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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Bradley Immel's Music Production Tips, Best Practices, & More
Bradley Immel’s Music Production Tips, Best Practices, & More Most Applicable in Logic Pro X Last Updated: 11 // 18 // 2020 This document is intended to be a collection of tips and tricks that I have picked up over the years. These suggestions are in no way rules or restrictions - always trust your ear, and always explore! Anything stated here may be a bad habit/idea - it’s what I’ve landed upon, but I’m sure it will change. Please share this with anyone who may get some use out of it (: Please offer your own tips, feedback, etc. and I will try it out and hopefully include it here! General Vocab Reverb : the difference between singing in your closet vs. singing in a church or a stairwell. That shimmery-ringing-but-not-quite-an-echo is reverb - the sound of sound bouncing off the walls and making it back to your ear. A reverb is the mark of a space. Bounce : to take a track, audio file, section of a project, or entire project and compile it into a single audio file. It will include the sound of all plugins, panning, automation, etc. (unless you specifically bypass them). Used for exporting audio, turning MIDI into audio (good for sharing a Logic project in which you used non-Logic MIDI samples with someone else), and general project utility. Gain : confusing - lots of semantics around it. A measure of loudness/volume. Generally refers to the input level. For example, if you are recording a track, you set your gain as the amount of signal to let in (to your computer/interface/compressor unit/whatever) and set your volume as the amount of signal to send out (through your speakers/headphones). -
Songs by Artist
DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
10-43 Show Date: Weekend of October 23-24, 2010 Disc One/Hour One Opening Billboard: None Seg
Show Code: #10-43 Show Date: Weekend of October 23-24, 2010 Disc One/Hour One Opening Billboard: None Seg. 1 Content: #40 “HOT TOTTIE” – Usher f/Jay-Z #39 “HEY, SOUL SISTER” – Train #38 “FIND YOUR LOVE” – Drake Commercials: :30 Pier One Voiced :30 E/KUWTK/The Spi :30 Simple Green :30 Progressive Ins Outcue: “...how you buy.” Segment Time: 15:48 Local Break 2:00 Seg. 2 Content: #37 “BULLETPROOF” – La Roux #36 “LETTING GO (DUTTY LOVE)” – Sean Kingston f/Nicki Minaj Break Out: “SHAKE” – Jesse McCartney #35 “U SMILE” – Justin Bieber Commercials: :30 Stubhub.com :30 Netflix :60 GM/OnStar Outcue: “...and system limitations.” Segment Time: 16:52 Local Break 2:00 Seg. 3 Content: #34 “YOUR LOVE IS MY DRUG” – Ke$ha #33 “NOT AFRAID” – Eminem #32 “BREAK YOUR HEART” – Taio Cruz f/Ludacris #31 “SEPTEMBER” – Daughtry Commercials: :30 Bose/Wave Music :30 Pier One Outcue: “...colorful world awaits.” Segment Time: 17:24 Local Break 1:00 Seg. 4 ***This is an optional cut - Stations can opt to drop song for local inventory*** Content: AT40 Extra: “TELEPHONE” – Lady Gaga f/Beyoncé Outcue: “…to win now.” (sfx) Segment Time: 4:01 Hour 1 Total Time: 59:05 END OF DISC ONE Show Code: #10-43 Show Date: Weekend of October 23-24, 2010 Disc Two/Hour Two Opening Billboard None Seg. 1 Content: #30 “CHECK IT OUT” – will.i.am f/Nicki Minaj #29 “OMG” – Usher f/will.i.am #28 “BILLIONAIRE” – Travie McCoy f/Bruno Mars Extra: “KING OF ANYTHING” – Sara Bareilles Commercials: :30 Pier One Voiced :30 Netflix :30 Paramount/Paran :30 Arm & Hammer/La Outcue: “...Hammer power gel.” Segment Time: 17:29 Local Break 2:00 Seg. -
Most Requested Songs of 2015
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2015 RANK ARTIST SONG 1 Ronson, Mark Feat. Bruno Mars Uptown Funk 2 Journey Don't Stop Believin' 3 Cupid Cupid Shuffle 4 Swift, Taylor Shake It Off 5 Walk The Moon Shut Up And Dance 6 Williams, Pharrell Happy 7 Black Eyed Peas I Gotta Feeling 8 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 9 Sheeran, Ed Thinking Out Loud 10 V.I.C. Wobble 11 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 12 AC/DC You Shook Me All Night Long 13 Bon Jovi Livin' On A Prayer 14 DJ Casper Cha Cha Slide 15 Mars, Bruno Marry You 16 Maroon 5 Sugar 17 Morrison, Van Brown Eyed Girl 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Legend, John All Of Me 20 B-52's Love Shack 21 Isley Brothers Shout 22 DJ Snake Feat. Lil Jon Turn Down For What 23 Outkast Hey Ya! 24 Brooks, Garth Friends In Low Places 25 Beatles Twist And Shout 26 Pitbull Feat. Ke$Ha Timber 27 Def Leppard Pour Some Sugar On Me 28 Jackson, Michael Billie Jean 29 Sir Mix-A-Lot Baby Got Back 30 Trainor, Meghan All About That Bass 31 Beyonce Single Ladies (Put A Ring On It) 32 Loggins, Kenny Footloose 33 Rihanna Feat. Calvin Harris We Found Love 34 Lynyrd Skynyrd Sweet Home Alabama 35 Bryan, Luke Country Girl (Shake It For Me) 36 Sinatra, Frank The Way You Look Tonight 37 Lmfao Feat. -
Why Terence Trent D'arby Became Sananda Maitreya: 'It Was That Or
Articles Why Terence Trent D’Arby became Sananda Maitreya: ‘It was that or death’ Paul Lester 5 October 2017 change your name?’ When you have a psyche that’s no longer In 1987, his debut album saw him hailed as a rival functional, you petition another psyche. You either die – you kill to Michael Jackson and Prince – but then his star yourself – or you think: ‘No, I’ve got more to do.’ crashed and burned. He talks about the nervous breakdown that triggered his identity change, “I was always Sananda Maitreya,” he continues, “and he [D’Arby] living as a recluse and the music industry’s was assigned the role of this other form, which he performed ‘Olympian’ conspiracy to bring him down until they pulled the plug on him. They didn’t pull the plug on Sananda; they pulled the plug on that particular script and When Sananda Maitreya references his previous life as Terence psyche.” He sighs wearily. Trent D’Arby, he looks uncomfortable. He even says “he”, not “I”, as though he is talking about a different person. “I don’t do many interviews,” he admits, describing the effects of his ordeal in the music business in terms of post-traumatic stress “You know, I had no choice,” he explains. He is sitting in the disorder (PTSD). “I guess I stayed away because I didn’t want intense afternoon heat on the upper terrace of an apartment in to face it. The PTSD can strike at any time and you have to deal central Milan, where he has lived for several years with his Italian with it. -
Chaos Walking: the Knife of Never Letting Go
CHAOS WALKING The Knife of Never Letting Go Screenplay by Charlie Kaufman Based on the novel by Patrick Ness First Draft (Producer's Pass 2) DecemberCASTING 9, 2012 Note: Noise, which is the thoughts, memories, fantasies, dreams, and anxieties of men and animals, is constant in this world. There is no escape from it for anyone. It is seen and heard at every moment, even though it sometimes recedes into the background in the same way one’s own thoughts and worries sometimes do. The only exception to the Noise is when the script explicitly indicates silence. VIEW FROM THE STRATOSPHERE Silent and beautiful. An Earth-like planet orbited by two moons. Slowly, we drift in toward its glinting blue water and lush green land. A slight camera shift reveals our view is through a porthole. On the wall next to the porthole is a child’s sticker of a giraffe. BLACK. EXT. COUNTRY DIRT ROAD - DAY The sky is dark with storm clouds. Todd, 13, in threadbare work clothes, walks along a dirt road bisected by acres of farmland. He’s followed by Manchee, a scruffy little dog. Sad farmhouses squat in the distance. There is an almost imperceptible mumbling of voices in the background. TODD (V.O.) I am Todd Hewitt. I am twelve years and twelve months old. I talk to myself just about all the time, mostly to keep track of which one is me in all this Goddamn Noise. I am Todd Hewitt and I ain’t never gonna have a girlfriend, which is the one thing my fool brain keeps telling me it needs. -
Over State Lines: Somewhere Between
OVER STATE LINES: SOMEWHERE BETWEEN A Thesis Presented to the Faculty of the Caudill College of Humanities Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Melodie Past 2004 CAMDEN-CARROLL LIBRARf MOREHEAD, llY '8351 msu. tH/3.SE<;. i I/. i /lJ.9/cY Accepted by the faculty of the Caudill College of Humanities, Morehead State University, in partial fulfillment of the requirements for the Master of Arts degree. ~r~esiil7 Master's Committee: c;f:(}Lt:!i:t;& ,C'w i'7'Ak-A ~r,___< Date OVERSTATELINES: SOMEWHEREBETWEEN Melodie Past, M.A. Morehead State University, 2004 Director of Thesis: cit' .& RLL/ / This collection ofpoU uses unnarneLr/2speakers who work toward discovery or epiphany-work revealed through the use of space and time motifs and may therefore be considered to be in a phenomenological vein. The major question in this collection is whether the sacred and secular are discernible. The majority of these poems are lyrical in that even the narrative poems work to arouse emotion as a means to invoking new realities in the reader. Vigilant attention is paid to language, therefore the multivalent nature of this lyric collection allows for multiple interpretations rather than for obscurity or incoherence. Manufacturing of poetry is done through line breaking, experimental technique, diction, figurative language and other imagery and ideas, and in other ways traditionally accepted to be methods of construction in poetry. This collection fully subscribes to the worth of reader response as a way to divining meaning from the text. Part of the text may be considered semi-autobiographical but its intent should not be characterized as confessional if not used in the loosest sense of the style---its use of an "I" speaker. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Grades 3–4 by Michael Priestley
Grades 3–4 by Michael Priestley New York • Toronto • London • Auckland • Sydney Mexico City • New Delhi • Hong Kong • Buenos Aires Hi-Lo Passages to Build Comprehension: Grades 3-4 © Michael Priestley, Scholastic Teaching Resources Scholastic Inc. grants teachers who have purchased Hi-Lo Passages to Build Comprehension permission to photocopy the designated reproducible pages from this book for classroom use. Notice of copyright must appear on all copies of copyrighted materials. No other part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., 557 Broadway, New York, NY 10012. Cover design by Maria Lilja Interior design by Creative Pages, Inc. Interior illustrations by Nicole in den Bosch ISBN: 0-439-54887-X Copyright © 2005 by Michael Priestley. All rights reserved. Printed in the U.S.A. 1 2 3 4 5 6 7 8 9 10 40 10 09 08 07 06 05 Hi-Lo Passages to Build Comprehension: Grades 3-4 © Michael Priestley, Scholastic Teaching Resources Hi-Lo Passages to Build Comprehension Grades 3–4 Contents Readability A Note for Teachers.................................................................................................................. 4 Level 1. Rabbit Laughs (Story Elements)...................................................................................... 5 1.80 2. Here Comes the Sun -
(1830-1886) “After Great Pain, a Formal Feeling Comes”
Emily Dickinson (1830-1886) “After great pain, a formal feeling comes” After great pain, a formal feeling comes - The Nerves sit ceremonious, like Tombs - The stiff Heart questions was it He, that bore, And Yesterday, or Centuries before? The Feet, mechanical, go round - Of Ground, or Air, or Ought - A Wooden way Regardless grown, A Quartz contentment, like a stone - This is the Hour of Lead - Remembered, if outlived, As Freezing persons, recollect the Snow - First - Chill - then Stupor - then the letting go - _____________________________________________________________________________ “After great pain, a formal feeling comes” After great pain, a formal feeling comes: The nerves sit ceremonious, like tombs. The stiff heart questions, was it he that bore, And yesterday, or centuries before? The feet, mechanical, go round— Of ground, or air, or ought— A wooden way Regardless grown, A quartz contentment, like a stone. This is the hour of lead— Remembered, if outlived, As freezing persons recollect the snow: First chill, then stupor, then the letting go… Adam Zagajewski (1945– ) Try to Praise the Mutilated World Try to praise the mutilated world. Remember June’s long days, and wild strawberries, drops of wine, the dew. The nettles that methodically overgrow the abandoned homesteads of exiles. You must praise the mutilated world. You watched the stylish yachts and ships; one of them had a long trip ahead of it, while salty oblivion awaited others. You’ve seen the refugees heading nowhere, you’ve heard the executioners sing joyfully. You should praise the mutilated world. Remember the moments when we were together in a white room and the curtain fluttered.