Mini-Course Guide Fall 2021
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The New Woman, Femininity and Modernity in Margery Allingham's
THE NEW WOMAN, FEMININITY AND MODERNITY IN MARGERY ALLINGHAM'S DETECTIVE NOVELS OF THE 1930S A Thesis Submitted to the Graduate Program in Popular Culture of Brock University In Partial Fulfilment of the Requirements For the Degree of Master of Arts in Popular Culture JAMES A (HBSON LIffiABY BROCK UNIYERSTTY ST. CATHARINES ONjj Carol Barbara Bott ® June 2005 jhMV, '"i't ACKNOWLEDGMENTS As a part-time student in Brock's MA Program in Popular Culture, it has been my good fortune to have met and been assisted by a number of talented and dedicated teachers and scholars during the past four years. Foremost among these has been my thesis supervisor, Dr. Marilyn Rose, Professor of English and Dean of Graduate Studies, whose patience, insight and wholehearted support and encouragement made the completion of this thesis possible. I am also sincerely grateful to my second reader, Dr. Jeanette Sloniowski. whose comments and suggestions have been invaluable. Dr. I am indebted to Dr. Rosemary Hale, Dean of Humanities, as well as to Dr. Rose and Sloniowski, for course work that provided challenges, which were particularly relevant to the successful completion of this thesis, and for encouraging me to meet them. I should also like to thank Dr. Jim Leach for introducing me to the potential of theoretical studies and for his ongoing interest in my progress over the years, as well as Dr. Bhodan Szuchewycz and Dr. Bany Grant for the knowledge that I gained from their respective courses. Thanks also to Anne Howe, Program Co-ordinator and to Heather McGuiness of Graduate Studies for their help over the years in navigating the administrative waters of graduate school. -
Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie
SEVENTY YEARS OF SWEARING UPON ERIC THE SKULL: GENRE AND GENDER IN SELECTED WORKS BY DETECTION CLUB WRITERS DOROTHY L. SAYERS AND AGATHA CHRISTIE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Monica L. Lott May 2013 Dissertation written by Monica L. Lott B.A., The University of Akron, 2003 B.S., The University of Akron, 2003 M.A., The University of Akron, 2005 Ph.D., Kent State University, 2013 Approved by Tammy Clewell Chair, Doctoral Dissertation Committee Vera Camden Member, Doctoral Dissertation Committee Robert Trogdon Member, Doctoral Dissertation Committee Maryann DeJulio Member, Doctoral Dissertation Committee Clare Stacey Member, Doctoral Dissertation Committee Accepted by Robert Trogdon Chair, English Department Raymond A. Craig Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements.................................................................................... iv Introduction..................................................................................................1 Codification of the Genre.................................................................2 The Gendered Detective in Sayers and Christie ..............................9 Chapter Synopsis............................................................................11 Dorothy L. Sayers, the Great War, and Shell-shock..................................20 Sayers and World War Two in Britain ..........................................24 Shell-shock and Treatment -
Oppressive Gender Roles in Crime Novels
Bridges: A Journal of Student Research Issue 11 Article 1 2017 Oppressive Gender Roles in Crime Novels Alexis Hardee Coastal Carolina University Follow this and additional works at: https://digitalcommons.coastal.edu/bridges Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Hardee, Alexis (2017) "Oppressive Gender Roles in Crime Novels," Bridges: A Journal of Student Research: Vol. 11 : Iss. 11 , Article 1. Available at: https://digitalcommons.coastal.edu/bridges/vol11/iss11/1 This Article is brought to you for free and open access by the Office of Undergraduate Research at CCU Digital Commons. It has been accepted for inclusion in Bridges: A Journal of Student Research by an authorized editor of CCU Digital Commons. For more information, please contact [email protected]. Alexis Hardee Alexis Hardee is a senior at Coastal Carolina University majoring in English. Origi- nally from Loris, South Carolina, she transferred from Horry Georgetown Technical College after completing her Associate in Arts degree. She is a member of Sigma Tau Delta (International English Honor Society), Phi Alpha Theta (National History Honor Society), and Tau Sigma Honor Society for transfer students. After graduating from Coastal, she plans to pursue her doctorate with a specialization in early Ameri- can literary studies. Issue 11: 2017 | 7 Oppressive Gender Roles in Crime Novels Abstract Throughout history, women have been perceived as unequal or lower-class in comparison to men. This misogynistic opinion makes its way into movies, history books, politics, mass media, novels, music, and employment. Mystery novels are no exception. -
Cambridge Companion Crime Fiction
This page intentionally left blank The Cambridge Companion to Crime Fiction The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the ‘detective’ fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime in film and on TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception. THE CAMBRIDGE COMPANION TO CRIME FICTION MARTIN PRIESTMAN cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521803991 © Cambridge University Press 2003 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the -
The Crime at Black Dudley Epub Free Download the Crime at Black Dudley PDF Book by Margery Allingham (1929) Download Or Read Online
the crime at black dudley epub free download The Crime at Black Dudley PDF Book by Margery Allingham (1929) Download or Read Online. The Crime at Black Dudley PDF book by Margery Allingham Read Online or Free Download in ePUB, PDF or MOBI eBooks. Published in 1929 the book become immediate popular and critical acclaim in mystery, fiction books. The main characters of The Crime at Black Dudley novel are Albert Campion, Dr. George Abbershaw. The book has been awarded with Booker Prize, Edgar Awards and many others. One of the Best Works of Margery Allingham. published in multiple languages including English, consists of 256 pages and is available in Paperback format for offline reading. The Crime at Black Dudley PDF Details. Author: Margery Allingham Book Format: Paperback Original Title: The Crime at Black Dudley Number Of Pages: 256 pages First Published in: 1929 Latest Edition: 2006 Series: Albert Campion Mysteries #1 Language: English Generes: Mystery, Fiction, Mystery, Crime, Classics, European Literature, British Literature, Mystery, Detective, Mystery, Golden Age Mystery, Thriller, Mystery Thriller, Mystery, Murder Mystery, Literature, 20th Century, Main Characters: Albert Campion, Dr. George Abbershaw, Wyatt Petrie, Meggie Oliphant, Colonel Gordon Coombe Formats: audible mp3, ePUB(Android), kindle, and audiobook. Other Books From Albert Campion Mysteries Series. The book can be easily translated to readable Russian, English, Hindi, Spanish, Chinese, Bengali, Malaysian, French, Portuguese, Indonesian, German, Arabic, Japanese and many others. Please note that the characters, names or techniques listed in The Crime at Black Dudley is a work of fiction and is meant for entertainment purposes only, except for biography and other cases. -
Bio-Bibliographie
Bio-Bibliographie Alle Rechte vorbehalten. Alle Angaben ohne Gewähr. © Diogenes Verlag AG www.diogenes.ch e-mail: [email protected] Diogenes Bio-Bibliographie Margery (Louise) Allingham Margery Allingham, geboren am 20. Mai 1904. Es war für sie ganz selbstverständlich, daß sie anfing zu schreiben; kein anderer Beruf galt in ihrer Familie als natürlich oder normal. Noch als Teenager schrieb sie während ihrer Schulzeit an der Perse High School in Cambridge und dem Regent Street Polytechnic of Speech Training ihren ersten Roman Black’erchief Dick. 1928 – mit dreiundzwanzig Jahren – sicherte sie sich für immer einen Platz unter den Romanautoren, als sie ihren ersten Campion-Detektivroman verfasste. Ihre frühen Bücher The Crime at Black Dudley, Mystery Mile und Look to the Lady musste sie in der spärlichen Freizeit schreiben, die ihre Filmarbeit ihr ließ. Damals wurden ihre Bücher von den wenigen fortschrittlichen Geistern geliebt, denen die frische und nicht alltägliche Art gefiel, mit der sie die Probleme und Vergnügungen der Nachkriegsjugend schilderte. Seither haben ihr sanfter Detektiv Albert Campion und seine muskelbepackten Mitarbeiter treue Leser jeder Altersstufe in aller Welt erobert. Sie hat sich auch einen Ruf als ernsthaftere Schriftstellerin geschaffen. In einer Kritik über The Fashion in Shrouds schrieb Torquemada im Observer, dass Albert Campion die Ehre zuteil geworden sei, der erste Detektiv zu sein, der in einem Roman agiere, den man durchaus anspruchsvoll nennen dürfe. Margery Allinghams Romane sind weitgespannt, und ihre Themen umfassen Ernstes und Satirisches, doch jeder hälts sich streng an die grundlegenden Regeln einer guten Detektivgeschichte. Margery Allingham war seit 1928 mit dem Künstler und Verleger Philip Youngman Carter verheiratet und lebte viele Jahre am Rande des Marschlandes von Essex. -
Class, Gender and Memory in Golden Age Crime Fiction by Women
‘How Are You Getting on with Your Forgetting?’ – Class, Gender and Memory in Golden Age Crime Fiction by Women Értekezés a doktori (Ph.D.) fokozat megszerzése érdekében az Irodalomtudomány tudományágban Írta: Zsámba Renáta okleveles angol és francia nyelv és irodalom szakos bölcsész és tanár Készült a Debreceni Egyetem Irodalomtudományok doktori iskolája (Angol-amerikai irodalomtudományi programja) keretében Témavezető: Dr. Bényei Tamás ……….………………………………. (olvasható aláírás) A doktori szigorlati bizottság: elnök: Dr. ………………………… tagok: Dr. ………………………… Dr. ………………………… A doktori szigorlat időpontja: 200… . ……………… … . Az értekezés bírálói: Dr. ........................................... Dr. …………………………… Dr. ........................................... A bírálóbizottság: elnök: Dr. ........................................... tagok: Dr. ………………………….. Dr. ………………………….. Dr. ………………………….. Dr. ………………………….. A nyilvános vita időpontja: 20… . ……………… … . 2 „Én Zsámba Renáta teljes felelősségem tudatában kijelentem, hogy a benyújtott értekezés önálló munka, a szerzői jog nemzetközi normáinak tiszteletben tartásával készült, a benne található irodalmi hivatkozások egyértelműek és teljesek. Nem állok doktori fokozat visszavonására irányuló eljárás alatt, illetve 5 éven belül nem vontak vissza tőlem odaítélt doktori fokozatot. Jelen értekezést korábban más intézményben nem nyújtottam be és azt nem utasították el.” 3 Doktori (PhD) Értekezés ‘How Are You Getting on with Your Forgetting?’ – Class, Gender and Memory in Golden Age Crime Fiction by Women Zsámba Renáta -
Dancers in Mourning (A Campion Mystery) Online
ZmKzi [Read download] Dancers in Mourning (A Campion Mystery) Online [ZmKzi.ebook] Dancers in Mourning (A Campion Mystery) Pdf Free Margery Allingham audiobook | *ebooks | Download PDF | ePub | DOC #2134865 in Books 2017-02-03Original language:English 8.50 x .93 x 5.50l, #File Name: 1911295152372 pages | File size: 71.Mb Margery Allingham : Dancers in Mourning (A Campion Mystery) before purchasing it in order to gage whether or not it would be worth my time, and all praised Dancers in Mourning (A Campion Mystery): 8 of 8 people found the following review helpful. Therersquo;s a reason itrsquo;s called ldquo;The Golden Agerdquo; of mysteryBy JZSI love Golden Age Mysteries. I own most if not all of the works of Sayers, Christie, Marsh, Heyer and Carr. Margery Allingham was never a favorite of mine primarily because in her early novels her hero, Albert Campion, seemed a pale imitation of Dorothy Sayersrsquo; Peter Wimsey. However, it is clear in this later book that, like Wimsey, Campion has matured and the character ldquo;ticsrdquo; that annoyed me are gone.For some reason, Irsquo;d gotten away from the Golden Age and lately have been reading Victorian and modern mysteries. But ldquo;Tigerrdquo; is one of the books on HRF Keatingrsquo;s list of 100 best mysteries that I hadnrsquo;t read so when a friend pointed out this kindle book for $2.99 I picked it up. A few pages into ldquo;The Tiger in the Smokerdquo;, I remembered why Golden Age was my genre of preference. Most of what Irsquo;ve read over the past couple of years pales in comparison.First of all the ldquo;cozy mystery thrillerrdquo; label on this is completely misleading. -
Newberry College – Studies in Crime Writing – Issue 1 – 2018 © Sigrid M
Tradition and Subversion in The Girl with the Dragon Tattoo Sigrid M. King Carlow University, United States Abstract Swedish author Stieg Larsson’s best-selling novel The Girl with the Dragon Tattoo both pays homage to and subverts the crime fiction tradition. Larsson’s strategy enables him to expand his work’s focus beyond “whodunit” to the social justice issue of abuse of public trust by those in power. Larsson’s tactic of subversion is particularly pronounced in his depiction of the corrupt Vanger family, use of graphic violence, and rejection of the Golden Age detective character. These elements are examined in juxtaposition to the country house, locked-room, and puzzle/secret code mystery traditions. Despite the elements that pay homage to traditional crime fiction, Larsson’s novel clearly questions the certainties and assumptions embodied in mysteries of the Golden Age. * All art depends upon a constant, dynamic tension between convention and innovation. George Grella and John M. Reilly, “Conventions of the Genre” (88) Swedish author Stieg Larsson’s best-selling mystery The Girl with the Dragon Tattoo1 displays a fascinating tension between adherence to the traditions of crime fiction and subversion of those traditions. Larsson was an avid reader of crime fiction and self-consciously places his first novel’s plot within the genre through his adaptation of elements from the British Golden Age,2 particularly the locked-room mystery, the country house mystery, and the puzzle/secret code mystery. These subgenres historically focused on characters from privileged backgrounds and tended to reflect a conservative worldview. While Larsson pays homage to this tradition, he also subverts most of its assumptions through his critique of various power structures in Sweden, exposing corruption in the world of finance, ineptitude in the social safety net, and a dark underbelly of ultra-right-wing racism that reacts in a violent backlash against immigrants. -
Claire Gradidge, Thesis
UNIVERSITY OF WINCHESTER Innovating from Tradition: Creating an Historical Detective Novel for a Contemporary Audience. Claire Gradidge ORCID Number: 0000-0003-3978-8707 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester. This page is intentionally left blank. DECLARATION AND COPYRIGHT STATEMENT Declaration: No portion of the work referred to in the Thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning. I confirm that this Thesis is entirely my own work. Copyright: Copyright © Claire Gradidge 2017, ‘Innovating from Tradition: Creating an Historical Detective Novel for a Contemporary Audience’, University of Winchester, PhD Thesis pp 1- 335 ORCID Number: 0000-0003-3978-8707. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Copies (by any process) either in full, or of extracts, may be made only in accordance with instructions given by the author. Details may be obtained from the RKE centre, University of Winchester. This page must form part of any such copies made. Further copies (by any process) of copies made in accordance with such instructions may not be made without the permission (in writing) of the author. No profit may be made from selling, copying or licensing the author’s work without further agreement. 1 Acknowledgements I should like to thank a number of people for their help and support during the course of my PhD studies. -
Appendix A: the Complete Detective and Crime Novels of the Six Authors
Appendix A: The Complete Detective and Crime Novels of the Six Authors Agatha Christie (1890–1976) Hercule Poirot The Mysterious Affair at Styles (UK, London: Lane, 1920; US, New York: Dodd Mead, 1927). The Murder on the Links (UK, London: Lane, 1923; US, New York: Lane, 1923). The Murder of Roger Ackroyd (UK, London: Collins, 1926; US, New York: Dodd Mead, 1926). The Big Four (UK, London: Collins, 1927; US, New York: Dodd Mead, 1927). The Mystery of the Blue Train (UK, London: Collins, 1928; US, New York: Collins, 1928). Peril at End House (UK, London: Collins, 1932; US, New York: Dodd Mead, 1932). Lord Edgware Dies (UK, London: Collins, 1933) as Thirteen at Dinner (US, New York: Dodd Mead, 1933) Murder on the Orient Express (UK, London: Collins, 1934) as Murder on the Calais Coach (US, New York: Dodd Mead, 1934). Death in the Clouds (UK, London: Collins, 1935) as Death in the Air (US, New York: Dodd Mead, 1935). The ABC Murders (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936) as The Alphabet Murders (US, New York: Pocket Books, 1966). Cards on the Table (UK, London: Collins, 1936; US, New York: Dodd Mead, 1937). Murder in Mesopotamia (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936). Death on the Nile (UK, London: Collins, 1937; US, New York: Dodd Mead, 1938). Dumb Witness (UK, London: Collins, 1937) as Poirot Loses a Client (US, New York: Dodd Mead, 1937). Appointment with Death (UK, London: Collins, 1938; US, New York: Dodd Mead, 1938). Hercule Poirot’s Christmas (UK, London: Collins, 1938) as Murder for Christmas (US, New York: Dodd Mead, 1939) as A Holiday for Murder (US, New York: Avon, 1947). -
University of Pardubice Faculty of Arts and Philosophy the Role Of
University of Pardubice Faculty of Arts and Philosophy The Role of Settings in the Selected Works of Golden-Age Detective Fiction Bc. Žaneta Stýblová Diploma Thesis 2018 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 27.6.2018 Žaneta Stýblová Acknowledgements I would like to thank my supervisor, Mgr. Olga Roebuck, Ph.D., M.Litt., for her valuable and professional advice, for the time spent with me consulting this thesis, and for the opportunity to choose this topic. Annotation This diploma thesis focuses on the setting in selected detective novels by two authors belonging to the so-called Golden Age of British crime fiction.