Popfest 2019 – Artists Texte: Robert Rotifer
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2015 FALL/WINTER SEASON the Apollo Theater Launches
2015 FALL/WINTER SEASON The Apollo Theater launches Apollo Comedy Club The new series marks the extension of the Theater’s late night programming and will kick-off with the Apollo Walk of Fame Induction of comedic legends Redd Foxx, Jackie “Moms” Mabley and Richard Pryor Other 2015 Season Highlights Include: The return of the global hip-hop dance theater festival Breakin’ Convention Just added celebrated French dance duo Les Twins Also featuring a new work developed at the Apollo by acclaimed choreographer Rennie Harris Irvin Mayfield, Dee Dee Bridgewater & the New Orleans Jazz Orchestra For the New York Concert Premiere of Bridgewater and Mayfield’s New Album ‘Dee Dee’s Feathers’ A Festive Halloween Weekend Celebration To Include A New Orleans Masquerade Themed Concert and After Party World premiere of renowned Brazilian choreographer Fernando Melo’s latest work; A co-commission with Ballet Hispanico Apollo and Jazz à Vienne’s artistic and cultural exchange continues with Je Suis Soul: A Salute To French And African Jazz And Soul A Celebration for the 35th Anniversary of the Jazz à Vienne Festival featuring French soul’s leading artists The Legendary Manu Dibango, Ben l’Oncle Soul with the Monophonics and Les Nubians The Classical Theatre of Harlem presents The First Noel: A World Premiere Musical; Book, music and lyrics by Lelund Durond Thompson and Jason Michael Webb (Harlem, NY –September 21, 2015)—On the heels of the recently announced expansion of its daytime programming with the Billie Holiday hologram show, the Apollo Theater today announced another exciting new addition to its 2015 Fall/Winter season with the launch of a new comedy initiative – Apollo Comedy Club. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
African American Radio, WVON, and the Struggle for Civil Rights in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the African American Studies Commons Recommended Citation Searcy, Jennifer, "The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago" (2012). Dissertations. 688. https://ecommons.luc.edu/luc_diss/688 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Jennifer Searcy LOYOLA UNIVERSITY CHICAGO THE VOICE OF THE NEGRO: AFRICAN AMERICAN RADIO, WVON, AND THE STRUGGLE FOR CIVIL RIGHTS IN CHICAGO A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY/PUBLIC HISTORY BY JENNIFER SEARCY CHICAGO, ILLINOIS AUGUST 2013 Copyright by Jennifer Searcy, 2013 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation committee for their feedback throughout the research and writing of this dissertation. As the chair, Dr. Christopher Manning provided critical insights and commentary which I hope has not only made me a better historian, but a better writer as well. As readers, Dr. Lewis Erenberg and Dr. -
Free Soul Sample Packs
Free Soul Sample Packs Scabbardless Hartley lucubrate very penetratively while Darth remains intermediatory and tergal. Unmodish and counterbalanceinterwoven Hanford enormously. dancing his calypsos stomp troke unashamedly. Chanciest Deane torture his longevities Loopmasters royalty free soul samples offer the broadest selection of vintage soul samples, recorded and produced using authentic studio equipment, using faithful production methods and original instruments to deliver warm and rich soul sounds. Waves Codex For Free! Slooply is a platform designed for musicians who are looking for high quality music samples. What is Hatena Blog? When the Screwed and Chopped sound hit mainstream hip hop last decade, it created instant. MILLIARD USD I BIDRAGSYDERINDTJENING! Vintage Soul is a sensational Soul sample pack, filled to the brim with classic Motown grooves and vintage style recordings that perfectly capture the quintessential sound of Soul. How did Hip Hop music start? Are you sure you want to remove this item? Image Sounds features the unique low timbre of this stunning professional vocalist, which is the ideal vesse. There was a problem authenticating your Google Maps API Key. Sample kits and sound kits. Noiiz gives you access to its entire catalogue of Free Packs, with as many downloads as you like. How about a cookie? Zenhiser products in the past, and they continue to release superb quality sample packs across a range of genres. Swoope Sample Pack Vol. YOU MUST VOTE OR GIVE FEEDBACK. Dreamy Soul, embodies the sound of Snoh Aalegra, Syd, Alina Baraz and others who have a related sound. All Trap Soul samples are royalty free. Sign up to our free newsletter! The Korg Triton is a world famous keyboard used in thousands of studios and live performances around the world. -
17-26 JULY 2015 Edinburghjazzfestival.Com
edinburghjazzfestival.com 17-26 JULY 2015 WE INVITE YOU TO OUR 2015 EDITION. With over 150 concerts you can explore the A-Z of jazz and blues – JAZZ MUSICIANS TO WATCH MELISSA ALDANA - P14 O from afrobeat and beat-box to swing and trad O from established stars, to young players set to drive jazz and blues into the future O for serious listeners to fi rst timers, for dancers and clubbers O in a huge variety of places, including St Andrew Square We have centenary events for Frank Sinatra and Willie Dixon; and red carpet nights with Jools Holland and George Benson. Blues Music takes centre stage with a long list of top American musicians: Mud Morganfi eld, Lurrie Bell, Janiva Magness, Willie The Touch Hayes and Lil Ed and The Blues Imperials are all in town. With EXPO funding, our own blues heroes, Jed Potts and Sandy Tweeddale, have been roaming the highways and byways of the States, from San Francisco to Memphis and Mississippi and introduce us to a new generation of American blues, with invitations for Brandon Santini, Ben Rice and Mr Sipp. Check out Jed and SANDY & JED’S BIG ADVENTURES Sandy’s travel diary on the website. MR SIPP - P9 Other new names at the Festival include Ambrose Akinmusire, Melissa Aldana, New Orleans Swamp Donkeys, Somi, Songhoy Blues, Butterscotch, The Vampires and Briana Cowlishaw. Scottish musicians continue making international connections at the Festival. HSK Trio collaborate with Cory Henry from Snarky Puppy; Kim Macari meets Enrico Zanisi; and Brian Kellock puts together a dream band featuring American stars Scott Hamilton and Warren Vaché. -
Soul Music in American Culture
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Hynek Hanzlík Soul music in American culture Bakalářská práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2014 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně a uvedl jsem všechny použité podklady a literaturu. V Přerově dne 5. 5. 2014 …............................... Hynek Hanzlík Rád bych poděkoval Mgr. Jiřímu Flajšarovi, Ph.D. za vedení mé bakalářské práce a za poskytnutí informací a rad souvisejících s její tvorbou. Content 1 Introduction ................................................................................................................. 1 2 What is soul ................................................................................................................. 2 3 Development of soul music ......................................................................................... 5 3.1 Early developments ....................................................................................... 6 3.2 Sam Cooke's crossover .................................................................................. 8 3.3 From soul to funk .......................................................................................... 9 4 Black American society at the birth of soul ................................................................ 11 4.1 The Civil Rights Movement ........................................................................ 11 4.2 Soul music and the civil rights movement ................................................. -
Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected]
August 2016 VOLUME 83 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael -
KEV BROWN Homework
KEV BROWN Homework KEY SELLING POINTS • Years in the making, long awaited follow up to I Do What I Do • First in a new line of Kev Brown releases, many more exciting projects and production placements will be announced in the months to follow • Music videos will be published before and after release date • Release party is planned in DC for the week of release • Will be on tour in Europe this fall • Bonus 45 features a track with scratches by Damu The Fudgemunk DESCRIPTION ARTIST: Kev Brown The DMV’s own, Kev Brown has announced his first solo rap album since TITLE: Homework 2005. Hailing from Palmer Park in Landover, Maryland specifically, after CATALOG: L-RDF134-CLR / L-RDF134 / CD-RDF134 a 13 year hiatus, the producer/MC has finally prepared the sophomore LABEL: Redefinition Records sequel to 2005’s influential cult classic, I Do What I Do. Entitled, GENRE: Hip-Hop/Rap BARCODE: 134120183012 / 134120182022 / 134348520224 Homework, Brown and Redefinition Recs have partnered to release an FORMAT: LP Red Vinyl + 7” / LP / CD LP the game has been missing for too long. HOME MARKET: Washington DC RELEASE: 8/3/2018 Now 13 years is a long wait, but don’t think Kev has been idle in obscurity. LIST PRICE: $25.98 / FA / $23.98 / FL / $12.98 / AL He has been involved with several collaborative projects, garnered tons of production credits and released over a half dozen beat tapes during TRACKLISTING (Click Tracks In Blue To Preview Audio) that time frame. It is also important to note that he was in no rush to drop another rap album and preferred to compose Homework organically and 1. -
WILSON PICKETT Arrived at Fame Studios
m m — PERFORMERS Wilson Pickett B Y L E O SACKS HOWERING HIS VOLCANO OF a voice over a stripped-down backbeat, Wilson Pickett was the original Midnight Mover, a man-and-a-half to a legion of female admirers, a modern-day Stagger Lee who fought with the Devil and came out on top. Rough-hewn, sex-driven, he brought passion and pain to every throaty scream. Because there was no in-between for Wilson Pickett, the “Wicked” Pickett, the blood and guts of Southern soul. Bom March 18,1941, in rural Prattville, Alabama, Wil Do),” and the strutting novelty smash “634-5789.” son Pickett sang in the Baptist church as a boy. When his The Memphis sessions, more blues than gospel, pointed family migrated to Detroit in 1955, the teenager formed a Pickett in a direction he would explore more fully at Muscle gospel group called the Viplinaires. Their rich, resilient har Shoals beginning in 1966. “He reminded me of a black leop monies, inspired by the Sensational Nightingales featuring ard— you know, look but don’t touch, he might bite your Julius Cheeks, galvanized the local church community By hand,” Muscle Shoals engineer Rick Hall told author Peter 1959, Pickett crossed into secular music with another vocal Guralnick in Sweet Soul Musk. Pickett swiveled through the group, the Falcons, which also included future soul stars Ed Shing-a-ling and the Boogaloo on the frenetic “Land Of 1000 die Floyd and Sir Mack Rice. Their gospel-and-rhythm style Dances” (at Number Six, his all-time biggest pop hit); turned gave shape to the emerging Detroit soul scene of the early ’60s. -
Off the Album Lovers Rock by Sade. Tender, Soft Rock
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs. Chill, grooving instrumentals. 00:00:06 Oliver Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Every episode we invite a guest to join us to talk about a heat rock. You know, fire, flammables, an album that bumps eternally. And today we will be deep-diving together into an album celebrating its 20th anniversary this year, Lovers Rock by the one and only Sade. 00:00:25 Music Music “By Your Side” off the album Lovers Rock by Sade. Tender, soft rock. You think I'd leave your side, baby You know me better than that Think I'd leave you down when you're down on your knees [Music fades as dialogue resumes, playing quietly for several more seconds and then ending] 00:00:45 Morgan Host Even as I say these words now, it’s hard to believe that Lovers Rock, the fifth album from Stuart Matthewman, Andrew Hale, Paul Spencer Denman, and Sade Adu, turns 20 next year. I know. Some of you guys are getting a lot older. By the time Epic Records rolled this one out, it had been a minute, 8 years since a mermaid sang to us about tattoos and kisses and cherished days and pearls. And while a hiatus that long might be concerning for most other artists, those of us who love Sade already knew. Well, you can’t hurry love. -
Sleeve Notes
2012 has been a big year for me, full of change and challenge: to be fair that was pretty much how it was advertised. 2013 will be the first year I haven’t sent out a calendar since 1997 so this mix CD is intended as a substitute and is perhaps the beginning of a new tradition. The tunes are mostly 2012 discoveries (to me, anyway) and have been blended together with love and care, Triptych style. Let me know what you think of it! 1: Stein Urheim - Beyond Freedom I found this amazing Norwegian zen blues LP when I was in Bergen in June for a job interview. The job didn’t work out in the end but whenever I hear this I wonder what my life would have been like if I had taken it. 2: Newcleus - Computer Age Push the button! Prescient lyrics from1984: “Computer Age is here / Everyone must have a machine.” Your kids would certainly agree... 3: Mick Ronson - Only After Dark I’m more familiar with the Human League cover which I devoured greedily in my teenage hunger for all things post-punk. With posterity I must admit that the original is far better. 4: The Feelies - Everybody’s Got Something To Hide Except For Me And My Monkey I got this cracking original Stiff seven inch (BUY 65) in Kristina on Kingsland Road, the first shop I have seen for ages that sells only vinyl. They don’t have any name on their shop sign outside, just distressed woodwork: such behaviour almost deserves a hipster red card, but the vinyl is great and they’re nice chaps, so we’ll let them off. -
Soul Sample Type Beat
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