DOCSLIB.ORG

About the Kravis Prize

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
About the Kravis Prize ABOUT THE MARIE-JOSÉE KRAVIS PRIZE FOR NEW MUSIC AT THE NEW YORK PHILHARMONIC The Marie-Josée Kravis Prize for New Music at the New York Philharmonic is awarded to a composer for extraordinary artistic endeavor in the field of new music. Frequency: The Prize, consisting of $200,000 and a commission for the New York Philharmonic, is bestowed every two seasons. In alternating seasons, when no prize is given, the Orchestra names the Kravis Emerging Composer, who receives a $50,000 stipend and a commission. The combined award of $250,000 is among the largest new-music prizes in the world. Selection Process: Prize winners are selected by a committee comprising leading artists and administrators who have close ties to the Philharmonic, and a demonstrated interest in fostering new music. The committee currently includes Philharmonic Music Director Alan Gilbert; Jaap van Zweden, who becomes Music Director in the 2018–19 season after serving as Music Director Designate in the 2017–18 season; Esa-Pekka Salonen, The Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic, 2015–18; Nicholas Kenyon, managing director, Barbican Centre, London; Ara Guzelimian, provost and dean of The Juilliard School; and Daniel Druckman, New York Philharmonic Associate Principal Percussion. Henry and Marie-Josée Kravis: Henry and Marie-Josée Kravis have long been generous supporters of new music at the New York Philharmonic. In 2009 they made a gift of $10 million to the Orchestra, endowing both The Marie-Josée Kravis Prize for New Music at the New York Philharmonic and the Composer-in-Residence position. This gift supported the commissioning of Franck Krawczyk’s Après (April 2016); Peter Eötvös’s Senza sangue (May 2015); Christopher Rouse’s Thunderstuck (October 2014); Sean Shepherd’s Songs (June 2014); Anthony Cheung’s Lyra (June 2014); Christopher Rouse’s Symphony No. 4 (June 2014) and Prospero’s Rooms (April 2013); and Magnus Lindberg’s Piano Concerto No. 2, written for Yefim Bronfman (May 2012), Al Largo (June 2010), Souvenir (in memoriam Gérard Grisey) (November 2010), and EXPO (September 2009). Before extending this gift, Mr. and Mrs. Kravis supported the commissions of six new compositions: Peter Lieberson’s The World in Flower (May 2009); Marc Neikrug’s Quintessence (March 2008); Bernard Rands’s Chains Like the Sea (October 2008); Esa-Pekka Salonen’s Piano Concerto (February 2007); Augusta Read Thomas’s Gathering Paradise, Emily Dickinson Settings for Soprano and Orchestra (September 2004); and Stephen Hartke’s Symphony No. 3 (September 2003). Past Recipients: In December 2011 the inaugural Kravis Prize for New Music was awarded to Henri Dutilleux (1916–2013), who shared the proceeds with three composers — Anthony Cheung, Franck Krawczyk, and Peter Eötvös — each of whom was commissioned to write a work for the Orchestra. Alan Gilbert and the New York Philharmonic gave the World Premiere of Anthony Cheung’s Lyra in June 2014; the World Premiere of Peter Eötvös’s Senza sangue in Cologne, Germany, on the Orchestra’s EUROPE / SPRING 2015 tour, and its U.S. Premiere in New York City in May 2015; and the World Premiere of Franck Krawczyk’s Après in April 2016. The second Kravis Prize was awarded to Per Nørgård in June 2014; Alan Gilbert led the Philharmonic in the U.S. Premiere of Per Nørgård’s Symphony No. 3 during the second NY PHIL BIENNIAL, in June 2016. Sean Shepherd was named the 2012 Kravis Emerging Composer, which led to the commission and premiere of Songs in June 2014, led by Alan Gilbert. Anna Thorvaldsdottir was named the second Kravis Emerging Composer in June 2015; Alan Gilbert will lead the Philharmonic in the New York Premiere of Ms. Thorvaldsdottir’s Aeriality in May 2017, and the Philharmonic has commissioned Ms. Thorvaldsdottir to compose a work that the Philharmonic will premiere in a future season. .
Load more

Recommended publications
  • Richard O'neill
    Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society
    [Show full text]
  • Peter Liebersonbiography and W
    Biography and Works Peter Lieberson “Like all of Lieberson's music, it is acutely, actively heard and written along every line, without padding. The composer handles his orchestra with imag- ination and with new, fertile invention; the string writing and the episodes for small, unusual ensembles are especially striking.” G. Schirmer and — The New Yorker Associated Music Publishers Peter Lieberson’s works first came to national enced by his practice of Tibetan Buddhism and in attention in 1983, with the premiere of his Piano particular by the teachings of Chogyam Trungpa. Biography Concerto, composed for Peter Serkin and com- missioned by Seiji Ozawa and the Boston Lieberson’s recent concert works include: Songs Peter Lieberson Symphony Orchestra (BSO) for their centennial. of Love and Sorrow, settings of a second group Andrew Porter wrote in The New Yorker that it of Neruda love sonnets for baritone Gerald Finley was a "major addition to the modern concerto and the Boston Symphony Orchestra; Remembering repertory." It was a finalist for the Pulitzer Prize JFK: An American Elegy, for narrator and orches- and the subsequent recording of the work won tra with selected excerpts from Kennedy speeches, Opus Magazine’s Contemporary Music Award for commissioned by the National Symphony Orchestra 1985. to commemorate the 50th anniversary of John F. Kennedy’s inauguration; Remembering Schumann Following that work’s success, Lieberson was for Yo-Yo Ma (cello) and Emanuel Ax (piano); and again commissioned by Ozawa and the BSO, The Coming of Light, for baritone, oboe, and which resulted in Drala (1986), "a short sympho- string quartet.
    [Show full text]
  • The Boston Symphony Orchestra Seiji Ozawa, Music Director & Conductor Peter Serkin, Piano
    PETER LIEBERSON New World Records 80325 Piano Concerto The Boston Symphony Orchestra Seiji Ozawa, music director & conductor Peter Serkin, piano Peter Lieberson was born in New York City on October 25, 1946; he lives in Newton Center, Massachusetts, and is currently teaching at Harvard. His Piano Concerto is one of twelve works commissioned by the Boston Symphony Orchestra for its centennial in 1981. From the beginning the piano solo part was intended for Peter Serkin, who gave the first performance with Seiji Ozawa and the Boston Symphony Orchestra on April 21, 1983, in Symphony Hall, Boston. The youngest of the 12 composers commissioned by the Boston Symphony Orchestra for its centennial, Peter Lieberson grew up in a family where music was ubiquitous. Both his parents were important figures in the artistic world. His father, Goddard Lieberson, himself a trained composer, was perhaps best known as the most influential record-company executive in the artistic world. Peter's mother, under the stage name Vera Zorina, was a ballerina with the Ballets Russes de Monte Carlo and later with George Balanchine, before she became known as a specialist in spoken narration. Through a job at New York's classical music radio station WNCN, Lieberson came to know Aaron Copland and Virgil Thomson. But the crucial connection came when Copland invited Milton Babbitt to do a program. Until that time the major influence on Lieberson's music was Stravinsky. Now he began to study informally with Babbitt. At Babbitt's suggestion Lieberson chose Columbia when he decided to pursue graduate studies; there he worked with Charles Wuorinen (the third of his three principal teachers would be Donald Martino, with whom he studied at Brandeis University).
    [Show full text]
  • A Night of Fundraising
    SOUDERTON-TELFORD ROTARY FOUNDATION BENEFIT AUCTION hosted by Souderton-Telford Rotary Thursday, September 26, 2019 Indian Valley Country Club 650 Bergey Road, Telford, PA 18969 Souderton Community Park Renovation A Student Scholarships Youth Leadership Development night Souderton Area High School Interact Club of Community Assistance Fund Empowering Girls in Afghanistan through Education fundraising Other Regional and International Projects 5:00 p.m. Doors Open Buffet style dinner and cash bar will be available throughout the evening 5:00 - 7:00 p.m. Silent Auction Featuring a large variety of items, experiences, and certificates 7:30 - 9:00 p.m. Live Auction +/-15 high value items, experiences, and certificates will be auctioned by Rotarians, Sandy Alderfer and Lon Clemmer of Sanford Alderfer Real Estate 8:45 p.m. Closing Remarks 6RXGHUWRQ$UHD+LJK6FKRRO The Interact Club of Souderton Area High School is a Rotary sponsored club that brings together young people to develop leadership skills while discovering the power of Service Above Self. Interact helps students connect with leaders in our community and around the world to: •Take action to make a difference in their school and community •Discover new cultures and promote international understanding •Become leaders in their school and community •Have fun and make new friends from around the world sahs_interact A warm welcome from the Souderton-Telford Rotary Club which has been serving the local community since 1925. Our vibrant club is honored to be one of the more than 35,000 Rotary Clubs and 1.2 million members around the world committed to service above self. You are invited to join us at our Thursday meetings.
    [Show full text]
  • 14) 244-3803 E-Mail: [email protected] Elizabeth Dworkin
    Music in Concert with the Landscape There are music festivals and there are music festivals. Then there is the Moab Music Festival – a mélange of musical programming set in one of the most splendid landscapes on earth. Old and new music – chamber music, vocal music, jazz, traditional music – performed by outstanding musicians in a setting of form, color, and light that creates an unmatched artistic experience… Music in Concert with the Landscape. The Festival Founded in 1992 by Michael Barrett and Leslie Tomkins, prominent musicians based in New York, the Festival gathers world-class instrumentalists and vocalists annually to celebrate vibrant music in an awe-inspiring landscape. An ever- expanding audience comes from all parts of the United States and from Europe to enjoy this unique combination of sight and sound. Composers range from Bach to Bernstein, from Ravel to Rorem, from Dvorák to Danielpour. One performance may feature a vocalist celebrating a French chanteuse; the next a chamber ensemble performing Brahms; then a jazz ensemble playing with a Latin flair; then an exploration of contemporary music by the season’s Composer-in-Residence, who will be present to discuss his or her work. For patrons, the three weekend fall festival – which in 2003 won ASCAP’s coveted award for “Adventurous Programming” in the music festival category – is a potpourri of musical offerings performed by dynamic, highly accomplished musicians. In June, the Festival offers a four day “Musical Adventure” benefit raft trip with performances held at scenic sites along the Colorado River. Many concerts take advantage of the remarkable environment and are set outdoors in unique settings – under a pavilion along the Colorado River, in a tent under towering rock monoliths, in a park sheltered by the shade of an ancient cottonwood.
    [Show full text]
  • The Orchestra
    YOU HAVE A VOICE 02.06.20 | 8 p.m. Zellerbach Hall 19/20 Bryce Dessner Voy a Dormir Kelley O’Connor Mezzo Soprano Mary Kouyoumdjian Become Who I Am San Francisco Girls Chorus Johannes Brahms Symphony No. 1 In C Minor Berkeley Symphony 19/20 Season 5 Messages from the Music Director and the Board President 7 Board of Directors & Advisory Council 9 Orchestra 13 Season Sponsors 15 Ad Index: Support Businesses that Support Us 17 Tonight’s Program 19 Program Notes 33 Music Director Joseph Young 35 Composer Bios 39 Guest Artist Bios 45 Artistic Director René Mandel 47 About Berkeley Symphony 50 Music in the Schools 52 Invest in the Future of Berkeley Symphony 55 Annual Membership Support 61 Contact Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. February 6, 2020 3 4 February 6, 2020 Message from the Music Director little over three months ago, I made my first appearance as the Anew Music Director of Berkeley Symphony. Thanks to you, our dedicated audience, as well as the fabulous members of the Orches- tra, staff, board and volunteers, it was a truly magical evening. It photo by Jeff Roffman by photo is with great excitement and pride that I return to Berkeley to con- tinue on this new journey together. For tonight’s performance, I wanted to explore the theme of finding one’s voice, something that is perhaps even more essen- tial today than it ever has been.
    [Show full text]
  • Peter and Lorraine Hunt Lieberson 1
    21ST CENTURY MUSIC JANUARY 2006 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 per year; subscribers elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $10.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2006 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy.
    [Show full text]
  • Socially Distanced Onstage Works 2020 Concert Repertoire from Wise Music Classical Suitable for Social Distancing
    Socially Distanced Onstage Works 2020 Concert repertoire from Wise Music Classical suitable for social distancing STRING ENSEMBLE • Mark Adamo, Regina Coeli (2007) 8’ • Morton Gould, Stringmusic (1993) 30’ hp + str orch str orch • John Adams, Shaker Loops (1978) 26’ • Pelle Gudmundsen-Holmgreen, All in One (2013) 11' str orch or 6vn.2va.2vc.db 6vn.3va.3vc • Matthew Aucoin, Dual (2015) 8’ • Albert Guinovart, Serenata “Amadeus” (2014) 20’ vc.db str orch • Richard Rodney Bennett, Reflections on a Theme of • John Harbison, String Quartet No. 5 (2011) 22’ William Walton (1985) 15' str quartet str (3.3.2.2.1) • Henrik Hellstenius, Up and Away (2017) 7' • Richard Rodney Bennett, Rondel (1997) 5’ str orch solo va • Betsy Jolas, Well Met Suite (2016) 10’ • Benjamin Britten, Simple Symphony (1933) 18’ str orch str orch or str quartet • Betsy Jolas, Side Roads (2017) 17' • Britta Byström, Two Walks (2016) 3’ solo vc + str orch str orch • Aaron Jay Kernis, Musica Celestis (1990) 11’ • John Corigliano, Symphony No. 2 (2000) 40’ str orch str orch (min 6.5.4.4.2) • Aaron Jay Kernis, Sarabanda in Memoriam (2004) 16’ • John Corigliano, Snapshot: Circa 1909 (2003) 6’ str orch str orch • Ramon Lazkano, Ilgora (1998) 10' • John Corigliano, Voyage (1976) 8’ str orch (min 5.4.3.2.1) str orch • Ramon Lazkano, Su-Itzalak (1991) 12' • Richard Danielpour, Lacrimae Beati (2009) 11’ 8vc str orch • Goddard Lieberson, Homage to Händel (1965) 14’ • Bryce Dessner, Aheym (2009) 10’ str orch str quartet • Witold Lutosławski, Musique funèbre (1958) 14' • Bryce Dessner,
    [Show full text]
  • Download the TSO Commissions History
    Commissions Première Composer Title They do not shimmer like the dry grasses on the hills, or January 16, 2019 Emilie LeBel the leaves on the trees March 10, 2018 Gary Kulesha Double Concerto January 25, 2018 John Estacio Trumpet Concerto [co-commission] In Excelsis Gloria (After the Huron Carol): Sesquie for December 12, 2017 John McPherson Canada’s 150th [co-commmission] The Talk of the Town: Sesquie for Canada’s 150th December 6, 2017 Andrew Ager [co-commission] December 5, 2017 Laura Pettigrew Dòchas: Sesquie for Canada’s 150th [co-commission] November 25, 2017 Abigail Richardson-Schulte Sesquie for Canada’s 150th (interim title) [co-commission] Just Keep Paddling: Sesquie for Canada’s 150th November 23, 2017 Tobin Stokes [co-commission] November 11, 2017 Jordan Pal Sesquie for Canada’s 150th (interim title) [co-commission] November 9, 2017 Julien Bilodeau Sesquie for Canada’s 150th (interim title) [co-commission] November 3, 2017 Daniel Janke Small Song: Sesquie for Canada’s 150th [co-commission] October 21, 2017 Nicolas Gilbert UP!: Sesquie for Canada’s 150th [co-commission] Howard Shore/text by October 19, 2017 New Work for Mezzo-soprano and Orchestra Elizabeth Cottnoir October 19, 2017 John Abram Start: Sesquie for Canada’s 150th [co-commission] October 7, 2017 Eliot Britton Adizokan October 7, 2017 Carmen Braden Blood Echo: Sesquie for Canada’s 150th [co-commission] October 3, 2017 Darren Fung Toboggan!: Sesquie for Canada’s 150th [co-commission] Buzzer Beater: Sesquie for Canada’s 150th September 28, 2017 Jared Miller [co-commission]
    [Show full text]
  • Opera & Ballet 2017
    12mm spine THE MUSIC SALES GROUP A CATALOGUE OF WORKS FOR THE STAGE ALPHONSE LEDUC ASSOCIATED MUSIC PUBLISHERS BOSWORTH CHESTER MUSIC OPERA / MUSICSALES BALLET OPERA/BALLET EDITION WILHELM HANSEN NOVELLO & COMPANY G.SCHIRMER UNIÓN MUSICAL EDICIONES NEW CAT08195 PUBLISHED BY THE MUSIC SALES GROUP EDITION CAT08195 Opera/Ballet Cover.indd All Pages 13/04/2017 11:01 MUSICSALES CAT08195 Chester Opera-Ballet Brochure 2017.indd 1 1 12/04/2017 13:09 Hans Abrahamsen Mark Adamo John Adams John Luther Adams Louise Alenius Boserup George Antheil Craig Armstrong Malcolm Arnold Matthew Aucoin Samuel Barber Jeff Beal Iain Bell Richard Rodney Bennett Lennox Berkeley Arthur Bliss Ernest Bloch Anders Brødsgaard Peter Bruun Geoffrey Burgon Britta Byström Benet Casablancas Elliott Carter Daniel Catán Carlos Chávez Stewart Copeland John Corigliano Henry Cowell MUSICSALES Richard Danielpour Donnacha Dennehy Bryce Dessner Avner Dorman Søren Nils Eichberg Ludovico Einaudi Brian Elias Duke Ellington Manuel de Falla Gabriela Lena Frank Philip Glass Michael Gordon Henryk Mikolaj Górecki Morton Gould José Luis Greco Jorge Grundman Pelle Gudmundsen-Holmgreen Albert Guinovart Haflidi Hallgrímsson John Harbison Henrik Hellstenius Hans Werner Henze Juliana Hodkinson Bo Holten Arthur Honegger Karel Husa Jacques Ibert Angel Illarramendi Aaron Jay Kernis CAT08195 Chester Opera-Ballet Brochure 2017.indd 2 12/04/2017 13:09 2 Leon Kirchner Anders Koppel Ezra Laderman David Lang Rued Langgaard Peter Lieberson Bent Lorentzen Witold Lutosławski Missy Mazzoli Niels Marthinsen Peter Maxwell Davies John McCabe Gian Carlo Menotti Olivier Messiaen Darius Milhaud Nico Muhly Thea Musgrave Carl Nielsen Arne Nordheim Per Nørgård Michael Nyman Tarik O’Regan Andy Pape Ramon Paus Anthony Payne Jocelyn Pook Francis Poulenc OPERA/BALLET André Previn Karl Aage Rasmussen Sunleif Rasmussen Robin Rimbaud (Scanner) Robert X.
    [Show full text]
  • Graduate Handbook
    GRADUATE HANDBOOK 2019-2020 ACADEMIC YEAR School of Music University of Louisville Louisville, KY 40292 Phone: (502) 852-6907 Fax: (502) 852-0520 Web: louisville.edu/music Facebook: facebook.com/uoflmusic TABLE OF CONTENTS I. GRADUATE PROGRAMS IN MUSIC Introduction & History.................................................................................... 4 Graduate Faculty Advisors…........................................................................ 4 Mission.................................................................................................................. 4 Organization....................................................................................................... 5 Administration................................................................................................... 5 Staff....................................................................................................................... 5 Student Organizations................................................................................... 6 II. GENERAL INFORMATION Prerequisites & Admission............................................................................ 7 Program of Study............................................................................................ 8 Course Work...................................................................................................... 9 Master’s Project............................................................................................... 10 Application for Degree.................................................................................
    [Show full text]
  • Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
    Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible.
    [Show full text]