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10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
Download the Creative Industries Strategy
Creative Industries Strategy An industry-led Strategy produced by the Department for Innovation and Skills, in collaboration with Department for Trade and Investment and various industry representatives. 2020 GROWTH STATE Spider-Man: Far From Home - Visual effects by Rising Sun Pictures. © & TM 2019 MARVEL. © 2019 CTMG. All Rights Reserved. Credit: Rising Sun Pictures. The Department for Innovation and Skills acknowledges Aboriginal people as the state’s first peoples and Nations of South Australia. We recognise and respect their cultural connections as the traditional owners and occupants of the land and waters of South Australia, and that they have and continue to maintain a unique and irreplaceable contribution to the state. Ngarrindjeri designer Jordan Lovegrove at Ochre Dawn. Credit: Ochre Dawn Creative Industries. CREATIVE INDUSTRIES Strategy Table of Contents Message from the Minister 4 Message from the Creative Industries Ministerial Advisory Group 5 Section 1: Background 6 Executive summary 6 Growth State 6 The Creative Industries Strategy 7 What are the creative industries? 9 Advertising and Communication Design 11 Broadcasting: TV, Radio and Podcasts 11 Design 12 Design – Urban, Architecture, Interior and Landscape 12 Design – Industrial and Product 13 Fashion 14 Festivals (Creative and Cultural) 15 Music 18 Performing Arts 21 Visual Arts and Craft 21 Screen 22 Screen – TV and Film Production 23 Screen – Post Production, Digital and Visual Effects (PDV) 24 Screen - Game Development 25 Writing and Publishing 26 Technology and -
Age Appropriate? Sundance’S Women Filmmakers Come Next
Swarthmore College Works Film & Media Studies Faculty Works Film & Media Studies Winter 2013 Age Appropriate? Sundance’s Women Filmmakers Come Next Patricia White Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-film-media Part of the Film and Media Studies Commons Recommended Citation Patricia White. (2013). "Age Appropriate? Sundance’s Women Filmmakers Come Next". Film Quarterly. Volume 67, Issue 2. 80-84. DOI: 10.1525/fq.2014.67.2.80 https://works.swarthmore.edu/fac-film-media/51 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Film & Media Studies Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Age Appropriate? Sundance’s Women Filmmakers Come Next Patricia White When Desiree´ Akhavan took the stage for the premiere of with terms like ‘‘secretarial pools’’ and ‘‘coeds’’, has come her film Appropriate Behavior in the Sundance Film Festi- back to brand the artistic self-examination of the Title IX val’s ‘‘Next’’ section, she remarked that while many young generation. women fantasize about their wedding day, her lifelong One reason of course is that ‘‘girls’’ can be sexy. This dream was to screen a feature film at Sundance. ‘‘Welcome year’s ‘‘Next’’ section proved to be so as well. Appropriate to my wedding!’’ the first-time filmmaker greeted the Behavior is one of three raunchy comedies about under- crowd. Her marriage detour resonated in part because she employed young women in New York featured in the identifies as bisexual and was speaking in Utah, where just section for (low-budget) digital filmmaking and innovative a few months before, the right of same-sex couples to marry storytelling. -
New Feature from Scott Hicks Leads the Best of Australian Film at Adelaide Film Festival 2015 Highlights Announced Today
Wednesday August 12, 2015 NEW FEATURE FROM SCOTT HICKS LEADS THE BEST OF AUSTRALIAN FILM AT ADELAIDE FILM FESTIVAL 2015 HIGHLIGHTS ANNOUNCED TODAY A premiere feature documentary from Academy Award-winning director Scott Hicks, a new Australian film starring Anthony LaPaglia, Justine Clarke and John Clarke, directorial feature debuts from Bangarra Dance Theatre’s Stephen Page and Windmill Theatre Company’s Rosemary Myers and the red carpet screening of Jocelyn Moorhouse’s anticipated Australian film The Dressmaker are just some of the highlights that will feature at this year’s Adelaide Film Festival. Festival Creative Director Amanda Duthie today announced key highlights, ahead of the full program reveal next month and was thrilled to announce that Hicks’ documentary Highly Strung will have its world premiere and open the Festival, when it returns to Adelaide October 15-25. Highly Strung will screen at Her Majesty’s Theatre with a red carpet event, with Hicks in attendance. It joins the Adelaide-made dramedy feature A Month of Sundays, starring LaPaglia and directed by Matt Saville; Spear, a new work from Bangarra’s Stephen Page; Girl Asleep, filmed in Adelaide from director Rosemary Myers and featuring rising star Tilda Cobham-Hervey; and the Sundance Film Festival hit, Sam Klemke’s Time Machine, from Adelaide director Matthew Bate. Ms Duthie was also pleased to announce the Adelaide Film Festival red carpet screening of The Dressmaker, from director Jocelyn Moorhouse, and starring Kate Winslet, Judy Davis, Liam Hemsworth and Adelaide’s Sarah Snook – on October 16, at Her Majesty’s Theatre. Ticketing is now open for all titles released today. -
Fingadelaide Flyer.Pdf (Format PDF / 2 MB )
F*!#ing Adelaide An intimate, blackly comic riff on the messed up glory of returning to the family home AN INTIMATE, BLACKLY COMIC RIFF ON THE MESSED UP GLORY OF RETURNING TO THE FAMILY HOME HD 6 x 15’ Closer Productions Premiering at the Adelaide Film Festival and Series Mania France and starring Tilda Cobham-Hervey (Hotel Mumbai, I am Woman), F*!#ing Adelaide is a darkly comedic look at the theatrical, obsessive, self-centred, delightful people who make up the Wallace-Donaldson family – and the city they call home. Adelaide is a place Eli (Brendan Maclean, The Great Gatsby) said he’d only return to for Christmases and funerals. But now, at 28, Eli is not the success his older sister promised he would be. His autotuned show at a Sydney pub draws crowds he can count on one hand and his ex-boyfriend has kicked him out of the apartment because he owes him three month’s rent. So, when his mother Maude (Pamela Rabe, Wentworth) asks him back to help clean up their family home, a defeated Eli finds himself on a plane back to Adelaide, hoping to score a bed to sleep in. Unfortunately for Eli, the house is full to the brim as his big sister has returned with her family. When mum reveals to all that she’s selling their home, the family is shocked, confused, and demanding answers – but poor, exhausted Eli is still stuck on the couch. Featuring an outstanding cast, including AACTA Award nominee Kate Box (Rake), Beau Travis-Williams (Angry Boys) and Audrey Mason-Hyde (52 Tuesdays). -
PETER and RAYMOND QUIZ (Answers Below)
r Technical informa unning time: 85 mins | SYNOPSIS LONGER SYNOPSIS When two friends he most important audio recording released tape-recorded the in the nineties wasn’t a collection of songs fights of their by a self-tortured alternative star. The most violently noisy important recording released in the grunge neighbours, era was entitled SHUT UP LITTLE MAN! It was T ion they accidentally a covert audio recording of two older drunken f created one of the men living in a small flat in San Francisco, ormat: world’s first ‘viral’ who spent their available free time yelling, pop-culture screaming, hitting and generally abusing sensations. each other. h D Exploring the blurred | boundaries between he phenomenon began in 1987 when Eddie r privacy, art and Mitch (two young punks from the Mid atio: 1.78 and exploitation, West), moved next door to Peter Haskett Shut Up Little Man! (a flamboyant gay man), and Raymond Huffman An Audio (a raging homophobe). This ultimate odd- Misadventure couple hated each other with raging abandon, | is a darkly hilarious and through the paper-thin walls their Sound: Dolby Digital Stereo FILMLAB presents modern fable. alcohol-fuelled rants terrorised Eddie and a CLOSER production Mitch. Fearing for their lives they began to in association with the SOUTH AUSTRALIAN FILM CORPORATION tape record evidence of the insane goings and ADELAIDE FILM FESTIVAL on from next door. AUSTRALIA/NZ SALES TECHNICAL n recording Pete and Ray’s unique NICK BATZIAS [email protected] INFORmatION dialogue, the boys accidentally created one of the world’s first ‘viral’pop-culture US SALES Running time: 90 mins sensations. -
Media Release
Historic Australian contingent at Sundance 2019 Thursday 29 November 2018: Six Australian feature films will screen at the Sundance Film Festival, surpassing the record set in 1997 of five features. Animals, I Am Mother, Judy and Punch, Little Monsters and Top End Wedding will all make their World Premieres at the Utah-based festival. The Nightingale will make its North American Premiere, after taking home the Special Jury Prize at this year’s Venice Film Festival. Sundance has a history of launching Australian works that go on to be hits including Animal Kingdom in 2010 (World Cinema Jury Prize), Wolf Creek in 2005, Shine in 1996 and more recently documentary Casting JonBenet (2017) and FX television series Mr Inbetween (2018). The festival is particularly important for introducing Australian creatives to the US market. “The six films selected by Sundance display the array of stories Australians now tell, and the demand for our screen content internationally,” said Screen Australia CEO Graeme Mason. “From quintessentially Australian tales Top End Wedding and The Nightingale, to Australian takes on sci-fi and dark comedy I Am Mother and Little Monsters, to international stories Animals and Judy and Punch - this is an incredible slate of premieres.” “The fact that all the films revolve around central female characters, and half of the films are directed by women, is a milestone for the Australian industry. Change is coming – slowly, but surely.” Starring Mia Wasikowska and Damon Herriman, Judy and Punch will compete in World Cinema Dramatic. MEDIARELEASE Director Mirrah Foulkes said of the selection, “I am so happy that Judy and Punch will have its world premiere at Sundance in 2019. -
Stunt Love Press Book
Presented by South Australian Film Corporation, Adelaide Film Festival and Closer Productions Sales Contact Closer Productions Writer and Director Matthew Bate Producer Caroline Man Executive Producer Sophie Hyde Editor Karryn De Cinque Motion Graphics Raynor Pettge Original Music Benjamin Speed Sound Production Pete Best Scott Illingworth Cinematographer Nick Matthews USA Cinematographer Bryan Mason Executive Consultant John McGowan Documentary inspired by the book J.P. McGowan: Biography of a Hollywood Pioneer by John J. McGowan A Closer production www.closerproductions.com.au © Closer Productions Pty Ltd, South Australian Film Corporation and Adelaide Film Festival 2 Synopsis The story of Australia’s J.P ‘Jack’ McGowan plays like a Hollywood script. An epic romance set against the birth of cinema featuring high adventure, war, fame and great love won and lost. J.P was one of Hollywood’s first stunt directors, who with his wife and on-screen daredevil Helen Holmes, paved the way for the action-adventure blockbusters we know today. Long before ‘Brangelina’ it was Jack and Helen who ruled Hollywood’s silver screens. Longer Synopsis The story of Australia’s J.P ‘Jack’ McGowan plays like a Hollywood script. An epic romance set against the birth of cinema featuring high adventure, war, fame and great love won and lost. J.P was one of Hollywood’s first stunt directors, who with his wife and on-screen daredevil Helen Holmes, paved the way for the action-adventure blockbusters we know today. Long before ‘Brangelina’ it was Jack and Helen who ruled Hollywood’s silver screens. Jack McGowan was born in the small railway town of Terowie in South Australia. -
ASSEMBLAGE Centre for Creative Arts ASSEMBLAGE ASSEMBLAGE ASSEMBLAGE
ASSEMBLAGE Centre for Creative Arts ASSEMBLAGE ASSEMBLAGE ASSEMBLAGE ASSEMBLAGE IS FLINDERS UNIVERSITY’S RESEARCH CENTRE FOR ARTISTIC ENQUIRY AND ART CREATION. It is the meeting point of art and science, health, technology, engineering, industry and community. We embrace new technologies and ambitious collaborations to dissolve perceived barriers between artforms, disciplines and areas of research to uncover boundless possibilities. We foster a new creative ecosystem where unanticipated interactions and artistic invention are transforming perceptions and experiences of creativity. Through artistic alliances, we are imagining ingenious solutions to challenges facing the arts, industry, the environment and our communities in Australia and around the world. ASSEMBLAGE ASSEMBLAGE DIRECTOR WE ARE CREATIVITY DEPUTY DIRECTOR DEPUTY RESEARCH LEADER RESEARCH DEAN OF RESEARCH DEAN OF Professor Dr Tully Barnett Professor Associate Professor ASSEMBLAGE Garry Stewart Penny Edmonds William Peterson As a society we face complex issues on multiple fronts and the arts play a crucial role in helping us understand and navigate our way through them. Assemblage is a place that facilitates innovative research in the Creative and Performing Arts, BUSINESS BUSINESS maximising the reach, impact and engagement of this exploration. RESEARCH Artists take concepts, data, philosophies and experience, & CREATIVE SECTION HEAD metamorphosing them into transformative encounters that SECTION HEAD radically alter our perception and understanding of the world PERFORMING ARTS -
Annual Report 2013/14
Annual Report 2013/14 South Australian Film Corporation Adelaide Studios 226 Fullarton Road Glenside SA 5065 P: +61 8 8394 2000 | E: [email protected] www.safilm.com.au ABN: 3972 086 5208 ISBN: 978-0-9924100-1-8 CONTENTS 1. OVERVIEW OF ACHIEVEMENTS 1.1 CHAIRMAN’S REPORT ....................................................................................................................... 3 1.2 CHIEF EXECUTIVE OFFICER'S REPORT ......................................................................................... 5 2. CORPORATE GOVERNANCE 2.1 BOARD OF DIRECTORS ..................................................................................................................... 8 2.2 BOARD COMMITTEES ..................................................................................................................... 11 2.3 ORGANISATIONAL CHART ............................................................................................................ 13 2.4 RECONCILIATION STATEMENT .................................................................................................... 14 3. PLANS AND OBJECTIVES 3.1 PURPOSE, MISSION AND VALUES ................................................................................................ 15 3.2 STRATEGIC DRIVERS AND OPERATIONAL DIRECTIVES ........................................................ 16 4. OPERATIONS AND INITIATIVES 4.1 INDUSTRY DEVELOPMENT & PRODUCTION ............................................................................. 17 4.2 STUDIO & PRODUCTION SERVICES ............................................................................................ -
Flickerlab 2020 Full Programme Here
FlickerLab 2020 A ONE-DAY JOURNEY FROM SHORTS TO FEATURES PRESENTED BY SAE CREATIVE MEDIA INSTITUTE Friday 17th January 10am – 5pm SESSION 1: FROM IDEA TO PAGE 10.00am – 11.30am Everyone will tell you a good script is an essential ingredient for any good film. Our panel of experienced screenwriters will discuss turning a good idea into a good script, looking in detail at development, collaboration and script editing. They will share their insights about their own transitions from independent shorts to lauded feature films. Discussions will also include observations about writing for some of television’s most successful and acclaimed dramas. This valuable session is a must for all budding screenwriters and filmmakers looking to develop and write scripts. WRITER’S PANEL moderated by BOBBY ROMIA (Create NSW) with Andrew Knight and Imogen McCluskey. ANDREW KNIGHT A recipient of the ACCTA Longford Lyell Award, Andrew recently co-wrote Ride Like A Girl with Elise McCredie. He won an AACTA Best Screenplay award with Robert Schenkkan, for Hacksaw Ridge, co-wrote AWGIE-Award nominated Ali’s Wedding with Osamah Sami, and AWGIE Award winning The Water Diviner with Andrew Anastasios. Television credits include Rake (AWGIE nom), Jack Irish (AWGIE nom), The Kettering Incident, The Broken Shore, After the Deluge, and SeaChange. Andrew has written, produced, co-created or executive-produced over 1000 hours of TV – co-founding Artist Services in 1989 and serving as Creative Director. He has a busy slate of local and international projects in development. IMOGEN MCCLUSKEY Imogen is a writer and director based between Brisbane and Sydney. -
2012-13 Annual Report
Annual Report 2012/13 South Australian Film Corporation Adelaide Studios 226 Fullarton Road Glenside SA 5065 Ph: 8394 2000 www.safilm.com.au ABN: 3972 086 5208 ISBN: 978-0-9924100-0-1 Contents 1. OVERVIEW OF ACHIEVEMENTS 1.1 CHAIRMAN’S REPORT ............................................................................................................................ 3 1.2 CHIEF EXECUTIVE OFFICER’S REPORT .................................................................................................... 5 2. CORPORATE GOVERNANCE 2.1 BOARD OF DIRECTORS ............................................................................................................................ 8 2.2 BOARD COMMITTEES ............................................................................................................................ 11 2.3 ORGANISATIONAL CHART ..................................................................................................................... 13 2.4 RECONCILIATION STATEMENT .............................................................................................................. 14 3. PLANS AND OBJECTIVES 3.1 PURPOSE, MISSION AND VALUES .......................................................................................................... 15 3.2 STRATEGIC DRIVERS AND OPERATIONAL DIRECTIVES ......................................................................... 16 4. OPERATIONS AND INITIATIVES 4.1 INDUSTRY DEVELOPMENT & PRODUCTION ..........................................................................................