AFGHANISTAN the Struggle in Its Fifth Year
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In Afghanistan Afsar Sadiq Shinwari* School of Journalism and Communication, Hebei University, Baoding, Hebei, China
un omm ica C tio Shinwari, J Mass Communicat Journalism 2019, 9:1 s n s a & M J o f u o Journal of r l n a a n l r i s u m o J ISSN: 2165-7912 Mass Communication & Journalism Review Article OpenOpen Access Access Media after Interim Administration (December/2001) in Afghanistan Afsar Sadiq Shinwari* School of Journalism and Communication, Hebei University, Baoding, Hebei, China Abstract The unbelievable growth of media since 2001 is one of the greatest achievements of Afghan government. Now there are almost 800 publications, 100TV and 302 FM radio stations, 6 telecommunication companies, tens of news agencies, more than 44 licensed ISPs internet provider companies and several number of production groups are busy to broadcast information, drama serial, films according to the afghan Culture, and also connected the people with each other on national and international level. Afghanistan is a nation of 30 million people, and a majority live in its 37,000 villages. But low literacy rate (38.2%) is the main obstacle in Afghanistan, most of the people who lived in rural area are not educated and they are only have focus on radio and TV broadcasting. So, the main purpose of this study is the rapid growth of media in Afghanistan after the Taliban regime, but most of those have uncertain future. Keywords: Traditional media; New media; Social media; Media law programs and also a huge number of publications, mobile Networks, press clubs, newspaper, magazines, news agencies and internet Introduction were appeared at the field of information and technology. -
Which Law Applies to the Afghan Conflict?
WHICH LAW APPLIES TO THE AFGHAN CONFLICT? By W. Michael Reisman and James Silk* Soviet armed forces have been directly engaged in combat in Afghanistan for more than 8 years.1 The level of international protest, sanctions and media coverage diminished after the initial outcry over the large-scale So- viet intervention in December 1979. With the conclusion in many diplo- matic and professional quarters that the Soviet presence in Afghanistan would be of long duration, the focus of international disapproval shifted from the question whether the Soviet presence in Afghanistan was lawful or not to whether Soviet conduct in Afghanistan was lawful or not: fromjus ad bellum to jus in bello. Access to Afghanistan has been extremely limited, but various individ- uals, commissions and credible international organizations have reported extensive abuses of human rights by Soviet forces there; most of the reports are based largely on refugee testimony.2 While the practices of the Soviet occupation and campaign have emerged with increasing clarity, the ques- tion of which law these practices are to be tested against is still controversial. * W. Michael Reisman is Wesley Newcomb Hohfeld Professor of Jurisprudence, Yale Law School. James Silk expects to receive aJ.D. from Yale University in 1989. The authors gratefully acknowledge the comments and criticism of colleagues on the Board of Editors and of several scholars in Europe. The authors are, of course, solely responsible for the contents. I By the time this article is published, it is possible that the Soviet Union will, at least, have begun to withdraw its troops from Afghanistan. -
Promoting Independent Broadcast Media in Afghanistan Peter Feuilherade, Media Analyst, BBC World Service
WORLD Promoting independent broadcast media in Afghanistan Peter Feuilherade, Media Analyst, BBC World Service 2003/21 – DIFFUSION online 1 Promoting Peter Feuilherade indepMedia Analyst, BBC World Service e Japan will fund a new TV Afghanistan remains one of transmitter near Kabul as a step towards the resumption of a nation- the world’s least developed wide TV service The BBC World Service Trust, with countries. the help of a €16m grant from the UK governments Department for International Development, has The media have fared better than Afghanistan TV broadcasts in Kabul provided equipment to Radio-TV most sectors since the collapse of the with a limited range, for five to six Afghanistan, trained more than 350 Taliban regime in October 2001 hours a day In the provincial capitals, journalists in Kabul and the regions, Aid from abroad has come in the local radio and TV stations operate and is working with the Afghan form of new equipment, program- administration to assess future needs ming and training Foreign aid and the foundations for a regulatory framework for the media Afghan officials and donors estimate Foreign broadcasters from a dozen that the government will need at least countries have provided millions of Iran has also been closely involved $10bn over the next five years to dollars of equipment, programming with the rebuilding of Afghanistans rebuild the countrys shattered and training Since 2001, broad- broadcasting infrastructure, donating infrastructure and develop an casters either launched new services radio and TV equipment -
Views Were Conducted During Fieldwork in the Summers of 2008 And
The Role of Media in the Framing of the Afghan Conflict and the Search for Peace A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Roshan Noorzai August 2012 © 2012 Roshan Noorzai. All Rights Reserved. This dissertation titled The Role of Media in the Framing of the Afghan Conflict and the Search for Peace by ROSHAN NOORZAI has been approved for the School of Media Arts and Studies and the Scripps College of Communication by _____________________________________________ Don M. Flournoy Professor of Media Arts and Studies _____________________________________________ Scott Titsworth Dean, Scripps College of Communication ii Abstract NOORZAI, ROSHAN, Ph.D., August 2012, Mass Communication The Role of Media in the Framing of the Afghan Conflict and the Search for Peace (306 pp.) Director of Dissertation: Don M. Flournoy This dissertation explores media framing of conflict and peace in post-September 11, 2001 Afghanistan. The media selected for this study included: the BBC Pashto Service and Azadi Radio at the international level; Tehran’s Pashto Radio at the regional level; National Radio and Television of Afghanistan [NRTA], Tolo Television and Ariana Television at the national level; and Salam Watandar Network and Hewad Television at the local level. In-depth interviews were conducted during fieldwork in the summers of 2008 and 2009. Participant observation, textual analysis and documents analysis were the other methods used in this study. Using comparative frame analysis, this study identified the following main frames: state building, occupation as failure and civilian victims. -
Music in Afghanistan
Afghanistan: Multidisciplinary Perspectives Music in Afghanistan By Hiromi Lorraine Sakata The Meaning of “Music” in Afghanistan The meaning of music in the West is broadly defined as humanly organized sound and includes both religious and secular music, both vocal and instrumental music, and music performed by both professional and amateur musicians. However, the meaning of music in Afghanistan is quite a bit more restrictive than our general understanding of the concept of music. It is secular, never religious. It is more instrumental than vocal, and it is performed mainly by professional musicians and sometimes by amateur musicians. There is a general notion that music is religiously disapproved of in Islam, yet there is not one word of censure in the Qur’an about music. Instead, the definition of music and its standing is dependent upon an understanding of its perceived distance from religiously sanctioned or praiseworthy activities. For example, Qur’anic recitations or calls to prayers—no matter how musical they sound—are never considered music. The same can be said for lullabies when mothers sing to their children. Yet when they are accompanied by musical instruments and sung by professional musicians to a public audience, they are considered music. These examples show that factors other than musical sound are important considerations in the Afghan definition of music. The mainstay of Islam is the Qur’an, the revelations of God as passed on to the Prophet Mohammad. The “voice” and the “pen” that convey the sounds and words of Qur’anic recitation are regarded with great respect and value in the Muslim world. -
AFGHANISTAN MEDIA ASSESSMENT Opportunities a N D C H a L L E N G E S F O R Peacebuilding
[PEACEW RKS [ AFGHANISTAN MEDIA ASSESSMENT OPPORTUNITIES AND CHALLENGES FOR PEACEBUILDING Eran Fraenkel, PhD Emrys Schoemaker, MA Sheldon Himelfarb, PhD ABOUT THE REPO R T This report was commissioned by the United States Institute of Peace’s Center of Innovation for Media, Conflict, and Peacebuilding. It assesses Afghanistan’s media sector through a new tool developed by USIP, which combines elements of a traditional media assessment with conflict analysis. Following extensive field assessment in Afghanistan, the authors con- vened a wide array of media and Afghanistan experts in Washington, D.C., to identify key opportunities and challenges for using media more extensively and effectively for peacebuilding. ABOUT THE AUTHO R S Eran Fraenkel is an expert and instructor in metrics and evaluation with more than twenty-eight years of experience in international peacebuilding media. He is best known for his work on broadcast media, hav- ing produced numerous programs such as Naashe Maalo, an award-winning children’s TV program on intercultural understanding and conflict prevention in Macedonia. Emrys Schoemaker is a strategic and development communications specialist with particular expertise in leveraging new media for peacebuilding. He is an authority in designing and implementing national and local awareness and communication strategies and has worked with vari- ous government and United Nations agencies, as well as with international and local nongovernmental organizations, throughout the Middle East. Sheldon Himelfarb is an associate vice president at USIP and executive director of the Center of Innovation for Media, Conflict, and Peacebuilding. He has man- aged peacebuilding programs in numerous conflicts, including Bosnia, Iraq, Angola, Liberia, Macedonia, and Burundi. -
The Afghan Communists
chaPter one the afghan communists shibirghan, the caPital of Jowzjan Province, is a remote and barren place, even by Afghan standards. To the north, Jowzjan borders on the Amu Darya River and Turkmenistan, a former part of the Union of Soviet Socialist Republics.1 Shibirghan is a city of about 150,000 on a flat, dry plain that extends past the river into Central Asia. Most of the city’s population is made up of ethnic Uzbeks, with a minority of Turkmen; the province as a whole is 40 percent Uzbek and 30 percent Turkmen. Natu- ral gas has been exploited in the province since the 1970s, initially by a Soviet energy project. Shibirghan is on the Afghan ring road, the country’s main highway, which connects the country’s main cities. Shibirghan lies between the largest city in the north, Mazar-e Sharif, to the east and the largest city in the west, Herat. Since the 1980s Shibirghan has been the stronghold of Abdul Rashid Dostum, an Uzbek Afghan warlord who has played a complex role in the wars that have wracked Afghanistan since 1978. In 1998 Dostum was my host during a visit to Shibirghan. I had met him before, in my Pentagon office, where he had related his life’s journey to me. A physically strong and imposing man, he has an Asian appearance, a hint of his Mongol roots. That day he was dressed to look like a modern political leader, in a suit and tie. The notorious warlord was hosting a meeting of the North- ern Alliance, the coalition of Afghan parties that opposed the Taliban, in his hometown. -
Can You Stop the Birds Singing?”
“Can you stop the birds singing?” THE CENSORSHIP OF MUSIC IN AFGHANISTAN “Can you stop the birds singing?” THE CENSORSHIP OF MUSIC IN AFGHANISTAN by JOHN BAILY FREEMUSE – THE WORLD FORUM ON MUSIC AND CENSORSHIP “CAN YOU STOP THE BIRDS SINGING?” The censorship of music in Afghanistan by JOHN BAILY Published by Freemuse ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: M. de Torsiac (1986) Printed in Denmark 2001 by Handy-Print © Freemuse Report no. 01/2001 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org TABLE OF CONTENTS PREFACE 5 2.5 Taliban and censorship 34 ABSTRACT 7 2.5.1 Origins and ideology of Taliban 34 INTRODUCTION 9 2.5.2 Edicts concerning music 35 MAP 11 2.5.3 Reports of censorship in English language media 36 2.5.4 Personal testimony from Afghans 38 1. AFGHANISTAN 2.5.5 Taliban justifications for 1.1 History and demography 12 banning music 39 1.2 Music profile 15 2.6 Evading the ban on music 42 1.2.1 Afghan art music 16 1.2.2 Popular radio music 16 3. THE EFFECTS OF 1.2.3 Regional musics 19 CENSORSHIP 1.2.4 Song texts 20 1.3 Religious recitation, 3.1 The role of music in chanting and singing 21 traditional Afghan life 44 3.2 Normality and identity 44 3.3 Therapeutic aspects of music 45 2. MUSIC CENSORSHIP 3.4 The fate of musicians 46 2.1 The Afghan legal system 3.5 Recommendations 47 in the past 23 2.2 The new Republic 23 NOTES 49 2.3 Jihad period 25 BIBLIOGRAPHY 50 2.4 Rabbani period 31 CONTENTS OF CD 51 4 PREFACE Censorship of music has existed ever since the time of ancient Greece. -
2010 Media Evaluation
Afghan Media in 2010 Priority District Report Kabul City (Kabul) October 13, 2010 This publication was produced for review by the United States Agency for International Development by Altai Consulting. The authors view expressed in this publication do not necessarily reflect the views of the United States Agency for International Development or the United States Government. Afghan Media – Eight Years Later Priority District: Kabul City (Kabul) Contents 1 METHODOLOGY ........................................................................................................................... 3 2 MEDIA LANDSCAPE ....................................................................................................................... 4 2.1 MEDIA OUTLETS................................................................................................................................. 4 2.1.1 Television .............................................................................................................................. 5 2.1.2 Radio .................................................................................................................................. 10 2.1.3 Newspapers ........................................................................................................................ 13 2.2 NEW MEDIA .................................................................................................................................... 15 2.2.1 Mobile media .................................................................................................................... -
The Pashtun Question: Myths, Realities, and Militancy in Afghanistan and Pakistan"
TRANSCRIPT "THE PASHTUN QUESTION: MYTHS, REALITIES, AND MILITANCY IN AFGHANISTAN AND PAKISTAN" A Conversation With Abubakar Siddique and Amna Nawaz * * *TRANSCRIBER NOTE: INTERVIEWEE HAS HEAVY ACCENT* * * ANNOUNCER: You are listening to a recording of the Open Society Foundations, working to build vibrant and tolerant democracies worldwide. Visit us at OpenSocietyFoundations.org. CHRIS ROGERS: Good evening everyone. Thank you very much for coming. My name is Chris Rogers. I work with the regional policy initiative on Afghanistan and Pakistan here at Open Society Foundations. The elections have-- with the elections in Afghanistan, ongoing-- conflict and peace talks in Pakistan-- I think we're entering-- a truly pivotal period in the region. So I think why a book like Abubakar's, which I think challenges many of our assumptions about the nature of the conflict, Pashtuns, and the Taliban- - in the region-- is coming at a really critical time. And so, we're very glad and happy to have him as well as Amna Nawaz here to discuss today. Abubakar Siddique is an internationally recognized journalist with Radio Free Europe and Radio Liberty based in Prague, specializing in the courage of Afghanistan and Pakistan. He researches and writes on security, political, humanitarian, and cultural issues in the region and the Pashtun heartland where he was born. He is the author, of course, of the newly published book Pashtun Question. Amna Nawaz is an Emmy award winning NBC correspondent and bureau chief for NBC news in Pakistan. She previously report-- previously reported for NBC's investigative TRANSCRIPT: THE PASHTUN QUESTION: MYTHS, REALITIES, AND MILITANCY IN AFGHANISTAN AND PAKISTAN 2 unit, covering the war in Afghanistan, the US raid on the Osama Bin Laden compound in Pakistan. -
Taj Mohammad Ahmadzada, General Manager of Archives, Afghanistan NRT
The Afghanistan National Radio and Television Archives: Past and Future Taj Mohammad Ahmadzada, General Manager of Archives, Afghanistan NRT Comments prepared for the conference “Culture Archives and the State: Between Nationalism, Socialism, and the Global Market,” May 3-5, 2007, Mershon Center, Ohio State University, USA. (Introduction from Dr. H. Lorraine Sakata, Principal Investigator, NEH Digitization Project for the Afghanistan National Radio and Television Archives: It gives me great pleasure to introduce to you Mr. Taj Mohammad Ahmadzada, the General Manager of the Archives of Radio- Television Afghanistan. I want to thank the organizers of this conference, in particular, Dorothy Noyes and Margaret Mills for not only inviting Mr. Ahmadzada, but for going to great lengths to help him obtain a U.S. visa and make his travel arrangements. I’d like to acknowledge the help of the American Institute of Afghanistan Studies Center in Kabul, its Director, Dr. Whitney Azoy, and Assistant Rohullah Amin, who were instrumental in helping Mr. Ahmadzada obtain his visa and travel arrangements, and also the American Institute of Afghanistan Studies office in Boston, especially Michael Carroll, the Executive Assistant there, who also helped facilitate his travel from Kabul to Columbus. But most of all, I want to thank Mr. Ahmadzada for accepting the invitation, and enduring the endless red tape and sometimes irrational security measures at airports to be here with us today.) On behalf of Radio Television Afghanistan, I am very happy to be here today. I would like to thank the organizers of this international conference on archiving for inviting me to participate and learn from the discussions with other participants in this distinguished international conference. -
Afghanistan's Fourth Estate
UNITED STATES INSTITUTE OF PEACE PEACEBRIEF189 United States Institute of Peace • www.usip.org • Tel. 202.457.1700 • @usip August 2015 ANN J. PROCTER Afghanistan’s Fourth Estate E-mail: [email protected] Independent Media Summary • Over the last decade, Afghanistan has experienced the rise of a robust media sector. Program- ming fills the airwaves with everything from news to comedy, open debate to open audition, soap operas to police dramas to ABCs. • Journalists, however, operate in a climate of fear and insecurity, under threats of reprisal and violence, with insufficient state support for freedom of the press. • The National Unity Government’s pledge to promote good governance and fight corruption cannot succeed absent a free and independent media. • President Ghani and CEO Abdullah’s campaign pledges to support freedom of speech and press freedom must be backed up by actions, including passage of a mass media law that protects freedom of speech and the personal safety of journalists. Protecting and preserving Introduction ““an independent Afghan media In the past fourteen years, Afghanistan’s media sector has evolved at warp speed. In a country with that can keep the public informed one of the world’s lowest literacy rates, radio and television serve the population with news and without fear of reprisal or violence information otherwise obtainable only in print. Under Taliban rule (1996–2001), secular radio was is essential to the country’s silenced and television programming—which had debuted in 1964 with the government-owned Radio Television Afghanistan (RTA) but plunged into decline in the 1990s as civil conflict overtook transition to an open society.