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Modern American Grotesque
Modern American Grotesque Goodwin_Final4Print.indb 1 7/31/2009 11:14:21 AM Goodwin_Final4Print.indb 2 7/31/2009 11:14:26 AM Modern American Grotesque LITERATURE AND PHOTOGRAPHY James Goodwin THEOHI O S T A T EUNIVER S I T YPRE ss / C O L U MB us Goodwin_Final4Print.indb 3 7/31/2009 11:14:27 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Goodwin, James, 1945– Modern American grotesque : Literature and photography / James Goodwin. p. cm. Includes bibliographical references and index. ISBN-13 : 978-0-8142-1108-3 (cloth : alk. paper) ISBN-10 : 0-8142-1108-9 (cloth : alk. paper) ISBN-13 : 978-0-8142-9205-1 (cd-rom) 1. American fiction—20th century—Histroy and criticism. 2. Grotesque in lit- erature. 3. Grotesque in art. 4. Photography—United States—20th century. I. Title. PS374.G78G66 2009 813.009'1—dc22 2009004573 This book is available in the following editions: Cloth (ISBN 978-0-8142-1108-3) CD-ROM (ISBN 978-0-8142-9205-1) Cover design by Dan O’Dair Text design by Jennifer Shoffey Forsythe Typeset in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Goodwin_Final4Print.indb 4 7/31/2009 11:14:28 AM For my children Christopher and Kathleen, who already possess a fine sense of irony and for whom I wish in time stoic wisdom as well Goodwin_Final4Print.indb 5 7/31/2009 -
86'Ed Banned from the Lot. the Term Is in General Use Meaning
86'ed Banned from the lot. The term is in general use meaning "we have no more [ something]" or "to get rid of [something]." There are many 'folk etymologies' ex plaining the origin of the term, but all are dubious. A&S Man "Age and Scale" operator ("guess your age or weight" operator). More com monly known as "Fool the Guesser," the game can be operated as a hanky-pank (q.v .) or any of several other ways. AB Amusement Business, the trade magazine of the outdoor entertainment industry. ABA A commercial "traveler's check," often purchased under assumed names, useful for carrying and transferring large sums of cash without bank or I.R.S. scrutin y. Add-Up Joint, or Add 'Em Up Game where each play (each dart thrown, ball rolled, balloon broken...) scores points that are totaled for the player. In its most d irect form, it is a fair enough game (though it is illegal in some areas as a 'g ame of chance') but it is very similar to the larcenous "razzle dazzle' game whi ch adds a 'build up' feature (q.v.) and cannot be won. Advance Man Employee who handles details such as licenses and sponsors before a carnival arrives in town, and sometimes handles bribes to local officials for le aving the carnival alone. After-Catch Items sold to show patrons after they have paid their admission and seen the show. After-Show Blowoff (q.v.) Afterpiece A multi-gag comedy act closing a medicine show. Agent The one who works a game, especially a game that requires some skill and f inesse to sell to the marks, and most especially a rigged game. -
Freaks and Masculinity: Sideshow Performers in German and American Cinema
FREAKS AND MASCULINITY: SIDESHOW PERFORMERS IN GERMAN AND AMERICAN CINEMA Alexandra McCollum A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS DECEMBER 2013 Committee: Dr. Geoffrey Howes, Co-advisor Dr. Edgar Landgraf, Co-advisor ii ABSTRACT Dr. Geoffrey Howes, Co-advisor Dr. Edgar Landgraf, Co-advisor This project examines the portrayals of male sideshow performers in German and American cinema and literature. Specifically it investigates the manner in which the social expectations of the masculine social role are altered by the perceived physical and mental otherness in the figure of the freak. The main freak performers discussed here are the somnambulist Cesare from Das Cabinet des Dr. Caligari, Hans the dwarf from Freaks, Stan Carlisle from Nightmare Alley, who eventually becomes a geek with a travelling carnival, and Oskar Matzerath, the hunchbacked dwarf who is the protagonist of Die Blechtrommel. The examination of the male freak characters focuses upon three major areas which these works have in common: the portrayal of the freak as an unreliable narrator or signifying the presence of unreliable narration; the problematic interactions between the male freak and female characters, including romantic interests, and various manifestations of the male freak’s denial of responsibility. iii ACKNOWLEDGMENTS I would like to thank my advisors, Dr. Geoffrey Howes and Dr. Edgar Landgraf, as well as the members of Dr. Landgraf’s Fall 2012 thesis workshop course, for their contributions to and assistance with this work. iv TABLE OF CONTENTS Page INTRODUCTION ................................................................................................................. 1 The History of the Freak ........................................................................................... -
Jim Jarmusch
S L U G Jim Jarmusch MAG SUNDANCE VOL. 24 • ISSUE 301 • JANUARY 2014 • slugmag.com • ALWAYS FREE SLAMDANCE UTAH WOMEN IN FILM slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #301 • January 2014 • slugmag.com @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Action Sports Sponsorship Sales: Editor: Angela H. Brown Jake Vivori, Tim Kronenberg Managing Editor: Esther Meroño Marketing Manager: Editorial Assistant: Alexander Ortega Karamea Puriri Office Coordinator:Gavin Sheehan Marketing Team: Ischa B., Sabrina Costello, Digital Content Coordinator: Cody Kirkland Kristina Sandi, Brooklyn Ottens, Angella Copy Editing Team: Esther Meroño, Alexan- Lucisano, Nicole Roccanova, Raffi Shahinian, der Ortega, Mary E. Duncan, Cody Kirkland, Victoria Loveless, Zac Freeman, Cassie Ander- Johnathan Ford, Alex Cragun, Katie Bald, Liz son, Cassie Loveless, Shley Kinser, Matt Brunk, Phillips, Allison Shephard, Laikwan Waigwa- Robin Sessions, Carl Acheson, Chandler Hunt, Stone, Shawn Soward, Traci Grant, Jeff Dixon, Anna Johnson, Kate Clark, Rachel Roller, Janie Maria Valenzuela, Angela Sunny Oliver, Julia Greenberg, Matt Brunk, Megan Kennedy Sachs Social Media Coordinator: Catie Weimer Fact Checker: Katie Bald Distribution Manager: Eric Granato Cover Photo: Sara Driver Distro: Eric Granato, Tommy Dolph, Tony Lead Designer: Joshua Joye Bassett, Nancy Burkhart, Adam Okeefe, Ryan Design Team: Eleanor Scholz, Lenny Riccardi, Worwood, John Ford, Matt Pothier, Phil Cannon, Chad Pinckney, Mason Rodrickc -
Nightmare Alley (1946), One of the Underground Classics of American Literature
NEW YORK REVIEW BOOKS CLASSICS WILLIAM LINDSAY GRESHAM was born in Baltimore on August 20, 1909. His family moved briefly to Fall River, Massachusetts, in 1916, then to New York City, where he graduated from Erasmus Hall High School in Brooklyn in 1926. Gresham’s was a tortured mind and a tormented life, and he sought to banish his demons through a maze of dead-end ways, from Marxism to psychoanalysis to Christianity to Alcoholics Anonymous to Rinzai Zen Buddhism. From these demons came his novel Nightmare Alley (1946), one of the underground classics of American literature. He wrote one more novel, Limbo Tower (1949), which went largely unnoticed. Three nonfiction books followed: Monster Midway (1953), Houdini (1959), and The Book of Strength (1961). Nightmare Alley brought Gresham fame and fortune, but he lost it all. The second of his three wives, the poet Joy Davidman, left him in 1953 for the British author C. S. Lewis. He killed himself in New York City on September 14, 1962. NICK TOSCHES is the author of fifteen books of fiction, nonfiction, and poetry. His most recent novel, In the Hand of Dante, was published in seventeen languages and selected as a New York Times Notable Book of the Year. He has long been working on a book about William Lindsay Gresham. NIGHTMARE ALLEY WILLIAM LINDSAY GRESHAM Introduction by NICK TOSCHES NEW YORK REVIEW BOOKS New York Contents Cover Biographical Notes Title Page Introduction NIGHTMARE ALLEY Dedication Epigraph CARD ONE The Fool CARD TWO The Magician CARD THREE The High Priestess CARD FOUR The World CARD FIVE The Empress CARD SIX Resurrection of the Dead CARD SEVEN The Emperor CARD EIGHT The Sun CARD NINE The Hierophant CARD TEN The Moon CARD ELEVEN The Lovers CARD TWELVE The Star CARD THIRTEEN The Chariot CARD FOURTEEN The Tower CARD FIFTEEN Justice CARD SIXTEEN The Devil CARD SEVENTEEN The Hermit CARD EIGHTEEN Time CARD NINETEEN The Wheel of Fortune CARD TWENTY Death CARD TWENTY-ONE Strength CARD TWENTY-TWO The Hanged Man Copyright and More Information Introduction Many who read this will have read Nightmare Alley. -
A Critical Examination of the Portrayal of Geek Women in Popular Media Alexis J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lehigh University: Lehigh Preserve Lehigh University Lehigh Preserve Theses and Dissertations 2014 The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media Alexis J. Leon Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Part of the American Studies Commons Recommended Citation Leon, Alexis J., "The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media" (2014). Theses and Dissertations. Paper 1538. This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media by Alexis J. Leon A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candidacy for the Degree of Master of Arts in American Studies Lehigh University April 24, 2014 © 2014 Copyright ALEXIS J. LEON ii Thesis is accepted and approved in partial fulfillment of the requirements for the Master of Arts in American Studies. The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media ALEXIS J. LEON Date Approved Mary C. Foltz Thesis Director Edward Whitley Thesis Co-Director Edward Whitley Department Director iii ACKNOWLEDGMENTS This paper would not have been possible without the careful and caring guidance of Professor Mary C.