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The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information
Cambridge University Press 978-1-108-42353-3 — The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information Index Aarons, Alex, 7 Barkleys of Broadway (1949) film, 206, 214 Ager, Cecelia, 294 Bartók, Bela, 119 Ager, Milton, 294 “Battle Hymn of the Republic,” 36 Albee, Edward, 67 Bauer, Marion, 222 Alberts, Charles S., 138 “Beale Street Blues,” 238 Alda, Robert, 134 Beethoven, Ludwig van, 9, 35, 76, 225 Alexander III, Czar of Russia, 5 Rondo a Cappricio, Op. 129, 37 Allen, Gracie, 207, 212, 213 Sonata in F Minor, Op. 57 (“Appassionata”), Americana (1928) musical, 10 37 An American in Paris (1951) film, 214, 240, 262 Sonata Op. 110, 37 An American in Paris (2015) musical, 262, 264, Sonata Op. 81, 37 265, 266, 267, 269, 270 String Quartet, Op. 18, No. 4, 37 Anchors Aweigh (1945) film, 254 “ ” Anderson, Marian, 191 Symphony No. 3 ( Eroica ), 37 Antheil, George, 155–56, 229 Symphony No. 5, 248 Ballet mécanique, 155, 156 Symphony No. 7, 37 Jazz Symphony, 156 Bennett, Robert Russell, 47, 199, 201, 211, 212, Anything Goes (1936) film, 200 214, 216 Arcadelt, Jacques, 36 Bennett, Tony, 238 Arden, Victor, 93, 97, 268 Benton, Thomas Hart, 162 Arlen, Harold, 9, 47, 49, 199, 276, 277 Berg, Alban, 162, 225, 229 “Stormy Weather,” 277 Lyric Suite, 33, 162 Arlen, Michael, 154 Wozzeck, 231 Armitage, Merle, 48, 53, 291 Bergere, Valerie, 72 Armstrong, Louis, 244, 277 Berkeley, Busby, 45 Arvey, Verna, 25 Berlin, 161 Asian American Jazz Orchestra, 256 Berlin, Irving, 44, 48, 53, 61, 64, 68, 69, 93, 154, Askins, Harry, 132 225, 239, 244, -
SS Volume 2.Book
Selected Scriptures from the Holy Bible Readings for the Young Volume II: Books of Old Testament History Compiled by Genelle H. Porter Searcy, Arkansas Copyright © 2006 by Genelle H. Porter All rights reserved. ISBN: 0-9755777-5-1 All scriptures are from the ACV: A Conservative Version Published by Still Voices Publishing Searcy, Arkansas www.stillvoicespublishing.com 3 Table of Contents Joshua . 13 Jehovah Encourages Joshua. 13 The Spies at Jericho . 14 Israel Crosses the River Jordan. 15 Israel Arrives in the Promised Land . 18 The Men Are Circumcised . 18 The Battle of Jericho . 19 Achan’s Sin and Israel’s Defeat . 21 Ai Is Finally Destroyed . 23 The Inhabitants of Gibeon Deceive Israel . 25 The Moon and Sun Stand Still . 27 Many Kings and Their Cities Defeated. 28 Instructions for Dividing the Land. 30 Special Requests for Land . 30 The Land Is Shared . 32 Cities of Refuge . 33 Cities for the Levites. 33 The Men of Reuben, Gad, and Manasseh Go Home. 34 Misunderstanding About an Altar . 34 Joshua Warns Israel To Be Faithful. 36 Jehovah Warns Israel To Be Faithful . 38 The People Make a Covenant to Serve Jehovah. 38 The Death of Joshua . 39 Judges . 41 Judah Fights Against the Canaanites . 41 Israel Fails to Drive Out All the Nations . 42 Jehovah Rebukes the People . 42 Israel Serves Other Gods. 43 Jehovah Raises Up Judges . 43 Judges Othniel, Ehud, and Shamgar . 44 Deborah Is Judge. 45 The Death of Sisera . 46 The Song of Deborah and Barak . 47 The Midianites Oppress Israel . 49 Jehovah Calls Gideon . 49 Gideon Destroys the Altar of Baal . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
The Wife of Manoah, the Mother of Samson
546 THE WIFE OF MANOAH, THE MOTHER OF SAMSON Magdel le Roux University of South Africa P O Box 392, UNISA 0003 E-mail: [email protected] (Received 21/04/2016; accepted 06/07/2016) ABSTRACT The last account of the judges is that of Samson (Judges 13–16). This account has all the elements of a blockbuster. All the indications are that Samson would be an extraordinary person. And yet, even though Samson may be regarded as some sort of hero, the story suggests that Samson was also the weakest or most ineffective of the judges. Tension is created through the juxtaposition of “ideal” and “non-ideal” bodies. An alternative ideology, as a hidden polemic, is concealed in the account. As in the case of Achsah (Judges 1:11–15) and Deborah (Judges 4–5), the nameless wife of Manoah (the mother of Samson) serves as an illustration of “countercultural rhetoric” as a hidden polemic. INTRODUCTION In the dominant cultural ideology of the Israelite tribes, ideal, whole bodies were those of male Israelite soldiers without any defects. This is the image that comes to mind when one first reads about the strong man, Samson, although in time one becomes more aware of his weaknesses than his strengths. These accounts (Judges 14–16) are full of violence and of Samson’s personal revenge, but they also describe his weakness for women. In the case of Samson, an ideal male body develops into an “unwhole body” in that an aesthetic element is added to the story: God favours Samson despite his disobedience (Chs 14–16). -
Samson Gods Strong Man English
Bible for Children presents SAMSON, GOD’S STRONG MAN Written by: Edward Hughes Illustrated by: Janie Forest; Alastair Paterson Adapted by: Lyn Doerksen Produced by: Bible for Children www.M1914.org ©2021 Bible for Children, Inc. License: You have the right to copy or print this story, as long as you do not sell it. Long ago, in the land of Israel, lived a man named Manoah. He and his wife had no children. One day the Angel of the LORD appeared to Mrs. Manoah. "You will have a very special baby," He said. She told her husband the wonderful news. Manoah prayed, "Oh my Lord . come to us again. Teach us what we shall do for the child." The Angel told Manoah the child must never have his hair cut, must never drink alcohol, and must never eat certain foods. God had chosen this child to be a judge. He would lead Israel. God's people certainly needed help. They left God out of their lives, and then were bullied by their enemies, the Philistines. But when they prayed, God heard. He sent this baby who would become the world's strongest man. "So the woman bore a son and called his name Samson: and the child grew, and the LORD blessed him. And the spirit of the LORD began to move upon him." Samson became very strong. One day he fought a young lion with his bare hands - and killed it! Later, Samson tasted honey from a swarm of bees which had nested in the lion's dead body. -
The Enduring Art of Ella Fitzgerald's Most Ambitious Album
MASTERPIECE The Enduring Art of Ella Fitzgerald’s Most Ambitious Album ‘Ella Fitzgerald Sings the George and Ira Gershwin Song Books,’ which was inducted into the Grammy Hall of Fame at the end of January, remains a matchless treasure. By John Edward Hasse Published originally in The Wall Street Journal, Feb. 5, 2019 Nothing did more to crystallize the idea of the Great American Songbook than a series of recordings Fitzgerald made between 1956 and 1964. By showcasing eight different songwriters and songwriting teams, these albums esteemed each writer’s output as a body of work, canonized many of the songs, and raised respect for the repertory. The most celebrated of these albums, Ella Fitzgerald Sings the George and Ira Gershwin Song Books, unprecedented in scope, offers 59 tracks, more than three hours, broadly exploring one of America’s foremost song catalogs. It was recorded between January and August 1959 and issued originally in a lavish six-disc set. And with the Grammy’s this week, it’s worth reconsidering one of the singular recordings of the 20th century, which itself was inducted into the Grammy Hall of Fame at the end of January. The album resulted from a kind of collaboration among four living figures and one deceased, playing five different roles. George Gershwin, who died prematurely in 1937, composed the music, rich with jazzy, bluesy, Jewish and classical influences. His brother Ira matched George’s melodies with witty, memorable words that reveled in American vernacular speech. For the album, Ira wrote some new lyrics. The other three collaborators were each at their creative peak. -
Could the Story of Samson Be True Or Is It Just a Myth
UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko DIPLOMSKO DELO Marija Vodopivec Maribor, 2014 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko Diplomsko delo SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU Graduation thesis MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON Mentor: izr. prof. dr. Michelle Gadpaille Kandidat: Marija Vodopivec Študijski program: Pedagogika in Angleški jezik s književnostjo Maribor, 2014 Lektor: Izr. Prof. Dr. Michelle Gadpaille AKNOWLEDGEMENTS I want to thank my mentor, Dr. Michelle Gadpaille for her guidance and her valuable advice during my writing. I want to thank my parents, Drago and Agata for always supporting me and encouraging me during my studies. I want to thank my sister Marta and her husband Nino for always being there for me when I needed the most. I want to thank my big brother Marko and his lovely Tea for encouraging me and believing in me. I also want to thank my dear Denis for encouraging me, making me happy and for not graduating before me. FILOZOFSKA FAKULTETA Koroška cesta 160 2000 Maribor, Slovenija www.ff.um.si IZJAVA Podpisani-a MARIJA VODOPIVEC rojen-a 31.07.1988 študent-ka Filozofske fakultete Univerze v Mariboru, smer ANGLEŠKI JEZIK S KNJIŽEVNOSTJO IN PEDAGOGIKA, izjavljam, da je diplomsko delo z naslovom SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU / MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON pri mentorju-ici IZR. PROF. DR. MICHELLE GADPAILLE, avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. -
Lie Satan's Tool
Central Pentecostal Ministries From the Pulpit... Lie Satan’s Tool Pastor Donald Shoots “But evil men and seducers shall wax worse and worse, deceiving, and being deceived.” II Timothy 3:13 “And they shall turn away their ears from the truth, and shall be turned unto fables.” II Timothy 4:4 Men are all too often deceived by a lie. Understand that a lie is the original reason for deception. If you don’t have a lie, it’s impossible to have deception. We must know Christ to know truth. He is truth and calls all people to it. Deception comes only after a lie has taken root in the hearts and minds of people. The fall of man, in the beginning, was because of a lie. Let’s not let the great initial tool of satan fade away from the story books of religion. That was the first tool of satan, a lie! Not drugs, robbery, murder, gambling or pornography. “And the serpent said unto the woman, Ye shall not surely die” (Genesis 3:4). This was not a long sentence, paragraph or book. This was not a program on Television or an hour dissertation from the perverted pulpits of time. It was one short lie, which would roll in hearts, breeding rebellion against the Holy God. One quick phrase, one subtle, carefully-worded sentence made up of five words, turned the world upside down, and because of this lie, hell will be full. One lie and men and women by the millions will enter the eternal place called hell, where the Bible says the “worm dieth not” (Mark 9:44). -
Romanticizing Samson's Mother
Romanticizing Samson’s Mother Romanticizing Samson’s Mother David J. Zucker, Aurora, Colorado, USA Abstract Samson’s mother is nameless in the Hebrew Bible. Little is said about her as a person. Roughly two millennia ago, in three sources of Rewritten Bibles her character is fleshed out, she becomes much more of a real figure. This article addresses specific verses pertaining to her in Judges 13 showing how they were recast in three pieces of literature from the Late Second Temple period and beyond. The three works are Josephus’ Judean Antiquities; Biblical Antiquities (Pseudo-Philo – Liber Antiquitatum Biblicarum [L.A.B.]); and the homiletic discourse, Pseudo-Philo’s “On Samson.” Key Words: Biblical Antiquities (Pseudo-Philo – Liber Antiquitatum Biblicarum [L.A.B.]); Josephus’ Judean Antiquities; Judges 13; Ms. Manoah/Eluma; Pseudo-Philo’s “On Samson.” Although anonymized in the biblical book of Judges, Samson’s mother increasingly is a person of interest in a number of writings created in the Late Second Temple period and after, i.e. the centuries around the time of the turning of the millennium two thousand years ago, about 200 BCE-200 CE and beyond. She becomes romanticized and idealized; she becomes more prominent and empowered in these works. Referring to specific verses which address her in Judges 13, this article shows how in three later texts a new picture of this woman emerges. The three sources under consideration are: Flavius Josephus’ Judean Antiquities (also known as the Antiquities of the Jews); a Pseudepigraphic work titled Biblical Antiquities (Pseudo-Philo – Liber Antiquitatum Biblicarum [L.A.B.]) and a third source, the homiletic Pseudepigraphic work, Pseudo-Philo “On Samson.” All three of these texts come under the rubric, Rewritten Bible or Rewritten Scripture. -
Duke University Dissertation Template
The Male Coming-of-Age Theme in the Hebrew Bible by Stephen Michael Wilson Department of Religion Duke University Date:_______________________ Approved: ___________________________ Carol L. Meyers, Supervisor ___________________________ Stephen Chapman ___________________________ Ellen F. Davis ___________________________ Eric M. Meyers ___________________________ Susan Niditch Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religion in the Graduate School of Duke University 2013 i v ABSTRACT The Male Coming-of-Age Theme in the Hebrew Bible by Stephen Michael Wilson Department of Religion Duke University Date:_______________________ Approved: ___________________________ Carol L. Meyers, Supervisor ___________________________ Stephen Chapman ___________________________ Ellen F. Davis ___________________________ Eric M. Meyers ___________________________ Susan Niditch An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religion in the Graduate School of Duke University 2013 i v Copyright by Stephen Michael Wilson 2013 Abstract This study identifies and elaborates on a theme in the Hebrew Bible (HB) that has largely gone unnoticed by scholars: the transition of a male adolescent from boyhood to manhood. Beyond identifying the coming-of-age theme in different HB texts, the project also describes how the theme is employed by biblical narrators and redactors to highlight broader messages and transitions in the historical narratives of the HB. It also considers how these stories provide insight into the varying representations of biblical masculinity. The project begins by showing how the recent discussions on masculinity in the HB and biblical rites of passage are incomplete without an analysis of how a boy becomes a man in the biblical text. -
KINGDOMS Family Guide
KINGDOMS Family Guide Welcome to IMMERSE The Bible Reading Experience Leading a family is arguably one of the most challenging tasks a person can undertake. And since families are the core unit in the church, their growth and development directly impacts the health of the communi- ties where they serve. The Immerse: Kingdoms Family Reading Guide is a resource designed to assist parents, guardians, and other family lead- ers to guide their families in the transformative Immerse experience. Planning Your Family Experience This family guide is essentially an abridged version of Immerse: King- doms. So it’s an excellent way for young readers in your family to par- ticipate in the Immerse experience without becoming overwhelmed. The readings are shorter than the readings in Immerse: Kingdoms and are always drawn from within a single day’s reading. This helps every- one in the family to stay together, whether reading from the family guide or the complete Kingdoms volume. Each daily Bible reading in the family guide is introduced by a short paragraph to orient young readers to what they are about to read. This paragraph will also help to connect the individual daily Scripture pas- sages to the big story revealed in the whole Bible. (This is an excellent tool for helping you guide your family discussions.) The family guide readings end with a feature called Thinking To- gether, created especially for young readers. These provide reflective statements and questions to help them think more deeply about the Scriptures they have read. (Thinking Together is also useful for guiding your family discussions.) The readings in the family guide are intended primarily for children i ii IMMERSE • KINGDOMS in grades 4 to 8. -
Who Cut Samson's Hair?
WHO CUT SAMSON’S HAIR? THE INTERPRETATION OF JUDGES 16:19A RECONSIDERED Cornelis Houtman1 1. Introduction Who cut Samson’s hair? Delilah or some man? Judges 16, the final chapter of the Samson cycle which narrates how Samson could be overpowered by the Philistines through Delilah, allows both interpretations. This does not mean, however, that both are equally plausible. As we shall see, the second interpretation is more fitting in the supposed circumstances. The relevant text for answering the question raised is found in Judg 16:19. In the Hebrew Bible it runs as follows: ותישׁנהו על־ברכיה ותקרא לאישׁ ותגלח את־שׁבע מחלפות ראשׁו By ‘literal’ translating, it can be rendered in the following way: And she (Delilah) made him (Samson) sleep upon her knees; and she called for2 the man and she cut3 the seven locks of his head.4 Or: and she had him cut the seven locks of his head.5 1 I am indebted to Rev. Jaap Faber, Kampen, the Netherlands, for correcting the English of this article at a number of points. ,means (cf. Judg 4:6, 16:18,25 and see, e.g., Exod 1:18, 7:11, 8:4 ל + קרא In this context 2 21), ‘to summon’, ‘to bring out’ (possibly by her personal handmaid [cf. Exod 2:5, Dan 13:15,17–19,36 (Vulgate)]). 3 For such a translation and translations which allow this interpretation, see, e.g., the African Die Bybel in Afrikaans (1936), the German Einheitsübersetzung der Heiligen Schrift (1980), the French La Sainte Bible (Nouvelle version Segond révisée [1989]), the Dutch De Nieuwe Bijbelvertaling (2004) and Naardense Bijbel (2004), the German Bibel in gerechter Sprache (2006).