Where Is Equity and Cultural Wealth in Higher Education?
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Alfred Nicol Interviewed by Christine Yurick
Alfred, there is little information available about your background (family, childhood, etc.). Is there a reason for that or would you be willing to share some with me? I was born in 1956, the second of my parents’ four children, whose births followed a pattern: girl, boy, girl, boy. My parents were working-class French- Canadian people from large families. My mother was the next-to-youngest in a family of twelve children; my father had eight brothers and sisters. Nearly all of the socializing my parents did was with family members. When I was a young boy, my playmates were my cousins. Neither my mother nor my father had much education. She completed her eight years at the Catholic elementary school which I later attended, Sacred Heart School in Amesbury, Massachusetts; after that, she worked at a hat factory and took care of her elderly mother. My father did not even make it through elementary school. He was asked to leave class for misbehavior in the sixth grade and he never returned. He did attend a technical high school later on, where he studied mechanical drafting. He took a job in a sheet metal shop, where he was made foreman and worked until his retirement. His co-workers had great respect for him. When I was old enough to work summers at the shop, they would tell me, whatever I might accomplish, I would never be as intelligent as my father. I liked hearing that. Though my mother claimed to have never read a book all the way through—it hurt her eyes, she said—she was a regular contributor to “Confidential Chat,” a women’s forum printed in The Boston Globe. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
VIII Biennial Dominican Studies Association Conference
The VIII Biennial Dominican Studies Association Conference Hosted at Eugenio María de Hostos Community College of The City University of New York 450 Grand Concourse, Bronx, New York 10451 (C-Building) Thursday - Saturday, November 15-17, 2018 Dominicans on the Map: Heritage, Citizenship, Memory and Social Justice Opening Remarks by Daisy Cocco De Filippis President, Naugatuck Valley Community College Welcome by David Gómez President, Eugenio María de Hostos Community College Keynote Speaker - María Harper-Marinick Chancellor, Arizona Maricopa County Community Colleges (one of the largest community college systems in the nation) Remarks by Silvio Torres-Saillant Professor and Director of the Latino-Latin American Studies Program at Syracuse University Dedicated to the distinguished poet Rhina P. Espaillat Artist: Héctor Ureña - Title: "Undercover” Dominican Studies Association Sponsors & Co-sponsors Eugenio María de Hostos Community College/CUNY Naugatuck Valley Community College in Connecticut Syracuse University/Latino-Latin American Studies Program Borough of Manhattan Community College, Center for Ethnic Studies/CUNY Broadway Housing Communities Inc. The City University of New York (CUNY) The CUNY Dominican Studies Institute at The City College of New York Harvard University The City College of New York/Latino Studies Program/CUNY Association of Dominican-American Supervisors and Administrators (ADASA) Inka Cola High Point University of North Carolina Asociación de Escritores Dominicanos en Estados Unidos (ASEDEU) Hunter College/CUNY -
2020Virtualfestivalpartnershipd
THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality. -
The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating. -
30-Minute Big Band Performance + 15-Minute Clinic • Jazz Combos
37TH ANNUAL UNC WILMINGTON DEPARTMENT OF MUSIC UNCW JAZZFEST Friday, March 29, 2019 · 10 a.m. - 9 p.m. OPEN TO MIDDLE AND HIGH SCHOOL JAZZ COMBOS AND BIG BANDS Terri Lyne Carrington DRUMS GUEST ARTIST / CLINICIAN Three-time Grammy Award-winning drummer, producer and educator, Terri Lyne Carrington has worked with artists such as Herbie Han- cock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Woody Shaw, Cassandra Wil- son, Dianne Reeves, John Scofield, Esperanza Spalding, Yellowjackets and countless others. Carrington is also the first female artist to win a Grammy for Best Jazz Instrumental Album. Carrington has released eight albums; most recently The Mosaic Project: Love and Soul, which features a leading cast of superb female instrumentalists and vocalists including Natalie Cole, Chaka Khan, Nancy Wilson, Ledisi, Lalah Hathaway, Lizz Wright, Ingrid Jensen, Meshell Ndegoecello, Linda Oh, Patrice Rushen, Regina Carter and others. JAZZFEST OVERVIEW Activities take place on the UNCW campus: Cultural Arts Building or Kenan Auditorium Awards for top soloists in each category Scholarship opportunities to attend REGISTRATION DEADLINE: FOR MORE INFORMATION UNCW Summer Jazz Workshop POSTMARKED BY MARCH 7, 2019 Dr. Natalie Boeyink UNCW JAZZ STUDIES COORDINATOR Big bands $125 Post-performance clinic with [email protected] UNCW jazz faculty and Terri Lyne Carrington 30 minute big band performance 15 minute clinic 910.962.7440 Master class with Terri Lyne Carrington Performance by UNCW Big Band, Combos $50 20 minute combo performance conducted by Natalie Boeyink 15 minute clinic Guest artist performance by Registration includes concert tickets for participants. Terri Lyne Carrington with UNCW Jazz Faculty Online registration will be available shortly. -
Prominent Jazz Celebrations Are a Beautiful Thing by Jon W
United States Source: Columbia Daily Tribune Retrieved from https://www.columbiatribune.com/story/entertainment/2021/04/17/prominent-jazz- celebrations-beautiful-thinG/7244183002/ on 21 June, 2021 Prominent jazz celebrations are a beautiful thing By Jon W. Poses [Editor’s note: This is the second of a two-part series on Jazz Appreciation Month. Part One ran April 4.] Writing in this space January 24, I suggested Doug Emhoff, “The Second Gentleman,” surely must be a jazz fan. After all, he and his first wife, Kerstin Emhoff, named their son Cole after John Coltrane and their daughter Ella after Ella Fitzgerald. I proposed that, all things being equal, there might be a good chance jazz would return to the White House, having a presence during the Obama Administration before completely disappearing during the following one. Lo and behold, less than three months later, it seems such a development has come to fruition. Emhoff will “provide opening remarks” as part of the upcoming NEA Jazz Masters Tribute Concert, according to a National Endowment for the Arts press release. The concert takes place Thursday, April 22 at 7 p.m. Missouri time in San Francisco, and will air virtually on multiple websites including the NEA’s own arts.gov, where it will also be archived for future viewing. For those of us who appreciate when jazz enjoys enhanced visibility, having Emhoff involved — even if it will likely be briefly — with the prestigious annual NEA Jazz Masters presentation should be taken as a positive. His participation bodes well for the White House, on some level, to be involved in future jazz-related activities. -
Poetry and Culture Compute for Clarkson University Professor | Clarkson University
9/25/2019 Poetry and Culture Compute for Clarkson University Professor | Clarkson University CU • News & Events Poetry and Culture Compute for Clarkson University Professor Monday August 1, 2016 Associate Professor of Computer Science Jeanna Matthews puts her own imprint on Clarkson University's motto, "Defy Convention." As she says, “computer scientists don't conventionally write poetry and Amish/German girls from Ohio don't conventionally love Spanish.” Her love of language and culture recently earned her the Rhina P. Espaillat Award and a $500 prize in a contest sponsored by the Poetry Center at West Chester University. The award recognizes poems written in Spanish and translations of English poems to Spanish. Espaillat, born in the Dominican Republic, started writing poetry in Spanish and English after her family was exiled to the United States. She is widely published in both languages. As you may well guess, the girl from Ohio was honored for a poem she wrote in Spanish, “Regalos del Invierno” (Winter's Gifts). It is from her book of poetry Playing Hard to Get and Other Sins/Haciendome la difícil y otros pecados. “It means a lot to me to develop parts of my life that are not necessarily related to computer science," she says. While she has no Spanish genealogy, her heart clearly beats in Latin rhythms. She even teaches Clarkson University Associate Professor of Computer Latin dance. Science Jeanna Matthews recently won the Rhina P. Espaillat Award in a contest sponsored by the Poetry Center at West Chester University. Above, Matthews “Spanish makes me happy. Latin music makes me happy. -
FOR IMMEDIATE RELEASE Contact: Alisse Kingsley + 1 323 467 8508 [email protected]
March 4, 2014 FOR IMMEDIATE RELEASE Contact: Alisse Kingsley + 1 323 467 8508 [email protected] Lucia Iglesias (UNESCO) +33 145 68 17 02 [email protected] UNESCO DIRECTOR-GENERAL IRINA BOKOVA AND UNESCO GOODWILL AMBASSADOR HERBIE HANCOCK ANNOUNCE THIRD ANNUAL INTERNATIONAL JAZZ DAY EVENTS TO TAKE PLACE AROUND THE WORLD ON APRIL 30 WITH ALL-STAR CONCERT IN GLOBAL HOST CITY OSAKA, JAPAN UNESCO and the Thelonious Monk Institute of Jazz will collaborate to recognize jazz music as a universal language of freedom Paris and Washington, D.C. – United Nations Educational, Scientific and Cultural Organization (UNESCO) Director-General Irina Bokova and UNESCO Goodwill Ambassador Herbie Hancock are pleased to announce the third annual International Jazz Day, which will be celebrated around the world on April 30, 2014. Osaka, Japan has been selected to serve as the 2014 Global Host City. Presented each year on April 30th in partnership with the Thelonious Monk Institute of Jazz, International Jazz Day encourages and highlights intercultural dialogue and understanding through jazz, uniting people in all corners of the globe. The celebration is recognized on the official calendars of both UNESCO and the United Nations. “Jazz embodies the spirit of UNESCO,” said its Director-General, Irina Bokova. “It brings people together and builds peace, tolerance and understanding. It has been the soundtrack for positive social change, from the fight against racism to the struggle for democracy.” The 2014 International Jazz Day celebration will kick off in Osaka, Japan on April 30th with a daylong series of jazz education programs, performances, and community outreach. -
Anuario Sobre El Libro Infantil Y Juvenil 2009
122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 1 gifrs grterstis FUNDACIÓN seromri e 122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 2 www.grupo-sm.com/anuario.html © Ediciones SM, 2009 Impresores, 2 Urbanización Prado del Espino 28660 Boadilla del Monte (Madrid) www.grupo-sm.com ATENCIÓN AL CLIENTE Tel.: 902 12 13 23 Fax: 902 24 12 22 e-mail: [email protected] ISBN: 978-84-675-3466-5 Depósito legal: Impreso en España / Printed in Spain Gohegraf Industrias Gráficas, SL - 28977 Casarrubuelos (Madrid) Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra solo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la ley. Diríjase a CEDRO (Centro Español de Derechos Reprográficos, www.cedro.org) si necesita fotocopiar o escanear algún fragmento de esta obra. 122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 3 ÍNDICE Presentación 5 1. Cifras y estadísticas: 7 LA LIJ en 2009 Departamento de Investigación de SM 2. Características y tendencias: 27 AÑO DE FANTASY, EFEMÉRIDES Y REALISMO Victoria Fernández 3. Actividad editorial en catalán: 37 TIEMPO DE BONANZA Te re s a M a ñ à Te r r è 4. Actividad editorial en gallego: 45 PRESENCIA Y TRASCENDENCIA Xosé Antonio Neira Cruz 5. Actividad editorial en euskera: 53 BUENA COSECHA Xabier Etxaniz Erle 6. La vida social de la LIJ: 61 DE CLÁSICOS Y ALLEGADOS, DE HONESTIDAD Y OPORTUNISMO... Sara Moreno Valcárcel 7. Actividad editorial en Brasil: 113 VIGOR Y DIVERSIDAD João Luís Ceccantini 8. Actividad editorial en Chile: 135 ANIMAR A LEER: ¿SALTOS DE ISLOTE EN ISLOTE? María José González C. -
GAZETTEOF CONGRESS a Weekly Publication for Staff INSIDE
Volume 32, No. 14 LIBRARY April 9, 2021 GAZETTEOF CONGRESS A weekly publication for staff INSIDE Celebrating Jazz Month Terri Lyne Carrington, the 2021 Library of Congress jazz scholar, will perform virtually this month and demonstrate jazz drumming fundamentals. Office Officer the Chief Information of PAGE 3 The loc.gov development team has been meeting remotely during the pandemic to discuss digitized Library collections to be published online. Reading Around the States In a new Center for the Book program, members of Congress read from favor- Development Team Brings ite titles for young readers. PAGE 4 Digital Collections to Life OCIO developers create online showcases for the Library’s unique treasures. BY SAHAR KAZMI an ongoing collaboration between Library Services and the Office A halo of turquoise and gold encir- of the Chief Information Officer cles Gautama Buddha as he sits (OCIO). in meditation on a bed of lotus flowers, plumes of green clouds Published last month by OCIO’s IT curling behind him. Now, he’s Design and Development Director- more easily accessible than ever ate, the Asian Reading Room site Cherry Blossom Festival through the Asian Reading Room’s is the first in a series of user-cen- newly redesigned webpages. The tered redesigns for the Library’s To celebrate the National Cherry reading room webpages. Blossom Festival this year, the Library vibrant image is one of several released a video series inspired by the hundred woodblock prints painted Created in partnership with Library’s collections. in the 15th century and depicted experts from the Asian Division PAGE 5 in dazzling color in the four-vol- and significantly updated from its ume digital collection “The Origin of long-standing legacy format, the Buddhism and Its Development in completely revamped Asian Read- Q&A: Peter DeCraene China” (https://go.usa.gov/xstby). -
1 David Mason 1131 Paradise Valley Drive Woodland Park, CO 80863
1 David Mason 1131 Paradise Valley Drive Woodland Park, CO 80863 (719) 686-1191 [email protected] THE TWO MINDS OF A WESTERN POET “Where I live distance is the primal fact” -James Galvin From my study window I look out on a stand of aspen trees mixed with a few spruce and pines, across the road more woods and the half-disguised houses of neighbors, each tactfully set on its half acre. A generation ago this was a dude ranch outside the mountain town of Woodland Park, Colorado. I have distant relatives who worked here in those days—tourist wranglers. Now Paradise Estates is a bedroom community incorporated into the growing town, squeezed between Highway 24 and the National Forest. Most of us commute twenty miles to Colorado Springs to make our livings. Woodland Park is a town one drives through on the way to Cripple Creek or the Collegiate Range and beyond. From the highway it hardly resembles a community at all, just a line of nondescript shops and gas stations anchored by two supermarkets. You would have to turn off the highway to see a set of schools and a lot of churches, the old 2 log cabins of what once was a summer town. Recently, local artists have been trying to convince city leaders that we need art. Art helps build communities, they argue, pointing to good evidence from other parts of the nation. Not wanting to seem philistine and wanting even less to pass up any economic opportunity, our leaders have sprinkled statuary here and there.