THE BRO CODE: How Contemporary Culture Creates Sexist Men
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Congressional Record-House. 8651
1922.- CONGRESSIONAL RECORD-HOUSE. 8651 3,281,000,000 bushels of corn, with a value of approximately $1,9<.lS,- of navigation at or near Freeport, in the State of Pennsylvania in 600,000. This corn must find an outlet outside of the corn belt, either accordance with the provisions of the act entitled "An act to regUiate through feeding or export. History shows that practically 85 per cent ~i ~onstruction of bridges over navigable waters," ~pproved :March 23, of the corn raised in the United States must be fed on the farm. 6 The competition of blackstrap molasses in displacing corn for feeding S»C. 2. That the right to alter, amend, or repeal this act is hereby and distilling purposes is greatly Increasing our surplus and has a very expressly reserved. depressing effect on our market. The import duty will have a very beneficial effect of restoring the value of our product. The bill was reported to the Senate without amendment, or When this amendment comes up ·on the tloor of the Senate, we urge dered to a third reading, read the third time, and passed. you to support it, thereby protecting the products of the American farmer instead of permitting the waste products f9>m foreign countriea. EXECUTIVE SESSION. to enter this country free of duty and depress the market of 011r farmers' main crop--corn. Mr. JONES of Washington. I move that the Senate proceed Respectfully submitted. • to the consideration of executive business. Peoria County Farm Bureau, per Zealy M. Holmes, presi dent ; The American Distilling Co., Pekin, Ill., per The motion was agreed to ; and the Senate proceeded to the E. -
Homosexuality and the 1960S Crisis of Masculinity in the Gay Deceivers
Why Don’t You Take Your Dress Off and Fight Like a Man? WHY DON’T YOU TAKE YOUR DRESS OFF AND FIGHT LIKE A MAN?: HOMOSEXUALITY AND THE 1960S CRISIS OF MASCULINITY IN THE GAY DECEIVERS BRIAN W OODMAN University of Kansas During the 1960s, it seemed like everything changed. The youth culture shook up the status quo of the United States with its inves- titure in the counterculture, drugs, and rock and roll. Students turned their universities upside-down with the spirit of protest as they fought for free speech and equality and against the Vietnam War. Many previously ignored groups, such as African Americans and women, stood up for their rights. Radical politics began to challenge the primacy of the staid old national parties. “The Kids” were now in charge, and the traditional social and cultural roles were being challenged. Everything old was old-fashioned, and the future had never seemed more unknown. Nowhere was this spirit of youthful metamorphosis more ob- vious than in the transformation of views of sexuality. In the 1960s sexuality was finally removed from its private closet and cele- brated in the public sphere. Much of the nation latched onto this new feeling of openness and freedom toward sexual expression. In the era of “free love” that characterized the latter part of the decade, many individuals began to explore their own sexuality as well as what it meant to be a traditional man or woman. It is from this historical context that the Hollywood B-movie The Gay Deceivers (1969) emerged. This small exploitation film, directed by Bruce Kessler and written by Jerome Wish, capitalizes on the new view of sexuality in the 1960s with its novel (at least for the times) comedic exploration of homosexu- ality. -
Playing Bachelor: Playboy's 1950S and 1960S Remasculinization
Playing Bachelor: Playboy’s 1950s and 1960s Remasculinization Campaign A Research Paper Prepared By Alison Helget Presented To Professor Marquess In Partial Fulfillment for Historical Methods 379 November 06, 2019 2 Robert L. Green’s 1960 article “The Contemporary Look in Campus Classics”, adheres to manifestation of the ‘swinging bachelor’ and his movement into professionalism. A college student’s passage from a fraternal environment of higher education to the business world demands an attitude and clothing makeover. Playboy presents the ideal man employers plan to hire. However, a prideful yet optimistic bravado exemplifies these applicants otherwise unattainable without the magazine’s supervision. Presented with a new manliness, American males exhibited a wider range of talents and sensitivity towards previously feminine topics. In accordance with a stylistic, post-schoolboy decadence, the fifties and sixties questioned gender appropriation, especially the hostile restrictions of the average man.1 Masculinity shapes one’s interactions, responding to global events as an agency of social relationships. Answering the call of World War II, men rushed to the service of nationalism. The homecoming from Europe forced the transition from aggressiveness to domestic tranquility, contradicting the macho training American soldiers endured. James Gilbert explores the stereotypes imposed upon middle-class men as they evolved alongside urbanity and the alterations of manliness apparent in the public sector. However, the Cold War threatened the livelihoods of men and their patriarchal hierarchy as the exploration of gender just emerged. In Homeward Bound: American Families in the Cold War Era, Elaine Tyler May notes the emphasis on family security amidst heightened criticism and modification, clearly noting masculinity’s struggle with the intervention of femininity and socio-economic restructuring. -
Feminism Discussion Around Death of Hugh Hefner
Feminism Discussion on Twitter after Death of Hugh Hefner Claudia Alessandra Libbi 4th Year Project Report Cognitive Science School of Informatics University of Edinburgh 2019 3 Abstract Hugh Hefner - owner of the Playboy magazine and mansion - died in September 2017. His death drew a lot of media attention, since his lifestyle, values, legacy and role in society were highly controversial. While some saw him as a feminist and pioneer of female liberation, others believe that he contributed to the objectification of women by selling them as products. As a popular micro-blogging platform, Twitter provides a way to gain direct feedback from society and allows an estimation of the public response to events. This project provides quantitative and qualitative analysis of the data collection streamed from Twitter in the 10 days after his death. After filtering, the set contained about 460K Tweets related to Hugh Hefner. Using sampling and annotation techniques to get stance labels, it was possible to estimate that the majority of tweets, as well as users in the set had negative stances towards Hefner. The analysis also includes pop- ular topics discussed in relation to his lifestyle and death. The focus of this analysis lays on the opinion of feminist accounts and the main topics distinguishing Tweets supporting Hugh Hefner from those who criticize him. 4 Acknowledgements Instead of thanking anyone but myself for manually annotating approximately 3000 tweets in various languages (#oof my mistake), I want to share something more fun: When I was looking for readings and I came across Jon Ronson’s book ”So you’ve been publicly shamed” (which then someone recommended to me again, later) and felt that it was relevant to this research, so I borrowed it from the library and carried it around for any potential ’breaks’ I might want to spend reading for ’fun’. -
White Ball-Breaking As Surplus Masculinity in Jackass
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU English Faculty Publications English 2015 The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass Christina M. Tourino College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/english_pubs Part of the Film and Media Studies Commons, and the Gender and Sexuality Commons Recommended Citation Tourino, Christina M., "The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass" (2015). English Faculty Publications. 21. https://digitalcommons.csbsju.edu/english_pubs/21 © 2015 Wiley Periodicals, Inc The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass In Jackass: Number Two (2006), Bam Margera allows Ryan Dunn to brand his posterior with a hot iron depicting male genitalia. Bam cannot tolerate the pain enough to remain perfectly still, so the brand touches him several times, resulting in multiple images that seem blurry or in motion. Bam’s mother, who usually plays the role of game audience for his antics, balks when she learns that her son has been hurt as well as permanently marked. She asks Dunn why anyone would ever burn a friend. “Cause it was funny,” Dunn answers.1 Jackass mines the body in pain as well as the absurd and the taboo, often dealing with one or more of the body’s abject excretions. Jackass offers no compelling narrative arc or cliffhangers, presenting instead a series of discrete segments that explore variations on the singular eponymous focus of the show: playing the fool. This deliberate idiocy is the show’s greatest strength, and its excesses seem calculated to repeatedly provide the viewer with a mix of schadenfreude, horror, and disbelief. -
MEET BRANDON NOVAK MTV Celebrity, New York Times Best-Selling Author, Professional Skateboarder, Recovery Speaker Social Media Metrics Brandon Novak on Youtube
MEET BRANDON NOVAK MTV Celebrity, New York Times Best-Selling Author, Professional Skateboarder, Recovery Speaker Social Media Metrics Brandon Novak on YouTube YouTube demographic analysis is one of the most reliable methods of tracking popularity and influence. Top Locations Novak’s stats establish him as one of the most well known addiction public speakers today. USA UK UK Australia 10% Canada Canada Germany 7.8% 2.1% Sweden USA Age Range Gender 63% 13-17 18-24 25-34 34% Women 35-44 66% 45-54 Men Australia 55-64 5% 217,000+ 99,000+ 108,000+ The top ten videos featuring Brandon Novak yield followers followers fans over 6.2 million views with the following demographics 2 Novak in Pop Culture Born in Baltimore, Maryland, Brandon Novak is a skateboarder from the renowned Powell-Peralta team, an MTV celebrity (Viva La Bam, Bam’s Unholy Union), an alumnus of the Jackass motion picture series, a star of the legendary CKY skateboard video series, and author of his best-selling addiction memoir Dreamseller. He has made several appearances on The Howard Stern Show (in which he received recognition for one of Stern’s Top Ten Outrageous Moments.) Novak was also a guest host to Bam Margera on Sirius XM’s Radio Bam, and guest host on the TBS series Bam’s Badass Game Show. Novak travels the country for Banyan Treatment Center as an addiction / recovery public speaker, in an effort to raise awareness and help addicts find the treatment they need. His appearances are currently being sponsored and documented by Vice. -
Sunday Morning Grid 12/25/11
SUNDAY MORNING GRID 12/25/11 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face/Nation A Gospel Christmas NCAA Show AMA Supercross NFL Holiday Spectacular 4 NBC Holiday Lights Meet the Press (N) Å Conference Wall Street Holiday Lights Extra (N) Å Global Golf Adventure 5 CW Yule Log Seasonal music. (6) (TVG) In Touch Paid Program 7 ABC News (N) Å This Week-Amanpour Disney Parks Christmas Day Parade (N) (TVG) NBA Basketball: Heat at Mavericks 9 KCAL Yule Log Seasonal music. (TVG) Prince Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday Kids News Winning Paid Program 13 MyNet Paid Program Best Buys Paid Program Best of L.A. Paid Program Uptown Girls ›› (2003) 18 KSCI Paid Program Church Paid Program Hecho en Guatemala Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Cuisine Kitchen Kitchen Sweet Life 28 KCET Cons. Wubbulous Busytown Peep Pancakes Pufnstuf Lidsville Place, Own Roadtrip Chefs Field Pépin Venetia 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Ministry Campmeeting 34 KMEX Paid Program Muchachitas Como Tu Nuestra Navidad República Deportiva en Navidad 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. Franklin 46 KFTR Paid Tu Estilo Patrulla La Vida An P. -
Sexual Liberation and Feminist Discourse in 1960S Playboy and Cosmopolitan
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan Lina Salete Chaves University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Sociology Commons Scholar Commons Citation Chaves, Lina Salete, "Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3041 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sexually Explicit, Socially Empowered: Sexual Liberation and Feminist Discourse in 1960s Playboy and Cosmopolitan by Lina Salete Chaves A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Daniel M. Belgrad Ph.D. Robert E. Snyder Ph.D. Laurel Graham Ph.D. Date of Approval: September 22, 2011 Keywords: individualism, consumerism, careerism, sexuality, feminism Copyright © 2011, Lina Salete Chaves Table -
“Dude, That's Just Wrong”: Mimesis, Identification, Jackass
“Dude, that’s just wrong”: Mimesis, Identification, Jackass Scott C. Richmond In memory of Miriam Bratu Hansen 1. In one of the most compelling documentary scenes I have ever seen play out on any screen, Johnny Knoxville and Steve-O willingly submit to paper cuts. First, Johnny announces he‘s going to have paper cuts administered to the webbing of his toes and then his fingers: ―I‘m Johnny Knoxville and this is ‗Paper Cuts‘.‖ An anonymous set of hands administer the iconic manilla envelope between his left pinky toe and the one next to it. He reacts, yelling, but then also laughing—and so does a roomful of twenty-something men, howling with the admixture of sympathetic pain and laughter and outright Schadenfreude that is the hallmark of the Jackass franchise. Johnny spreads his toes to make sure the audience sees the wound: a nauseating familiar little pink sliver between his toes. The manila envelope is then administered to his next toe-webbing. The same individual and group howling results. A voice out-of-frame suggests that he‘ll forget about the pain in his feet when he spreads his fingers. The film obliges, cutting to the same envelope slicing open the webbing between his index and middle finger. About then, one of the cameramen loses it. Another camera— the one he‘s not holding—fixes him in frame: he‘s dropped his camera from his face, incapable of doing his job, looking ashen and beginning to gag. To great amusement, laughter, and loud, raucous fake-hurling encouragement from everyone else in the hotel room—and, if you‘re into it, much to the amusement of the audience as well—he starts to throw up to cheers and laughter. -
Cosby Testimony Puts '70S Party Drug Quaaludes Back in News 21 July 2015, Byjohn Rogers
Cosby testimony puts '70s party drug quaaludes back in news 21 July 2015, byJohn Rogers One thing is certain. The drug, outlawed in the United States since 1982, was hugely popular 40 years ago. People routinely swallowed it with their drinks at nightclubs from coast to coast. The 13-year-old girl with whom Roman Polanski pleaded guilty to having unlawful sexual intercourse in 1977 said the Oscar-winning director plied her with champagne and half a quaalude before raping her at Jack Nicholson's house. Polanski fled to France in 1978 to avoid a long prison sentence and continues to live there as a fugitive. Holly Madison, in her recently published memoir, "Down the Rabbit Hole: Curious Adventures and In this Nov. 11, 2014, file photo, comedian and Navy Cautionary Tales of a Former Playboy Bunny," veteran Bill Cosby speaks during a Veterans Day writes that Hugh Hefner once offered her a handful ceremony in Philadelphia. Cosby says he paid women of quaaludes. after having sex with them and went to great lengths to hide his behavior and the payments from his wife, The "'Usually, I don't approve of drugs, but you know, in New York Times reported Saturday, July 18, 2015, after the '70s they used to call these pills thigh openers,'" obtaining a copy of a transcript from a deposition Cosby she says he told her. Hefner has declined to gave a decade ago. (AP Photo/Matt Rourke, File) discuss Madison's book. At one point during Cosby's testimony for a lawsuit Before there was Molly there was the quaalude, he eventually settled out of court, he said he had the most popular party drug of the 1970s. -
The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa
Pornification 19/7/07 10:56 am Page 23 –2– The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa The mainstreaming of pornography is indebted to the success of feature-length hardcore films of the 1970s. Shot on 35 mm film, productions such as Deep Throat (1972), Behind the Green Door (1972), The Devil in Miss Jones (1973), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) were widely screened both in the USA and internationally. These films have since been estab- lished as classics (Buscombe 2004: 30) and milestones in both scholarly and popular porn historiographies. While some identify the so-called ‘golden age of porn’ through North American legislation and as ranging from 1957 from 1973 (Lane 2000: 22–3), it was in the 1970s and early 1980s that porn shifted towards the mainstream. In a trend titled by the New York Times as porno chic, pornography became fashionable, gained mainstream publicity and popularity (McNair 2002: 62–3; Schaefer 2004: 371; Wyatt 1999). During the past decade, this golden age has been reminisced in films such as People Vs. Larry Flynt (1996), Boogie Nights (1997) and Rated X (2000), numerous documentaries – including the critically acclaimed Inside Deep Throat (2005) – and books.1 This body of popular porn historiography depicts the decade as one of quality films with real stories, personal performers and talented directors, in contrast to the 1980s of video distribution, inflation of the porn industry, rise of AIDS and conservative backlash. With notable exceptions such as the French Le pornographe (2001) and the Spanish–Danish co-production Torremolinos 73 (2003), European histories have not been reminisced to the same degree. -
Miss MARILYN CHAMBERS
The Ivory Snow Soap model gone XXX porn legend of the 70s and 80s pries open the paint-chipped green door and lets us peak inside… the Insatiable… Miss MARILYN CHAMBERS r e t s o P d n a k o o B d o o w y l l o H f o y s e t r u o c s o t o Interview by Robert Steven Rhine h P G&C: You’re truly a survivor, Marilyn. Many of the 70s porn performers are gone and buried. ODs, suicides and AIDS – which also happen to mainstream performers – it seems like in your business a lot more actors had some really rough, and even deadly, times. So, to what do you owe your longevity and survival? There’re only a handful of Marilyn: [laughs] Probably a little bit of AA names who meet the test of here and there. I also have a teenager who keeps legendary adult film icon: JOHN me real busy. As far as being a survivor over the HOLMES, LINDA LOVELACE, RON years, I didn’t totally over-expose myself, pardon JEREMY, TRACY LORDS, GINGER LYNN, JENNA JAMESON the pun. I didn’t go to the max like a lot of porn performers do, especially, today. When I first and, of course, at the top of that list… MARILYN CHAMBERS. came around, everything was shot on film and it I happen to be a bone-a-fide fan of Marilyn Chambers, having became porno chic. They just don’t make these watched her in the very first XXX movie I ever saw, Behind the kind of adult movies anymore.