Student Matinee Series Study Guide Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Student Matinee Series Study Guide Table of Contents 20 20 STUDENT MATINEE SERIES STUDY GUIDE TABLE OF CONTENTS 3 Introduction and Welcome 4 About Ranky Tanky 5 Study Guide 6 Colorado Music Standards 7 Website Resources INTRODUCTION AND WELCOME THIS GUIDE COVERS MUSIC, SOCIAL STUDIES, READING, WRITING AND COMMUNICATING. RECOMMENDED FOR GRADES 5-12. ABOUT RANKY TANKY THE GRAMMY NOMINATED GULLAH QUINTET Ranky Tanky is a quintet based in Charleston, South Carolina. Their name means “Work It” or “Get Funky” in Gullah language. They play music based on Gullah tradition, including modern Jazz and Blues. Gullah, meaning “people blessed by God”, and encompasses the culture, language, and people of the South Carolina Islands descended from the enslaved brought from West Africa. Members from left to right: Charlton Singleton, Trumpet and Vocals Quentin Baxter, Percussion Quiana Parler, Vocalist Clay Ross, Guitar and Vocals Kevin Hamilton, Bass STUDY GUIDE Questions Gullah is a Creole language, Learn more about the instruments made up of more than 30 West Ranky Tanky performs on, or the and Central African languages. voice parts they sing. Do you know any other Creole languages? What kind of instruments do they play? (ex. Louisiana Creole, Haitian Creole, Jamaican Creole) What part do they sing – how low or high are What are some words in English or Spanish their voices? (ex. Is Quiana an alto, mezzo-soprano, or soprano? that come from different languages? What about Clay and Charlton?) Ranky Tanky is a quintet. Gullah music has many Quintet means there are five percussion parts. musicians in the band. How do the musicians make those rhythms? Each instrument has a role in playing the melody or the rhythm. Which instruments Are there percussion instruments you haven’t tend to play the melody more, or the rhythm seen before? primarily? (ex. The bass is a member of the rhythm section, but sometimes switches to playing a solo or the melody) Reflection Activities Which songs did you like Draw yourself dancing along dancing to? with Ranky Tanky’s music! STUDY GUIDE Books and Other Resources Dancing the Ring Shout! by Kim L. Siegelson, Lisa Cohen (Illustrator) “It is the first year that Toby is old enough to attend the Ring Shout, a celebration when the hard work of harvest is done, but he cannot find an object that makes a noise which will speak from his heart to God's ears." Children’s picture book for most ages Available at: Denver Public Library Central, Park Hill, and Schlessman Family branches For music classes: Slave Songs of the Georgia Sea Islands by Lydia Parrish Words and music of 60 songs. These are transcriptions of early Gullah songs that Ranky Tanky draws inspiration from. Musical score Available at: Denver Public Library Central branch STUDY GUIDE Background Information The Roots of Gullah Gullah/Geechee of the Lowcountry – meaning regions of South Carolina and Georgia, which includes both the coastal plain and the Beaufort Sea Islands Gullah refers to the people, language, and culture of the islands of South Carolina. Geechee refers to the people, language, and culture of the islands of Georgia. Gullah originally derive from the African regions: Sierra Leone, Gambia, Senegal, and Angola. Enslaved people from these African regions brought with them music that would form the foundation of slave songs, spiritual music, and later blues and jazz. Enslaved Gullah on plantations were not allowed to speak with one another. They would use music/work songs to communicate and pass on secret codes or directions to help others gain freedom. (Interactive activity: https://www.knowitall.org/interactive/secret-code-gullah-music ) Language: Gullah is a complex Creole language, made up of more than 30 West African and Central African languages. Musical Characteristics Percussion: gourd instruments, drums, clapping, and stomping. Typically, no melodic or harmonic instruments. Genres and Form: Ring shout – traditional religious ritual/music that is a staple of the Gullah culture. STUDY GUIDE Lesson Plan Ideas Learn about the Gullah culture in the United States. Utilize polyrhythms and call-and-response, critical listening and language skills, musical play, vocal improvisation, and the 12-bar-blues. Discover the rich traditions of the Gullah culture that have helped to shape our American musical culture today. This is meant for use in a wide range of classrooms and grade levels. Connect to history and geography – link South Carolina islands to West African countries on a map Lesson Segments: Knee Bone 1.Listen to Ranky Tanky Perform “Knee Bone” 2.Discuss history of the text 3.Learn call, response, and clapping parts aurally. 4.Once parts are learned, alternate call, response and clapping parts through separate student groups. Gullah Dialect 1.Listen to “That’s All Right” paying attention to lyrics that sound like English words but are perhaps a bit different. 2.Discuss and list words which sound like English words but may be different. 3.Borrowing words and sounds from a word chart, learn how familiar English words are spoken in Gullah. Assessment After hearing an English word from the prepared list, are students able to say the same word in Gullah? Common Gullah words and their English equivalents are listed below… GULLAH ENGLISH Bud Birds Gal Girl Colorado Music Standards Mammy Mother CAS MU20 5.1.1 Tank You Thank You CAS MU20 5.1.2 Dis This CAS MU20 5.1.3 'cept Except CAS MU20 5.2.1 Gwine Going CAS MU20 5.3.3 Ober Ya Over Here CAS MU20 5.4.1 Dat That CAS MU20 5.4.2 Yessum Yes Sir STUDY GUIDE Web Resources Freedman, S. G. (2011, July 7). A Black cultural tradition and its unlikely keepers. New York Times. https://www.nytimes.com/2011/06/18/us/18religion.html Georgia’s Gullah-Geechee Heritage: MUSIC & LANGUAGE. https://libguides.ccga.edu/gullahgeechee/audio Gullah Geechee Cultural Heritage Corridor. https://www.gullahgeecheecorridor.org/thegullahgeechee/ Gullah Music Activites. https://www.knowitall.org/series/gullah-music-activities Gullah TV. What is Gullah. http://gullah.tv/what-is-gullah/ PBS Learning Corridor video of Gullah performers singing and dancing. https://rmpbs.pbslearningmedia.org/resource/vtl07.la.rv.text.gullmusic s/gullah-music/#.XIfSnohKiUk Ranky Tanky. Bio. https://www.rankytanky.com/ Smithsonian Magazine. https://www.gullahgeecheecorridor.org/thegullahgeechee/ South Carolina State Library. Black History Resources: Gullah Culture. http://guides.statelibrary.sc.gov/black-history/gullah Sumpter, A. (2006, March 31). Geechee and Gullah culture [blog post]. Georgia Encyclopedia. Retrieved from https://www.georgiaencyclopedia.org/articles/arts- culture/geechee-and-gullah-culture The Hilton Head Island Gullah Celebration. (2019). The resourceful origins of Gullah music. Gullah Magazine. http://gullahcelebration.com/gullah-magazine/education/the- resourceful-origins-of-gullah-music.
Recommended publications
  • 2O21-22 Season
    CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things.
    [Show full text]
  • Silent Sky Roots and Wings Ranky Tanky
    THE GRISTLE, P.06 + FUZZ BUZZ, P.09 + BEST OF SKAGIT BALLOT, P.23 c a s c a d i a PICKFORD CALENDAR INSIDE REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT SURROUNDING AREAS 03-27-2019* • ISSUE:* 13 • V.14 SILENT SKY Stars in her eyes P.13 GETTING ROOTS AND WINGS FRESH An artist CSA Farm Share Fair takes flight P.26 P.14 RANKY TANKY Let go and let Gullah P.16 Round 2: 7:30pm, Lincoln Theatre, Mount Vernon A brief overview of this 26 COMMUNITY Bowling for Beds: 5-8pm, 20th Century Bowl FOOD week’s happenings THISWEEK GET OUT Wild Things: 9:30am-11am, Whatcom Falls Park 24 VISUAL Photo Collection Release: 5-9pm, Peter James B-BOARD Photography Gallery SATURDAY [03.30.19] 20 ONSTAGE FILM Silent Sky: 7:30pm, Bellingham Theatre Guild Tarnation: 7:30pm, Upfront Theatre The Lover, The Dumb Waiter: 7:30pm, Sylvia 16 Center for the Arts Mamma Mia!: 7:30pm, McIntyre Hall, Mount Vernon MUSIC Silent Sky: 7:30pm, Anacortes Community Theatre Become a LOL-apalooza: 9:30pm, Upfront Theatre 14 champion for DANCE ART Lydia Place at Contra Dance: 7-10pm, Fairhaven Library 13 MUSIC a Bowling for Sudden Valley Jazz Series: 3pm, South Whatcom Library STAGE Beds fundraiser Andalucia: 7:30pm, Firehouse Arts and Events Fri., March 29 Center 12 The Hunts: 8pm, Mount Baker Theatre at 20th Century WORDS GET OUT Bowl Leigh Calvez: 7pm, Village Books COMMUNITY 10 Rock and Gem Show: 10am-6pm, Bloedel Donovan WORDS GET OUT NW Cancer Climb: 9am, Samish Overlook, Bow Plant and Tree Sale: 10am-3pm, Hillcrest Chapel 8 WEDNESDAY [03.27.19] Bellingham Roller Betties: 5pm, Whatcom Com- munity College Pavilion MUSIC CURRENTS Foghorn Stringband: 7pm, YWCA Ballroom FOOD Jared Hall Quartet: 7pm, Sylvia Center Pancake Breakfast: 8am-10:30am, Lynden Com- 6 munity Center WORDS Acclaimed vocalist CSA Farm Share Fair: 12pm-3pm, Boundary Bay VIEWS Joe King: 6:30pm, Everson Library Greta Matassa joins Brewery City Limits Winery Tasting: 2-4pm, Seifert & 4 COMMUNITY “PNW Jazz Plays at Jones Wine Merchants Hidden in Plain Sight: 4-8pm, Mt.
    [Show full text]
  • Music 10378 Songs, 32.6 Days, 109.89 GB
    Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…
    [Show full text]
  • 2019 Winter & Spring Playbill
    David Sedaris Photo by: Adam DeTour 2019 WINTER & SPRING PLAYBILL Weinbergcenter.org | 301-600-2828 | 20 W Patrick St. 2 | 2018-19 SEASON WeinbergCenter.org | 301.600.2828 | 3 4 | 2018-19 SEASON BOARD OF DIRECTORS OFFICERS DIRECTORS LIAISONS Brian Ropp, President and Dr. Bob Buckheit Dr. Derek Shackelford, Chairman of the Board Bill Coffey, CFP City of Frederick Paul Flynn, 1st Vice President Paul Flynn Jessica Fitzwater, and Secretary Jim Lillard Frederick County Council Linda Roth, 2 nd Vice President Matt Livelsberger John Healey, Todd Troutman, Treasurer Dr. John Molesworth Weinberg Center for the Arts Caroline Pugh Robin Sagoskin Jim A. Sears, Jr. Sam Vitale Jan West Olivia G. White, Ph.D. SPONSORS AND PARTNERS List is current as of November 27, 2018 PROUD PRESENTERS OF THE 2018-19 SEASON DISCOVERY SERIES SPONSOR FILM SERIES SPONSOR FAMILY SERIES SPONSOR SMARTS SERIES SPONSOR SILENT FILM SERIES FREDERICK SPEAKER SERIES SPONSORS WeinbergCenter.org | 301.600.2828 | 7 8 | 2018-19 SEASON CORPORATE SUPPORT The Weinberg Center for the Arts would like to thank these corporations and local businesses who generously give their time and money to support the 2018-2019 season. This listing is current as of August 14, 2018. Please contact the theater with any errors or omissions. The Community Foundation of $100,000+ Graphcom, Inc.+ City of Frederick Mid-Atlantic Arts Foundation Frederick County Estate of L. Edward Blumenauer National Endowment for the Arts Downtown Piano Works Charitable Trust PNC Bank+ Frederick County Bank Maryland State Arts Council* 930 WFMD/99.9 WFRE Frederick Keys* Frederick Magazine+ Helen J.
    [Show full text]
  • Ranky Tanky's Self-Titled Debut Makes Traditional Gullah Songs New
    Ranky Tanky's Self-Titled Debut Makes Traditional Gullah Songs New All Things Considered January 11, 2018 The Gullah people of coastal Georgia and South Carolina trace their language and culture back to their West and Central African ancestors. Among the Gullah's unique contributions to African-American culture is a deeply distilled repertoire of spirituals and work songs. On the self-titled debut by the quintet Ranky Tanky, Gullah songs are lively, soulful honey to the ears. The four core members of the band started as a jazz combo, fresh out of college in Charleston, S.C. Three of them grew up in Gullah country, steeped in its creolized cuisine, lifestyle and arts. But the idea of creating a band dedicated to Gullah songs only came together when they recruited Quiana Parler, their lead vocalist. Parler is Gullah herself, and an alumnus of American Idol as well. Some of the oldest known African-American spirituals come from the Gullah, and they reflect a life of faith under harsh circumstances. On "Turtle Dove," Parler sings: "When I get to heaven I know the rules; kick 'em right down to the bathing pool." But even when the lyrics are sad or stern, Ranky Tanky brings playfulness and warmth to the material, blending in elements of blues, jazz and R&B. On "Sink 'Em Low," a simple but powerful rendition of a traditional work song, Parler infuses the solemn lyrics with funk and soul. "Sink 'em low, boy, sink 'em low," she sings with joy. "Sink 'em low, boy, raise 'em high." Everyone pulls their weight in this tight, efficient combo.
    [Show full text]
  • Sat, Oct 24 Virtual Performance Ranky Tanky
    RANKY TANKY SAT, OCT 24 VIRTUAL PERFORMANCE RANKY TANKY SAT, OCT 24 VIRTUAL PERFORMANCE QUENTIN BAXTER, DRUMS/PERCUSSION KEVIN HAMILTON, BASS QUIANA PARLER, VOCALS CLAY ROSS, GUITAR/VOCLAS CHARLTON SINGLETON, TRUMPET/VOCALS DAVID KELLER, VIDEO PRODUCTION RECORDED LIVE AT TRUPHONIC RECORDING STUDIO ELLIOTT ELSEY, CHIEF RECORDING ENGINEER QUENTIN E. BAXTER (BME, LLC), AUDIO-POST PRODUCTION CLAY ROSS, PRODUCTION MANAGER RANKY TANKY Ranky Tanky have achieved many firsts for South Carolina’s West African-rooted Gullah community since their formation, earning yet another milestone earlier this year at the GRAMMY Awards by taking home the Best Regional Roots Album prize for their sophomore release, Good Time. The album, which also hit No. 1 on Billboard’s Contemporary Jazz Chart over the summer, combines songs carried down through generations in the Sea Islands of the Southeastern United States with the band’s own original compositions in the Gullah tradition. In Ranky Tanky’s hands, this style of music has been described as “soulful honey to the ears” (NPR) while being covered by the New York Times, NPR’s Fresh Air and The TODAY Show, who had the band on for a performance earlier this year. Ranky Tanky (which is a Gullah phrase for “get funky”) are five lifelong friends from Charleston, South Carolina who have established themselves as passionate global ambassadors for their local culture and community, helping to faithfully preserve the traditions originated by African Americans in the coastal South during slavery that are kept alive through the present day. The band have been featured on NPR’s Fresh Air, The Today Show, PBS Newshour and The Late Show with Stephen Colbert #playathome.
    [Show full text]
  • Episode XIV Lesson Plan
    EDUCATION WORKSHOP RAISING THE VOLUME Raising the with Marcus Amaker & Charlton Singleton Volume Episode XIV Dr. Bernard Powers analyzes life and Black history. -- Sixth Grade and Up CORE SUBJECTS AND 21ST CENTURY THEMES Mastery of core subjects and 21st century themes is essential for all students in the 21st century. Core subjects include English, reading or language arts, world languages, arts, mathematics, economics, science, geography, history and government, and civics. In addition to these subjects, schools must move forward to include not only a focus on mastery of core subjects, but also an understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into core subjects. Global Awareness 1. Use 21st century skills to understand and address global issues. 2. Learn from and work collaboratively with individuals representing diverse cultures, religions, and lifestyles in a spirit of mutual respect and open dialogue in personal, work, and community contexts. Civic Literacy 1. Participate effectively in civic life through knowing how to stay informed and understanding governmental processes. 2. Exercise the rights and obligations of citizenship at local, state, national, and global levels. 3. Understand the local and global implications of civic decisions. Work Creatively with Others 1. Develop, implement, and communicate new ideas to others effectively. Raising the 2. Be open and responsive to new and diverse perspectives; incorporate group input and Volume feedback into the work. 3. Demonstrate originality and inventiveness in work, and understand the real world limits to Episode XIV: adopting new ideas. Dr. Bernard 4. View failure as an opportunity to learn; understand that creativity and innovation is a long- Powers analyzes term, cyclical process of small successes and frequent mistakes.
    [Show full text]
  • African-American Heritage. a Resource Guide for Teachers
    DOCUMENT RESUME ED 406 490 UD 031 651 TITLE African-American Heritage. A Resource Guide for Teachers. Grades 6-8. Draft. INSTITUTION New York City Board of Education, Brooklyn. Office of Multicultural Education. REPORT NO ISBN-1-55839-257-2 PUB DATE 93 NOTE 126p. AVAILABLE FROM Publications Sales Center of the Office of Instructional Publications, Room 515, 131 Livingston Street, Brooklyn, NY 11201. PUB TYPE Books (010) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS African Culture; African History; Black Culture; Black History; *Blacks; *Civil Rights; *Curriculum; Foreign Countries; Intermediate Grades; Junior High Schools; *Middle Schools; *Resource Materials; Thematic Approach IDENTIFIERS *African Americans; Middle School Students ABSTRACT This curriculum guide provides teachers with materials on African-American history and culture that include some of the most recent scholarship in the field. The activities and resources assembled do not constitute a comprehensive treatment of African-American history, but they do examine many topics within that history. The volume encompasses six themes:(1) "The African Homeland";(2) "Nile Valley Civilizations";(3) "African Empires and Village Societies";(4) "Africans in the Americas";(5) "The Struggle for Human Rights"; and (6) "Present and Future." Each theme section opens with background information for the teacher and then lists major ideas and the performance objectives for the theme. Learning activities for each theme provide a development section. Corresponding activity sheets can be duplicated for students and used as the basis for class discussion. The activity sheets contain materials of various types, such as photographs, maps, and other visual aids.
    [Show full text]
  • Create Inspire Connect
    Ranky Tanky Generously sponsored by Penny Wilkinson & Dick Boehning JANUARY 30 I 4:00 PM & 8:00 PM CHRISTENSEN PERFORMANCE HALL on the Madeline Janis Courter Stage BIG ARTS 2021 CREATE INSPIRE CONNECT www.BIGARTS.org or (239)395-0900 COMING UP Virtual Talking Points: Lyn Millner February 4 Michael Cleveland & Flamekeeper February 6 Virtual Talking Points: Ian Sherr February 11 Virtual FORUM: Dr. Arin Reeves February 14 Rudolfo Leone February 21 Virtual Talking Points:Kinfay Moroti February 25 The Music of Same Cooke, The King of Soul February 26 Virtual FORUM: Adm. Michael S. Rogers February 28 Virtual FORUM: Professor Bridgette Carr March 3 FOR DETAILS GO TO BIGARTS.ORG 2 Ranky Tanky released their eponymous debut on Oct. 20, 2017. By December of that year, the group had been profiled on NPR’s Fresh Air with Terry Gross and their album soared to the #1 position on the Billboard, I-Tunes, and Amazon jazz charts. “Gullah” comes from a West African language and means “a people blessed by God.” “Ranky Tanky” translates loosely as “Work It” or “Get Funky!” In this spirit, the Charleston, South Carolina-based quintet performs timeless music of Gullah culture born in the southeastern Sea Island region of the United States. From playful game songs to ecstatic shouts, from heartbreaking spirituals to delicate lullabies, the musical roots of Charleston are “rank” and fertile ground from which these contemporary artists are grateful to have grown. South Carolina natives Quentin Baxter, Kevin Hamilton, Charlton Singleton, and Clay Ross first came together in 1998, fresh out of university, to form a seminal Charleston jazz quartet.
    [Show full text]
  • Michigan's Jazz Renaissance Pittsburgh Enters New Era
    Moon Hooch, seen here at NattJazz in Norway, will play several festivals in 2018. (Photo: Oddbjørn Steffensen) PITTSBURGH MICHIGAN’S JAZZ HEALDSBURG FEST JAZZFEST BONN ENTERS NEW ERA RENAISSANCE CELEBRATES 20 YEARS BUILDS ON HERITAGE Page 86 Page 105 Page 111 Page 125 MAY 2018 DOWNBEAT 83 84 DOWNBEAT MAY 2018 JOEY KENNEDY Vibraphonist Roy Ayers performs last year in Pittsburgh. ittsburgh’s contributions to the jazz fir- University. out the cultural district. Later that night, jam mament stretch from seminal figures That vibe persists. At this year’s event, now sessions will be held around town. In between, Plike Roy Eldridge, Kenny Clarke and called the Pittsburgh International Jazz Festival a ticketed concert at the August Wilson Center Earl “Fatha” Hines to modern-day luminar- (June 15–17), the bulk of the action will take for African American Culture will feature bass- ies like Geri Allen, Steve Nelson and Jeff “Tain” place on three outdoor stages near Liberty ist Marcus Miller’s quintet with Pittsburgh Watts. But as the 21st century dawned, the one- Avenue. Though the staging area will be more native Brett Williams on piano. time Steel City lacked a major jazz festival. spacious than last year’s location, near Penn Burley Wilson stressed that the decision to That began to change one day in 2009, when Avenue and 9th Street, about 20,000 people are charge admission—even on a limited basis, for Janis Burley Wilson, then an executive with the expected to pack the streets to hear the music— the Miller concert and a few ancillary activi- Pittsburgh Cultural Trust, met with trumpet- for free.
    [Show full text]
  • Benny Golson Recordings by John Coltrane (Left), Elvin Jones, Jimmy Garrison and Mccoy Tyner
    AUGUST 2018 VOLUME 85 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack
    [Show full text]
  • Black Women Face High Risk, Higher Death Rates with Breast Cancer
    Will the New Edition Kavanaugh NFL Enforce Minus Nomination Their No Process is an Two Now Example of How Kneeling Touring as Bad Politics Policy ? RBRM Has Become Page 10 Page 9 Page 4 PRST STD State of Florida 75c U.S. Postage PAID Jacksonville, FL to Provide Permit No. 662 Reverse RETURN SERVICE REQUESTED Mortgage Assistance for Citizens Page 2 75 Cents Volume 31 No. 46 Jacksonville, Florida Muhammad Ali’s DNA Ancestry October 4 - 10, 2018 Linked to Escaped Slave Boxing legend Muhammad Ali was reportedly related to a slave who Black Women Face High Risk, Higher forewarned Union troops of a Confederate trap, according to the Washington Post. Ali, born Cassius Clay Jr., is the great-great-great-grandson of Archer Death Rates With Breast Cancer Alexander, whose likeness was used for the slave portrayed in the Emancipation Memorial statue in Lincoln Park near Washington, D.C. Breast Cancer Black women are 40 percent One reason for this statistic could In addition, researchers continue In 1863, Alexander journeyed five miles to alert the Union Army that Awareness Month more likely to die from breast be that medical professionals tend to look into why some women are Confederate soldiers demolished a bridge they planned to cross. He in October presents cancer despite doctors diagnosing to find this cancer at an earlier stage more susceptible to triple-negative later fled to St. Louis in fear of the consequences of leaking informa- another opportunity the disease in African-American in white women. Also, Black breast cancer, in order to find better tion.
    [Show full text]