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Corner Gas Star Live in Chilliwack!
FROM: CHILLIWACK ARTS & CULTURAL CENTRE SOCIETY 9201 Corbould Street, Chilliwack BC V2P 4A6 Contact: Ann Goudswaard, Marketing Manager T: 604.392.8000, ext.103 E: [email protected] W: www.chilliwackculturalcentre.com February 21, 2013 High Resolution photo: Where the Blood Mixes_arm wrestle.jpg Photo Description: Where the Blood Mixes, Craig Lauzon & Lorne Cardinal arm wrestling. Photo Credit: Barbara Zimonick FOR IMMEDIATE RELEASE CORNER GAS STAR LIVE IN CHILLIWACK! CHILLIWACK, BC — Where the Blood Mixes is an amazing, powerful piece of theatre that everyone should see. Bitingly funny and brutally honest, the story is a deeply personal accounting about loss and redemption as it goes beyond the headlines in an emotional story about humanity and survival, tackling our nations darkest secret — residential schools. Winner of the Governor General’s Literary Award for Drama this extremely moving masterpiece stars Lorne Cardinal, known as the loveable Officer Davis on Corner Gas, and Craig Lauzon of Royal Canadian Air Farce fame. This stunning cast takes us on an emotional journey capturing one of the most-tragic and heinous chapters in Canadian history. Don’t miss the opportunity to see this powerful piece of theatre when Where the Blood Mixes is presented by The Chilliwack Arts & Cultural Centre Society with assistance from the Stó:lō Nation, comes to The Cultural Centre on March 9. Written by Kevin Loring, Where The Blood Mixes is set in Lytton, British Columbia which is located where the mighty Fraser and Thompson Rivers meet. Loring says he wrote the play to expose the shadows below the surface of the community, and to celebrate its survivors. -
1850-EQ Spring 15 MAG.Indd
EQUITY QUARTERLY SPRING 2015 PERSPECTIVES ON DIVERSITY STAGING THE FUTURE EQ ENDING HARASSMENT NOW The Equity Census THE EQUITYCENSUS STAGING THE FUTURE CULTURE & ETHNICITY | DIVERSE ABILITY | GENDER & SEXUAL IDENTITY Be a part of the biggest and boldest project ever undertaken by Equity – and all you need to do is tell us about yourself. The Equity Census is a ground-breaking demographic survey designed to better understand and serve all Equity members. It will examine the diverse composition of Equity’s The Equity Census opens membership specifically focusing on diversity of culture and ethnicity, diverse ability and Friday, April 24. gender and sexual identity. The survey seeks to identify potential barriers to employment within the Association’s jurisdiction. Data gathered will be a powerful tool in collective bargaining for equitable representation of diversity onstage and in related hiring. The Equity Census Members will be given the option of providing their member number at the conclusion of the closes Friday, May 22. survey so that, for the first time, Equity will be able to analyze how diversity impacts members’ work opportunities and income-earned. The Equity Census is completely confidential A report on the survey and will be conducted by an independent research firm. Its findings will strengthen Equity’s advocacy efforts promoting live performance and inform recommendations for legislative will be published in the change promoting the vibrancy and continued relevance of the performing arts in Canada. Summer EQ. What else do I need to know? + Check and update Regular and Life Your privacy is Eligible members Any member your contact info at members in good important to us. -
Ring in the New Year with Air Farce New Year's Eve on Cbc
For Immediate Release: December 13, 2018 Tweet this Release: www.airfarce.com/press RING IN THE NEW YEAR WITH AIR FARCE NEW YEAR’S EVE ON CBC, DECEMBER 31 TROUPE CELEBRATES 45TH ANNIVERSARY Tommy Chong, Lauren Lee Smith, and Natalie Spooner guest star Justin Trudeau, Donald Trump, Chrystia Freeland, Mark Zuckerberg, Theresa May, and the Royal Family are in the hot seat Toronto (December 13, 2018) – AIR FARCE, one of the most acclaimed homegrown comedy troupes, is turning 45. The Farce will be celebrating this landmark anniversary skewering the biggest news stories, events, people, and pop culture phenomena of the year with its longstanding year-end ritual AIR FARCE NEW YEAR’S EVE, premiering Monday, December 31 at 8 p.m. (8:30 NT) on CBC, with an encore broadcast later the same evening at 12:10 a.m. (12:40 NT). AIR FARCE NEW YEAR'S EVE is one of the highest-rated entertainment specials in the country. An average audience of 1.8 million Canadians watched AIR FARCE NEW YEAR’S EVE last year on CBC, with a total reach of 3.7 million viewers over the course of the show.* Click on the link for AIR FARCE Photos and Bios AIR FARCE NEW YEAR’S EVE looks back at the year that was and takes aim at climate change, the fallout of the #MeToo movement, Brexit, the Trans Mountain Pipeline, the legalization of marijuana and the Queen welcoming a new royal great-grandchild. Black Panther battles America’s latest threat – extreme racism – and PM Justin Trudeau is #sorrynotsorry in a special musical tribute set to Maroon 5 chart-topper Girls Like You. -
Andrew Clark: Number One, I Want to Call Attention to a Book I Read a While Ago That I Thought Was Tremendous
Andrew Clark: Number one, I want to call attention to a book I read a while ago that I thought was tremendous. The author is sitting beside me. It’s Air Farce: 40 Years of Flying By the Seat of Our Pants. As someone who writes about the history of comedy, I wish he’d written this a little bit before my book, because then I could’ve just used it as a secondary source. It’s a tremendous book. It’s a really, really funny, well-written book, and it’s going to be valuable for people who study comedy for years and years to come, so on their behalf, I thank you, Don Ferguson… Don Ferguson: You’re welcome. AC: And I welcome you once again to Humber College Comedy Primetime. (applause) And I have to say, I got to learn a few things about you that I didn’t know, particularly, and I mentioned it earlier, that you didn’t have a very direct route into comedy. There was no comedy school. I think you were always being funny one way or another, but can you talk a little bit about your early days in Montreal, at Loyola, and your march through the counterculture of the sixties, to a degree? DF: (laughs) Well, I’m obviously a baby boomer, and I came of age, I guess in a way, in the sixties. Now I’m in my sixties. Funny, isn’t it? At the time when I was in school, high school and then university, there were no comedy clubs of any kind anywhere. -
Clara Thomas Archives and Special Collections (CTASC)
CLARA THOMAS ARCHIVES Inventory of the Abbott-Ferguson Productions Ltd. fonds Inventory #F0554 The digitization of this finding aid was made possible - in part or entirely - through the Canadian Culture Online Program of Canadian Heritage, the National Archives of Canada and the Canadian Council of Archives. page 2 F0554 - Abbott-Ferguson Productions Ltd. fonds Fonds/Collection Number: F0554 Title: Abbott-Ferguson Productions Ltd. fonds Dates: ca. 1970-2012, predominant 1973-2012 Extent: ca. 48 m of textual records ca. 21700 photographs ca. 6745 negatives ca. 435 contact sheets ca. 952 slides 69 VHS videocassettes 467 Digibeta videocassettes 64 Betacam videocassettes 6 DVDs 71 HDCAM videocassettes 112 compact discs 899 audio reels 6 audio cassettes 12 video reels 14 U-matic videocassettes 1 external hard drive : 109GB ca. 122 objects 9 audio compact discs 17 rolls of negatives 1 optical disc 3 PFD optical discs Biographical Sketch/ Abbott-Ferguson Productions Ltd. was established in the late 1970s by Roger Administrative History: Abbott and Don Ferguson, two of the principals of the Royal Canadian Air Farce comedy troupe. Together they acquired a 55% stake in Air Farce Productions Inc. which had been incorporated in 1978 to formally establish the ownership and management of the creative work of the group. During the 1990s Abbott-Ferguson Productions subsequently bought out the shares from other troupe members and co-owners Dave Broadfoot, Luba Goy, and John Morgan, becoming the sole owner of Royal Canadian Air Farce and its creative properties. After the death of Roger Abbott in 2011, Don Ferguson became the sole owner of Abbott-Ferguson Productions, and by extension, of Air Farce. -
ACTRA's TV Drama Campaign
WINTER 2009 The Alliance of Canadian Cinema, Television and Radio Artists ACTRA’s TV drama campaign Fighting for a happy ending Pages 4 and 7 60290-1 ACTRA.indd 1 1/26/09 10:31:09 AM message from the president No giving up now Alice laughed, “There’s no use trying,” she said, “one can’t believe impossible things.” The Queen replied, “I daresay you haven’t had much practice. When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.” From Through The Looking-Glass: And What Alice Found There, by Lewis Carroll One “impossible” hundreds of millions of dollars worth of thing I believe in is U.S. programming, they are glossing over a real Canadian film and their other bad investments in buying up television industry that can smaller entities and are looking for more Artists from all disciplines protested grow to be one that our concessions from the public. Harper’s cuts to the arts. At the Toronto government, the regula- These reviews are going to touch rally opera singer John Mac Master and tors, the bureaucrats and almost every aspect of Canada’s broadcast- ACTRA’s National President Richard Hardacre the broadcasting and distribution entities ing regulations and the CRTC now has reminded Canadians that since the work of encourage and promote. a number of very new Commissioners. Canada’s professional artists has bizarrely We got one step toward that goal with We will be briefing them on the critical come under attack, it’s essential to make our successful negotiation of the National role the CRTC must play in supporting our votes count for culture. -
King Lear at the National Arts Center by Michael Best
King Lear at the National Arts Center by Michael Best. Written on 2012-06-13. First published in the ISE Chronicle. For the production: King Lear (2012, National Arts Centre English Theatre, Canada). See production details at the end of the review. The production of King Lear at the National Arts Centre in Ottawa this last May was staged with a fully indigenous cast, and was directed by Peter Hinton, a highly regarded Canadian dramaturg, playwright, and director. Hinton set the story in seventeenth century Canada, the period of first contact between Europeans and indigenous people. Clearly there were high hopes, both that the production would showcase the depth and quality of the First Nations acting community, and that the setting would bring new insights to a play often considered to be one of the pinnacles of Western European culture. Judging by the performance I saw, mid-way through the run, the first of these hopes was generally realized; the second less so. The production opened to mixed reviews. At the core of the sense of disappointment was August Schellenberg’s Lear. Maja Stefanovska’s review of an early performance was still to a significant degree true on the later evening I saw the play: August Schellenberg plays the old king with varying degrees of success. He’s at his best during Lear’s rapid decline. He makes a wonderful and at times funny, confused, and lost king. However, the rest of his performance lacks excitement, he fumbles over some lines, and does not take enough time to give meaning to the rest. -
Raphael Daisy Fall 2011
University of Alberta “‘Doesn’t Anyone Want to Pick a Fight with Me?’: Masculinity in Political Humour about the 2008 Canadian Federal Election” by Daisy M. Raphael A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Arts Political Science © Daisy Raphael Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Library to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author’s prior written permission. EXAMINING COMMITTEE Dr. Linda Trimble, Political Science Dr. Lois Harder, Political Science Dr. Serra Tinic, Sociology DEDICATION To my parents, Karen and Julian Raphael, for encouraging me to pursue a university education and for their unwavering support throughout my undergraduate and graduate degrees. Also, to my partner, Craig, for the beautifully-cooked meals on days that I felt too busy to feed myself, for reminding me that there is life outside of academics, and for his constant words of encouragement throughout this process. -Daisy Raphael ABSTRACT This study explores the relationship between masculinity and political leadership as it was constructed in political humour about the 2008 Canadian federal election. -
Where the Blood Mixes Production Personnel
PRESENTS Study Guide Playing October 11 to 20, 2012 At Sagebrush Theatre wctlive.ca Table of Contents Introduction ..............................................................................................................................1 Curriculum Connections......................................................................................................... 2 Production Personnel .............................................................................................................. 3 Western Canada Theatre Staff................................................................................................4 Inside Western Canada Theatre ............................................................................................. 5 About the Play..........................................................................................................................6 Characters.................................................................................................................................8 Kevin Loring and Western Canada Theatre ..........................................................................9 Biography of Kevin Loring .....................................................................................................11 Map of First Nations in British Columbia.............................................................................12 Sturgeon................................................................................................................................... 13 Native Literature.....................................................................................................................14 -
NEPA Newsletter February 2006.Pub
Native Earth newsletter NATIVE EARTH PERFORMING ARTS WISH LIST Native Earth [ Billets for visiting artists from out of town B OARD OF DIRECTORS 2005-2006 newsletter EARTFELT HANKS Jesse Wente PRESIDENT A H T ! Jed DeCory VICE-PRESIDENT To the Creator, for the safe and healthy birth of beautiful Jackson Lauzon Volume 17, No. 3 - Winter, 2006 Susan Crean SECRETARY to parents Craig Lauzon & Tracy O’Connor Lauzon. Rex Buckle TREASURER Congratulations! James Cullingham and Naomi Powless Jani Lauzon, Monique Mojica, Michelle St A shout out to the wonderful people at Nightswimming, Mammalian NATIVE EARTH P ERSONNEL Diving Reflex and DvXT staff for lending us their nice, spacious room to use John, Michelle Latimer, Cheri Maracle- for our recent reading Cardinal, Craig Lauzon, Ryan Cunningham, TAKES IT PERSONAL To Sandra LeFrancois & David Yee for pitching extra in manpower Cliff Cardinal, Sara Sinclair, Falen Johnson, during Dreary & Izzy and Tara Beagan, directed by Kennedy Toronto Arts Council for offering a grantwriting workshop to our Young Voices playwrights MacKinnon and Yvette Nolan with Photography Leon by Aureus All of the generous donors to Turtle Gals The Scrubbing Project choreography by Tamara Podemski. To our favourite and most functional couchboy, Leon Aureus: a big, big MANAGING ARTISTIC DIRECTOR thank you for making our staff pictures sexier and funkier every single time! Yvette Nolan (far right) THEATRE ADMINISTRATOR Donna-Michelle St. Bernard (second from right) Financial Supporters MARKETING & DEVELOPMENT COORDINATOR Native Earth Performing Arts gratefully acknowledges the Nina Lee Aquino (far left) financial support of: COMMUNITY LIAISON Baagwating Community Association Erika A. Iserhoff (second from left) The McLean Foundation WEBMASTER & DESIGNER Lance Sero Court National Aboriginal Achievement M EMBERS Foundation PATRONS OF THE EARTH: Lorne Cardinal, Daniel David Moses, Harold Tarbell and Jesse Wente. -
Air Farce New Year's Eve Final Farewell, December 30
For Immediate Release: December 12, 2019 Tweet this Release: www.airfarce.com/press AIR FARCE NEW YEAR’S EVE FINAL FAREWELL, DECEMBER 30 After nearly five decades, Canada's longest-running television comedy troupe takes a final CBC bow Toronto (December 12, 2019) – After an illustrious 46-year run on radio and television, AIR FARCE, one of the most enduring and iconic homegrown comedy troupes in the country is winding down. AIR FARCE NEW YEARS EVE 2019, the troupe's final show, premieres Monday, December 30 at 8 p.m. (8:30 NT) on CBC and the free CBC Gem streaming service. For AIR FARCE Photos and Bios, click here. What began as a topical sketch comedy troupe in 1970 morphed into the ROYAL CANADIAN AIR FARCE, skewering Canadian politics, current affairs and pop culture in 1973, with founding members Don Ferguson, Luba Goy, the late Roger Abbott, John Morgan and Dave Broadfoot. The troupe grew into a successful franchise. A CBC radio series ran for 24 seasons, from 1973-97, spawning national concert tours, live stage productions, home audio and video releases, a book, and several television specials. A weekly CBC television series ran for 16 successful seasons, from 1993-2008. The annual New Year’s Eve special launched in 1992 and has been a ratings hit throughout its run. AIR FARCE has received numerous awards and accolades. They won a JUNO Award for Best Comedy Album in 1979. They were the first Canadian inductees into the International Humour Hall of Fame in 1992. They received the Governor General’s Performing Arts Award in 1998. -
Masculinity in Political Humour About the 2008 Canadian Federal Election
‘May the Best Man Win’: Masculinity in Political Humour about the 2008 Canadian Federal Election Paper presented to the 2012 Canadian Political Science Association (CPSA) Conference Edmonton, Alberta June 13th-15th, 2012 Daisy Raphael PhD Student Political Science Department University of Alberta 10-16 HM Tory Building Edmonton, Alberta T6G 2H4 [email protected] Abstract: This study explores the relationship between masculinity and political leadership as it was constructed in political humour about the 2008 Canadian federal election. Using discourse analysis, I have examined gendered depictions of the two frontrunners in that election – Stéphane Dion and Stephen Harper – on the popular television programmes the Rick Mercer Report, 22 Minutes and the Royal Canadian Air Farce. Guiding this analysis is Connell’s ([1995] 2005) theory of masculinities. I argue that political satirists constructed a hierarchy of masculinities in their portrayals of Dion and Harper by depicting Dion as submissive, weak, and effeminate, while portraying Harper as dominant, aggressive, and bullying, in other words as ‘too masculine’. In doing so, I argue, Canadian political humourists contributed to the normalization of the purported connections between masculinity, power, and politics and to the social construction of politics as a ‘man’s world’. This research corresponds with that of other feminist researchers studying gender, politics and the media, who have found that masculine narratives tend to depict women as Others in the political realm (for example, Gidengil and Everitt, 1999; 2000; Sampert and Trimble, 2003). 1 Introduction The Liberal party fared dismally in the 2008 Canadian federal election. Earning just 26.2% of the popular vote and losing 27 seats, the Liberal party’s showing in the 2008 election was only slightly better than the party’s worst performance ever.