Student | Educator Discounts September

Total Page:16

File Type:pdf, Size:1020Kb

Student | Educator Discounts September MAC·ON·CAMPUS PRICES EFFECTIVE AUGUST 1, 2006 MAC-ON-CAMPUS.COM SEPTEMBER MAMIYA.COM LEAFAMERICA.COM SEKONIC.COM STUDENT | EDUCATOR DISCOUNTS PROFOTO-USA.COM XRITEPHOTO.COM POCKETWIZARD.COM TENBA.COM ROADWIRED.COM MULTICART.COM TOYOVIEW.COM SHOOTSMARTER.COM students & educators top name brands at SUBSTANTIAL SAVINGS MAC Group and its suppliers – Mamiya, Leaf, Sekonic, Profoto, X-Rite, Mamiya® 645 Pro PocketWizard, Tenba, RoadWired, Multicart Transporter, Toyo-View and 6x4.5cm SLR System ShootSmarter – have joined together to create this MAC-on-Campus CAT. # DESCRIPTION LIST STUDENT 210–201 35mm f/3.5N Lens . .$1,602 $836 Program (MOC) for the educational market. 210–202 45mm f/2.8N Lens. 1,318 688 210–204 55mm f/2.8N Lens. 994 519 210–234 55mm f/2.8 Leaf Shutter Lens. .2,487 1,298 Prices are subsidized for the purpose of furthering photographic 210–207 80mm f/2.8 Lens. 449 269 education. Our goal is to assist those involved in the process to 210–208 80mm f/4N Macro Lens . 1,718 897 210–227 120mm f/4 Macro Lens . .2,420 1,263 acquire the finest quality photographic equipment in order to help 210–211 150mm f/3.5N Lens . 977 510 210–237 150mm f/2.8 Lens . 2,336 1,219 achieve a higher level of photographic proficiency. 210–226 200mm f/2.8 APO Lens. 4,123 2,151 210–212 210mm f/4N Lens . 1,101 574 If eligible, you will be entitled to the prices shown under the MOC 210–213 300mm f/5.6N Lens. 2,086 1,089 210–214 500mm f/5.6 Lens . 3,756 1,960 pricing. These represent substantial discounts from the dealer’s 210–218 55–110mm f/4.5N Zoom Lens . .2,837 1,481 210–216 105–210mm f/4.5 Zoom Lens . .2,670 1,393 regular selling prices. 210–219 2x Tele-Converter N . 1,167 609 210–250 #1 Extension Tube . 184 110 210–251 #2 Extension Tube . 204 122 210–252 #3 Extension Tube . 222 133 210–241 Bellows Lens Hood . 366 219 211–102 SV/SV II AE Reflex Finder. 867 519 211–103 SV/SV II Power Drive Grip . 382 229 ® Mamiya 645AFD II 213–202 Pro Bracket. 416 217 6x4.5cm SLR System 211–315 AE Prism Finder (for Pro & Pro-TL only). 750 449 211–316 Prism Finder. 416 208 CAT. # DESCRIPTION LIST STUDENT 211–367 Flip-Up Magnifier. 249 149 211–140 645AFD II ProValue Pack . .$6,344 $2,999 211–408 Polaroid Back. 666 348 Consists of 645AFD II Body, 211–512 Tripod Adapter N2 . 115 60 80mm f2.8 AF Lens & 120/220 Magazine (to mount camera w/ Polaroid Back) 211–145 645AFD II Body. 4,591 2,399 211–418 Pro 120 Rollfilm Magazine . 666 350 210–600 35mm f/3.5 AF Lens. .2,069 1,079 211–419 Pro 220 Rollfilm Magazine . 666 350 210–601 45mm f/2.8 AF Lens. 1,635 854 211–417 35mm Film Magazine . 883 461 210–602 55mm f/2.8 AF Lens. .1,468 767 211–112 Left Hand Grip (Pro-TL Only) . 359 215 210–604 80mm f/2.8 AF Lens . 934 487 211–431 Power Drive II. 900 469 210–605 120mm f/4 Macro Lens . 2,921 1,525 211–759 RotaCam Flash Bracket for 645 Pro-TL . 667 377 210–611 150mm f/3.5 AF Lens . 1,785 931 210–607 210mm f/4 ULD AF Lens . .2,386 1,245 210–608 300mm f/4.5 APO AF Lens . 4,841 2,526 210–609 55–110mm f/4.5 Zoom AF Lens. 3,171 1,655 210–610 105–210mm f/4.5 Zoom AF Lens. 3,171 1,655 210–641 Auto Extension Tube NA401 . 266 139 210–642 Auto Extension Tube NA402 . 282 147 210–643 Auto Extension Tube NA403 . 299 156 211–701 AF 120/220 Magazine . 833 435 211–702 AF Polaroid Film Back . 666 348 211–703 120/220 Film Insert for 645AF . 282 147 211–732 AF Magnifier. 259 155 211–758 RotaCam Flash Bracket for 645AF. 667 377 2 FOR MORE INFORMATION, VISIT US AT WWW.MAC-ON-CAMPUS.COM/CAMPUS_STORE Mamiya® RZ67 Pro IID Mamiya® RB67 Pro SD 6x7cm SLR System 6x7cm SLR System CAT. # DESCRIPTION LIST STUDENT CAT. # DESCRIPTION LIST STUDENT 212–090 RZ67 Pro IID Kit . .$5,342 $2,834 301–010 RB67 Pro SD Body w/ Focusing Hood. .$2,270 $1,184 212–210 RZ67 Pro IID Body . .3,004 1,889 214–400 37mm f/4.5 Fisheye Lens . .4,290 2,239 212–300 37mm f/4.5 Fisheye Lens . .4,290 2,239 214–401 50mm f/4.5 Lens . .2,620 1,367 212–314 50mm f/4.5 ULD Lens . 2,754 1,437 301–103 65mm f/4 KL Lens . .2,988 1,559 212–376 65mm f/4 L-A Lens. .2,988 1,559 301–106 75mm f/4.5 Shift Lens . 4,674 2,439 212–303 75mm f/4.5 Shift Lens . 4,875 2,544 301–107 90mm f/3.5 KL Lens. .2,470 1,289 212–304 90mm f/3.5W Lens . 2,169 1,132 301–109 127mm f/3.5 KL Lens . .2,303 1,202 212–305 110mm f/2.8W Lens. 2,253 1,176 301–110 140mm f/4.5 KL Macro Lens . 2,971 1,551 212–378 140mm f/4.5 L-A Macro Lens. 2,988 1,559 301–111 150mm f/3.5 KL Lens . .2,386 1,245 212–375 150mm f/3.5W Lens. .2,386 1,245 214–406 150mm f/4 Soft Focus Lens. .2,620 1,367 212–308 180mm f/4.5W N Lens. 2,336 1,219 301–112 180mm f/4.5 KL Lens. .2,403 1,254 212–379 180mm f/4 Soft Focus Lens. 2,570 1,341 301–115 210mm f/4.5 APO Lens . 5,392 2,814 212–371 210mm f/4.5 APO Lens . 5,342 2,788 301–113 250mm f/4.5 KL Lens. .2,988 1,559 212–309 250mm f/4.5W Lens. 3,088 1,612 301–117 250mm f/4.5 APO Lens . 6,060 3,163 212–372 250mm f/4.5 APO Lens . .6,010 3,136 301–119 350mm f/5.6 APO Lens . .6,662 3,477 212–373 350mm f/5.6 APO Lens . .6,879 3,590 301–121 L 500mm f/6 Lens APO Lens w/ Holder & Trunk . .9,634 5,027 212–374 500mm f/6 APO Lens . 9,851 5,141 214–410 500mm f/8 Lens . 7,012 3,659 212–326 100–200mm Zoom Lens w/Bracket . 5,777 3,015 214–426 100–200mm f/5.2 Zoom RB/RZ . 5,777 3,014 212–320 1.4x Tele-Converter . 1,384 722 214–499 PD Prism Finder RB/RZ . 1,969 1,028 212–520 Tilt/Shift Adapter. 2,386 1,245 214–502 Prism Finder II RB/RZ . 1,368 714 212–317 75mm f/4.5 Short Barrel Lens for T/S Adapter. 2,921 1,525 214–609 Quadra 72 Film Holder . 833 435 212–318 180mm f/4.5 Short Barrel Lens for T/S Adapter. 1,919 1,002 214–613 6x7 120/220 Power Drive RB . 1,117 669 212–522 Ground Glass Focusing Aid for T/S Adapter. 332 199 301–240 Auto Extension Tube #1 for SD . 683 356 212–352 Auto Spacer for Short Barrel Lenses. .533 278 301–242 Auto Extension Tube #2 for SD . 783 408 212–101 120 Magazine for RZ Pro II . 1000 522 301–300 Polaroid Back. 750 392 212–102 220 Magazine for RZ Pro II . 1000 522 301–302 120 Roll Film Holder for SD . 883 461 212–103 645 120 Magazine for RZ Pro II . 1000 522 301–308 120 Insert for SD . 610 318 212–104 120 Insert for RZ II Magazine . 716 374 301–315 645/120 Magazine RB SD . 967 505 212–105 220 Insert for RZ II Magazine . 767 400 212–550 L-Grip w/ Handstrap & Electronic Shutter Release . 332 173 213–202 Pro Bracket. 416 217 212–350 Auto Extension Tube #1. 666 348 ® 212–351 Auto Extension Tube #2 . 733 382 Mamiya Mamiya 7 II 212–407 AE Prism Finder . 1,969 1,028 6x7cm Rangefinder 214–499 PD Prism Finder for RB/RZ . 1,969 1,028 212–495 Polaroid Back. 767 400 212–621 Winder II. 900 469 CAT. # DESCRIPTION LIST STUDENT 215–220 Mamiya 7 II ProValue.
Recommended publications
  • Photo History Newsletters • Vol
    THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached.
    [Show full text]
  • Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America L)Cational Curriculum Consortium, Stillwater, Okla
    DOCUMENT RESUME ED 327 663 CE 056 673 AUTHOR Feasley, Sue C., Ed. TITLE Graphic Arts: Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America l)cational Curriculum Consortium, Stillwater, Okla. REPORT NO 90-007460 PUB DATE 90 NOTE 285p.; For related documents, see CE 056 671-672. AVAILABLE FROM Mid-America Vocational Curriculum Consortium, Inc., 1500 West Seventh Avenue, Stillwater, OK 74074 (order no. 802001: $22.00). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Behavioral Objectives; Competency Based Education; Course Descriptions; Curriculum Guides; =Graphic Arts; Learning Activities; =Photographic Equipment; *Photography; Postsecondary Education; Production Techniques; Secondary Education; Units of Study ABSTRACT This curriculum guide is the second in a three-volume series of instructional materials for competency-based graphic arts instruction. Each publication is designed to include the technical content and tasks necessary for a student to be employed in an entry-level graphic arts occupation. Introductory materials include an instructional/task analysis that correlates job training with related information for this course; a list of tools, equipment, and materials; and a list of 12 references. Each of the seven instructional units includes some or all of these basic components: performance objectives; suggested activities for teachers and students; information sheets; assignment sheets; job sheets; visual aids; tests; and answer keys. Units are planned for more than one lesson or class period. Unit topics include the process camera and other darkroom equipment; line photography; halftone photography; other darkroom techniques; overview of procass color photography; stripping procedures; and platemaking procedures.
    [Show full text]
  • Mark Seymour Life of a Documentary Photographer
    Online Issue 2 - February 2017 MARK SEYMOUR LIFE OF A DOCUMENTARY PHOTOGRAPHER THE SOCIETIES AWARD WINNING IMAGES OF 2016 BASICS WITH BRIAN “THE BRAIN” 10 ESSENTIAL PHOTOSHOP EFX WITH MARK CLEGHORN ACADEMY LIVE CRIT TOP TEN COMMENTS PIMP MY PICTURE GARDEN MACRO TIPS WITH MICHELLE WHITMORE ZEISS LENS REVIEW WITH LISA BEANEY BIG PHOTO COMPETITION - WELCOME TO THE BIG PHOTO E-ZINE HEADSHOTS elcome to the second issue of The Big Photo, we hope the first informed and enlightened you in some way. WThis month we’re brining you another fantastic variety ROADSHOW of content, a amazing Architectural Image of the month, an insight into the world of Top Documentary & Wedding photographer Mark Seymour, Garden Macro tips, Mark Cleghorn’s essential Photoshop EFX, and much much more. inspire The Big Photo is ultimately designed as a celebration of The Photographer Academy create photography and photographers, so this month we also brining you some of the amazing winning images from the SWPP 2016 Photographer of the Year is proud to present The Big awards. These images show the amazing quality of images being produced today and Photo UK Roadshow 2017 hopefully inspires you to shoot that little bit better every day. and this year it’s all about Remember you can get your images featured to, if you make the top ten in our monthly Headshots! critique then your image will appear in the magazine. Also, don’t forget The Big Photo is Bringing you specific training including Business, an interactive Ezine, so look for links to take you directly to more great content from The Lighting, Posing, Pricing, Products and finishing the Photographer Academy and our partners.
    [Show full text]
  • I. Basic Operation (Preparation)
    10 lcon indicators used in this manual BASIC OPERATION (PREPARATION) BASIC OPERATION Operation direction Attention Lamp blinking I. BASIC OPERATION (PREPARATION) Attaching the Camera Strap 11 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. Use a coin or similar object to slide the clasp 3. To remove the strap, repeat step 1. in the direction of the arrow. 2. Put the clasp onto the strap lug of the cam- • Adjust the length of the strap with the buckle. era with the arrow indication facing out, and • After fitting the strap and adjusting the length, pull slide the lock plate back to the original posi- the strap hard to confirm that the strap has tion. securely attached to the camera. • There is a pocket on the strap so you can store a small accessory. 12 Loading the Batteries 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. To remove the battery holder, lift the battery 3. To secure the battery holder, turn the battery holder release knob and turn it in the direc- holder release knob in the direction of the tion of the arrow. arrow. 2. Load six 1.5V AA-size batteries in the battery holder in accordance with the diagram located in the battery holder. 13 • This camera requires battery power for operation. Always use six 1.5V AA size batteries. • The ISO film speed and number of exposed frames are unchanged if the batteries are replaced. (PREPARATION) BASIC OPERATION • Keep spare batteries on hand when shooting out doors or while traveling. • Use of the optional Remote Battery Pack 645 is recommended when the camera is used in extremely low temperatures.
    [Show full text]
  • Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality
    Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality Mamiya 645DF+ Camera With small format handling and speed, the Mamiya 645DF+ captures top-quality images that offer the professional feel that only a medium format system can provide. • Rapid and accurate auto-focus • Dual focal plane and leaf shutter system with seamless switching and speeds of up to 1/4000 sec • Sophisticated operation via easy-to-use, ergonomically placed dials and buttons • Reliable, robust camera body construction • Wide range of accessories including optional V-Grip Air for comfortable vertical handholding with a built-in Profoto Air transmitter Mamiya Leaf Digital Camera Systems Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality The World's Most Desirable Digital Camera System Mamiya 645DF+, Leaf Credo digital camera backs, Schneider-Kreuznach, Mamiya optics and Capture One workflow software The unbeatable combination of Mamiya 645DF+ camera, Leaf Credo camera backs and Capture One workflow software represents the best of what digital photography has to offer. Extraordinary capture becomes natural through ease of use and direct control. Take advantage of Schneider-Kreuznach leaf shutter lenses or the Mamiya digital focal plane lenses. © Steffen Jahn © Steffen The Leaf Credo Family of Digital Backs Where Art meets Science Touch screen and new GUI The Leaf Credo digital camera back is the latest and the most advanced Utilizing the latest display technology, the high resolution, bright, touch digital back on the market. It is the result of 20 years of experience in the screen offers an intuitive and user-friendly workflow in a responsive, so- digital business from the company that brought the first medium format phisticated yet easy-to-use package.
    [Show full text]
  • Durst Da900 Manual Us B.Pdf
    SPECIFICATION OF COMPONENTS AND OPERATING KNOBS Serial number Description Page 1) Base 2 2) Projection board 2 3) Hexagonal screws for fixing the column in the base 2 4) Column 2 5) Enlarger head 2 6) Fi Iter drawer 2 7) Mirror housing 2 8) DANOCON 50 twin condenser 2 9) DANOCON 105 twin condenser 2 10) DUONEG negative carrier 2 11) AUTONEG negative carrier 12) Lenses with their lens board 2 13) Serial number plate 3 14) Angular bar on column 3 15) Lock of the quick-locking lens holder 3 16) Lens carrier 3 17) Cable with plug and switch 4 18) Cover of the I ight hood 5 19) Fixing screws for AUTOCALO 4 20) Red filter wheel-grip 5 21) Shutter wheel-grip 6 22) Grip bar for opening the serial number plate 6 23) Condenser grip (DANOCON 50) 6 24) Hooks on the condenser mounti ng 6 25) Condenser fixing bar 6 26) Pushing-bar for changing the lenses 6 27) Lamp socket 6 28) Wheel-grip for vertical adjustment of the enlarger head 29) Locking screw for the enlarger head adjustment 7 30) Guide tracks for the heat absorbing filter 4 31) - 32) Wheel-grip for focusing both the lenses 10 33) Lens carriage 14 34) Focus variator wheel-grip 14 35) Locking knob of focus variator 15 36) Cross-slot screws on the base board 18 37) Green filter 19 38) Steel bands 20 DURST DA 900 A precision professional enlarger for all negative formats up to 20 x 3112" (6.5 x 9 cm.) including 70 mm.
    [Show full text]
  • Perfection V500 Photo
    Epson Perfection V500 Photo Scanner Parts Optional Automatic Document Feeder The Automatic Document Feeder (B12B813391) allows you to Scanner cover automatically load multiple-page documents into your scanner. See the on-screen User’s Guide for instructions on installing and using the optional Automatic Document Feeder (ADF). Scan to PDF button Automatic Document Feeder Scan to Power switch E-mail button Copy button Start button Paper support Holds up the paper that is loaded in the ADF. Document mat Transparency unit Carriage transportation lock Spare paper path guide Document table The paper path guide directs documents smoothly onto the scanner's document table. A spare paper path guide is included. If the surface of the paper path guide gets dirty, you can clean it or replace it with the spare guide. Scanner OPTION port transportation lock USB interface DC inlet connector ADF Document Mat Place this mat over a document if you need to scan it from the document table when the ADF is installed. Cover cable (Transportation unit) 7/07 Epson Perfection V500 Photo - 1 Epson Perfection V500 Photo Electrical Scanner Specifications Note: Check the label on the AC adapter or on the back of the scanner for General voltage information. Scanner type Flatbed color Scanner Photoelectric device Color CCD line sensor Rated voltage DC 24 V Effective pixels 54,400 × 74,880 pixels at 6400 dpi* Rated current 1.3 A Scanning area may be restricted if Power consumption 16.0 W (17.5 W with ADF) operating resolution setting is large. 7.5 (6.5 W with ADF) ready
    [Show full text]
  • Manual Sinar P2 / C2 / F2 / F1-EN (PDF)
    lnstructionManual The cameras Operatingcontrols of the SINAR iT p2andc2 1 Coarse-focusclamping lever 2 Finefocusing drive with depth of field scale 3 Micrometer drive for vertical (rise and fall) shift 4 Micrometer drive for lateral(cross) shift 5 Micrometerdrive for horizontal-axistilts 6 Micrometer drive for vertical-axisswings 7 lmageplane mark 8 Coarse-tilt (horizontal axis) clamping lever; movementused for verticalalignment of stan- dards with camerainclined up or down, alsofor coarse tilting to reservefull micrometertilt (5) rangefor sharpnessdistribution control. Fig.1 Contents The cameras 2 The planeof sharpnessand depthof field 11 - Controls 2 - Zerosettings Fufiher accessories 12 3 - - Mountingthe camera SINARCOLOR CONTROLfitters 12 4 - - The spirit levels Exposure meters 12 4 - - The base rail 4 AutomaticSINAR film holder - Changingcomponents 4 and shuttercoupling 12 - Film - The bellows 5 holders 13 - Camera backs s Final points 14 - Switchingformats p2 on the STNAR andc2 6 - Maintenance 14 - Switchingformats g on the SINARf2 andtl - Cleaning 14 - The convertible g camera - Adjusting the drives 14 - The bellowshood 9 - Cleaninglenses, filters and mirrors 14 - Viewingaids 9 - Warranty 14 - Transport l0 - Furtherinstruction manuals 14 The view camera movements 10 Remark: The camerac2 is no longerpart of the SINARsales programme, but can stiltrbe combined by the individualSINAR components. Operatingcontrols of the S|NARt2andtl 1 Coarse-focusclamping knob 2 Finefocussing drive with depthof fieldscale 3 Clampingwheel for verticalshift 4 Clampinglever for lateralshift 5 Clampinglever for swing (verticalaxis) 6 Clampinglever for tilt (horizontalaxis) 7 Angle-meteringscale for tilt and swingangles 8 lmageplane mark Zero setting points of the cameras CAMERAMODELS REAR(IMAGE) STANDARD FRONT(LENS) STANDARD NOTES SINARo2 With regularor special gxi|2 - 4x5 / White l White White dot for standardbearer 5x7 /13x18 Green i dots White lateralshift on With F/S back j or.
    [Show full text]
  • Pro-B3 1200 Airs User´S Guide
    Pro-B3 1200 AirS User´s Guide Pro-B3 1200 AirS 2 www.profoto.com Pro-B3 1200 AirS Thank you for choosing Profoto Thanks for showing us your confidence by investing in a Pro- B3 generator. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Some photographers can tell just from seeing a picture, if Profoto equipment has been used. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PrecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make Pro-B3 1200 AirS sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic use.
    [Show full text]
  • Hasselblad Expands Reach of Medium Format Imaging for Even More
    Press information – for immediate release Gothenburg, Sweden 19 June 2019 HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format pho- tography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality. X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package.
    [Show full text]
  • Newborn Photography with Ana Brandt Newborn Photography
    GEAR GUIDE NEWBORN PHOTOGRAPHY WITH ANA BRANDT NEWBORN PHOTOGRAPHY GEAR LIST • 1 Canon Mark III • 2 Canon 50mm • 3 Canon 85mm • 4 24-70 usm ii • 5 52inch reflector • 6 5 n 1 flex fill • 7 Paul Buff Einstein 86inch Soft Silver PLM umbrella - white • 8 Paul Buff Einstein™ E640 Flash Unit • 9 Paul Buff Extreme Silver PLM™ Umbrellas 86inch 1 2 3 4 5 6 NEWBORN PHOTOGRAPHY: GEAR GUIDE | 1 GEAR GUIDE HOW TO DEFINE YOUR STYLE AND BRAND WITH BEN SASSO HOW TO DEFINE YOUR STYLE AND BRAND GEAR LIST • 1 Pelican 1510 / 1514 On Watertight Hard Case without Foam Insert, with Wheels • 2 2 x Canon EOS-5D Mark III Digital SLR Camera Body • 3 Canon EF 20mm f/2.8 USM AutoFocus Ultra Wide Angle Lens • 4 Canon EF 35mm f/1.4L USM AutoFocus Wide Angle Lens • 5 Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens • 6 Canon EF 85mm f/1.2L II USM AutoFocus Telephoto Lens • 7 Canon EF 200mm f/2.8L-II (USM) Auto Focus Telephoto Lens • 8 Holdfast Gear Money Maker Three Camera Harness • 9 2 x Canon Speedlite 430EX II Flash • 10 Nexto DI ND2901 500GB Portable Memory Card Backup Storage • 11 Lowepro S&F Memory Wallet 20 1 2 3 4 5 6 7 8 9 10 11 HOW TO DEFINE YOUR STYLE AND BRAND: GEAR GUIDE | 1 GEAR GUIDE HOW TO PAINT WITH LIGHT with BEN WILLMORE HOW TO PAINT WITH LIGHT GEAR LIST • 1 Canon 5D Mark III • 2 Canon 8-15mm F4L Fisheye • 3 Canon 14mm f2.8L II • 4 Canon 17mm f4L TS-E • 5 Canon 16-35mm f2.8L II • 6 Canon 24-70 f2.8L II • 7 Canon 70-200mm f2.8 L IS II • 8 Canon 100-400mm f4.5-5.6 L IS • 9 Canon Extender 1.4x II • 10 Lensbaby Pro Effects Kit • 11 Canon 600EX-RT
    [Show full text]
  • A Photojournalist's Field Guide: in the Trenches with Combat Photographer
    A PHOTOJOURNALISt’S FIELD GUIDE IN THE TRENCHES WITH COMBAT PHOTOGRAPHER STACY PEARSALL A Photojournalist’s Field Guide: In the trenches with combat photographer Stacy Pearsall Stacy Pearsall Peachpit Press www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education. Copyright © 2013 by Stacy Pearsall Project Editor: Valerie Witte Production Editor: Katerina Malone Copyeditor: Liz Welch Proofreader: Erin Heath Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Photo: Stacy Pearsall Cover and Interior Design: Mimi Heft Notice of Rights All rights reserved. No part of this book may be reproduced or trans- mitted in any form by any means, electronic, mechanical, photocopy- ing, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trade- mark claim, the designations appear as requested by the owner of the trademark.
    [Show full text]