August Rush” Movie Or Authorized It, Anything Becomes Possible, If Not Probable
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Iowa State Capitol Complex Master Plan I
Iowa State Capitol Complex I Master Plan January 7, 2010 (Amended December 2020) State of Iowa Department of Administrative Services & Capitol Planning Commission Confluence Zimmer Gunsul Frasca Architects LLP Jeffrey Morgan Architecture Studio Tilghman Group Snyder and Associates [ This page intentionally left blank ] Iowa State Capitol Complex Master Plan Master Complex Capitol State Iowa Contents ii Preface 78 Architectural Design 82 Utilities 1 Chapter 1 - The Vision 84 Parking 9 Chapter 2 - Principal Influences on the Plan 88 Transit 10 Historical Development 92 Pedestrian and Bicycle Circulation 16 Capitol Neighborhood 99 Sustainable Development Principles 23 Chapter 3 - Capitol Complex 107 Chapter 4 - Making the Vision a Reality 24 Concept 111 Acknowledgements 28 Approaches and Gateways 30 View Corridors and Streets 117 Appendix A - Transportation Plan 38 Access and Circulation 131 Appendix B - Facility Needs Assessment 45 Landscape Framework Summary 58 Monuments and Public Art 155 Appendix C - Capitol Complex Planning History 62 Site Amenities 64 Signs and Visitor Information 164 Appendix D - Annual Review & Update of Iowa State Capitol Complex 2010 72 Buildings Master Plan i ii Iowa State Capitol Complex Master Plan Master Complex Capitol State Iowa Preface iii Introduction Amended December 2016, 2020 The Iowa State Legislature appropriated funds to the Department of Administrative than fiscal years. Services for updating the 2000 Master Plan for physical facilities on the Iowa State Capitol Complex. The resulting 2010-2060 plan was prepared in close collaboration Beginning in 2015, the Capitol Planning Commission committed to keeping the with the Capitol Planning Commission for its consideration and acceptance. The Master Plan viable and current by annually reviewing the Plan to note accomplished consultant team was led by Confluence and Zimmer Gunsul Frasca Architects goals as well as recognizing evolving changes in conditions and assumptions. -
Architecture of Downtown Des Moines: Some Highlights from the Twentieth Century and Beyond
Paula Mohr is an architectural historian and directs the certified local government program in Iowa. She is a graduate of the Cooperstown Museum Studies program and the architectural history program at the University of Virginia. Paula is the local co-chair for FORUM 2018. Architecture of Downtown Des Moines: Some Highlights from the Twentieth Century and Beyond By Paula Mohr In its 170-some years, the evolution of Des Moines’ commercial core has paral- leled that of many American cities. Fort Des Moines, an early foothold in terms of Euro-American settlement, today survives only as an archaeological site. Early commercial buildings of wood frame on both the east and west sides of the Des Moines River were replaced with brick later in the nineteenth century. At the turn of the twentieth century another wave of development introduced tall buildings or skyscrapers. In the midst of all this change, we can see the impact of external forces, including architectural ideas from Chicago, the City Beautiful Movement and the contributions of nationally and internationally renowned architects. The “book” on Des Moines’ architecture is still being written. As a result of this constant renewal and rebuild- Youngerman Block (1876), also by Foster, features ing, only a handful of nineteenth century buildings a façade of “Abestine Stone,” a nineteenth-century survive in Des Moines’ downtown. In the Court artificial stone manufactured by the building’s Avenue entertainment area across the river from owner, Conrad Youngerman. The five-story Des the FORUM conference hotel are several notable Moines Saddlery Building (c. 1878), just around examples. -
Jan Feb Mar Apr 2021 from the Director
FROM THE DIRECTOR JAN FEB MAR APR 2021 FROM THE DIRECTOR Submit your story I am sure you would agree, let us put 2020 behind us and anticipate a better year in 2021. With this expectation in mind, your Art Center teams are moving ahead with major plans for the new year. Our exhibitions We continue to include The Path to Paradise: Judith Schaechter’s accept personal Stained-Glass Art; Justin Favela: Central American; stories in response and Louis Fratino: Tenderness revealed along with to Black Stories. Iowa Artists 2021: Olivia Valentine. An array of print gallery and permanent collections projects, including Enjoy this story an exhibition that showcases our newly conserved submission from painting by Francisco Goya, Don Manuel Garcia de Candace Williams. la Prada, 1811, and another that features our works by Claes Oldenburg, will augment and complement Seen. I felt seen as I walked these projects. The exhibitions will continue to through the Black Stories address our goals of being an inclusive and exhibition with my friend. welcoming institution, while adding to the scholarship As history and experiences of the field, engaging our local communities in were shared through art, meaningful ways, and providing a site for the I remembered my mom community to gather together, at least virtually taking my sister and I to (for now), to share ideas and perspectives. the California African- Our Black Stories project has done just this American Museum often. as we continue to receive personal stories from She would buy children’s the community for possible inclusion in a books written by Black publication. -
Jan Feb Mar 2018
JAN FEB MAR 2018 FROM THE DIRECTOR A collaborative effort between Findley Elementary School students, their teacher Lisa Hesse, and artist Dave Eppley, whose major site-specific installation is included in the In late September, The Links, Drawing in Space exhibition, resulted in Mile-a-Minute Rainbow Incorporated, a not-for-profit corporation Ivy, 2017, being installed on the Richard Meier building during of African-American women leaders, held the month of November. their 60th anniversary celebration at the Art Center. The evening also showcased the many works by African-American artists in our permanent collections. It was an especially rewarding collaboration for everyone involved. The Links is now continuing this special partnership with a gift of $1,000 to support an education- based internship at the Art Center in 2018 for African-American students. The Art Center, like many museums across the country, is striving to introduce young persons of color to employment in the field in an attempt to increase their numbers in the museum career pipeline. This project will help do so. Another exciting partnership occurred in October with the Iowa Civil Rights Commission. The group held a board meeting at the Art Center where the members toured our recent exhibition, I, too, am America, with Assistant Curator Jared Ledesma. Later in October, the Iowa Civil Rights Commission organized a public symposium, which featured a break-out session entitled, I, too, am America, inspired by the show. This is a wonderful example of the power of art to inspire, illuminate understanding, and engage broad audiences. In early November, the Art Center celebrated the creation of a temporary, large-scale mural on the exterior of the Richard Meier building with a public reception. -
2017 Annual Report
2017 ANNUAL REPORT “I’ve never done anything like that before!” VISITOR COMMENT AFTER EXPLORING TAPE DES MOINES BY ARTIST COLLECTIVE NUMEN/FOR USE, PART OF THE BLOCKBUSTER 2017 DRAWING IN SPACE EXHIBITION. MESSAGE FROM THE DIRECTOR AND THE PRESIDENT Cutting-edge, interactive exhibitions. Expanded Art Access partnerships. Major acquisitions of artwork by important national and international artists. New scholarship surrounding works in the collection. Dynamic special events. Increased efforts toward being a welcoming institution for all. Enhanced building and grounds. Our staff, board of trustees, community partners, members, donors, and volunteers made all of this possible. The year 2017 was extraordinary in drawing on the Richard Meier building numerous ways for the Art Center. We in conjunction with Drawing in Space, had tremendous attendance fueled by as well as two collaborations with Ballet thought-provoking exhibitions, rewarding Des Moines in response to Drawing in education events, Art Access programs, Space and Ruptures. In addition, we studio classes, public collaborations, partnered with The Links, Inc. to begin and member group activities. In an internship with African-American addition, we saw record-breaking college students. fundraising, including an unforgettable Our capital projects concentrated on gala in an airport hangar, and renovations of the front parking lot and noteworthy art acquisitions. 2017 was new parking lot lighting to enhance the also the first year of our current three- visitor experience and safety at night. year strategic plan, focusing on four We also completed the Levitt Auditorium commitments: enhancing our exhibitions renovations, which included new carpet, and collections, improving audience new lighting, and new technology and we engagement, securing our financial also created two new coat closets off the future, and building awareness, which lobby. -
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and Works in Upstate New York, USA
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and works in upstate New York, USA Solo Exhibitions 2019 'Richard Prince: Portrait', Museum of Contemporary Art Detroit, Detroit, USA 2018 'Richard Prince - Works from the Astrup Fearnley Collection', Astrup Museet, Olso, Norway 'Untitled (Cowboy)', LACMA, Los Angeles, USA 2017 'Super Group Richard Prince', Galerie Max Hetzler, Berlin, Germany 'Max Hetzler', Berlin, Germany 2016 The Douglas Blair Turnbaugh Collection (1977-1988)’, Edward Cella Art & Architecture, Los Angeles, USA Sadie Coles, London, UK 2015 'Original', Gagosian Gallery, New York, USA 'New Portraits', Blum & Poe, Tokyo, Japan 2014 'New Figures', Almine Rech Gallery, Paris, France 'It's a Free Concert', Kunsthaus Bregenz, Austria 'Canal Zone', Gagosian Gallery, New York, USA 2013 Sadie Coles, London, UK 'Monochromatic Jokes', Nahmad Contemporary, New York, USA 'Protest Paintings', Skarstedt Gallery, London, UK 'Untitled (band', Le Case d'Arte, Milan, Italy 'New Work', Jürgen Becker, Hamburg, Germany 'Cowboys', Gagosian, Beverly Hills, USA 2012 ‘Prince / Picasso’, Museo Picasso Malaga, Spain 'White Paintings', Skarstedt Gallery, New York, USA 'Four Saturdays', gagosian Gallery, New York, USA '14 Paintings', 303 Gallery, New York, USA 64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris [email protected] 2011 - ‘The Fug’, Almine Rech Gallery, Brussels, Belgium Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles ‘Covering Pollock’, The Guild Hall Museum, East Hampton, USA [email protected] -
Walker-Kara CV.Pdf
KARA WALKER Born November 26, 1969 in Stockton, CA Lives and works in New York EDUCATION 1994 MFA, Painting/Printmaking, Rhode Island School of Design 1991 BFA, Painting/Printmaking, Atlanta College of Art SOLO EXHIBITIONS & PROJECTS 2021 Kara Walker: Cut to the Quick, First Art Museum, Nashville, TN, July 23 – October 10, 2021. A Black Hole is Everything a Star Longs to Be: Kara Walker, Drawings 1993-2020, Kunstmuseum Basel, Basel, Switzerland, June 5 – September 19, 2021; travels to: Schirn Kusthalle Frankfurt, Frankfurt, Germany, October 14, 2021 – January 16, 2022; Du Pont Museum of Contemporary Art, Tillburg, The Netherlands, February 19 – July 24, 2022. 2020 Drawings, Sikkema Jenkins & Co., New York, March 5-14, 2020 and September 8-30, 2020. KARA WALKER: From the Collections of Jordan D. Schnitzer and his Family Foundation, Pendleton Center for the Arts, Pendleton, OR, March 5 – April 25, 2020. Kara Walker: Harper’s Pictorial History of the Civil War (Annotated), New Britain Museum of American Art, New Britain, CT, January 24 – August 23, 2020. Kara Walker: Harper’s Pictorial History of the Civil War (Annotated), The Rockwell Museum, Corning, NY, July 1 – September 27, 2020. Kara Walker: THE SOVEREIGN CITIZENS SESQUICENTENNIAL CIVIL WAR CELEBRATION, Sprüth Magers, Berlin, Germany, March 11 – June 21, 2020. Kara Walker: FIGA, And Gallery, Jackson, MS, September 4 -30, 2020. The Broad’s 5th Anniversary: Kara Walker, The Broad, Los Angeles, CA, DATES TBD The Fact of Fiction: Four Works by Kara Walker, Visual Arts Center at University of Texas Austin, Austin, TX, September 25 – October 23, 2020 2019 Hyundai Commission – Kara Walker: Fons Americanus, Turbine Hall, Tate Modern, London, United Kingdom, October 2, 2019 – April 5, 2020 From Black and White to Living Color: The Collected Motion Pictures and Accompanying Documents of Kara E. -
Curriculum Vitae Education 1981
CURRICULUM VITAE EDUCATION 1981 – 1983 M.F.A., New York State College of Ceramics at Alfred University, Alfred, New York 1976 – 1980 B.S. in Art (CeramiCs), University of WisConsin – Madison, Madison, WisConsin, Honors graduate 1979 Penland School of Crafts, Penland, North Carolina Scholarship reCipient – Assistant to Don Reitz and Ron Propst TEACHING EXPERIENCE 1994 – 2015 CeramiCs InstruCtor/ Program Coordinator Des Moines Art Center and a Consortium of Central Iowa Schools, Colleges and Universities inCluding Des Moines PubliC SChools, Heartland AEA, Drake, Grand View, Des Moines Area Community College. Studio faCilities at RDG Dahlquist Art Studio 2001 – 2002 Visiting Artist Anderson RanCh Arts Center, Aspen, Colorado TeaChing with Don Reitz and Elmer Taylor 1987– 1993 Assistant Professor, Iowa State University, College of Design, Ames, Iowa Graduate LeCturer, CeramiCs: Beginning-AdvanCed, Graduate 3-Dimensional Design Foundation Craft Design Seminar 1983 – 1987 Artist-in-ResidenCe, CeramiCs Instructor, The Des Moines Art Center Edmundson Art Foundation, 4700 Grand Avenue, Des Moines, Iowa 50312 1987 History of AmeriCan CeramiCs, The Des Moines Art Center, Des Moines, Iowa 1982 – 1983 Graduate Assistantship, New York State College of CeramiCs at Alfred University – InstruCtor for Sophomore Foundation Ceramics, InstruCtor for IntroduCtion to Pottery 1982 Assistant to Val Cushing, Alfred University Summer Program Beginning and AdvanCed Throwing 1981 Visiting Artist in the PubliC SChools, Madison and surrounding districts, Madison, WisConsin PUBLIC-ART COMMISSIONS (Selected) 1998 – Present “Art-in-Transit” program with the Iowa Department of Transportation SeleCted for sixteen major publiC-art site-speCifiC Commissions: Adair East and West Bound, Cedar, Decatur, Franklin, Jasper, Johnson East and West Bound, Iowa, Linn, Polk North and South Bound, Pottawattamie, Scott, Story, and Woodbury Counties. -
2012-2013-Annual-Report.Pdf
FOUNDATION PUBLICPUBLIC FOUNDATION GREATER GREATERDES MOINES ART DES MOINES ART 2011–2012 AnnuAl RepoRt 2012–2013 ANNUAL REPORT 1 greater des moines public art Foundation Greater Des Moines Greater Des Moines public public Art Foundation Art Foundation proudly: engages, inspires, and ■ selects, and commissions works of art created by enriches the lives of venerated professional artists citizens and visitors in our for installation in public community. the public Art spaces; Foundation is recognized ■ acquires artworks for a public art collection by means MISSION+VISION for increasing cultural of direct commissions, awareness by establishing invitationals, community- a world-class destination initiated projects, and gifts; for public art. ■ enhances greater des moines’ Greater Des Moines environment, public buildings, public Art Foundation and lands; places art in ■ provides inancial support and assistance in commissioning public spaces through professional artists for private public and private or municipal urban collaborations. development projects; ■ integrates professional artists into the planning, design, and construction of city and privately developed facilities, e.g., buildings, parks, streetscapes, and other facilities and spaces that would beneit from participation by an artist; ■ celebrates the multi-cultural and diverse character of the community’s neighborhoods and citizens; ■ nurtures a sense of citizen ownership and pride in a public art collection; and ■ encourages creative partnerships between artists and residents, neighborhoods, businesses, and community organizations located in the city. 2 greater des moines public art Foundation 2012-2013 annual report 3 FRoM tHe DIReCtoR m. Jessica roWe What makes a magnet city, opportunities for artists to In September 2012, projects to re-envision and Des Moines will generate one that people are drawn engage in the issues of our GDMPAF marked its second refresh pedestrian-focused as a destination to work, to live in, work in, and time. -
Report to the Community 2013
PA RKS AND RECREATION Report to the Community 2013 PA RKS AND RECREATION Contents Letter from the Director .............................................................3 Finance........................................................................................4 People .........................................................................................9 Places ........................................................................................15 Programs ...................................................................................27 Projects ......................................................................................37 Partners ......................................................................................41 Contact Us Parks and Recreation Administration Office 3226 University Avenue Des Moines, IA 50311 (515) 237-1386 www.dmparks.org [email protected] Facebook.com/desmoinesparks Twitter.com/desmoinesparks Instagram.com/desmoinesparks Pinterest.com/desmoinesparks Weather Hotline: (515) 256-2434 Text Messaging Notification Text any of the following keywords to “84483” to sign up for updates on: DSMEvents, DSMPools, DSMSports, DSMTrails Report to the Community 2013 1 Letter from the Director On behalf of the Parks and Recreation Department, it is with great pride that I present the citizens of Des Moines with the 2013 Report to the Community. As we reflect back on the past year, so many facets of our operation reflect the following: people, places, programs, projects and partners. Each member of our staff -
Walker Art Center Exhibition Chronology Living Minnesota
Walker Art Center Exhibition Chronology Title Opening date Closing date Living Minnesota Artists 7/15/1938 8/31/1938 Stanford Fenelle 1/1/1940 ?/?/1940 Grandma’s Dolls 1/1/1940 ?/?/1940 Parallels in Art 1/4/1940 ?/?/1940 Trends in Contemporary Painting 1/4/1940 ?/?/1940 Time-Off 1/4/1940 1/1/1940 Ways to Art: toward an intelligent understanding 1/4/1940 ?/?/1940 Letters, Words and Books 2/28/1940 4/25/1940 Elof Wedin 3/1/1940 ?/?/1940 Frontiers of American Art 3/16/1940 4/16/1940 Artistry in Glass from Dynastic Egypt to the Twentieth Century 3/27/1940 6/2/1940 Syd Fossum 4/9/1940 5/12/1940 Answers to Questions 5/8/1940 7/1/1940 Edwin Holm 5/14/1940 6/18/1940 Josephine Lutz 6/1/1940 ?/?/1940 Exhibition of Student Work 6/1/1940 ?/?/1940 Käthe Kollwitz 6/1/1940 ?/?/1940 Walker Art Center Exhibition Chronology Title Opening date Closing date Paintings by Greek Children 6/1/1940 ?/?/1940 Jewelry from 1940 B.C. to 1940 A.D. 6/27/1940 7/15/1940 Cameron Booth 7/1/1940 ?/?/1940 George Constant 7/1/1940 7/30/1940 Robert Brown 7/1/1940 ?/?/1940 Portraits of Indians and their Arts 7/15/1940 8/15/1940 Mac Le Sueur 9/1/1940 ?/?/1940 Paintings and their X-Rays 9/1/1940 10/15/1940 Paintings by Vincent Van Gogh 9/24/1940 10/14/1940 Walter Kuhlman 10/1/1940 ?/?/1940 Marsden Hartley 11/1/1940 11/30/1940 Clara Mairs 11/1/1940 ?/?/1940 Meet the Artist 11/1/1940 ?/?/1940 Unpopular Art 11/7/1940 12/29/1940 National Art Week 11/25/1940 12/5/1940 Art of the Nation 12/1/1940 12/31/1940 Anne Wright 1/1/1941 ?/?/1941 Walker Art Center Exhibition Chronology Title -
A Legacy of Excellence
Book 23 11/5/03 11:12 AM Page 1 Home Table of Contents Index Print A Legacy of Excellence The History of Des Moines Funeral Service Mary Halstead commissioned by Hamilton’s Funeral Home Hamilton’s Funeral Home Des Moines, Iowa 50309 Book 23 11/5/03 11:12 AM Page 2 Home Table of Contents Index Print Copyright 1984, 2003 by Hamilton’s Funeral Home. All rights reserved. First edition published in 1984; second edition in 2003. No part of this work may be reproduced or copied in any form without written permission of the publisher. Book 23 11/5/03 11:12 AM Page 3 Home Table of Contents Index Print Table Of Contents Introduction Page 1 A Legacy of Excellence The Early Years: Cabinetmakers and Livery Proprietors Page 11 The New Century Begins: Family Names for the Future Page 18 The Teens: The Move from Storefronts Begins Page 29 The Twenties: The Move to Homes Continues Page 38 The Thirties: Changes in Established Firms Page 51 The Forties: War and New Faces Page 60 The Fifties: Expansion on the South Side Page 69 The Sixties: Family-owned or Public Corporation Page 75 Book 23 11/5/03 11:12 AM Page 4 Home Table of Contents Index Print The Seventies: Third Generation Owners Page 78 The Eighties: Family Firms Grow Page 82 The Nineties: Preparation for the Millennium Page 86 The Twenty-First Century: A Fourth Generation Page 94 Epilogue Page 96 Present Day Polk County Funeral Homes Page 97 Time Line Page 104 Acknowledgements Page 110 Index Page 110 Polk County Funeral Service Family Tree Page 114 Book 23 11/5/03 11:12 AM Page 5 Home Table of Contents Index Print Introduction This history of Des Moines Funeral Service is dedicated to Lee Hamilton.