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Doctor Who: Human Nature: the History Collection Pdf, Epub, Ebook
DOCTOR WHO: HUMAN NATURE: THE HISTORY COLLECTION PDF, EPUB, EBOOK Paul Cornell | 288 pages | 03 Mar 2015 | Ebury Publishing | 9781849909099 | English | London, United Kingdom Doctor Who: Human Nature: The History Collection PDF Book The plot was developed with fellow New Adventure novelist Kate Orman and the book was well received on its publication in Archived from the original on 23 June Select a valid country. Companion Freema Agyeman Martha Jones. Starfall - a world on the edge, where crooks and smugglers hide in the gloomy Edit Did You Know? User Reviews. It has a LDPE 04 logo on it, which means that it can be recycled with other soft plastic such as carrier bags. Added to Watchlist. Runtime: 45 min 45 min 50 episodes. Return policy. Back to School Picks. Sign In. The contract for sale underlying the purchase of goods is between us World of Books and you, the customer. Title: Human Nature 10 Oct Payment details. Although most praise for the script was directed at Cornell, a great deal of the episode had in fact been rewritten by executive producer Russell T Davies. No additional import charges at delivery! Item description Please note, the image is for illustrative purposes only, actual book cover, binding and edition may vary. The pioneers who used to be drawn by the hope of making a The Novrosk Peninsula: the Soviet naval base has been abandoned, the nuclear submarines are rusting Several years later, the revived Doctor Who television series included several people who had worked on the New Adventures. With the Doctor she knows gone, and only a suffragette and an elderly rake for company, can Benny fight off a vicious alien attack? Doorman Peter Bourke See all. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
TORCHWOOD T I M E L I N E DRAMA I 2 K S 2 Sunday BBC3, Wednesday BBC2 ~*T0&> ' ""* Doctor Who Viewers Have Hear
DRAMA SundayI2KS BBC3,2 Wednesday BBC2 TORCHWOOD TIMELINE ~*t0&> ' ""* Doctor Who viewers have heard the name Torchwood before... 11 Jure 2005 In the series one episode It may be a Doctor Who spin-off, but Torchwood Sad Wolf, Torchwood is an is very much its own beast, says Russell T Davies answer on Weakest Link with Anne-droid (pictured above). % Jack's back. But he's changed - he's of course, their leader, and two of the other angrier. The last we saw of Captain actors have also appeared in Doctor Who: Eve 25 December 2005 Jack Harkness, at the tail end of the Myles, who played Victorian maid Gwyneth In The Christmas Invasion, Prime Minister Harriet Jones rejuvenated Doctor Who series one, he'd in The Unquiet Dead; and Naoko Mori continues reveals she knows about top- been exterminated by Daleks (see picture to play the role of Dr Toshiko Sato, last seen secret Torchwood - and orders below), been brought back to life and then examining a pig in a spacesuit in Aliens of London. it to destroy the Sycorax ship. abandoned by the Doctor to fend for himself. As you'll see from the cover and our profile on What does a flirtatious, sexy-beast Time Agent page 14, they're a glamorous bunch. Or, as 22 April 2006 from the 51 st century, understandably miffed at Myles puts it, "It's a very sexy world." In Tooth and Claw, set in being dumped, do next? Easy: he joins Torchwood. Their objective? Nothing less than keeping the Torchwood House, Queen Doctor Who fans - and there are a few - will world safe from alien threat. -
James Strong Director
James Strong Director Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes CRIME Buccaneer/Britbox Lead Director and Executive Producer. 2021 Episodes 1-3. Writer: Irvine Welsh, based on his novel by the same name. Producer: David Blair. Executive producers: Irvine Welsh, Dean Cavanagh, Dougray Scott andTony Wood. VIGIL World Productions / BBC One Lead Director and Executive Producer. 2019 - 2020 Episodes 1- 3. Starring Suranne Jones, Rose Leslie, Shaun Evans. Writer: Tom Edge. Executive Producer: Simon Heath. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LIAR 2 Two Brothers/ ITV Lead Director and Executive Producer. 2019 Episodes 1-3. Writers: Jack and Harry Williams Producer: James Dean Executive Producer: Chris Aird Starring: Joanne Froggatt COUNCIL OF DADS NBC/ Jerry Bruckheimer Pilot Director and Executive Producer. 2019 Television/ Universal TV Inspired by the best-selling memoir of Bruce Feiler. Series ordered by NBC. Writers: Tony Phelan, Joan Rater. Producers: James Oh, Bruce Feiler. Exec Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Read, Tony Phelan, Joan Rater. VANITY FAIR Mammoth/Amazon/ITV Lead Director and Executive Producer. 2017 - 2018 Episodes 1,2,3,4,5&7 Starring Olivia Cooke, Simon Russell Beale, Martin Clunes, Frances de la Tour, Suranne Jones. Writer: Gwyneth Hughes. Producer: Julia Stannard. Exec Producers: Gwyneth Hughes, Damien Timmer, Tom Mullens. LIAR ITV/Two Brothers Pictures Lead Director and Executive Producer. 2016 - 2017 Episodes 1 to 3. Writers: Harry and Jack Williams. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
Sophie Francis Jones Company / Organisation / Freelance Status
Name: Sophie Francis Jones Company / Organisation / Freelance status: Freelance I work in... Television Given my experience, I would be able to assist BAFTA Cymru with... - Operations and Governance - Income generation - Partnership development - Reaching new members - Learning and Events strategy Personal Statement I can bring to BAFTA my 20 years experience at all levels in the television industry in Wales, making drama for both network and local audiences. I have shown commitment to producing quality popular programming and I’d like to work with BAFTA in order to keep the organisation and the industry relevant to its audiences and to ensure that quality and integrity remain at the fore. CV Post Production and Development Producer, including the setting up of production arm Ffilmworks. This autumn Ffilmworks has produced our first commissioned project, a 15’ drama for S4C and the European Broadcast Union entitled “DAD”. 2011 - 2013 – BBC Continuing Drama Series Script Producer CASUALTY Series Producer: Nikki Wilson; Executive Producers: Johnathan Young, Oliver Kent 2008 - 2011 – Fiction Factory Ltd Series Producer GWAITH/CARTREF (HOMEWORK), 10 x 60’ drama series for S4C, series 1 and 2. I devised this series from scratch with writer Roger Williams. It is now in its 4th series. Executive Producer PERFECT SUMMER, 1 x 30’ drama for BBC Wales (nominated in the category of Best Youth Programme at this year’s BAFTA CYMRU Awards) Freelance Development Producer WAY OUT WEST, with Boomerang Ltd. One 30’ script and story bible of this 10 x 30’ -
Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years. -
I Need Fish Fingers and Custard”: the Irruption and Suppression of Vegan Ethics in Doctor Who
Chapter 11 “I Need Fish Fingers and Custard”: The Irruption and Suppression of Vegan Ethics in Doctor Who Matthew Cole and Kate Stewart Doctor Who, produced by the BBC (British Broadcasting Corporation), is the world’s longest running television science fiction series, celebrating its 50th anniversary in 2013. The original ‘classic’ run of Doctor Who was broadcast in the UK between 1963–1989, before going on hiatus, excepting a 1996 TV movie, although the programme retained a cultural presence through the production of new stories in alternative media formats and in video and DVD releases of the ‘classic’ series. The television series was rebooted in 2005 and has been in continuous production since. Both classic and new series Doctor Who targets a ‘family’ audience, thereby engaging children and their caregivers in a com- munal viewing experience. This is reflected in the Saturday tea-time (approxi- mately 5pm) scheduling of the original programme in the UK and in its current scheduling early on Saturday evenings (around 7pm). It thereby provides an opportunity for the inter-generational reproduction, or critique, of cultural and ethical norms through the stories it tells and especially the behavior of the central characters and their relations with alien ‘others’. The Doctor him- self is a member of an alien species, a Timelord from the planet Gallifrey, who has the technological capacity to travel through time and space. The Doctor appears human, with his alien-ness being marked by his technological prowess, longevity, nonhuman anatomy (such as having two hearts) and a range of character quirks that vary with each incarnation. -
Gunning for a Greater Slice of US Broadcasting by Matthew Garrahan in Los Angeles Published: June 19 2011 22:28 | Last Updated: June 19 2011 22:28
COMPANIES Financial UK COMPANIES Close Gunning for a greater slice of US broadcasting By Matthew Garrahan in Los Angeles Published: June 19 2011 22:28 | Last updated: June 19 2011 22:28 Inside the red brick Los Angeles building that houses BBC Worldwide Productions a full-size dalek from Doctor Who guards the entrance to the office, while ancient Egyptian artefacts hang on the walls. It is a quirky setting for a British invasion of the US television industry but it is from here that Jane Tranter is developing scripted dramas and reality programming for the US market. In her first interview since being appointed to run the corporation’s commercial Hollywood production arm 2½ years ago, Ms Tranter says she plans to develop programmes in line with the BBC’s ethos – even if they are not set in Britain. “There’s this British obsession that American dramas are better than British ones,” she says, citing examples such as AMC’s Mad Men or HBO’s new fantasy epic Game of Thrones. “But American cable companies love our drama.” She has sold several scripts she hopes will make it to the screen, including an adaptation of Amanda Foreman’s book A World on Fire, an account of the Anglo American relationship during the American Civil War. So far, US cable channels and broadcasters have been receptive: along with more than 20 script development deals struck with US partners, BBC Worldwide Productions also has 17 unscripted series – non-fiction shows or reality programmes – in “different stages of production”. Ms Tranter has extended the remit of the Los Angeles operation since she replaced Paul Telegdy as its head. -
Megan Lynas Script Supervisor / Continuity
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MEGAN LYNAS SCRIPT SUPERVISOR / CONTINUITY CREDITS INCLUDE TREASON Director TBC 6 x 1hr Spy Thriller Drama Series Producer Foz Allan (Covid shoot) Exec. Producer Tom Maguire Production Co. ITV Studios / Netflix THE NEVERS Directors Andrew Bernstein, Jennifer Getzinger, Nina Lopez-Corrado 11 x 1hr Period Sci-Fi Drama Series Producer Richard Hewitt (restarted Covid shoot) Exec. Producers Philippa Goslett, Ilene S. Landress, Danny Kaminski, Andrew Bernstein Production Co. HBO / Mutant Enemy Productions ALEX RIDER 2 Director Rebecca Gatward, Jon Jones 8 x 1hr Spy Drama Series Producer Richard Burrell (Covid shoot) Exec. Producers Anthony Horowitz, Eve Gutierrez, Jill Green Production Co. Eleventh Hour Films / Amazon Prime THE NEVERS Directors Joss Whedon, Zetna Fuentes 7 x 1hr Period Sci-Fi Drama Series Producers Kevin Lau, Greg Spence, Duncan Muggoch (Covid shoot) Exec. Producers Joss Whedon, Bernadette Caulfield, Jane Espenson, Douglas Petrie Production Co. HBO / Mutant Enemy Productions HIS DARK MATERIALS S2 Directors Jamie Childs, Leanna Welham Lead Script Supervisor Producer Roopesh Parekh 8 x 1hr Adventure Fantasy Drama Series Exec. Producers Toby Emmerich, Julie Gardner, Jack Thorne, Jane Tranter, Dan McCulloch Production Co. Bad Wolf / New Line Cinema SANDITON Directors Olly Blackburn, Lisa Clarke 8 x 1hr Period Drama Series Producer Georgina Lowe Exec. Producers Andrew Davies, Belinda Campbell, Rebecca Eaton Production Co. Red Planet Pictures / Masterpiece / ITV BAFTA Nomination Best Drama Series BAGHDAD CENTRAL Directors Alice Troughton, Ben Williams 6 x 1hr Crime Thriller Series Producer Jonathan Curling Location: Morocco Exec. -
TV & Film Production Neath Port Talbot
TV & Film production Neath Port Talbot: A gateway to inspirational and stunning locations Unrivalled locations Neath Port Talbot County Borough is a gateway for UK and international television and film productions. Conveniently located along a key stretch of the M4 motorway, with easy access and short transit times to locations within the County, across Swansea Bay and South Wales. It is also home to one of Europe’s largest indoor film studios, Bay Studios on Fabian Way, which has approximately 265,000 sq ft of studio space and an additional 30,000 sq ft of production offices, where Adjacent Productions have established their base since 2011 to film Da Vinci’s Demons. Wales is perfect for making The production team considered filming The international historical productions. The locations around the world, from Canada success of Da Vinci’s Neath Port Talbot area has and New Zealand to Eastern Europe and Demons has been down great locations and landscapes. across the UK. Bay Studios in Neath Port to the talent and skills It’s a gateway to everything we Talbot, proved ideal for our production base from the area, needed. All of which was easily base and to establish our studios because which has helped us to ‘‘accessible from our production ‘‘it is central to all the locations we needed ‘‘make a world class base at Bay Studios. for the series. drama series for the David S Goyer Edward Thomas international audience. Writer & Producer of Da Vinci’s Production Designer on Da Vinci’s Demons, Jane Tranter Demons, co-writer of the Dark Knight Torchwood, The Sarah Jane Adventures, Sherlock, Executive Producer Batman Trilogy, Blade Triology and Doctor Who, Outcasts, The Sorcerer’s Apprentice (Da Vinci’s Demons) Man of Steel ’’ ’’ ’’ The locations across the region have Da Vinci’s Demons 2011/14 attracted many major film and TV Margam Castle offered a blank canvas and the flexibility to build interior sets of Renaissance- productions, such as the BBC’s flagship period Florence. -
Disability in Industrial Britain
Kirsti Bohata, Alexandra Jones, Mike Mantin, and Steven Thompson - 9781526124326 Downloaded from manchesterhive.com at 10/05/2021 08:43:48AM via free access DISABILITY IN INDUSTRIAL BRITAIN Kirsti Bohata, Alexandra Jones, Mike Mantin, and Steven Thompson - 9781526124326 Downloaded from manchesterhive.com at 10/05/2021 08:43:48AM via free access Kirsti Bohata, Alexandra Jones, Mike Mantin, and Steven Thompson - 9781526124326 Downloaded from manchesterhive.com at 10/05/2021 08:43:48AM via free access DISABILITY IN INDUSTRIAL BRITAIN A CULTURAL AND LITERARY HISTORY OF IMPAIRMENT IN THE COAL INDUSTRY, 1880–1948 Kirsti Bohata, Alexandra Jones, Mike Mantin and Steven Thompson Manchester University Press Kirsti Bohata, Alexandra Jones, Mike Mantin, and Steven Thompson - 9781526124326 Downloaded from manchesterhive.com at 10/05/2021 08:43:48AM via free access Copyright © Kirsti Bohata, Alexandra Jones, Mike Mantin and Steven Thompson 2020 The rights of Kirsti Bohata, Alexandra Jones, Mike Mantin and Steven Thompson to be identified as the authors of this work have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of the Wellcome Trust, which permits non-commercial use, distribution and reproduction provided the authors and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/4.0/.