Fairground Attractions: a Genealogy of the Pleasure Ground
Philips, Deborah. "Pleasure Gardens, Great Exhibitions and Wonderlands: A genealogy of the carnival site." Fairground Attractions: A Genealogy of the Pleasure Ground. London: Bloomsbury Academic, 2012. 7–30. Bloomsbury Collections. Web. 1 Oct. 2021. <http:// dx.doi.org/10.5040/9781849666718.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 12:49 UTC. Copyright © Deborah Philips 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 Pleasure Gardens, Great Exhibitions and Wonderlands A genealogy of the carnival site he theme park offers a version of the carnivalesque to the pleasure seeker, Tbut it is a tightly controlled and organised form of pleasure. The theme park is distinct in its difference from the fairground or carnival in that it is (although it may sedulously disguise the fact) a bounded and contained space. The daily processions of fl oats through the Disneyland Main Streets and their equivalents in other theme parks appear to mimic street carnivals, but Main Street is not an open or public space but a site accessed only by payment of a (substantial) entry fee. The shopping outlets and market stalls dotted throughout the theme park give the impression of individual entrepreneurs competing for custom, but this is illusory; all the trade in a theme park is owned and controlled by the theme park company, and all the most successful contemporary theme parks are now in the hands of global corporations. Like the shops and stalls of the theme park, what seems to be an array of competing brands and attractions are in fact in the hands of very few entertainment corporations.
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