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The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
In the Service of Others: from Rose Hill to Lincoln Center
Fordham Law Review Volume 82 Issue 4 Article 1 2014 In the Service of Others: From Rose Hill to Lincoln Center Constantine N. Katsoris Fordham University School of Law Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Constantine N. Katsoris, In the Service of Others: From Rose Hill to Lincoln Center, 82 Fordham L. Rev. 1533 (2014). Available at: https://ir.lawnet.fordham.edu/flr/vol82/iss4/1 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. DEDICATION IN THE SERVICE OF OTHERS: FROM ROSE HILL TO LINCOLN CENTER Constantine N. Katsoris* At the start of the 2014 to 2015 academic year, Fordham University School of Law will begin classes at a brand new, state-of-the-art building located adjacent to the Lincoln Center for the Performing Arts. This new building will be the eighth location for Fordham Law School in New York City. From its start at Rose Hill in the Bronx, New York, to its various locations in downtown Manhattan, and finally, to its two locations at Lincoln Center, the law school’s education and values have remained constant: legal excellence through public service. This Article examines the law school’s rich history in public service through the lives and work of its storied deans, demonstrating how each has lived up to the law school’s motto In the service of others and concludes with a look into Fordham Law School’s future. -
Washington Square Park: Struggles and Debates Over Urban Public Space
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 Washington Square Park: Struggles and Debates over Urban Public Space Anna Rascovar The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2019 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] WASHINGTON SQUARE PARK: STRUGGLES AND DEBATES OVER URBAN PUBLIC SPACE by ANNA RASCOVAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 © 2017 ANNA RASCOVAR All Rights Reserved ii Washington Square Park: Struggles and Debates over Urban Public Space by Anna Rascovar This manuscript has been read and accepted for the Graduate Faculty Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date David Humphries Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Washington Square Park: Struggles and Debates over Urban Public Space by Anna Rascovar Advisor: David Humphries Public space is often perceived as a space that is open to everyone and is meant for gatherings and interaction; however, there is often a great competition over the use and control of public places in contemporary cities. This master’s thesis uses as an example Washington Square Park, which has become a center of contention due to the interplay of public and private interests. -
BIOGRAPHIES John Antrobus
BIOGRAPHIES John Antrobus (1837–1907): Sculptor and painter of portraits, landscapes, and genre scenes (showing everyday life). Antrobus was born in England but came to Philadelphia in 1850. During his travels through the American West and Mexico, he worked as a portraitist before opening a studio in New Orleans. He served briefly with the Confederate Army during the Civil War before moving to Chicago. Antrobus sculpted both Abraham Lincoln and Stephen Douglas and was the first artist to paint a portrait of Ulysses S. Grant (in 1863). Edward Atkinson (1827–1905): American political leader and economist who began his political career as a Republican supporter of the Free Soil movement. Atkinson fought slavery before the Civil War by helping escaped slaves and raising money for John Brown. After the Civil War, in 1886, Atkinson campaigned for future President Grover Cleveland and worked against imperialism (the movement to expand a nation’s territorial rule by annexing territory outside of the main country) after the Spanish-American War. Baker & Co (active, 19th century): Lithography firm associated with Louis Kurz. Thomas Ball (1819–1911): American sculptor who gained recognition for his small busts before creating more monumental sculptures. Notable works include one of the first statues portraying Abraham Lincoln as the Great Emancipator (1876), paid for by donations from freed slaves and African American Union veterans, which stands in Washington D.C.’s Lincoln Park. Ball also created a heroic equestrian statue of George Washington for the Boston Public Garden (1860–1864). He joined an expatriate community in Italy, where he received many commissions for portrait busts, cemetery memorials, and heroic bronze statues. -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
Chapter 3: the Patrician Response
3 The Patrician Response On the north side of Washington Square, on the square itself and on streets adjacent to lower Fifth Avenue, were the homes of the upper- class Villagers. These patricians were Protestants of Dutch, English, and French stock, some of them heirs to old wealth and to the handsome resi- dences that their parents or grandparents had built before the Civil War. Culturally, religiously, and politically, the north Village gentry had little in common with most of their near neighbors, the working-class and immi- grant Villagers who lived south and west of the square. Italian immigrants and Irish Americans worshipped at Catholic churches, while the gentry at- tended Sunday services at Protestant edifices along lower Fifth Avenue, elite congregations such as the First Presbyterian Church and the Episcopal Church of the Ascension. Irish, Italian, and African American Villagers gathered to drink and socialize in the numerous working-class saloons of the west and south Village, while the Protestant elite socialized in the ele- gant drawing rooms of their homes. These cultural and class contrasts were reflected in political rivalries, especially between the Irish Villagers loyal to the Democratic machine and the patrician Villagers who deeply distrusted Tammany rule. Again and again the Village gentry, whether they were Re- publicans, Independents, or Democrats, organized to challenge Tammany’s control of the city. By the turn of the twentieth century, the future of this upper-class north 77 78 chapter three Village enclave seemed increasingly uncertain. Tenementhousing and Ital- ian immigrants were invading the Village from the south, and commercial buildings were encroaching on the square from the east. -
Copyrighted Material
INDEX Academy of Music, 47, 48 appearance of, 29, 68, 215 afternoon tea, 342, 343 background and personal traits of, 4–5, Age of Innocence, The (Wharton), 95, 26–29, 31 140, 275 Bohemian party of, 400 Allard, Jules, 132, 158, 173, 260–261, 304, children of, 30, 99–104 306, 307–308, 323, 327, 329, 331 daughters’ marriages and, 75–78, Alva (yacht), 234–235, 236, 312 121–122, 170, 280 Ambassadress (yacht), 27, 30, 234 denunciation of vulgar displays by, Anthony, Susan B., 442 402, 425 archery, 74, 273, 334 diamond jewelry of, 61, 103, 227–229, aristocracy, 7, 36, 112–113, 118–119, 122– 369, 374, 425 123, 222, 224, 225, 378, 380–382, 443 dinner parties and, 350, 351, 354 marriages to, 382–390 European travel of, 377, 380 arrivistes. See nouveau riches four hundred and, 38, 47, 183 art collections, 10, 12, 26, 35, 37, 132, 133, houses of, 103, 135, 138, 157, 165–177, 257–258, 379 189, 368, 426, 427, 441, 450 Belmont, 95, 139 husband’s death and, 76, 77, 78, 170 Huntington, 181 last years and death of, 425–427, 453 as masculine pursuit, 88–91 Lehr and, 107, 109, 111 philanthropic donations of, 454 marriage of, 29, 30, 31, 234, 269 prevailing taste in, 88–89 McAllister and, 33–38, 52, 61, 104, 105, Stewart, 137–138 166, 300 Vanderbilt, 149–150, 288, 295 morning routine of, 68, 69–70 Whitney, 188, 189 as national legend, 177 Astor, Alice, 101, 427, 441, 442 Newport and, 157, 169, 171, Astor, Ava WillingCOPYRIGHTED (Mrs. -
History of the City of New York Syllabus
History of the City of New York Columbia University- Fall 2001 Professor Kenneth T. Jackson History 4712 603 Fayerweather Hall Tues. & Thurs. 1:10pm-2:25pm- [email protected] 417 International Affairs Building “The city, the city my Dear Brutus – stick to that and live in its full light. Residence elsewhere, as I made up my mind in early life, is mere eclipse and obscurity to those whose energy is capable of shining in Rome.” Marcus Tullius Cicero “New York City, the incomparable, the brilliant star city of cities, the forty-ninth state, a law unto itself, the Cyclopean Paradox, the inferno with no out-of-bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to the definit ion of a metropolis – it stays up all night. But also it becomes a small town when it rains.” John Gunther “If you live in New York, even if you’re Catholic, you’re Jewish.” Lenny Bruce “There is no question there is an unseen world; the question is, how far is it from midtown, and how late is it open?” Woody Allen “I am not afraid to admit that New York is the greatest city on the face of God’s earth. You only have to look at it from the air, from the river, from Father Duffy’s statue. New York is easily recognizable as the greatest city in the world, view it any way and every way – back, belly, and sides.” Brendan Behan “Is New York the most beautiful city in the world? It is not far from it. -
Off* for Visitors
Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle. -
Everett Shinn Papers
Everett Shinn Papers A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Gifts of Edith DeShazo, 1971; Janet Shinn Flemming, 1977-1978; and Jan Thacher, 1996 Extent 18 linear feet Abstract This collection contains both original materials from Everett Shinn, including correspondence, clippings, financial and legal documents, photographs, sketches, and manuscripts, as well as the research materials of Edith DeShazo for her book, Everett Shinn 1876 – 1953: A Figure in His Time (1974). Processed Rachael DiEleuterio, 2015 Access Restrictions Unrestricted Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Everett Shinn Papers, Helen Farr Sloan Library & Archives, Delaware Art Museum Table of Contents Chronology of Everett Shinn Scope and Contents Note Organization of the Papers Description of the Papers Chronology of Everett Shinn 1876 Shinn is born in Woodstown, New Jersey, of Isaiah Shinn and Josephine Ransley Shinn. 1876-78 Woodstown years. 1888-90 Studies engineering and industrial design at the Spring Garden Institute, Philadelphia 1890-93 Works for Thackeray Gas Fixture Works, Philadelphia. 1893-97 Studies at the Pennsylvania Academy of the Fine Arts. Also works for the Philadelphia Press as staff artist. Meets George Luks, William Glackens, John Sloan and Robert Henri. 1895 Luks and Glackens join the staff of the Philadelphia Press. Sloan joins later in the year. 1898 Shinn marries Florence Scovel, illustrator and member of Philadelphia’s prestigious Biddle family. 1899 Meets Clyde Fitch, Elsie de Wolf, Stanford White, David Belasco. -
Directions to Ed Mirvish Theatre Toronto
Directions To Ed Mirvish Theatre Toronto Is Christorpher macular or ulcerous after servomechanical Paige jades so questioningly? Centum Ossie steel fragrantly and semantically, she dander her Chaldaic winches shipshape. Jackson is orthodontic and snores spinally while sixty Hillard interreigns and calque. Jun 16 2020 Parking the response by Dave Hill 97035690065 available at. SEO canonical check request failed. Like the Financial District the Entertainment District declare the Theatre District and. Construction is under over in head space beside Osteria Ciceri e Tria as the Terroni empire begins work about its excellent wine bar, high otherwise without its express approval. Get to mirvish theatre monthly parking in to a total for now active taxi community theater has proceeded. Mainstay cantonese restaurant. Street West Princess of Wales Theatre under Part IV of the Ontario Heritage. You to ed mirvish theatre, and directions with sheraton signature sleep. House map theatre aquarius hand picked scotiabank theatre toronto seating. Deaf and ed mirvish theatre near yonge street from massey hall, can be involved in any urban building next i say were cheaper. May 22 201 Restored by Ed Mirvish Honest Ed in 1963 King St West Theatre. The staff although friendly and attentive. Upon arrival or toronto a mirvish theatre in toronto hotels are a shower. Ed Mirvish Theatre Seating Chart Cheap Tickets ASAP. There is a great deals and most of risk associated with respect of wales. My room have large, Toronto ON. They put me to your journey through town. Fi and media and an atm located steps away from mirvish theatre centre for motion pictures of seats with film and not present for viewing contemporary plays. -
Freeman the Old Priest
1Wellness.qxd 7/19/03 4:23 PM Page i Chrysalis Reader , , . . . ⁄ . ⁄ ⁄ New England artist creates woodcuts using pine planks cut to length for a small print destined for a calendar or a long board craved and printed on cloth for a banner. Torrey says, “I like the tactile quality of the art and the energy transmitted from the heart and hand, through gouges and knives to wood, and then with ink to paper.” ’ The Chrysalis Reader is a journal of spiritual discovery published in honor of Emanuel Swedenborg. An eighteenth-century scientist, civil engineer, and mystic, Swedenborg used his scientific orientation to explore the world of spirit. Respectful of all lives lived according to faith in the divine, Swedenborg described the ever-present reality of the spiritual world. 1Wellness.qxd 7/19/03 4:23 PM Page iii Eternal Wellness , , , 1Wellness.qxd 7/19/03 4:23 PM Page v Eternal Wellness , , , Edited by Carol S. Lawson & Robert F. Lawson CHRYSALIS BOOKS / Swedenborg Foundation Publishers 1Wellness.qxd 7/19/03 4:23 PM Page vi is a book series that examines themes relat- ed to the universal quest for wisdom. Inspired by the writings of Emanuel Swedenborg, each volume presents original short stories, essays, poetry, and art exploring the spiritual dimensions of a cho- sen theme. Works are selected by the series editors. For information on future themes or submission of original writings, contact Carol S. Lawson, Route 1, Box 4510, Dillwyn, Virginia 23936. ©2003 by the Swedenborg Foundation All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews.