Cinésarnia Presents the Sapphires September 22 & 23

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cinéSARNIA presents The Sapphires September 22 & 23 Please check our web site at cineSARNIA.com for upcoming films and other information Wayne Blair Australia, 2012 English 103 minutes Cast: Chris O’Dowd, Deborah Mailman, Miranda Tapsell, Jessica Mauboy, Shari Sebbens Upcoming Films: October 20 & 21: Amour November 3 & 4: Searching for Sugar Man November 17 & 18: No December 8 & 9: Still Mine SPECIAL FEATURE November 30: Twenty Feet from Stardom The Sapphires A Special Presentation at the 2012 Toronto International Film Festival®, The Sapphires is a wildly entertaining musical comedy in the tradition of Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert . Based on the smash 2004 Australian play by Tony Briggs (who co-wrote the screenplay), The Sapphires was inspired by the true story of Briggs’ mother and aunt, who sang in an all-Aboriginal female soul quartet that entertained American troops during the Vietnam War. Set in 1968, the story begins with sisters Gail (Deborah Mailman; Bran Nue Dae , the Film Circuit hit Rabbit Proof Fence ), Diana (Jessica Mauboy; Bran Nue Dae ), and Cynthia (newcomer Miranda Tapsell) entering a local talent competition in an outback pub, where their moving rendition of a Merle Haggard classic outclasses the tone-deaf competition but fails to win over the racist judges. One man is impressed, however: boozy Irish emcee Dave Lovelace (Chris O’Dowd; Bridesmaids ), a would-be music promoter with an ear for raw talent. He convinces thcountry standards for soul music, promising to turn them into stars. Recruiting their long-estranged cousin Kay (Shari Sebbens) as a fourth member, the girls soon sing their way from the far-flung Australian outback to Southeast Asia and a tour of war-torn Vietnam. Filled with show-stopping renditions of classic Motown hits that showcase the phenomenal voice of Mauboy (an Australian Idol alumnus), the debut feature by director Wayne Blair deftly mixes sparkling humour with serious drama, a delicate balance maintained not least by O’Dowd’s charisma and lackadaisical charm. Featuring stunning period recreations and gorgeous cinematography by Warwick Thornton, The Sapphires is a rousing film that hits all the right notes. “First-time filmmaker Wayne Blair […] has crafted an exuberant elebration of Aboriginality that fizzes with humor and heart; its soulfulness goes beyond the embrace of a jukebox full of Motown, Stax and Atlantic Records hits.” –Megan Lehmann, The Hollywood Reporter e girls to swap their sleepy .

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Brochure Kilmersdon
BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals.
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