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“Will You Marry Me?” Some First-Hand Accounts of Marriage Proposals, 1600-1900
\Will You Marry Me?" Some First-hand Accounts of Marriage Proposals, 1600-1900 Edited by Ernest Davis The Gentleman Next Door Declares his Passion for Mrs. Nickleby \Phiz" (Hablot K. Browne), 1839. For my dear brother Joey My teacher and guide in all matters historical i Also by Ernest Davis on the subject of marriage proposals: \How does a 19th century heroine accept a proposal of marriage?" May 2015. \Proposals of Marriage in the Hebrew Bible" February 2019. \Proposals of Marriages in the Plays of Shakespeare" June 2019. ii Laura Ingalls (1867-1957) and Almanzo Wilder (1857-1949). Married 1885. 1 Anna Snitkina (1846-1918) and Fyodor Dostoyevsky (1821-1881). Married 1867. 4 Malvina Shanklin (1839-1916) and John Harlan (1833-1911) Married 1856. 9 Rutherford B. Hayes (1822-1893) and Lucy Webb (1831-1889). Married 1851. 13 Robert Browning (1812-1889) and Elizabeth Barrett (1806-1861). Married 1846 18 Julia (1823-1900) and George Foote Married 1841 21 Ralph Waldo Emerson (1803-1882) and Lydia Jackson (1802-1892). Married 1835. 23 Illustration: Edmond Blair Leighton, "Off" 25 Fanny Burney (1752-1840) 26 Proposal from Thomas Barlow (1750/-?) Declined 1775. 27 Proposal from Alexandre d'Arblay (1748-1818). Accepted. Married 1793. 36 Elizabeth Sarah Villa-Real (1757-1807) and William Gooch. Married 1775. 43 James Boswell (1740-1795) and Margaret Montgomerie (1738?-1789). Married 1769. 44 Lady Mary Pierrepont (1689-1762) and Wortley Montagu (1678-1761) Married 1712. 47 William Byrd II (1674-1744) and Lucy Parke (1688-1715). Married 1706. 64 Illustration: Alfred W. Elmore, "The Proposal" 66 Anne Murray Halkett (1622-1699) 67 Proposal from Thomas Howard (1619-1706). -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
DGA's 2014-2015 Episodic Television Diversity Report Reveals
FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period). -
CASTING ANNOUNCED for the GREATEST WEALTH in Celebration of the NHS
PRESS RELEASE WED 13 JUN CASTING ANNOUNCED FOR THE GREATEST WEALTH In celebration of the NHS One Voice: Monologues funded by the TS Eliot Estate Curated by Lolita Chakrabarti Directed by Adrian Lester The NHS from the 1940s-1970s: Monday 25 June, 8.30pm The NHS from the 1980s-present: Tuesday 26 June, 8.30pm The NHS from the 1940s-present (double bill): Friday 29 June, 8pm ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Old Vic is pleased to announce casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service. Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall will perform monologues written by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester, on 5 July 1948. Each evening will also include music performed by Gloria Obianyo. Lolita Chakrabarti said: ‘I am thrilled to be curating this One Voice for The Old Vic and delighted that so many talented and accomplished actors will be a part of it. To see how inventive but truthful each writer has been and then to realise their work with this calibre of actor is fantastic. This is going to be a very special event.’ The full line up is as follows: 1940s: Boo, by Jack Thorne, performed by Sophie Stone -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
The Daily Register VOL
• Your [own House fire Page 1 B Four killed in Neptune Township. Page 1B The Daily Register VOL. 107 NO. 215 YOUR HOMETOWN NEWSPAPER . SINCE 1878 MONDAY, MARCH 11, 1985 25 CENTS Cleaner ocean Soviet president sought is reported dead BY TED LOUD BY BARTON REPPERT States in more than a decade. It had arrived in the United States SEA BRIGHT - Under the theme WASHINGTON (AP) - President March 3. The abrupt decision to of "Ocean Alive in '85," more than Reagan was awakened at 4 a.m. return home involved cutting short 200 people gathered yesterday to EST today by National Security by two days the group's scheduled kick off this year's campaign to Adviser Robert C. McFarlane, who visit. Improve the water quality off the informed him that the official Soviet "They have requested that they Jersey Shore. news media was preparing to make be able to leave early," said Clean Ocean Action, a coalition of a "major announcement" about Vivienne Ascher, a State Depart- environmentalists, commercial and Soviet President Konstantin U. ment spokeswoman sport fishermen, businessmen and Chernenko, a White House official Ms. Ascher declined to comment others, used the fund-raiser to drum said. on speculation that the delegation's up support for its No. 1 priority: The official, who spoke on con- sudden departure may have been getting the federal government to dition he not be identified by name, prompted by death or critical illness end the policy of dumping sewage said the U.S. government still had of Chernenko. sludge 12 miles into the Atlantic received no official announcement However, a U.S. -
SPRING AWAKENING Is Presented by Special Arrangement with Music Theatre International (MTI)
This production contains mature adult content including profanity and violence. It employs the use of chemical fog and includes the smoking of non-tobacco cigarettes. Before the performance begins, please note the exit closest to your seat. Kindly silence your cell phone, pager and other electronic devices. Photography, as well as the videotaping or other video or audio recording of this production, is strictly prohibited. Food and drink are not permitted in the theater. Thank you for your cooperation. SPRING AWAKENING is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019. Phone (212)541.4684. Fax (212)397.4684. www.MTIShows.com. Spring Awakening About the Director Stafford Arima was nominated for an Olivier Award as Best Director for his West End production of Ragtime. He recently directed, Carrie (Off-Broadway), Allegiance (The Old Globe) and Bare (Off-Broadway). Sacramento Music Circus productions include: The King and I, Miss Saigon, Ragtime and A Little Night Music. Other works: Altar Boyz (Off-Broadway); Jacques Brel Is Alive and Well and Living in Paris (Stratford Shakespeare Festival), Total Eclipse (Toronto); The Secret Garden (World AIDS Day benefit concert, NYC);The Tin Pan Alley Rag (Off-Broadway); Bowfire (PBS television special); Candide (San Francisco Symphony); A Tribute to Sondheim (Boston Pops); Guys and Dolls (Paper Mill Playhouse); and Bright Lights, Big City (Prince Music Theater, PA). Arima served as associate director for the Broadway productions of Seussical and A Class Act. He studied at York University in Toronto, Canada where he received the Dean’s Prize for Excellence in Creative Work. -
Lolita Chakrabarti
Lolita Chakrabarti Agent Katie Haines ([email protected]) Lolita Chakrabarti is an award-winning actress and writer. Theatre Adaptation of LIFE OF PI by Yann Martel World premiere at Crucible Theatre, Sheffield, July 2019. Adaptation of INVISIBLE CITIES by Italo Calvino World premiere at Mayfields, Manchester International Festival, July 2019. A collaboration with digital projectionist 59Productions, choreographer Sidi Larbi Cherkaoui and twenty two dancers from Rambert. This production will next play in Brisbane. RED VELVET Tricycle Theatre, London 2012 St Anne’s Warehouse, New York 2014 Garrick Theatre, London 2016 To date there have been over 25 productions in the US. Awards: Charles Wintour Evening Standard Award Most Promising Playwright Award 2012; Critics Circle Award in 2013 for Most Promising Playwright; AWA Award 2013 for Arts and Culture; Nominations for Whatsonstage Awards 2013 for London Newcomer of the Year & Best New Play; Nomination for an Olivier Award 2013 for Best Play in an Affiliate Theatre. THE GREATEST WEALTH – 2018 Old Vic Theatre, London Curated by Lolita A series of 8 monologues celebrating the NHS’ 70th birthday including SPEEDY GONZALEZ by Lolita Chakrabarti LAST SEEN – JOY – 2009 Almeida Theatre/Slung Low Radio: RED VELVET – 2014 Saturday drama BBC Radio 4 THE GODDESS – 2006 Woman’s Hour serial BBC Radio 4 Film: Lolita produced OF MARY, a short film, directed by Adrian Lester, which won the Best Short Film Award at PAFF, Los Angeles 2012. In Development Theatre: Dramaturg on MESSAGE IN A BOTTLE (director Kate Prince for Sadlers Wells) CALMER (Birmingham Rep) POLITICALLY CORRECT (Fiery Angel) Curator and Writer for TESTAMENTS (The Roundhouse) THE ELEPHANT WHISPERER (White Dog Productions) Television: ROLLING OVER (SILVERPRINT Pictures) DAEMONOLOGIE (Lookout Point) Film: RED VELVET the film (Kenneth Branagh) FOR JOY © Copyright The Agency (London) Ltd. -
RED VELVET: Know-The-Show Guide
The Shakespeare Theatre of New Jersey RED VELVET: Know-the-Show Guide Red Velvet by Lolita Chakrabarti Know-the-Show Audience Guide researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork: Scott McKowen The Shakespeare Theatre of New Jersey RED VELVET: Know-the-Show Guide In This Guide – About the Playwright: Lolita Chakrabarti ................................................................................... 2 – The Life of Ira Aldridge .............................................................................................................. 3 – RED VELVET: A Short Synopsis .................................................................................................. 4 – Portrayals of Race in Shakespeare ............................................................................................. 5 – Who’s Who in the Play ............................................................................................................. 6 – British Abolition of Slavery ........................................................................................................ 7 – Acting Styles in the 19th Century .............................................................................................. 8 – Additional References Found in the Play ................................................................................... 9 – Commentary & Criticism ........................................................................................................ 10 – In this Production .................................................................................................................. -
Becky Ann Baker, Frances Mcdormand, Estelle Parsons in David Lindsay-Abaire's New Drama
TOP-NOTCH ACTORS OF GOOD PEOPLE: (left to right) Becky Ann Baker, Frances McDormand, Estelle Parsons in David Lindsay-Abaire's new drama. Photo: Joan Marcus Theater Review Must-see Good People showcases great acting Good People Written by David Lindsay-Abaire Directed by Daniel Sullivan Through May 8, 2011 Samuel J. Friedman Theatre 261 W. 45th Street (212-239-6200), www.mtc-nyc.org By Scott Harrah Good People is an intricately crafted drama that seamlessly depicts the economic hardships of modern- day America. Playwright David Lindsay-Abaire, who won a Pulitzer for his last Broadway show Rabbit Hole, obviously has a gift for creating outstanding roles for women, for the character of Margaret (Frances McDormand, giving one of the best stage performances of the season) has all of the earmarks of what is sure to be an unforgettable female in American theater history. She is a loud, blue-collar Irish-American woman from South Boston who commands our attention from the very first scene, in which she is fired from her job at a dollar store by her boss, Stevie (Patrick Carroll). The remainder of this simply constructed story is what happens in Margaret’s quest to find another job. Along the way, we meet such characters as Dottie (the always exquisite Estelle Parsons), Margaret's chain-smoking landlady who spends her time making kitschy craft rabbits, complete with tacky glue-on "googly eyes," and best friend Jean (Becky Ann Baker). Without giving too much of the plot away, most of the action centers on Mike (Tate Donovan), Margaret’s ex-boyfriend from her high-school days.