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CASTING ANNOUNCED for the GREATEST WEALTH in Celebration of the NHS
PRESS RELEASE WED 13 JUN CASTING ANNOUNCED FOR THE GREATEST WEALTH In celebration of the NHS One Voice: Monologues funded by the TS Eliot Estate Curated by Lolita Chakrabarti Directed by Adrian Lester The NHS from the 1940s-1970s: Monday 25 June, 8.30pm The NHS from the 1980s-present: Tuesday 26 June, 8.30pm The NHS from the 1940s-present (double bill): Friday 29 June, 8pm ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Old Vic is pleased to announce casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service. Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall will perform monologues written by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester, on 5 July 1948. Each evening will also include music performed by Gloria Obianyo. Lolita Chakrabarti said: ‘I am thrilled to be curating this One Voice for The Old Vic and delighted that so many talented and accomplished actors will be a part of it. To see how inventive but truthful each writer has been and then to realise their work with this calibre of actor is fantastic. This is going to be a very special event.’ The full line up is as follows: 1940s: Boo, by Jack Thorne, performed by Sophie Stone -
WGGB Working Playwright Agreements and Contracts V10.Pub
Agreements and Contracts A Working Playwright Guide www.writersguild.org.uk The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU Contact us You can contact us in the following ways: Email: [email protected] Telephone: 020 7833 0777 You can also contact our theatre representative by email: [email protected] 2 Writers’ Guild of Great Britain Contents Preface 4 Introduction 7 The National Theatre, RSC and Royal Court (the TNC) 8 UK Theatre (UKT) 20 Independent Theatre Council (ITC) 29 Appendix 1: Headline provisions 35 Appendix 2: UKT/Equity MRSL grades 37 Appendix 3: ITC Ethical Managers 38 Disclaimer 40 www.writersguild.org.uk 3 Preface In the old days, getting a play on wasn't easy, but it was simple. You'd send a play off to a theatre, and, if they read it, they might decide to put it on. The production would be cast, designed and marketed largely without your input. If the director felt like it, you might attend the read-through and a late run, to check on what changes had been made in your play. After it opened you'd get some money, in the form of a percentage of the box office. In the 1970s and 1980s, all that changed. In collaboration with the Writers' Guild (WGGB), a new Theatre Writers' Union negotiated binding, minimum terms agreements with – first – the National Theatre, the Royal Shakespeare Company and the Royal Court. Then agreements were negotiated with the rest of the building based sector, and finally with independent, non-building based companies. -
Lolita Chakrabarti
Lolita Chakrabarti Agent Katie Haines ([email protected]) Lolita Chakrabarti is an award-winning actress and writer. Theatre Adaptation of LIFE OF PI by Yann Martel World premiere at Crucible Theatre, Sheffield, July 2019. Adaptation of INVISIBLE CITIES by Italo Calvino World premiere at Mayfields, Manchester International Festival, July 2019. A collaboration with digital projectionist 59Productions, choreographer Sidi Larbi Cherkaoui and twenty two dancers from Rambert. This production will next play in Brisbane. RED VELVET Tricycle Theatre, London 2012 St Anne’s Warehouse, New York 2014 Garrick Theatre, London 2016 To date there have been over 25 productions in the US. Awards: Charles Wintour Evening Standard Award Most Promising Playwright Award 2012; Critics Circle Award in 2013 for Most Promising Playwright; AWA Award 2013 for Arts and Culture; Nominations for Whatsonstage Awards 2013 for London Newcomer of the Year & Best New Play; Nomination for an Olivier Award 2013 for Best Play in an Affiliate Theatre. THE GREATEST WEALTH – 2018 Old Vic Theatre, London Curated by Lolita A series of 8 monologues celebrating the NHS’ 70th birthday including SPEEDY GONZALEZ by Lolita Chakrabarti LAST SEEN – JOY – 2009 Almeida Theatre/Slung Low Radio: RED VELVET – 2014 Saturday drama BBC Radio 4 THE GODDESS – 2006 Woman’s Hour serial BBC Radio 4 Film: Lolita produced OF MARY, a short film, directed by Adrian Lester, which won the Best Short Film Award at PAFF, Los Angeles 2012. In Development Theatre: Dramaturg on MESSAGE IN A BOTTLE (director Kate Prince for Sadlers Wells) CALMER (Birmingham Rep) POLITICALLY CORRECT (Fiery Angel) Curator and Writer for TESTAMENTS (The Roundhouse) THE ELEPHANT WHISPERER (White Dog Productions) Television: ROLLING OVER (SILVERPRINT Pictures) DAEMONOLOGIE (Lookout Point) Film: RED VELVET the film (Kenneth Branagh) FOR JOY © Copyright The Agency (London) Ltd. -
RED VELVET: Know-The-Show Guide
The Shakespeare Theatre of New Jersey RED VELVET: Know-the-Show Guide Red Velvet by Lolita Chakrabarti Know-the-Show Audience Guide researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork: Scott McKowen The Shakespeare Theatre of New Jersey RED VELVET: Know-the-Show Guide In This Guide – About the Playwright: Lolita Chakrabarti ................................................................................... 2 – The Life of Ira Aldridge .............................................................................................................. 3 – RED VELVET: A Short Synopsis .................................................................................................. 4 – Portrayals of Race in Shakespeare ............................................................................................. 5 – Who’s Who in the Play ............................................................................................................. 6 – British Abolition of Slavery ........................................................................................................ 7 – Acting Styles in the 19th Century .............................................................................................. 8 – Additional References Found in the Play ................................................................................... 9 – Commentary & Criticism ........................................................................................................ 10 – In this Production .................................................................................................................. -
Create Design Perform Learn 2021 Prospectus
create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied. -
Welcome: Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating and Drinking Keynote Speakers Performance Practice
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
Casting Announced for Fanny & Alexander
PRESS RELEASE 29 November 2017 CASTING ANNOUNCED FOR FANNY & ALEXANDER WORLD PREMIERE Based on ‘Fanny and Alexander’ written and directed by Ingmar Bergman Adapted by Stephen Beresford Directed by Max Webster Previews from 21 February 2018, press night 1 March 2018 Casting is today announced for Fanny & Alexander at The Old Vic. Legendary filmmaker Ingmar Bergman's masterpiece Fanny and Alexander is adapted for the stage by BAFTA award-winning writer Stephen Beresford and directed by Old Vic Associate Director Max Webster, opening on 1 March 2018 with previews from 21 February 2018. The cast includes Penelope Wilton, Thomas Arnold, Lolita Chakrabarti, Kevin Doyle, Karina Fernandez, Annie Firbank, Matt Gavan, Tim Lewis, Gary MacKay, Gloria Obianyo, Vivian Oparah, Michael Pennington, Hannah James Scott, Jonathan Slinger, Catherine Walker and Sargon Yelda. ‘There should be no shame in us taking pleasure in our little lives.’ Amongst the gilded romance and glamour of 1900s Sweden, siblings Fanny and Alexander's world is turned upside down when their widowed mother remarries the iron-willed local bishop. As creative freedom and rigid orthodoxy clash, a war ensues between imagination and austerity in this magical study of childhood, family and love. Penelope Wilton plays Mrs. Helena Ekdahl. Her extensive theatre credits include Taken at Midnight (Theatre Royal Haymarket/Chichester Festival Theatre) for which she won an Olivier Award for Best Actress in 2015, Delicate Balance, Heartbreak House, The Deep Blue Sea (Almeida), The Family Reunion, The Chalk Garden - winning her the London Evening Standard Award Best Actress in 2008, John Gabriel Borkman, Little Foxes (Donmar Warehouse), The House of Bernarda Alba, Tess, Piano, The Secret Rapture, Major Barbara, Much Ado About Nothing, Man and Superman, Betrayal, The Philanderer, Sisterly Feelings, Landscape (National Theatre), Hamlet, Tishoo (Wyndham’s Theatre) and Women Beware Women (RSC Swan Theatre). -
OUR IMPACT Our Impact | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Appendices Contents 2
OUR IMPACT Our impact | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Appendices Contents 2 CONTENTS Our impact . .p3 Seven key messages. .p5 1. We fuel social change . .p6 2. We welcome everyone in. .p14 3. We care about people’s futures. .p22 4. We treat everyone who works here with respect. .p32 5. We are a collaborative partner. .p39 6. We are an environmentally conscious business. .p43 7. We help others. .p52 Appendices. .p57 THE.OLD.VIC.BICENTENARY ..PHOTO:.MANUEL.HARLAN Our impact | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Appendices Contents 3 OUR IMPACT Our Story The.Old.Vic.is.a.world-class.creative.producing.theatre ..Groundbreaking.seasons. We.are.mindful.of.the.conduct.of.the.individuals.that.make.up.this.theatre.and.that. of.work.are.produced.without.any.regular.subsidy;.an.annual.showcase.of.new. of.the.suppliers.with.whom.we.work;.the.impact.we.have.on.the.environment.as.a. commissions,.family.work,.dance.and.musicals,.alongside.classic.texts.from.the.canon,. thriving.producing.theatre;.the.choices.we.make.when.recruiting,.off-stage.and.on;.the. playing.to.audiences.of.up.to.300,000.a.year ..Our.work.tours.the.UK,.transfers.to.the. partnership.support.we.give.to.others.working.in.the.charitable.community.on.causes. West.End.and.Broadway,.and.we.broadcast.a.number.of.our.productions.into.cinemas. we.care.about;.and.our.wide-reaching.efforts.to.positively.impact.social.mobility.and. across.the.globe.via.National.Theatre.Live.and.others . employability.ratios.in.the.UK .. But.this.does.not.tell.the.full.story.of.The.Old.Vic . -
2016-17 Drama, Performance & Literary Studies
Drama, Performance 2016-17 & Literary Studies Tom Hiddleston as King Henry V and Benedict Cumberbatch as Richard III in The Hollow Crown Discover. Read. Listen. Watch. An award-winning digital library of 1,700 playtexts, 350 audio plays and 150 hours of video from leading theatre publishers and companies. OUR DYNAMICALLY EXPANDING CONTENT INCLUDES: VIDEO COLLECTIONS PLAYTEXTS FROM BLOOMSBURY METHUEN DRAMA, ARDEN SHAKESPEARE, FABER & FABER AND NICK HERN BOOKS • NEW! BBC Drama Films: fi lm adaptations of core curriculum plays from Sophocles, Anton Chekhov, Henrik Ibsen and Oscar Wilde alongside 1700 titles from over 300 leading playwrights: modern classics such as Copenhagen, by playwright Michael Frayn, David Mamet, Bertolt Brecht, Harold Pinter, Jez starring Daniel Craig. Butterworth, Caryl Churchill, Oscar Wilde, David Hare • NEW! The Hollow Crown Series 1 & 2: Shakespeare’s history plays and more . featuring a star-studded cast including: Benedict Cumberbatch, Ben NEW IN EARLY 2017! Playwrights Canada Press Whishaw, Judi Dench, Hugh Bonneville and Tom Hiddleston. Collection: almost 150 plays from established and • Shakespeare’s Globe on Screen: 21 stunning productions recorded live emerging Canadian playwrights including Daniel on stage with award-winning performances from leading actors including MacIvor, Hannah Moscovitch and Colleen Murphy. Mark Rylance. Forthcoming in 2017: 30 foreign language performances! fi lmed productions of key set plays Doctor Faustus, • Stage on Screen: HOW TO ORDER The School for Scandal, The Duchess of Malfi and Volpone. Drama Online offers collections on a subscription • Shakespeare in the Present: an acting masterclass with international or perpetual access basis. Free institutional trials voice coach Patsy Rodenburg, starring Joseph Fiennes. -
Live Stream of Lolita Chakrabarti's Hymn
Press release: Monday 1 February 2021 The Almeida Theatre announces live streamed performances of Lolita Chakrabarti’s Hymn. The world premiere production which was originally due to play to socially distanced audiences will now be streamed live from the theatre for five performances from Wednesday 17 – Saturday 20 February. Directed by Blanche McIntyre, the play features Adrian Lester in the role of Gil and Danny Sapani as Benny. Almeida Artistic Director Rupert Goold said, “After being forced to cancel the run of Hymn, we’re so pleased to have still found a way to offer the show to audiences and are hugely grateful to the whole company for making it possible. We hope that with the actors performing the play live each night, people watching at home will sense some of that joyful energy that comes from being part of a unique shared experience.” Tickets to the live stream go on sale to Almeida Members from Tuesday 2 February midday and on general sale from Wednesday 3 February midday. World Premiere HYMN by Lolita Chakrabarti Directed by Blanche McIntyre; Set and Costume: Miriam Buether; Lighting: Prema Mehta; Sound: Gregory Clarke; Musical Director: D.J. Walde; Movement Director: Robia Milliner Wednesday 17 – Saturday 20 February 2021 Press performance: Thursday 18 February 8pm “Man, sometimes it takes a long time to sound like yourself” Miles Davis Two men meet at a funeral. Gil knew the deceased. Benny did not. Before long their families are close. Soon they’ll be singing the same tune. Benny is a loner anchored by his wife and children. -
April 2017 Welcome Jim Cox
APRIL 2017 WELCOME JIM COX y many measures, 2016 was the most successful year in the Globe’s history. We sold more dollars’ worth of tickets and raised more contributed income than in any other year. We sent three shows to Broadway; provided jobs to nearly 700 artists, craftspeople, technicians, and arts administrators; and generated tens of millions of dollars of economic activity in our city. BAll of these are successes that numbers can measure, that metrics can benchmark and count. X number of dollars, Y number of tickets, Z number of people. But what about the successes that defy algebraic representation? Other than through numbers, how can we know when The Old Globe succeeds? We can know that the Globe is succeeding because we value what it does, and the value we affix to the Globe is our way of measuring it. Values are a lot like numbers. They are palpable, material. We can hold values, we can weigh them, we can assess them. Like numbers, they can guide us. Like numbers, they can tell us whether we are close or far from our goals. And like numbers, values can be stated. It is our honor to introduce to you a newly articulated Statement of Values that The Old Globe will use to conduct its work moving forward. We generated this statement over nearly two years of work. It has made its way through our Board and our staff. It is being fed into our workflow and our decision-making processes, and it is being applied both internally and externally.