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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Crinew Music Re 1Ort
CRINew Music Re 1 ort MARCH 27, 2000 ISSUE 659 VOL. 62 NO.1 WWW.CMJ.COM MUST HEAR Sony, Time Warner Terminate CDnow Deal Sony and Time Warner have canceled their the sale of music downloads. CDnow currently planned acquisition of online music retailer offers a limited number of single song down- CDnow.com only eight months after signing loads ranging in price from .99 cents to $4. the deal. According to the original deal, A source at Time Warner told Reuters that, announced in July 1999, CDnow was to merge "despite the parties' best efforts, the environment 7 with mail-order record club Columbia House, changed and it became too difficult to consum- which is owned by both Sony and Time Warner mate the deal in the time it had been decided." and boasts a membership base of 16 million Representatives of CDnow expressed their customers; CDnow has roughly 2.3 million cus- disappointment with the announcement, and said tomers. With the deal, Columbia House hoped that they would immediately begin seeking other to enter into the e-commerce arena, through strategic opportunities. (Continued on page 10) AIMEE MANN Artists Rally Behind /14 Universal Music, TRNIS Low-Power Radio Prisa To Form 1F-IE MAN \NHO During the month of March, more than 80 artists in 39 cities have been playing shows to raise awareness about the New Latin Label necessity for low power radio, which allows community The Universal Music Group groups and educational organizations access to the FM air- (UMG) and Spain's largest media waves using asignal of 10 or 100 watts. -
SOD Live at Budokan Mp3, Flac
S.O.D. Live At Budokan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live At Budokan Country: Canada Released: 1992 Style: Hardcore, Heavy Metal MP3 version RAR size: 1655 mb FLAC version RAR size: 1305 mb WMA version RAR size: 1502 mb Rating: 4.5 Votes: 459 Other Formats: WMA DMF MP2 MOD APE VOC WAV Tracklist Hide Credits A1 Intro 0:37 A2 March Of The S.O.D. 1:26 A3 Sargent D And The S.O.D. 2:48 A4 Kill Yourself 2:55 A5 Momo 0:44 A6 Pi Alpha Nu 2:58 A7 Milano Mosh 1:44 A8 Speak English Or Die! 3:38 A9 Chromatic Death 1:04 A10 Fist Banging Mania 2:33 A11 The Camel Boy 0:23 A12 No Turning Back 0:52 A13 Milk 2:08 A14 Vitality 1:24 B1 Fuck The Middle East 0:54 B2 Douche Crew 2:04 Get A Real Job B3 2:44 Written-By – M.O.D.* B4 The Ballad Of Jimi Hendrix 0:35 Livin' In The City B5 2:08 Written-by [Uncredited] – Lee Ving B6 Pussy Whipped 3:30 Stigmata B7 2:53 Written-By – Ministry Thieves B8 1:46 Written-By – Ministry B9 Freddy Kreuger 3:05 Territorial Pissings B10 2:46 Written-By – Kurt Cobain, Nirvana B11 United Forces 3:21 Credits Artwork By [Cover Art] – Pushead Bass – Dan Lilker* Drums – Charlie Benante Executive Producer – Jon Zazula, Marsha Zazula Guitar – Scott Ian Producer, Mixed By, Engineer – Alex Perialas Vocals – Billy Milano Written-By – S.O.D.* (tracks: A1 to B2, B4 to B6, B9, B11) Notes Recorded live at The Ritz, NYC, March 21, 1992. -
Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
Slayer.Joel.Mciver.By.Pds.Pdf
GLI URAGANI 1 Titolo originale dell'opera: The Bloody Reign of Slayer Copyright © 2007 Omnibus Press (A Division of Music Sales Limited) – UK Copyright © 2008 A.SE.FI. Editoriale Srl – Via dell'Aprica, 8 – Milano www.tsunamiedizioni.com – www.myspace.com/tsunamiedizioni Prima edizione Tsunami Edizioni, settembre 2008 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione: Mauro Berchi Revisione: Massimo Baroni Tutte le note sono del traduttore tranne dove diversamente specificato. Progetto copertina: Fresh Lemon Foto copertina: Rolf Klatt/Wireimage.com – Foto IV copertina: Mick Hutson/Redferns Rielaborazione grafica a cura di Marco Fantin – TUNE Graphics, Milano PRIMA RISTAMPA – finito di stampare nel marzo 2010 dalla Gesp – Città di Castello (PG) ISBN: 978-88-96131-01-5 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l'autorizzazione scritta dell'Editore. Sebbene sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L'editore rimane a disposizione per essere contattato dagli aventi diritto. Joel McIver SLAYER Traduzione di Mauro Berchi Questo libro è dedicato a tutti coloro che si presero gioco degli SLAYER agli inizi della loro carriera. Ride bene chi ride ultimo. PREFAZIONE dei Municipal Waste Gli Slayer mi rubarono l'anima fin da piccolo, lo e mio fratello maggiore ascoltammo Show No Mercy finché il lettore distrusse la cassetta: eravamo gli unici ragazzi nella nostra scuola a portare delle magliette degli Slayer. Gli altri studenti cominciarono ad accusarci di essere degli adoratori di Satana, ma non avevano neppure il coraggio di guardarci in faccia. -
Socìal Unrest -Fe/Pr^VG-! 0 Fear Itoelf I R ^ R ^ T Handom Killing Life Sentence Atti Tude Civil Biesident Psycho Agent 06 0
SÜDDEUTSCHES HARDCOREMAGAZIN n r .9 TRUST SocìaL Unrest -fe/pr^VG-! 0 Fear Itoelf i r ^ r ^ T Handom Killing Life Sentence Atti tude Civil biesident Psycho Agent 06 0. A.S.Il. Arm the Inøane Dead Silence Depression jVVtj V ' c *Æ._ w / ^ u n reifen rj So*ijS A.P.P.L.E. Ilated Principles Vicious Circle Nobody'b Victim Th'Inbred W Pinewood Dox Compos Mentis Extremes Accelerators 3 .0 o Sf. ,V\ )hcxrbìol&m ( ç i p n $ 7 " f a $ f S LL fftOrJs íh LjVl . f'oloi'f J L G V q IiLqí7r i q y- ‹• c m I y -Trotvi /'t / RECORDS REINER METTNER 0-V ER5EA CONNECTION Compilation EICHENSTRASSE 14 Featuring 2o more or leas known banda from North 5600 WUPPERTAL l ' America and Australia. Full color jacket/cover W. G ERM ANY I fT o o V ’S m BS S ’íí-“S Ä Ä S . Ä 8 Sir.ÄÏSriSlî!: - - - J l . I ä ì î j j J anders existieren kann. Aulier- sind eben die Typen aus ander« sich nicht nur zu KOnzerten tref- dem ist so mancher Zeitgenosse S«hr geehrt« TRUST-R«d«k- Provinzen,die mitmischten(ich fen um Kohle zu machen und die von euch schon ein wenig so teure, darf Jetzt bloß nicht Namen vor allem! gute und ehrliche drauf. Wenn man zum Beispiel loh vermut«(«in wenig Licht in nennen»Allmächtiger I). Texte machen. Einzig gute Band aus sich mit anderen Leuten schreibt dm« Mysterium um den Terminua Ulm,hör mal her!! Den Großteil dem Metalshit sind in dieser Be- unabhängig von Grenzen und Systemen. -
BRIAN CLEMENT Home of V HOTTEST Ictoria’S CHIX!
HALLOWEEN ISSUE OCTOBER/NOVEMBER 2005 • ABSOLUTELY FREE WATERMELON Weed Diva JadedJaded JinasJinas BRIAN CLEMENT Home of V HOTTEST ictoria’s CHIX! WET T-SHIRT CONTEST EVERY THURSDAY LADIESLADIES NIGHTNIGHT EVERYEVERY SATURDAYSATURDAY Absolute Underground – Page 2 We're back! The Helloween special, and this time it's out in October not SKANK OF THE MONTH LID OF THE MONTH December. Be warned, this issue is full to bursting with evil goodness. We've recruited local punk rockers Rob Nesbitt from Astro Zombies, Bum & AK47 plus Ratboy Roy from Alcoholic White Trash to share with you their feelings on the Misfits. Who better to write about music than musicians? We'd also like to welcome Robin Bougie of Cinema Sewer fame to the fold. He'll be bringing us regular installments of exploitation, smut and old porn reviews. Had a blast at a bunch of shows recently, especially my life changing encounter with the new metal giants GOLGOTHA. Laughed my ass off at the last SHIVS show, where Blind Mark fell into the drum kit and off the stage about a million times. I took part in the mini-riot that was Zombie Walk in Vancouver and checked out my boys GREY ARMY at the Asbalt, these are the mutants kids in the basement you've been looking for. Also bore witness to the triumphant return of the mighty HOOSEGOW, welcome back Tyler. Extra big props go out to all the exceptional bands who pitched in to help the Absolute Underground benefit shows kick so much ass. Just wanted to praise Get in line ladies! our layout guy extraordinare Bill Code for all the time and effort he's put into Big, Fat, Thick or Thin - Joe Just one of the making this mag, we couldn't do it without you, big baller. -
The Ticker, December 8, 1987
*1932* TIle Stlldeats' Voke for Over 50 Yean *1987* Vol. 55 ·Ne. 7 Baruch College, CUNY December 8, 1917 COMPUTER REGISTRATION Fee Increase SYSTEM ARRIVES Passes Board of Trustees On-Line Registration for Spring By LINDA ZUECH By SUSAN ROBERTS The proposed student fee in- z crease was passed by the City ~ A new computer system which minaI operator who will input the Z University of New York's Board of ~ has been in developmental stages information into the terminal. Mc ~ Trustees at their November 23 for about four and a halfto five years < Carthy said, "The major change ~ meeting. The increase will go into - and had ~ ID ;-which beeP.. ntJed Baruch (with the new system) will be that effect for the spring '88 semester. i students since the Summer '87 < full-time students will not be re - The increase will raise the Day quired to pay first. All students will Session Student fee from 536.35 to =:~g~ I~~~~ :~rt':: pay after registration has been com $50. The increase was voted on in a ': the registrar. 1 pleted." In the past, only part-time student election which took place McCarthy said, in person students were required to pay after Slee. GIl-era, .... of the IIItenIa f~ on Oct. 13-1S. The measure passed ..........tsolllce.. registration can take anywhere' their registration procedure was Jules AdienBM ESSA presi dell•• 664 in favor, 634 against, from a period of half an hour to completed. When the process is John Richards, president of the three hours depending on each in completed, the student will be given Day Session Student Government dividual's luck.