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Cocobolo Samuel J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Yale University Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale Yale School of Forestry & Environmental Studies School of Forestry and Environmental Studies Bulletin Series 1923 Cocobolo Samuel J. Record George A. Garratt Follow this and additional works at: https://elischolar.library.yale.edu/yale_fes_bulletin Part of the Forest Biology Commons, Forest Management Commons, and the Wood Science and Pulp, Paper Technology Commons Recommended Citation Record, Samuel J., and George A. Garratt. 1923. ocC obolo. Yale School of Forestry Bulletin 8. 42 pp. + plates This Book is brought to you for free and open access by the School of Forestry and Environmental Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale School of Forestry & Environmental Studies Bulletin Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. A Note to Readers 2012 This volume is part of a Bulletin Series inaugurated by the Yale School of Forestry & Environmental Studies in 1912. The Series contains important original scholarly and applied work by the School’s faculty, graduate students, alumni, and distinguished collaborators, and covers a broad range of topics. Bulletins 1-97 were published as bound print-only documents between 1912 and 1994. Starting with Bulletin 98 in 1995, the School began publishing volumes digitally and expanded them into a Publication Series that includes working papers, books, and reports as well as Bulletins. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Stay Sharp B Ill Carroll
r 72 gt a hadl o kif akig ad stay sharp y ill carroll Knife making has become a popular endeavor for woodworkers of all skill levels. This beginner’s guide will get you started. { no. 59 } rom cutting and marking in the Fshop, to hunting and camping, to preparing a simple meal, a good knife is indispensable. Mass-produced knives gt a hadl o kif akig ad can be found for every budget and use. But custom knives, which are often far more attractive, tend to get expensive very quickly. stay sharp Of course, the ultimate custom 1 2 knife would include a hand-forged and hand-sharpened blade. If you’re not up for the expense and dirty work of such an endeavor, you can still experience the pride of a well-crafted and functional addition to your tool collection. All you need is a knife kit. It’s all in there 3 4 A knife kit consists of a prefabricated blade and pins, which allows the maker to select handle materials, assemble Select wood for your scales and the knife, and shape and polish it to determine which sides will face away perfection. It requires minimal tools, from the handle portion of the knife good attention to aesthetic detail and blank, or the “tang.” Using the blank, a few hours of shop time. Once you’ve trace the shape of the tang onto each gained some knife-making experience, scale (Fig. 3). Make sure to trace the there are hundreds of types of knives tang in the proper orientation to keep (and swords, and spears) available as the best woodgrain on the visible 5 kits from a number of sources. -
10-Inch Drum Sander
10-INCH DRUM SANDER For replacement parts visit Model # 65910 WENPRODUCTS.COM bit.ly/wenvideo IMPORTANT: Your new tool has been engineered and manufactured to WEN’s highest standards for dependability, ease of operation, and operator safety. When properly cared for, this product will supply you years of rugged, trouble-free performance. Pay close attention to the rules for safe operation, warnings, and cautions. If you use your tool properly and for its intended purpose, you will enjoy years of safe, reliable service. NEED HELP? CONTACT US! Have product questions? Need technical support? Please feel free to contact us at: 800-232-1195 (M-F 8AM-5PM CST) [email protected] WENPRODUCTS.COM NOTICE: Please refer to wenproducts.com for the most up-to-date instruction manual. TABLE OF CONTENTS Technical Data 2 Safety Introduction 3 General Safety Rules 4 Electrical Information 6 Specific Rules for Drum Sanders 7 Know Your Drum Sander 8 Unpacking 9 Assembly 10 Preparation 14 Operation 18 Adjustments 19 Maintenance 22 Troubleshooting 24 Exploded View and Parts List 26 Warranty Statement 30 TECHNICAL DATA Model Number: 65910 Motor: 120V, 60Hz, 10.5A Drum Speed: 1440 RPM Sandpaper Speed: 2300 FPM Conveyor Feed Speed: 0 to 10 FPM Maximum Workpiece Width: 9-1/2 in. (240mm) Minimum Workpiece Width: 3/4 in. (19mm) Maximum Workpiece Height: 3 in. (75mm) Minimum Workpiece Height: 1/4 in. (6mm) Minimum Workpiece Length 4-3/4 in. (120mm) Sandpaper Width: 3 in. Sandpaper Length: 62-1/2 in. Sanding Drum Size: 5-1/8 x 10 in. (132 x 255mm) Dust Port Diameter: 3.9 in. -
Panama’S Illegal Rosewood Logging Boom from Dalbergia Retusa
Global Ecology and Conservation 23 (2020) e01098 Contents lists available at ScienceDirect Global Ecology and Conservation journal homepage: http://www.elsevier.com/locate/gecco Original Research Article Panama’s illegal rosewood logging boom from Dalbergia retusa * Ella Vardeman a, b, d, , Julie Velasquez Runk a, c a University of Georgia, Athens, GA, 30602, USA b City University of New York, Graduate Center, 365 5th Ave, New York, NY, 10016, USA c Smithsonian Tropical Research Institute, Balboa, Panama d The New York Botanical Garden (NYBG), Institute of Economic Botany, 2900 Southern Boulevard, Bronx, NY 10458, USA article info abstract Article history: Over the last decade, illegal rosewood logging has surged worldwide, with much attrib- Received 9 December 2019 utable to an uptick in Chinese demand. For the last seventy-five years, Panama’s main use Received in revised form 30 April 2020 of cocobolo rosewood (Dalbergia retusa) was in small pieces for artisanal carvings, its state Accepted 30 April 2020 of conservation favoring merchantable timber for recent exploitation with the surging market. Panama’s cocobolo rosewood boom was from 2011 to 2015 and, given regulations, Keywords: was largely illicit. However, no data on cocobolo logging have been made public. Here, we Dalbergia retusa assess Panama’s cocobolo logging. We used a media analysis of Panamanian and inter- Panama Media analysis national reports on cocobolo logging from January 2000 to February 2018 coupled with Illegal logging long-term socio-environmental research to show how logging changed during the boom. We conducted a content analysis of articles to address four specific objectives: 1) to assess how cocobolo logging intensity changed over time; 2) to determine what topics related to logging were important for the press to relay to the public; 3) to show how logging changed geographically as the boom progressed; 4) to demonstrate how Panama and the international community responded to the global boom with new policies on rosewood governance. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Marine-Brochure-Jan-2021-Web.Pdf
® LONMARINE® WOOD LONMARINE® WOOD is Lonseal’s high-performance, slip-resistant marine safety flooring that has been specifically manufactured to comply with IMO/MED specifications for international markets and is USCG approved. FEATURES (data shown is nominal): MW3473 MW3475 MW370 MW371 MW373 Roll Width: 6 ft. (1.8 m) Mahogany Solid Teak Teak & Holly Maple & Teak Mahogany & Holly Roll Length: 60 ft. (18.3 m) Overall Thickness: 0.080 in. (2.0 mm) Wear Layer Thickness: 0.020 in. (0.5 mm) Weight: 0.7 lbs./sq. ft. (3.4 kg/m²) EU REACH COMPLIANT FORMULATION: Phthalate free, SVHC free MEETS FMVS 302: Flammability of Interior Materials MW375 MW377 MW378 MW379 MW380 Teak & Ebony Walnut & Holly Teak & Ivory Antique & Ivory Weathered Teak & Ebony LONMARINE® STONE LONMARINE® STONE consists of a lightly dappled palette of neutral and gray tones that makes it a perfect fit for the interior spaces of both pleasure boats and hard-working industrial craft. The elegant marbleized pattern helps mask routine scuffing that can occur with heavy foot traffic. FEATURES (data shown is nominal): MS10 MS11 MS12 Roll Width: 6 ft. (1.8 m) Dorato Grigio Mare Roll Length: 60 ft. (18.3 m) Overall Thickness: 0.080 in. (2.0 mm) Wear Layer Thickness: 0.020 in. (0.5 mm) Weight: 0.7 lbs./sq. ft. (3.3 kg/m²) EU REACH COMPLIANT FORMULATION: Phthalate free, SVHC free MEETS FMVS 302: Flammability of Interior Materials MS13 MS14 MS15 Noce Carbone Russo Printing limitations may not represent the true color of the product. If color match is critical, please request a sample at 800.832.7111 or 310.830.7111. -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Malagasy Precious Hardwoods Scientific and Technical Assessment to Meet CITES Objectives
Malagasy Precious Hardwoods Scientific and technical assessment to meet CITES objectives World Resources Institute 8 July 2016 Photo credit: Annah Peterson Agenda • Introduction on precious hardwoods: Rosewood and Ebony • Summary of the history and CITES Action Plan • Objectives of this assessment • Results • Recommendations • Conclusions • Discussion Back to School: Botany 101 Coconut Palm, Cocos nucifera How do you know? Leaves Habitat Fruits Trunk Coconut Palm, Cocos nucifera Which photo is Cocos nucifera? A) B) C) D) Cocos nucifera Vetchia arecina Ravenala madagascariensis Washingtonia robusta Photos: Catalogues des plantes vasculaires de Madagascar, TROPICOS Which photo is Dalbergia? A) B) C) D) Tectona grandis Dalbergia emirnensis Canarium madagascariensis Tambourissa sp. indet. Photos: Catalogues des plantes vasculaires de Madagascar, TROPICOS Malagasy Precious Woods Rosewood and Pallisander (Dalbergia spp.) Ebony (Diospyros spp.) Photos: The Guardian, Dec 23, 2013; An Introduction To Wood Species, Part 9: Ebony, Sept 11, 2013 Dalbergia and Diospyros Brazilian rosewoord, Dalbergia nigra Persimmon (kaki), Diospyros kaki Photos: Globaltrees.org; Global Survey of ex-situ ebony collections, BGCI Dalbergia and Diospyros Source: Discover Life, Global Mapper Brief History Precious Woods Industry in Madagascar • 1900’s: First documentation of the export of Malagasy rosewood • 1975: Law prohibiting the export of rosewood logs • 1991: Madagascar National Environmental Action Plan • 2000 and 2006: A moratorium on the export of rosewood and -
Owners Manual
Owner’s Manual & Warranty This superb instrument has been handcrafted by the artisans of Benedetto Guitars from only the fnest materials. Made under the direction of Bob Benedetto to the highest standards of excellence, this guitar is truly a work of art, created to express the soul of the player. Final inspection and approval remains the personal responsibility and joy of Bob Benedetto. Contents 4 Introduction 5 The Art of Robert Benedetto 6 Moisture Content & Humidity 8 Cracks in the Wood 8 A Note About Lacquer Finishes 11 General Maintenance 12 Tuning Machines 12 Changing Strings 13 Re-Stringing 14 Truss Rod Adjustment 16 Bridge Adjustment 19 Traveling with Your Guitar 19 Servicing Your Guitar 20 Benedetto® Lifetime Warranty Introduction Congratulations on purchasing the fnest jazz guitar available anywhere in the world. We sincerely hope that you are inspired to attain new musical heights on your Benedetto guitar. It is very important that you take a few moments to review this information. Guitars are not all alike and there are care and maintenance issues you may fnd are specifc to our guitars. Please contact us if you have any questions after reading this booklet. For specifcations of Benedetto instruments, visit benedettoguitars.com. Thank you again for purchasing a Benedetto guitar. We wish you many years of musical enjoyment. Howard Paul, President/CEO Benedetto Guitars, Inc. The Signature of Jazz Guitar™ 4 The Art of Robert Benedetto A fnely crafted guitar is the union of many things: music, design, art, sculp- ture and architecture. The Benedetto guitar represents the pinnacle of this union as now, more than ever, the archtop guitar is in a golden age of popu- larity and artistic achievement. -
Dry Kiln Operator's Manual
United States Department of Agriculture Dry Kiln Forest Service Operator's Forest Products Laboratory Manual Madison, Wisconsin Agriculture Handbook No. 188 Dry Kiln Operator’s Manual Edited by William T. Simpson, Research Forest Products Technologist United States Department of Agriculture Forest Service Forest Products Laboratory 1 Madison, Wisconsin Revised August 1991 Agriculture Handbook 188 1The Forest Products Laboratory is maintained in cooperation with the University of Wisconsin. This publication reports research involving pesticides. It does not contain recommendations for their use, nor does it imply that the uses discussed here have been registered. All uses of pesticides must be registered by appropriate State and/or Federal agencies before they can be recommended. CAUTION, Pesticides can be injurious to humans, domestic animals, desirable plants, and fish or other wildlife-if they are not handled or applied properly. Use all pesticides selectively and carefully. Follow recommended practices for the disposal of surplus pesticides aand pesticide containers. Preface Acknowledgments The purpose of this manual is to describe both the ba- Many people helped in the revision. We visited many sic and practical aspects of kiln drying lumber. The mills to make sure we understood current and develop- manual is intended for several types of audiences. ing kiln-drying technology as practiced in industry, and First and foremost, it is a practical guide for the kiln we thank all the people who allowed us to visit. Pro- operator-a reference manual to turn to when questions fessor John L. Hill of the University of New Hampshire arise. It is also intended for mill managers, so that they provided the background for the section of chapter 6 can see the importance and complexity of lumber dry- on the statistical basis for kiln samples. -
Gibson Acoustic Serialization Taken from the 11
Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory.