’d” 8 “These I Singing in Spring” 9 “France, the 18th Year of These States” 10 “Year of Meteors (1859-1860)” 11 “Song for All Seas, All Ships” 12 “Gods” 13 “Beat! Beat! Drums!” 14 “Vigil Strange I Kept on the Field one Night” 15 “A March in the Ranks Hard-Prest, and the Road Unknown” 16 “O Captain! My Captain!” 17 “Unnamed Lands” 18 “Warble for Lilac-Time” 19 “Vocalism” 20 “Miracles” 21 “An Old Man’s Thought of School” 22 “Thou Orb Aloft Full-Dazzling” 23 “To a Locomotive in Winter” 24 “O Magnet-South” 25 “Years of the Modern” Source: Leaves of Grass. Sculley Bradley and Harold W. Blodgett, ed. NY: W.W. Norton & Company, 1973. Print. Note: For the IOC, copies of the poems will contain no information other than the title, the poem’s text, and line numbers. Whitman 2 Leaves of Grass, 1881, section headings for those poems within this packet WW: Walt Whitman LG: Leaves of Grass MS: manuscript “Inscriptions” First became a group title for the opening nine poems of LG 1871. In LG 1881 the group was increased to the present twenty-four poems, of which one was new. “Children of Adam” In two of his notes toward poems WW set forth his ideas for this group. One reads: “A strong of Poems (short, etc.), embodying the amative love of woman—the same as Live Oak Leaves do the passion of friendship for man.” (MS unlocated, N and F, 169, No. -
AUSTIN V. COLUMBIA GRAPHOPHONE CO
AUSTIN v. COLUMBIA GRAPHOPHONE CO. – ALLEGED MUSICAL COPYRIGHT INFRINGEMENT. The report below is taken from The Stage, 5th, 12th 19th and 26th July 1923, with obvious mistakes tacitly corrected. Click for other reports: - a fuller report in The Times - a shorter report in Musical Opinion - a summary of the legal implications in The Solicitor’s Journal - a personal memoir in a biography of Frederick Austin by his grandson, Martin Lee-Browne You can hear relevant recordings by clicking on the links found at bottom of this page. In the Chancery Division, on Tuesday, before Mr. Justice Astbury, an action was heard in which Mr. Frederic Austin, the composer, proceeded against the Columbia Graphophone Co. to restrain an alleged infringement of his copyright in the music of the opera “Polly,” and the passing off of defendant’s gramophone records, entitled “Selections From ‘Polly’” as being the records of the plaintiff’s work. Damages were also claimed. The defendants denied infringement, and denied the passing off. Mr. Luxmoore, K.C., and Mr. McGillivray were for the plaintiff; and Sir Duncan Kerly, K.C., and Mr. Henn Collins represented the defendants. Mr. Luxmoore said under the Copyright Act, when gramophone records had once been made of plaintiff’s music anyone else could make records, provided they had done from plaintiff’s music, upon a royalty being paid; but if it was necessary to make a score for the reproduction, the making of the score was an infringement of the plaintiff’s copyright. The most valuable right with regard to gramophone records that plaintiff had was his right to first production. -
The Delius Society Journal Autumn 1999, Number 126
Delius Journal 126.qxd 15-Nov-99 17:44 Page 1 The Delius Society Journal Autumn 1999, Number 126 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £15 per year (£20 from 1 April 2000) UK students: £10 (unchanged after 1 April 2000) USA and Canada US$31 per year (US$38 from 1 April 2000) Africa, Australasia and Far East £18 per year (£23 from 1 April 2000) President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 126.qxd 15-Nov-99 17:44 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: (0171) 935 4241 Fax: (0171) 935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 126.qxd 15-Nov-99 17:44 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial............................................................................................................... -
Download PDF Booklet
T HE COMPLETE volume 2 S ONGBOOK M ARK STONE M ARK STONE S TEPHEN BAS TRELPOHEW N BARLOW THE COMPLETE SONGBOOK volume 2 ROGER QUILTER (1877-1953) FIVE JACOBEAN LYRICS Op.28 1 i The jealous lover (John Wilmot, Earl of Rochester) 2’34 2 ii Why so pale and wan? (Sir John Suckling) 1’05 3 iii I dare not ask a kiss (Robert Herrick) 1’17 4 iv To Althea, from prison (Richard Lovelace) 2’04 5 v The constant lover (Sir John Suckling) 1’56 TWO SONGS , 1903 (Roger Quilter) 6 i Come back! 1’36 7 ii A secret 1’08 8 FAIRY LULLABY (Roger Quilter) 2’43 THREE SONGS OF WILLIAM BLAKE Op.20 (William Blake) 9 i Dream valley 2’27 10 ii The wild flower’s song 2’14 11 iii Daybreak 1’59 12 ISLAND OF DREAMS (Roger Quilter) 3’14 13 AT CLOSE OF DAY (Laurence Binyon) 2’39 14 THE ANSWER (Laurence Binyon) 1’52 FIVE ENGLISH LOVE LYRICS Op.24 15 i There be none of beauty’s daughters (George Gordon Lord Byron) 2’10 16 ii Morning song (Thomas Heywood) 2’07 17 iii Go, lovely rose (Edmund Waller) 3’11 18 iv O, the month of May (Thomas Dekker) 1’55 19 v The time of roses (Thomas Hood) 2’03 20 MY HEART ADORNED WITH THEE (Roger Quilter) 1’47 THHREEREE S SONGSONGS F FOROR B BARITONEARITONE O ORR T TENORENOR OOp.18p.18 NNo.1-3o.1-3 2211 ii TToo wwineine aandnd bbeautyeauty ((JohnJohn WWilmot,ilmot, EEarlarl ooff RRochester)ochester) 11’49’49 2222 iiii WWherehere bbee yyouou ggoing?oing? ((JohnJohn KKeats)eats) 11’34’34 2233 iiiiii TThehe jjocundocund ddanceance ((WilliamWilliam BBlake)lake) 11’55’55 2244 APPRILRIL L LOVEOVE ((RogerRoger QQuilter)uilter) 11’60’60 -
Beecham: the Delius Repertoire - Part Three by Stephen Lloyd 13
April 1983, Number 79 The Delius Society Journal The DeliusDe/ius Society Journal + .---- April 1983, Number 79 The Delius Society Full Membership £8.00t8.00 per year Students £5.0095.00 Subscription to Libraries (Journal only) £6.00f,6.00 per year USA and Canada US $17.00 per year President Eric Fenby OBE, Hon DMus,D Mus,Hon DLitt,D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith Davies MA, BMus,B Mus,FRCM, Hon RAM Norman Del Mar CBE, Hon DMusD Mus VemonVernon Handley MA, FRCM, D Univ (Surrey) ChairmanChairmart RBR B Meadows 5 Westbourne House, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 160 Wishing Tree Road, S1.St. Leonards-on-Sea, East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 5053750537 Membership Secretary Miss Estelle Palmley 22 Kingsbury Road, Colindale,Cotindale,London NW9 ORR Editor Stephen Lloyd 414l Marlborough Road, Luton, Bedfordshire LU3 lEFIEF Tel: Luton (0582)(0582\ 20075 2 CONTENTS Editorial...Editorial.. 3 Music Review ... 6 Jelka Delius: a talk by Eric Fenby 7 Beecham: The Delius Repertoire - Part Three by Stephen Lloyd 13 Gordon Clinton: a Midlands Branch meeting 20 Correspondence 22 Forthcoming Events 23 Acknowledgements The cover illustration is an early sketch of Delius by Edvard Munch reproduced by kind permission of the Curator of the Munch Museum, Oslo. The quotation from In a Summer GardenGuden on page 7 is in the arrangement by Philip Heseltine included in the volume of four piano transcriptions reviewed in this issue and appears with acknowledgement to Thames Publishing and the Delius Trust. -
Austins of America
Austin Families Genealogical Society Austin Families Register Volume 2 PAGES 321 TO 640 EDITED BY Michael Edward Austin, Sc.D. THE AUSTIN PRINT CONCORD, MASSACHUSETTS 2010 First Edition - October 1999 International Standard Book Number 0-9648804-0-7 Library of Congress Catalog Card Number 95-80763 Copyright © 1999 by THE AUSTIN PRINT All rights reserved. Published by THE AUSTIN PRINT of Concord, Massachusetts. No part of this work covered by the copyrights hereon may be reproduced or copied in any form without the written permission of the publisher. PREFACE This book is an indexed co mpilation of the newsletters published by the Austins of America Genealogical Society during its first ten y ears, during which tim e its membership expanded to m ake it the largest group of Austin family researchers in the United States. This is the first in a series of such volumes preserving Austin lines and heritage for posterity. It is gratefully dedicated to the authors appearing herein, and to all those members who by contributing their own research to the Austins of America library have made the articles herein more complete and accurate. We are indebted to Pauline Lucille Austin of Cedar Rapids, Iowa, to Sally Austin Day of Livonia, Michigan, and to the other Associate Editors listed herein for sharing their decades of basic Austin research with others. Special thanks to my beloved wife Patricia Biebuy ck Austin, who has been instrumental in organizing raw research notes and correspondence into coherent articles, for without her y ears of devotion and companionship this volume would not have been possible. -
Agrégation Externe D'anglais 2018
1 Agrégation externe d’anglais 2018 Walt Whitman, Leaves of Grass (Éric Athenot, Université Paris-Est Créteil-Val de Marne) Remarque préliminaire : La présente bibliographie propose, entre autres ressources, une série de publications réparties selon des rubriques générales. Cette division pourra fréquemment sembler artificielle tant les thématiques s’imbriquent intimement. Les préparateurs comme les étudiants sont vivement encouragés à consulter le site Web consacré au poète : http://whitmanarchive.org/. Celui-ci, remarquable et irremplaçable, propose un accès direct à un grand nombre de textes critiques, en plus de réunir l’ensemble des publications et des manuscrits du poète. Il est en outre à noter que l’édition Norton de 1973 (voir infra) comporte un appareil de notes très complet permettant de suivre l’évolution du recueil et des poèmes au fil du long travail de réécriture. 1) TEXTES DE WHITMAN a) Édition au programme WHITMAN, Walt, Leaves of Grass [1891-1892], dans Leaves of Grass, and Other Writings. Second edition, Michael Moon, ed., New York: W. W. Norton Critical Editions, 2001. b) Préfaces et postfaces d’autres éditions ATHENOT, Éric, Postface de Feuilles d’herbe (1855). Paris : Éditions Corti, 2008. BRADLEY, Sculley & Harold W. Blodgett, Introduction to Leaves of Grass. New York: W. W. Norton Critical Editions, 1973. MURPHY, Francis, Introduction to The Complete Poems, London: Penguin Classics, 1986. c) Autres éditions de Leaves of Grass Leaves of Grass [1855] : http://whitmanarchive.org/published/LG/1855/whole.html Leaves -
Leaves of Grass
Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence............................................................................... -
C DSPH Records of the Hull Philharmonic Society 1881-2012
Hull History Centre: Records of the Hull Philharmonic Society C DSPH Records of the Hull Philharmonic Society 1881-2012 Accession Number: 10/55; 10/68; 11/36; 11/61 Extent: 30 boxes Description: THE RECORDS OF HULL PHILHARMONIC SOCIETY (FOUNDED 1881). Records within this collection include minutes, reports and accounts, correspondence, photographs, programmes, lists of members, publicity material, ephemera, books, press cuttings, and members papers. Please note that correspondence, reports, and accounts relating to the decades prior to the 1950s are not present in the collection, and that the same relating to the period 1950-1970 is very patchy. Please also note that the only records relating directly to the Hull Junior Philharmonic Orchestra are a number of programmes [CDSPH/5/4], although references to the Junior Orchestra can be found within other records in this collection. Arrangement: Collection arranged as follows: C DSPH/1 Minutes, 1881-1995 C DSPH/2 Reports, 1963-2003 C DSPH/3 Correspondence, 1908-2010 C DSPH/4 Photographs, 1949-2010 C DSPH/5 Programmes, 1882-2011 C DSPH/6 Members Lists, c.1881-1963 C DSPH/7 Publicity Material, 1935-2011 C DSPH/8 Ephemera, 1850-1999 C DSPH/9 Library, 1936-2008 C DSPH/10 Press Cuttings, 1884-2010 C DSPH/11 Members' Papers, 1908-2011 C DSPH/12 Miscellaneous Records, 1899-2003 Historical Background: Created by the Hull Philharmonic Society during the normal course of their business. Formation of the Society On 1 Jun 1881 a group of 17 men met at the George Hotel, Hull, for the purposes of establishing a society for 'the private and Public Performance of Orchestral Music at Hull be called the Hull Philharmonic Society' [C DSPH/1/1/1]. -
Music for a Time of War
MUSIC FOR A TIME OF WAR THE OREGON SYMPHONY CARLOS KALMAR Charles Ives (1874-1954) Charles Ives some of their most open and expansive works. 1 The Unanswered Question (1906, rev. c. 1930-1935) 5. 44 The Unanswered Question Jeffrey Work, Trumpet During the US Civil War, Whitman served as a nurse where he wit- harles Ives penned “The Unanswered Question” in 1906 for a soli- nessed the horror of battlefield hospitals. In The Wound-Dresser, for John Adams (b. 1947) Ctary probing trumpet, four quarrelsome woodwinds and only a baritone and orchestra, Adams memorializes the experience in a hushed 2 The Wound-Dresser (1989) 20. 18 Sanford Sylvan, Baritone small complement of strings. There is something quintessentially and dignified manner. It was composed in 1989, the year after Adams’ Jun Iwasaki, Violin American about the notion of addressing the meaning of existence in father died. The composer had watched his mother care for her husband under five minutes. But no one has accused it of being any the less for for several years, and during the same period he’d seen friends suffer Benjamin Britten (1913-1976) its economy of scale, and Ives’ innovations are still with us. and die of AIDS. He says “The Wound-Dresser is the most intimate, most Sinfonia da Requiem, Op. 20 (1940) 3 Lacrymosa (Andante ben misurato) 8. 34 Stasis is a problem for composers – like watching musical paint dry – graphic and most profoundly affecting evocation of the act of nursing 4 Dies Irae (Allegro con fuoco) 4. 53 so how to reveal timelessness? Ives devises a hushed, glacially revolving the sick and dying that I know of… It strikes me as a statement about 5 Requiem Aeternam (Andante molto tranquillo) 5.