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1 NICOLE MILLER Born 1982 in Tucson, AZ Lives and Works in Los NICOLE MILLER Born 1982 in Tucson, AZ Lives and works in Los Angeles, CA EDUCATION 2009 MFA, University of Southern California, Roski School of the Arts, Los Angeles, CA 2005 BFA, California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2018 For Now, Kristina Kite Gallery, Los Angeles, CA For Now, Koenig & Clinton, Brooklyn, NY Nicole Miller: Athens California, curated by Naima J. Keith, California African American Museum, CA 2017 Death of a School, Ulrich Museum of Art, Wichita State University, Wichita, KS 2016 Every Word Said: History Lessons from Athens and Tucson, MoCA Tucson, AZ 2015 The Borrowers, Koenig & Clinton, New York, NY 2014 Artists’ Film International: Nicole Miller, Marfa Ballroom, TX 3 Works, Mallorca Landings, Palma de Mallorca, Spain Formations of Bodies: Daggering, Kunst Werke, Berlin Death of a School, Centre d’Art Contemporain Genève, Switzerland The Conductor, High Line, New York, NY 2013 Believing is Seeing, Los Angeles County Museum of Art, CA Daggering, Houston Museum of African American Culture, TX 2009 The Conductor, LAXART, Los Angeles, CA The Brownes: Five Brothers, USC Roski Gallery, Los Angeles, CA GROUP EXHIBITIONS 2019 San Francisco Museum of Modern Art, San Francisco, CA (forthcoming) In Plain Sight, Henry Art Gallery, Seattle, WA (forthcoming) Parts of Speech, The Commons Artist Project: Public Fiction with Triple Canopy, Museum of Contemporary Art Chicago, IL 2018 Fikra Graphic Design Biennial, Sharjah, United Arab Emirates tête-à-tête, curated by Mickalene Thomas, Henry Art Gallery, University of Washington, Seattle, WA Transitory Emplacements, organized by Sally Frater, McColl Center for Art + Innovation, Charlotte, NC If I Was Your Girlfriend:A Jam, curated by Julia Muggenburg Belmacz, London 2017 Lack of Location Is My Location, Koenig & Clinton, Brooklyn, NY Los Angeles – A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait-Leavenworth, Musée d’art contemporain de Lyon, France 1 2016 A Composition of Intimate and Public Truths, curated by Michele Fiedler, Disjecta, Portland, OR Los Angeles – A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait-Leavenworth, Astrup Fearnley Museet, Oslo, Norway Campaign for Art: Contemporary, San Francisco Museum of Modern Art, CA 2015 Portraits and Other Likenesses from SFMOMA, Museum of the African Diaspora, San Francisco, CA Round 42: The One and the Many: A Self-portrait in Seven Parts, curated by Sally Frater, Project Row Houses, Houston, TX 2014 Artists’ Film International, Whitechapel Gallery, London Artadia’s 15th Anniversary Exhibition, curated by Gianni Jetzer, Longhouse Projects, New York Stranger than Fiction, Pollock Gallery, Southern Methodist University, Dallas, TX 2012 Fore, Studio Museum in Harlem, New York, NY Made in L.A.: Los Angeles Biennial, Hammer Museum, Los Angeles, CA Dallas Biennale, Dallas Contemporary, TX 2011 The Bearden Project, Studio Museum in Harlem, New York 2010 Art Video at Art Basel Miami Beach, Miami, FL Wet Paint, Steve Turner Contemporary, Los Angeles, CA 2009 30 Seconds off an Inch, Studio Museum in Harlem, New York Psychosomatic Acid Test, Royal Academy of Arts, London BIBLIOGRAPHY 2019 Gotthardt, Alexxa. “Emerging L.A. Galleries You Should Know.” Artsy, 2 August 2019. [online] 2017 Riedl, Matt. “Ulrich video installation shows consequences of inadequate school funding.” The Wichita Eagle, 7 February 2017. [online] 2016 Cullivan, Rob. “Exhibition looks at information as art, more.” The Portland Tribune, 16 November 2016. [online] Joyce, Erin. “Recording the Stories of Marginalized Students.” Hyperallergic, 19 May 2016. [online] Curiel, Jonathan. “Snø Job: 15 Highlights of the Expanded SFMOMA.” SFWeekly, 4 May 2015. [online] Millner, Caille. “Amid a Challenging, Changing City, SFMOMA Reopens with Global Aspirations.” Hyperallergic, 29 April 2016. [online] Russeth, Andrew. “With its New Building, SFMOMA Cements a Place on the World Stage.” ARTnews, 28 April 2016. [online] Regan, Margaret. “Abstraction and Reality: Two Solo Shows at MOCA examine art styles that are polar opposites.” Tucson Weekly, 24 March 2016. [online] 2015 Sukop, Sylvia. “Art Speaks and She Listens: An Interview with Curator Lizzetta LeFalle-Collins.” The Huffington Post, 23 September 2015. [online] Roberts, Christie. “Art in the Bay Area.” Citizens Of Culture, 3 July 2015. [online] Miller, Nicole. “Jump to the Cresendo.” The Enemy 1.3 (2015). [online] 2 Katz, Anita. “SFMOMA, MoAD showcase 20th century portraits.” The Examiner, 21 May 2015. [online] Glentzer, Molly. “Project Row Houses artists create a universal ‘Self-Portrait’.” The Houston Chronicle, 14 May 2015. [online] Baker, Kenneth. “MoAD’s new show expands what ‘Portraits’ mean.” SFGate, 8 May 2015. [online] “Nicole Miller.” The New Yorker, 13 April 2015. [online] Willis Blair, Courtney. “The Month’s Best of New York Art & Culture.” Forbes Life, 31 March 2015. [online] 2014 Jesse, Sarah. “LACMA9: Nicole Miller’s ‘Believing is Seeing’.” KCET, 11 October 2013. [online] “Robert Overby: Works 1969–1987, Nicole Miller: The death of a school.” e-flux, 31 January 2014. [online] 2013 “Top 10 L.A. Artists Coveted by Hollywood.” Hollywood Reporter, 4 November 2013. [online] Wise, Lloyd. “Fore.” Artforum, May 2013. 2012 Merjian, Ara H. “Fore.” Artforum, 18 December 2012. [online] Cotter, Holland. “Racial Redefinition in Progress.” The New York Times, 29 November 2012. Holte, Michael Ned. “Made in L.A. 2012.” Artforum, October 2012. Boucher, Brian. “Made in LA: The Biennial.” Art in America, June–July 2012. Fitzpatrick, Kyle. “Made In L.A.: Nicole Miller 33/60.” Los Angeles I’m Yours, 4 May 2012. [online] Daderko, Dean. “Roving Eye: Ready for the Readymade.” Art in America, 2 April 2012. “Goings on About Town, The Bearden Project.” The New Yorker, 2 January 2012. 2011 Cotter, Holland. “A Griot for a Global Village.” The New York Times, 8 December 2011. 2010 Firstenberg, Lauri. “Emerging Artists.” Frieze Magazine, January–February 2010. 2009 Smith, Roberta. “A Beating Heart of Social Import.” The New York Times, 10 December 2009. Ollman, Leah. “Nicole Miller at LAXART.” Los Angeles Times, 13 August 2009. [online] Denny, Drew. “The Conductor: A Trip That One Wills Upon Oneself.” L.A. Record, 22 August 2009. [online] AWARDS Louis Comfort Tiffany Biennial Award Rema Hort Mann Foundation Grant California Community Foundation Fellowship Artadia Award Core Program Fellowship 3 COLLECTIONS Hammer Museum, Los Angeles, CA Los Angeles County Museum of Art, CA San Francisco Museum of Modern Art, CA Studio Museum in Harlem, NY Houston Museum of African American Culture, TX University of California Berkeley Art Museum and Pacific Film Archive, CA 4 .
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