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Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
Fashion Trends: How Political Happenings Influence Consumers’
FASHION TRENDS: HOW POLITICAL HAPPENINGS INFLUENCE CONSUMERS’ MINDSETS By Valentina Marques da Rosa A Major Research Paper presented to Ryerson University in partial fulfilment of the requirements for the degree of Master of Arts in the Program of Fashion Toronto, Ontario, Canada, 2019 ©(Valentina Marques da Rosa) 2019 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MRP I hereby declare that I am the sole author of this Major Research Paper (MRP). This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii FASHION TRENDS: HOW POLITICAL HAPPENINGS INFLUENCE CONSUMERS’ MINDSETS Valentina Marques da Rosa Master of Arts 2019 Fashion Studies Ryerson University Abstract This paper focuses on how fashion products have the capacity of translating social, political and cultural happenings, influencing preferences in dress style and precipitating trends. Based on four case studies, this research explores how cultural and societal developments influence the consumption of dress styles. This includes understanding how garments and accessories associated with social causes are received by consumers. Such knowledge is useful in accurately predicting the likelihood of a trend’s adoption. The data collected from the case studies was sifted via a content analysis methodology. -
The Marketing of Fame: How Kim Kardashian Has Sustained Her Fame, and What Companies Can Learn from Her
Digital Commons @ Assumption University Honors Theses Honors Program 2020 The Marketing of Fame: How Kim Kardashian has Sustained Her Fame, and What Companies Can Learn From Her Elizabeth Paquette Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Marketing Commons, and the Social Media Commons Recommended Citation Paquette, Elizabeth, "The Marketing of Fame: How Kim Kardashian has Sustained Her Fame, and What Companies Can Learn From Her" (2020). Honors Theses. 81. https://digitalcommons.assumption.edu/honorstheses/81 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Marketing of Fame: How Kim Kardashian has Sustained Her Fame, and What Companies Can Learn From Her By Elizabeth Paquette Thesis Advisor: Dr. Cary LeBlanc Marketing A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2020 1 Table of Contents Introduction .............................................................................................................2 Background on Kim Kardashian ...........................................................................5 Literature Review ....................................................................................................6 ² -
Celebrity's Impact on the Media
1 Celebrity’s impact on the media As we shall see, celebrity impacts on so many aspects of everyday life it’s hardly surprising that it has the same sort of effect on the media. Hollywood and the movie industry is based entirely on the creation of stars and the leading icons of the silver screen have had a very significant influence on generations of cinemagoers. Hollywood is a market in celebrities that represents the pinnacle of a global phenomenon. In an inexorable process the public votes with its wallet for actors and actresses whom they favour and as they climb over each other in the popularity stakes some of them eventually arrive as contemporary gods at the top of the fame mountain. Public fascination with celebrities has a long history, however the increased opportunities to glimpse into their private lives via intrusive media, means that people can get ever closer to their idols and spend considerable sums of money doing so. If celebrity were not so important to millions of people in human society then it would be absolutely impossible for stars to enlist the legions of fans who follow them and thus to command the fees they do. No doubt the film studios, the talent scouts, the agents and the journalists who make, break and feed off celebrities have a part to play, but in the end there is a deep need in human society to generate these iconic figures, worship them and then very often pull them back down to earth. Market research can help establish the value of celebrities. -
Celebrity's Caribbean 2007/2008 Brochure
2 0 0 Celebrity’ s Caribbean 8 / 0 Celebrity ’s Caribbean 9 C a r i b b e a n D e s Voyage into the extraordinary. t i n a t i o n Condé Nast Traveler Readers’ Choice Awards (February 2007, Large Ships Category) B r o • Celebrity’s ships received five positions among the top ten Best Large Ships c h • Took first in Best Crew/Service u r • Ranked number two in Best Itineraries e • Won the top six positions in Best Food/Dining • Took second and third in Best Cabins Condé Nast Traveler “Gold List” (January 2007) • Celebrity is named as one of the World's Best Cruise Lines TravelAge West WAVE Awards — Editors’ Picks 2007 • Best Overall Onboard Dining • Best Onboard Entertainment • Best Alternative Dining Facility Porthole Cruise Magazine Readers’ Choice Awards, December 2006 • Best Northern European Itineraries 2008/09 Celebrity ’s Caribbean Printed in the U.S.A. August 2007. Ships’ registry: The Bahamas and Ecuador CE0010307 SM Century This paper contains 10% post-consumer recycled fiber. Caribbean, Europe Celebrity Solstice SM Caribbean celebritycruises.com Constellation® Canada/New England, Caribbean, Europe Galaxy SM Caribbean, Europe See your travel agent for reservations and additional information. Infinity® Alaska, Caribbean, Panama Canal, South America Mercury® Alaska, Australia/New Zealand, Hawaii & Pacific Islands, Panama Canal Millennium® Alaska, Caribbean, Hawaii & Pacific Islands, Australia/New Zealand, Panama Canal Summit® Caribbean, Panama Canal, Europe Celebrity Xpedition® The Galapagos Islands Celebrit ySolstice SM Introducing Celebrity Solstice. The Caribbean voyage of your dreams is setting sail in late 2008. Join us onboard Celebrity Solstice, and immerse yourself in the finely crafted experience of what is possible when every aspect of ship design and building is guided by a vision of inspired travel. -
Intimacy, Authenticity and 'Worlding' in Beyoncé's Star Project
8 Intimacy, Authenticity and ‘Worlding’ in Beyoncé’s Star Project Phoebe Macrossan At the 2014 MTV Video Music Awards, African-American pop star Beyoncé Knowles-Carter (known professionally as Beyoncé) performed a 12-song medley from her self-titled visual album, Beyoncé (2013), recreating its imagery across moving stages, treadmills, giant screens and a large troupe of dancers. To open this typically large-scale performance, she said, ‘MTV, welcome to my world’. This choice of words is interesting because, as a dominant figure in the popular music scene, Beyoncé hardly need introduce herself. What this moment captures, however, is the increasing personal intimacy of Beyoncé’s stardom, and her transition to the active creation and ownership of an identifiable, holistic ‘world’. This chapter argues that Beyoncé’s stardom extends beyond constructing a star image through media texts (Dyer, 1998, p. 10). I argue that her star project, her ongoing construction and maintenance of her stardom is creating an intimate, identifiable, holistic world: ‘Beyoncé World’. I use the term ‘star project’ because there is no beginning, middle and end as suggested by a term like ‘star narrative’, and because worlding is more encompassing and widespread than the term ‘star image’ put forward by Richard Dyer (1998, p. 10), although it is a continuation of it. 137 POPULAR MUSIC, STARS AND STARDOM Beyoncé World is created and maintained primarily through Beyoncé’s music videos and visual albums, but also across her concerts, performances and public appearances, and her social media accounts and website. Therefore, Beyoncé World is primarily created through media images, but, importantly, it also includes public appearances, actions and performances outside these visual images. -
Kanye West's Use of the Diatribe: an Offensive “Scumbag”
Kanye West’s Use of the Diatribe: An Offensive “Scumbag” or A Modern-Day Cynic? Author: Isabella M. Biedenharn Persistent link: http://hdl.handle.net/2345/2013 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2011 Copyright is held by the author, with all rights reserved, unless otherwise noted. KANYE WEST’S USE OF THE DIATRIBE: An Offensive “Scumbag” or A Modern-Day Cynic? By Isabella Biedenharn A Senior Honors Thesis Submitted to the Department of Communication of Boston College May 2011 Kanye West 2 TABLE OF CONTENTS Page TABLE OF CONTENTS……………………………………………………………….... 2 ABSTRACT……………………………………………………………………………… 4 CHAPTER ONE ……………………………………………………………………….... 5 Introduction………………………………………………………………………. 5 CHAPTER TWO………………………………………………………………………… 8 Background on Kanye West……………………………………………………... 8 CHAPTER THREE……………………………………………………………………… 9 Past Literature……………………………………………………………………. 9 The Modern Concept of “Celebrity”…………………………………….. 9 Implicit Racism in the Media and in Public Perception………………... 11 The Symbiotic Relationship of Celebrities and Media…………………. 13 Apologia and Celebrity Image Restoration……………………………... 15 The Impact of Celebrity Use of New Media……………………………. 17 CHAPTER FOUR………………………………………………………………………. 21 Methodology……………………………………………………………………. 21 The Diatribe…………………………………………………………….. 21 CHAPTER FIVE……………………………………………………………………….. 25 “George Bush Doesn’t Care About Black People!” Kanye West’s Statements During Hurricane Katrina, 2005……………………. 25 Analysis…………………………………………………………………. -
Celebrity in the Contemporary Era Hannah Hamad What We May Be
Celebrity in the Contemporary Era Hannah Hamad What we may be looking at in more recent times is a redefining of what a celebrity actually is. It’s not a Hollywood star necessarily. It’s a hairdresser from Essex who’s been on television.’ Ian Drury, Celebrity Publisher, Starsuckers (dir. Chris Atkins, 2009) In 2012, pop star and celebrity style icon Lady Gaga capitalised on the cultural currency of twenty-first century celebrity by bottling fame and selling it. Literally. In August of that year, the Italian American singer and performance artist (known independently of her celebrity persona as Stefani Germanotta) launched her first fragrance 'Lady Gaga Fame' in the global fragrance market. It sold big, it sold fast, and it was enormously profitable to its stakeholders. As Lee Barron notes, 'Lady Gaga Fame' "reportedly sold six million bottles in its first week of release." (2015, 60) This example is instructive for understanding some of the dominant operational logics and industrial mechanics of contemporary celebrity in various ways and for a number of reasons. The concept itself (i.e. the idea that fame can be bottled and sold) speaks directly to the longstanding Marxist cultural studies notion of 'standardisation' - the idea, foundationally theorised by Theodor Adorno, that popular cultural products can serve capitalism most profitably when they are reduced to simple formulae that are replicated and re-introduced to the mass market with slight variation that produces the illusion of differentiation for the consuming audience. Adorno elucidates this phenomenon most famously in relation to the commonalities and simplicities in chord structure and lyric that he identified in popular music recordings (1990 [1941]). -
Forbescoms Top 25 Web Celebs
Forbes.com’s Top 25 Web Celebs 1 / 5 Forbes.com’s Top 25 Web Celebs 2 / 5 3 / 5 25. 26. 27. 28. 29 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. ... “Top 10 Most Influential Celebrities,” Foroescom, www.forbes.com, accessed May 15, 2012. ... Volkswagen website, www.vw.com, accessed May 14, 2012.. 0:00. 0:25. Forbes has named the wealthiest celebrities of 2018. At the top of the list: George Lucas may have thought up a galaxy far, far away, .... Forbes has released the Web Celeb 25 which is a list of the biggest, ... The top web celebrity is Jessica Lee Rose of Lonelygirl15 fame. 1. forbes celebrity 100 2. forbes celebrity 100 india 2020 3. forbes celebrity 100 china Forbes.com recently named the top 25 “Celebrities of the Web“. No big surprise there. The usuals are on the list: 1. Perez Hilton; 2. Michael Arrington; 5.. ... the inaugural edition of the Forbes.com Web Celeb 25 failed to place ... casualties: YouTube star LonelyGirl15, who held last year's top spot, .... Once again, Forbes Magazine has honored me by including me near the top of its list of 25 Web Celebrities, “the people who have turned their .... ... of the America's Wealthiest Celebrities, of the world's top companies (the Forbes Global 2000), ... Forbes.com is part of Forbes Digital, a division of Forbes Media LLC. ... Forbes.com also publishes subscription investment newsletters, and an online guide to web sites, Best of the Web. ... Retrieved November 25, 2013. -
Celebrity Guest Biographies
Celebrity Guest Biographies Gbenga Akinnagbe Gbenga Akinnagbe (born December 12, 1978) is an American actor and writer, best known for his role as Chris Partlow on the HBO series The Wire.[1] In 2007, Akinnagbe appeared in the film The Savages with Philip Seymour Hoffman, Laura Linney, and Philip Bosco. He appeared in the remake of The Taking of Pelham 1 2 3, which was released by Sony in June 2009. Akinnagbe made a guest appearance on a Season 10 Law and Order: SVU episode entitled "Hell" as Elijah Okello, a former Ugandan child soldier living in New York, facing deportation. Akinnagbe's former The Wire cast mate Robert Wisdom also appeared in that episode as Father Theo Burdett. In 2010 in Seattle, Washington Akinnagbe starred in world premiere play The Thin Place at The Intiman Theatre.[4] He was also in the movie Lottery Ticket and is currently in The Good Wife as Pastor Isiah Easton.[2] His former co-star from the The Wire, Frankie Faison, portrayed his father on the show in several episodes. He is currently starring as Kelly Slater, a new nurse in the 3rd season of the Showtime series Nurse Jackie.[5] He also starred in leading roles for two Independent films, as Jack in "Home", directed by Jono Oliver, and as James in "Big Words", directed by Neil Drumming. He is currently playing a drug lord in the USA series Graceland and stars as Tom in The Following. He starred as a CIA Agent in 24hours movie Darren Aronofsky Darren Aronofsky (born February 12, 1969) is an American film director, screenwriter and film producer. -
Dress Like an Internet Celebrity: Fashion Retrieval in Videos
Proceedings of the Twenty-Ninth International Joint Conference on Artificial Intelligence (IJCAI-20) Dress like an Internet Celebrity: Fashion Retrieval in Videos Hongrui Zhao1 , Jin Yu2 , Yanan Li3 , Donghui Wang1∗ , Jie Liu2 , Hongxia Yang2 and Fei Wu1 1College of Computer Science and Technology, Zhejiang University 2Alibaba Group 3Institute of Artificial Intelligence, Zhejiang Lab fhrzhao, ynli, dhwang, [email protected], fkola.yu, sanshuai.lj, yang.yhxg.alibaba-inc.com Abstract (a) IFN LSTM Same/Different Nowadays, both online shopping and video shar- IFN LSTM Similarity IFN DT ing have grown exponentially. Although internet Select Manually IFN LSTM celebrities in videos are ideal exhibition for fash- Same/Different … … … ion corporations to sell their products, audiences (b) do not always know where to buy fashion prod- … … Similarity ucts in videos, which is a cross-domain problem Detect IFN IFN called video-to-shop. In this paper, we propose Detect FD a novel deep neural network, called Detect, Pick, IFN IFN Keyframe and Retrieval Network (DPRNet), to break the gap Detect … Similarity … between fashion products from videos and audi- … … ences. For the video side, we have modified the tra- Same/Different ditional object detector, which automatically picks out the best object proposals for every commod- Figure 1: (a) shows the previous video-to-shop pipeline, which ity in videos without duplication, to promote the manually extracts frames containing the corresponding clothing in performance of the video-to-shop task. For the videos as the clothing trajectories. Then, (a) doing DT (detection and tracking) on clothing trajectories. Finally, (a) formulating re- fashion retrieval side, a simple but effective multi- trieval as a multiple-to-single matching problem after feature con- task loss network obtains new state-of-the-art re- struction using IFN (image feature network) and LSTM.