DOCSLIB.ORG

The Handbook of the Gothic 2Nd Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Handbook of the Gothic 2Nd Edition The Handbook of the Gothic 2nd Edition Edited by MARIE MULVEY-ROBERTS Reader in Literary Studies University of the West of England, Bristol NEW YORK UNIVERSITn Y PRESS Washington Square, New York Contents Contributors xiii Preface to the Revised Edition xviii Introduction to the First Edition xx Writers of Gothic AINSWORTH, W. HARRISON R. A. Gilbert 1 BECKFORD, WILLIAM Michael Franklin 2 BIERCE, AMBROSE Allan Lloyd Smith 5 BLACKWOOD, ALGERNON Thomas Willard 7 THE BRONTES Elizabeth Imlay 9 BROWN, CHARLES BROCKDEN T. /. Lustig 12 BULWER LYTTON, EDWARD Helen Small 15 CARTER, ANGELA Elaine Jordan 17 COLLINS, (WILLIAM) WILKIE Andrew Smith 20 DACRE, CHARLOTTE Marie Mulvey-Roberts 21 DICKENS, CHARLES Benjamin F. Fisher 22 DOYLE, ARTHUR CONAN Clive Bloom 23 DU MAURIER, DAPHNE Avril Homer and Sue Zlosnik 26 GOETHE, J. W. von Eric Hadley Denton 27 HAWTHORNE, NATHANIEL Robert Miles 30 HILL, SUSAN Val Scullion 34 HOFFMANN, E. T. A. Hans-Ulrich Mohr 36 HOGG, JAMES Douglas S. Mack 38 IRVING, WASHINGTON Allan Lloyd Smith 40 JACKSON, SHIRLEY Jodey Castricano 41 vii viii Contents JACOBS, W. W. John Cloy 43 JAMES, HENRY T. J. Lustig 44 JAMES, MONTAGUE RHODES William Hughes 47 KING, STEPHEN David Punter 49 LE FANU, J. SHERIDAN W. /. McCormack 51 LEE,TANITH Nick Freeman 53 LEWIS, MATTHEW Nicola Trott 54 LOVECRAFT, H. P. Clive Bloom 57 MACHEN, ARTHUR R. A. Gilbert 59 MATURIN, CHARLES ROBERT Cecile Malet-Dagreou 60 MELVILLE, HERMAN A. Robert Lee 63 ONIONS, OLIVER Rachel Jackson 66 POE, EDGAR ALLAN Benjamin F. Fisher 67 POLIDORI, JOHN Marie Mulvey-Rbberts 75 RADCLIFFE, ANN Robert Miles 76 RICE, ANNE Marie Mulvey-Roberts 83 SADE, MARQUIS DE £. /. Clery 85 SHELLEY, MARY Marie Mulvey-Roberts 86 SHELLEY, P. B. Nicola Trott 92 STEVENSON, ROBERT LOUIS Jerrold E. Hogle 93 STOKER, BRAM William Hughes 96 WALPOLE, HORACE E. /. Clery 100 WILDE, OSCAR Neil Sammells 103 Gothic Terms, Themes, Concepts and Contexts THE ABJECT Colette Conroy 106 BLUEBOOKS AND CHAPBOOKS Franz J. Potter 106 CABBALISM Thomas Willard 107 Contents ix COLONIAL GOTHIC Alexandra Warwick 108 COMIC GOTHIC Avril Homer and Sue Zlosnik 109 CONTEMPORARY GOTHIC Ann B. Tracy 109 COUNTERFEIT Jerrold E. Hogle 111 CYBERPUNK Iain Hamilton Grant 111 DEATH Elisabeth Bronfen 113 THE DEMONIC Helen Stoddart 116 DOPPELGANGER Antonio Ballesteros Gonzalez 119 THE FANTASTIC Neil Cornwell 119 FEMALE GOTHIC Alison Milbank 120 GHOST STORIES R. A. Gilbert 124 GOLEM Madge Dresser 125 GOTH, GOTHIC U. A. Fanthorpe 126 GOTHIC ARCHITECTURE see GOTHIC REVIVAL 127 GOTHIC ART Graham Ovenden 127 GOTHIC BODY Steven Bruhm 128 GOTHIC IN CHILDREN'S LITERATURE Charles Butler and 129 Hailie O'Donovan GOTHIC COMICS see GOTHIC GRAPHIC NOVEL AND COMICS 131 GOTHIC DRAMA Jeffrey N. Cox 131 GOTHIC FAIRY-TALE Lucie Armitt 135 GOTHIC FILM Ian Conrich 136 GOTHIC GRAPHIC NOVEL AND COMICS Anna Powell 141 GOTHIC LANGUAGE John Charles Smith 142 GOTHIC MANSERVANT Janet Todd 143 GOTHIC MEDICINE William Hughes 144 GOTHIC MUSIC Diane Mason 145 GOTHIC NOVEL Victor Sage 146 GOTHIC PARODY Darryl Jones 154 x Contents GOTHIC PHOTOGRAPHY Philip Stokes 155 GOTHIC REVIVAL Victor Sage 156 GOTHIC ROMANCE Ann. B. Tracy 169 GOTHIC SCIENCE FICTION David Seed 173 GRAPHIC NOVEL see GOTHIC GRAPHIC NOVEL AND COMICS 174 GRAVEYARD SCHOOL Steve Clark 174 THE GROTESQUE Neil Comwell 175 HERMETISM Thomas Willard 175 HERO-VILLAIN Helen Stoddart 176 HEROINE Avril Homer 180 HISTORICO-GOTHIC Mary Waldron 184 HORROR Fred Botting 184 ILLUMINATI NOVELS Pascal Nicklas 192 IMAGINATION Philip W. Martin 193 JACOBEAN TRAGEDY Charles Butler 197 THE LAMIA Philip W. Martin 198 LYCANTHROPY Tina Rath 198 MADNESS Helen Small 199 MAGICAL REALISM Amaryll Beatrice Ghanady 204 MONSTROSITY Fred Botting 204 NECROMANCY Carolyn D. Williams 205 NEW GOTHIC see CONTEMPORARY GOTHIC 206 NIGHTMARE Philip W. Martin 206 NORTHANGER NOVELS Mary Waldron 207 OCCULTISM Thomas Willard 208 ORIENTALISM Michael Franklin 211 PARANOID GOTHIC David Punter 214 PENNY DREADFULS R. A. Gilbert 215 THE PHANTOM Allan Lloyd Smith 216 POLITICO-GOTHIC Mary Waldron 217 Contents xi POPULAR HORROR FICTION Richard Kerridge 218 PORPHYRIA Tina Rath 218 POSTCOLONIAL GOTHIC Ken Gelder 219 ROMAN NOIR Terry Hale 220 ROMANTICISM Philip W. Martin 226 ROSICRUCIAN FICTION Marie Mulvey-Roberts 230 SADO-MASOCHISM Elisabeth Bronfen 231 SCHAUERROMAN Marie Mulvey-Roberts 232 SENSATION FICTION Sally Ledger 233 SENSIBILITY Janet Todd 233 SPIRITUALISM Sally Ledger 234 STURM UND DRANG Marie Mulvey-Roberts 235 THE SUBLIME Alison Milbank 235 THE SUPERNATURAL Clive Bloom TAX TERROR David Punter 243 TRANSGRESSION Avril Homer 249 THE UNCANNY see UNHEIMLICH 250 UNHEIMLICH (THE UNCANNY) Avril Homer 250 URBAN GOTHIC Alexandra Warwick 251 VAMPIRE William Hughes 252 WANDERING JEW Hans-Ulrich Mohr 257 WEREWOLF see LYCANTHROPY 259 WITCHES AND WITCHCRAFT Faye Ringel 259 WIZARDS Faye Ringel 261 ZERRISSENHEIT Christoph Houswitschka 263 Gothic Locations AFRICAN-AMERICAN GOTHIC Carol Margaret Davison 266 AMERICAN GOTHIC Allan Lloyd Smith .. 267 xii Contents ANGLO-CARIBBEAN GOTHIC Carol Margaret Davison 276 AUSTRALIAN GOTHIC Gerry Turcotte 177 COLONIAL GOTHIC Alexandra Warwick 287 ENGLISH-CANADIAN GOTHIC Gerry Turcotte 288 FRENETIQUE SCHOOL Terry Hale 191 GERMAN GOTHIC Hans-Ulrich Mohr 298 IRISH GOTHIC W. J. McCormack 303 JAPANESE GOTHIC Eimi Ozawa 305 POSTCOLONIAL GOTHIC Ken Gelder 306 ROMAN NOIR Terry Hale 307 RUSSIAN GOTHIC Neil Cornwell 313 SAN FRANCISCO GOTHIC William Veeder 318 SCOTTISH GOTHIC Douglas S. Mack 319 SOUTHERN GOTHIC A. Robert Lee 321 WELSH GOTHIC Sion Eirian 324 Selected Further Reading 325 Websites on the Gothic 333 Gothic Film — A Select Filmography 334 Ian Conrich Index 339.
Load more

Recommended publications
  • STEVE JACKSON GAMES Printed in the SJG00895 6538 USA TECHNOLOGY IS POWER
    TECHNOLOGY IS POWER. Power corrupts. Therefore absolute technology corrupts absolutely. It is an Age of Revolution; the world has been cruelly purged . in fire, and blood, and steam. From the past, untold horrors wait to clutch at men’s souls. TM It is an Age of Invention; even the Laws of Nature must fall before the power of Progress! Sinister villains plot to use their newfound inventions against society, nature, and even God Himself! GURPS Basic Set, Third Edition It is an Age of Steam; the most brilliant minds of the age Revised and GURPS Compendium I: Character Creation are required to experiment with novel, wondrous ideas – but is mankind use this supplement in a GURPS ready forfor such power? campaign. The historical and technological material and the GURPS Screampunk presents a toolkittoolkit forfor incorporatingincorporating campaign seeds can be used with VictorianVictorian steampunk into games of gothic horror. any rules system. Included are: THE UNCLEAN: • A guide to gothic horror themes, locations, and plots, with Written by suggestionssuggestions on howhow toto add a doom-laden atmosphere to JO RAMSAY your games. Edited by • The use of wweirdeird technology as a corrupting influence. LAURA WATERS, • Real-world Victorian scientific institutions – and the mobs • Real-world Victorian scientific institutions – and the mobs ALAIN H. DAWSON, that opposed them. AND ANDREW HACKARD • CharactCharacterer ararchetypeschetypes including the cruel guardian, the sinister Cover by serservant,vant, the ingenue, and the swarthy foreigner. TOM FOWLER • Adventure seeds, plot hooks, and guidance for running gothic horrorhorror scenarios.scenarios. Illustrated by TOM BIONDOLILLO The ominous shadows of the past loom over the present.
    [Show full text]
  • The Evolution of the Vampire Figure in English and American Literature As Social and Economic Symbol of Contemporary Western Masculine Identity”
    DOCTORAL THESIS 2015 “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate UNED Department of Foreign Philologies and their Linguistics Philology Faculty Thesis Director: Dr. Antonio Andrés Ballesteros González Department of Foreign Philologies and their Linguistics Philology Faculty “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate Thesis Director: Dr. Antonio Andrés Ballesteros González Acknowledgements I would like to express my deepest gratitude and respect, first and foremost, to my thesis director, Dr. Antonio Andrés Ballesteros, whose careful and wise guidance, counselling, and patience have shown me the necessary tools when tackling such research endeavour. Alongside his academical guidance, his passion must be addressed regarding vampires as creatures of the human mind with literary and/or anthopological significance, for that is what the ultimate target of this research thesis is, beyond its academical value and significance; to give account of a myth rooted deep in the human soul. Without any of the mentioned here would this thesis be the same. Equal gratefulness is deserved by my friend beyond appreciation, Dr. Rodrigo Carcedo, whose guidance was paramount when addressing whatever aspect regarding vampire psychology. Besides a great psychologist and scholar, he bears a especial place in my heart. True example of friendship. My deepest gratefulness to Itziar Mujika as well, amazing and challenging student of mine, true friend, and superb journalist and researcher into women’s role in peaceful resolutions of war conflicts.
    [Show full text]
  • The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
    The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed.
    [Show full text]
  • NVS 12-1-13-Announcements-Page;
    Announcements: CFPs, conference notices, & current & forthcoming projects and publications of interest to neo-Victorian scholars (compiled by the NVS Assistant Editors) ***** CFPs: Journals, Special Issues & Collections (Entries that are only listed, without full details, were highlighted in a previous issue of NVS. Entries are listed in order of abstract/submission deadlines.) Penny Dreadfuls and the Gothic Edited Collection Abstracts due: 18 December 2020 Articles due: 30 April 2021 Famed for their scandalous content and supposed pernicious influence on a young readership, it is little wonder why the Victorian penny dreadful was derided by critics and, in many cases, censored or banned. These serialised texts, published between the 1830s until their eventual decline in the 1860s, were enormously popular, particularly with working-class readers. Neglecting these texts from Gothic literary criticism creates a vacuum of working-class Gothic texts which have, in many cases, cultural, literary and socio-political significance. This collection aims to redress this imbalance and critically assess these crucial works of literature. While some of these penny texts (i.e. String of Pearls, Mysteries of London, and Varney the Vampyre to name a few) are popularised and affiliated with the Gothic genre, many penny bloods and dreadfuls are obscured by these more notable texts. As well as these traditional pennys produced by such prolific authors as James Malcolm Rymer, Thomas Peckett Press, and George William MacArthur Reynolds, the objective of this collection is to bring the lesser-researched, and forgotten, texts from neglected authors into scholarly conversation with the Gothic tradition and their mainstream relations. This call for papers requests essays that explore these ephemeral and obscure texts in relevance to the Gothic mode and genre.
    [Show full text]
  • Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic.
    [Show full text]
  • Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly.
    [Show full text]
  • Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
    1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director.
    [Show full text]
  • Towards a Definition of Modern Gothic
    Making monsters: Gothic Processes and Metaphors in Contemporary Art Lecture Gilda Williams 28 Oct 2009, University of Westminster 1. Endless varieties of Gothic ‘There is a lot of second-rate work these days that illustrates Goth motifs, wearing gloom on its sleeves with big winks for everyone.’ – Ralph Rugoff, frieze, 20041 a dark strain of contemporary art gothic-themed exhibitions 2 and publications3 in the US and the UK, and a March 2009 auction at Sotheby’s, 1) spooky motifs such as skulls, bones, tombstones, shrouds, devils; 13) references to horror film; atmospheric, often elaborate interiors suggestive of a haunted house; 16) knights; castles; pointed arches, stained glass and other medieval or Shakespearean motifs; 2) Goth subculture; 3) adolescence, often evoked in labour-intensive, obsessive and overwrought (‘psychedelic’) drawings; 4) monstrous combinations of human and animal forms, or the organic and the inorganic, in ‘Frankenstinian’ creations; 5) mirrors, masks and doubles; 6) references to 19th century gothic novelists, particularly Edgar Allan Poe; 7) evocations of death, decay and nostalgia; 8) blood; matted hair; dissections; amputations and prosthetics; 9) exotic settings and details, tending towards a Victorian, Egyptian or Orientalist flavour; 10) erotica obliquely suggestive of sado-masochism, often in illustration and cartoon; 11) demonic children and children/doll/animal hybrids; 12) demonic animals, particularly bats, leopards, rats; flies and insects, sometimes dead or dying; 14) texts in gothic typeface; 15) ruins; desolate or dream landscapes; phantom cities; 17) shadowy or clouded images and projections; night scenes; 18) a predominance of the colour black from medieval architecture to 18th-19th century literarature, from mid-20th century B-films to late 20th century goth subcultural style 2.
    [Show full text]
  • Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected]
    FOR IMMEDIATE RELEASE CONTACT: Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected] www.playwrightsfoundation.org TOP BAY AREA ACTORS, DIRECTORS AND DRAMATURGS TAPPED FOR 2011 BAY AREA PLAYWRIGHTS FESTIVAL TheatreWorks’ Meredith McDonough, Marin Theatre Company’s Ryan Rilette & Bay Area Actors, Naomi Newman, Nicol Foster and Dan Hiatt Among the Artists Supporting our Playwrights in Annual New Play Festival SAN FRANCISCO – The 34th annual Bay Area Playwrights Festival (BAPF) has completed assembly of its artistic teams and is sure to continue its tradition of producing exciting, innovative theatrical experiences. The Festival lineup includes seven new plays in the making – allowing audiences to witness the creative process as it unfolds – and partake in a rich diversity of voices and topics, ranging from the challenges of welcoming home an Iraqi war veteran to Australian racial identity to life and death on the streets of Oakland. With exceptional directors orchestrating a cast of top Bay Area actors who bring their keen artistic sensibilities to each piece and talented dramaturgs helping the writers further shape their work (a dramaturg’s function is similar to that of a book editor), each play has been carefully staffed to provide playwrights and audiences with an amazing experience in new play development. As in years past, the Festival has attracted some of the most exciting up-and-coming directing talent who are eager to tackle the exciting new work brought by the emerging playwrights. Dan Dietz’s Home Below Zero will be directed by Meredith McDonough, who, despite being a relative newcomer to Bay Area theater, has made a significant mark since her arrival in 2009.
    [Show full text]
  • Vampires Do(N't) Exist: Using Past and Present Technologies to Make Dracula Real
    Journal of Dracula Studies Volume 13 Article 1 2011 Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Holly J. McBee Dickinson State University, North Dakota Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation McBee, Holly J. (2011) "Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real," Journal of Dracula Studies: Vol. 13 , Article 1. Available at: https://research.library.kutztown.edu/dracula-studies/vol13/iss1/1 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Cover Page Footnote Dr. Holly J. McBee received her Ph.D. from Purdue University in 2007 and is currently an assistant professor at Dickinson State University in North Dakota. She teaches a range of composition and literature classes and continues her research in eighteenth- and nineteenth-century British literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol13/ iss1/1 Vampires Do(n’t) Exist: Using Past and Present Technologies to Make Dracula Real Holly J. McBee [Dr. Holly J. McBee received her Ph.D. from Purdue University in 2007 and is currently an assistant professor at Dickinson State University in North Dakota.
    [Show full text]
  • The Grotesque of the Gothic: from Poe to the Present
    Phillips 1 The Grotesque of the Gothic: From Poe to the Present A Four-Week Instructional Unit Plan designed by Amy Dyster Phillips ELAN 7408 Dr. Smagorinsky University of Georgia Fall, 2007 The Grotesque of the Gothic Phillips 2 Amy Phillips Dr. Smagorinsky ELAN 7408 Unit Rationale: The Grotesque of the Gothic: From Poe to the Present “Gothic” or “Goth” is a term still used today, but where did it come from? What does Gothic really mean? Why does dressing “Goth” imply wearing all or mostly black? And why are spooky images associated with both? Edgar Allen Poe had a lot to do with this. The Gothic genre, though having originated in England, was brought to America by Poe and the literary culture as we then knew it was transformed. This four-week unit is designed to outline for students the historical background of the Gothic, including biographical information on Poe’s life. Students will examine and analyze how the Gothic has changed from Poe’s time until now, and wrestle with questions such as “what is attractive about the emotional experience of fear”? In other words, “why do you enjoy scary movies?” Gothic (or gothick), a term originally used to describe that which was barbaric or barbarian, comes from the word Goth, the name of the Germanic tribes who destroyed Rome and wreaked havoc on the rest of Europe in the third through fifth centuries. Later, because of the architecture that flourished in Europe during the Middle Ages known for its non-classical style, the term Gothic came to take on other meanings, synonymous with Middle Ages and medieval.
    [Show full text]
  • Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
    Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story.
    [Show full text]