Nationalist Origins of the Folk High School: The Romantic Visions of N.F.S. Grundtvig Author(s): E. F. Fain Source: British Journal of Educational Studies, Vol. 19, No. 1 (Feb., 1971), pp. 70-90 Published by: Taylor & Francis, Ltd. on behalf of the Society for Educational Studies Stable URL: http://www.jstor.org/stable/3120657 Accessed: 21-07-2015 18:48 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Taylor & Francis, Ltd. and Society for Educational Studies are collaborating with JSTOR to digitize, preserve and extend access to British Journal of Educational Studies. http://www.jstor.org This content downloaded from 200.18.49.10 on Tue, 21 Jul 2015 18:48:39 UTC All use subject to JSTOR Terms and Conditions NATIONALIST ORIGINS OF THE FOLK HIGH SCHOOL: THE ROMANTIC VISIONS OF N.F.S. GRUNDTVIG by E. F. FAIN, Instructor,Florida State University Outside his nativecountry of Denmark,Nikolai Frederik Severin Grundtvig'sfame rests mainly on his role as founder of the folk high school movement. Grundtvig, when he is thought about at all, is conceived of primarily as an educator, and there is general acknowledgement that the folk high school was an unusually successful variety of pedagogical invention.1 In English articles and books, Grundtvig has often been portrayedas a kind of Danish Thomas Arnold, who substituted bacon and the cooperatives for games and Latin.2 His ideas are sometimes considered against a backdrop of nineteenth- century Danish events, but almost never set into the general context of nineteenth-century European cultural history.