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Decoding Estoni@N Presidency of the Council
Decoding Estoni@n Presidency of the Council 1 TABLE OF CONTENTS INTERVIEW OF ESTONIAN MEP URMAS PAET (ALDE), MEMBER OF THE COMMITTEE ON BUDGETS 4-7 PRIORITIES OF THE ESTONIAN PRESIDENCY 8 KEY ESTONIAN PRIORITIES VERSUS EU’S PRIORITIES FILES 9 POLITICAL CALENDAR FOR THE NEXT SIX MONTHS 10 WHAT ABOUT ESTONIA 11 INTERVIEW OF URMAS PAET Estonia will deal with several energy and the development of Defence cooperation and MEMBER OF THE COMMITTEE ON BUDGETS, climate topics: review of the EU ETS, review the fight against terrorism? Do you consider ALDE of the Energy Efficiency Directive, renewable NATO membership as compatible with the energy, and electricity markets… what are the development of an EU Defence Union? main priorities of the country with regards to As the rapporteur for the European Defence these issues? Union reported at the European Parliament, I Europe needs to take several steps towards would like to stress that cooperation with NATO cleaner energy sources which must be both is key when speaking of the European Defence reliable and affordable. Union. Priorities of the Estonian Presidency of the Council During the Presidency, Estonia will go on with There are several issues where the EU could the EU commitment to the Paris Agreement improve its internal security cooperation as well and with the work on the main strands of the as its cooperation with NATO and could make it Urmas PAET joined the European Parliament EU’s energy and climate policy. Europe needs more practical with fast and clear decisions. in 2014. A former journalist, he served as Mi- to step up its game and should be ready to nister of Foreign Affairs from 2005 to 2014 The initial action plan for the EU common take the leadership in fighting climate change. -
Released on 13 Dec 2012 STAR GROUP LTD. Page
Released On 13 Dec 2012 STAR GROUP LTD. Page 1 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Friday, 01/02/2013 00:15 X-MEN: FIRST CLASS (15)<2011> 02:30 SWITCH, THE (16)<2010> 04:15 ANGER MANAGEMENT (15)<2003> 06:00 SURF'S UP (G)<2007> 07:30 DA VINCI CODE, THE (16)<2006> 10:00 DYLAN DOG: DEAD OF NIGHT (15)<2011> 11:50 50/50 (15)<2011> 13:35 SCREAM 4 (15)<2011> 15:30 SEVEN POUNDS (15)<2008> 17:35 WE ARE THE NIGHT (16)<2010> 19:15 ANGER MANAGEMENT (15)<2003> 21:00 GHOST RIDER (15)<2007> 22:55 COLOMBIANA (16)<2011> STAR GROUP LTD. Page 2 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Saturday, 02/02/2013 00:45 SCREAM 4 (15)<2011> 02:40 CHILDREN OF THE CORN: GENESIS (16)<2011> 04:05 DOUBLE, THE (15)<2011> 05:45 U2 = BBC (PG)<2011> 06:40 HOOK (PG)<1991> 09:05 AS GOOD AS IT GETS (15)<1997> 11:25 ERIN BROCKOVICH (15)<2000> 13:40 SWITCH, THE (16)<2010> 15:25 I DON'T KNOW HOW SHE DOES IT (PG)<2011> 17:00 BLACK SWAN (15)<2010> 18:45 X-MEN: FIRST CLASS (15)<2011> 21:00 ROAD TO THE OSCARS: DRIVE (16)<2011> 22:40 ROAD TO THE OSCARS: WARRIOR (15)<2011> STAR GROUP LTD. Page 3 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Sunday, 03/02/2013 01:00 ROAD TO THE OSCARS: UNDEFEATED (PG)<2011> 02:55 50/50 (15)<2011> 04:35 ANDERSON SILVA: LIKE WATER (15)<2011> 05:55 LONDON BOULEVARD (15)<2010> 07:40 SURF'S UP (G)<2007> 09:10 COLOMBIANA (16)<2011> 11:00 UFC 156 LIVE: ALDO VS EDGAR (15)<2013> 14:00 GHOST RIDER (15)<2007> 15:55 KINGDOM OF HEAVEN (15)<2003> 18:25 INTERNATIONAL, THE (16)<2009> 20:25 WORLD WITHOUT END (PART 4 OF 4) (15)<2012> 22:00 THE WALKING DEAD S3 Ep6 HOUNDED(16)<2012> 22:40 TRANSPORTER EP1(TBA)<2012> 23:30 UFC 156: ALDO VS EDGAR (15)<2013> STAR GROUP LTD. -
2013/2014 Dgb Zur Arbeitnehmerfreizügigkeit
Setzkasten GmbH, Kreuzbergstraße 56, 40489 Düsseldorf Postvertriebsstück, Deutsche Post AG, Entgelt bezahlt, 67669 02/2014 Inhalt Februar 2014 DGB ZUR ARBEITNEHMERFREIZÜGIGKEIT Seite 1 Populistische Plattheiten bieten Steilvorlagen für Rassismus DGB ZUR ARBEITNEHMER- „Wer be- 2014 im Internet veröffentlicht hat. munen helfen, statt den Zuwanderern FREIZÜGIGKEIT trügt, der Der bürokratisch trockene Titel sollte die Schuld in die Schuhe zu schieben Populistische Plattheiten bieten fliegt“ – niemanden abschrecken. Hier werden für unsere hausgemachten Probleme. Steilvorlagen für Rassismus so brachte geballte Informationen und Argumen- Zu den konkreten Schritten, die in PREISVERLEIHUNG „DIE die CSU tationszusammenhänge geboten, die Angriff genommen werden müssen, GELBE HAND“ 2013/2014 das Thema die „Debatte über die Freizügigkeit gehört außerdem, dass auch EU-Bür- Die Entscheidung ist gefallen! Freizügig- und deren populistische Zuspitzun- ger einen Rechtsanspruch auf Integra- keit in ih- gen“ ausleuchtet. tionskurse bekommen, der bislang nur Seite 2 rem Wahl- Dazu zählt zum Beispiel ein Aufdrö- Nicht-EU-Bürgern zusteht.“ KEIN RAUM FÜR NAZIS programm seln, wer welche Ansprüche auf Leis- Neben der notwendigen Unterstüt- Magdeburg: Die Stadtgesellschaft für die Eu- tungen nach dem SGB hat und welche zung der Kommunen ist auch von hat sich erfolgreich gewehrt ropawahl, Voraussetzungen erfüllt sein müssen. entscheidender Bedeutung, dass diejenigen, die kommen, nicht in aus- INTERNATIONALE WOCHEN das in Das ist etwas komplizierter als die beuterische -
Ad Hoc Announcement
AD HOC ANNOUNCEMENT CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. start exclusive negotiations on strategic ticketing partnership in France Munich/Ivry, 24 July 2019. CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. have started exclusive negotiations on a strategic partnership for their French ticketing activities. Under the proposed agreement, CTS EVENTIM would acquire 48 percent of the shares in France Billet, the ticketing subsidiary of Fnac Darty. At the same time, CTS EVENTIM would contribute its existing activities in France to the partnership. CTS EVENTIM would also have the option to acquire a majority stake four years from the date of the closing of the transaction. The project will be presented in detail to the relevant employee representatives in the coming weeks. CTS EVENTIM and Fnac Darty plan to close the transaction by the end of this year. About CTS EVENTIM CTS EVENTIM is one of the leading international providers of Ticketing and Live Entertainment. In 2018, approx. 250 million tickets were marketed using the company’s systems – through stationary box offices, online or mobile. Its online portals operate under brands such as eventim.de, oeticket.com, ticketcorner.ch, ticketone.it, and entradas.com. The EVENTIM Group also includes many concert, tour and festival promoter companies for events like ‘Rock am Ring’, ‘Rock im Park’, ‘Hurricane’, ‘Southside’, and ‘Lucca Summer’. In addition, some of Europe’s most renowned venues are operated by CTS EVENTIM, for example the LANXESS arena in Cologne, the Waldbühne in Berlin and the EVENTIM Apollo in London. CTS EVENTIM AG & Co. -
Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Palen, Andrew, "Farm Aid: a Case Study of a Charity Rock Organization" (2016). Theses and Dissertations. 1399. https://dc.uwm.edu/etd/1399 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FARM AID: A CASE STUDY OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin – Milwaukee December 2016 ABSTRACT FARM AID: A CASE STUDY ON THE IMPACT OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen The University of Wisconsin – Milwaukee, 2016 Under the Supervision of Professor David Pritchard This study examines the impact that the non-profit organization Farm Aid has had on the farming industry, policy, and the concert realm known as charity rock. This study also examines how the organization has maintained its longevity. By conducting an evaluation on Farm Aid and its history, the organization’s messaging and means to communicate, a detailed analysis of the past media coverage on Farm Aid from 1985-2010, and a phone interview with Executive Director Carolyn Mugar, I have determined that Farm Aid’s impact is complex and not clear. -
Protest As Event
PROTEST AS EVENT OVERVIEW ESSENTIAL QUESTION Since the 1960s, how have artists used musical events to promote change? OVERVIEW “Artists write, and sing, and think, and this is how we get to put our two cents in, and we do it right in front of people, not in secret meetings behind closed doors. We let people know what we think … I don’t know if people go to musicians for their politics. I doubt that they do, you know, but you can rally people to think on serious issues together, and that’s what we’re trying to do.” - Bruce Springsteen, August 4, 2004, Nightline, ABC Network In August 1971, former member of the Beatles George Harrison gathered a group of musical colleagues that included Bob Dylan, Ringo Starr, Eric Clapton, and many others to perform two benefit concerts at New York’s Madison Square Garden. The so-called Concert for Bangladesh was intended to raise money for and awareness of the refugees fleeing a bloody civil war in Pakistan, a situation made even worse by a devastating cyclone earlier that year. The concert, which was also recorded as a film and a live album, became a model for how Rock and Roll stars could marshal their celebrity in support of a particular cause. The efforts of Harrison and his friends ultimately raised millions of dollars for UNICEF and established a new precedent for how Rock and Roll could engage the public in order to promote meaningful change in the world. The mass gatherings of the 1960s – including the March on Washington, antiwar demonstrations on college campuses, and the Woodstock festival – had clearly demonstrated the power of events to command media attention and to make voices heard. -
Famine and Foreigners: Ethiopia Since Live Aid This Page Intentionally Left Blank Famine and Foreigners: Ethiopia Since Live Aid
‘Th ank God for great journalism. Th is book is a much needed, ex- haustively researched and eff ortlessly well written recent history of Ethiopia. A book that strips away the cant and rumour, the pros and antis and thoroughly explains the people, politics and economics of that most beautiful nation. A superb and vital piece of work by some- one who clearly loves the country of which he writes.’ Bob Geldof ‘Th e great Ethiopian famine changed everything and nothing. It fun- damentally altered the rich world’s sense of its responsibility to the hungry and the poor, but didn’t solve anything. A quarter of a century on, we’re still arguing about the roots of the problem, let alone the so- lution, and—though there has been progress—Ethiopia’s food inse- curity gets worse, not better. Peter Gill was one of the most thorough and eff ective television journalists of his generation. He was there in 1984 and his work at the time added up to the most sensible, balanced and comprehensive explanation of what had happened. Twenty-fi ve years later, he’s gone back to test decades of aspiration against the re- alities on the ground. It’s a book that bridges journalism and history, judicious analysis with a strong, and often gripping, narrative. Always readable, but never glib, this is a must for all those who think there is a simple answer to the famine, still waiting in the wings. ’ Michael Buerk ‘No outsider understands Ethiopia better than Peter Gill. He com- bines compassion with a clinical commitment to the truth. -
Retirement Strategy Fund 2060 Description Plan 3S DCP & JRA
Retirement Strategy Fund 2060 June 30, 2020 Note: Numbers may not always add up due to rounding. % Invested For Each Plan Description Plan 3s DCP & JRA ACTIVIA PROPERTIES INC REIT 0.0137% 0.0137% AEON REIT INVESTMENT CORP REIT 0.0195% 0.0195% ALEXANDER + BALDWIN INC REIT 0.0118% 0.0118% ALEXANDRIA REAL ESTATE EQUIT REIT USD.01 0.0585% 0.0585% ALLIANCEBERNSTEIN GOVT STIF SSC FUND 64BA AGIS 587 0.0329% 0.0329% ALLIED PROPERTIES REAL ESTAT REIT 0.0219% 0.0219% AMERICAN CAMPUS COMMUNITIES REIT USD.01 0.0277% 0.0277% AMERICAN HOMES 4 RENT A REIT USD.01 0.0396% 0.0396% AMERICOLD REALTY TRUST REIT USD.01 0.0427% 0.0427% ARMADA HOFFLER PROPERTIES IN REIT USD.01 0.0124% 0.0124% AROUNDTOWN SA COMMON STOCK EUR.01 0.0248% 0.0248% ASSURA PLC REIT GBP.1 0.0319% 0.0319% AUSTRALIAN DOLLAR 0.0061% 0.0061% AZRIELI GROUP LTD COMMON STOCK ILS.1 0.0101% 0.0101% BLUEROCK RESIDENTIAL GROWTH REIT USD.01 0.0102% 0.0102% BOSTON PROPERTIES INC REIT USD.01 0.0580% 0.0580% BRAZILIAN REAL 0.0000% 0.0000% BRIXMOR PROPERTY GROUP INC REIT USD.01 0.0418% 0.0418% CA IMMOBILIEN ANLAGEN AG COMMON STOCK 0.0191% 0.0191% CAMDEN PROPERTY TRUST REIT USD.01 0.0394% 0.0394% CANADIAN DOLLAR 0.0005% 0.0005% CAPITALAND COMMERCIAL TRUST REIT 0.0228% 0.0228% CIFI HOLDINGS GROUP CO LTD COMMON STOCK HKD.1 0.0105% 0.0105% CITY DEVELOPMENTS LTD COMMON STOCK 0.0129% 0.0129% CK ASSET HOLDINGS LTD COMMON STOCK HKD1.0 0.0378% 0.0378% COMFORIA RESIDENTIAL REIT IN REIT 0.0328% 0.0328% COUSINS PROPERTIES INC REIT USD1.0 0.0403% 0.0403% CUBESMART REIT USD.01 0.0359% 0.0359% DAIWA OFFICE INVESTMENT -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
UK Live Music: at a Cliff Edge
Live music Industry Venues and Entertainment UK live music: At a cliff edge Carey & Chambers (October 2020) Contents Executive summary 3 The current context 3 Key statistics 3 Research methodology 5 Summary of findings 5 Sectoral analysis 6 The live music ecosystem 6 Artists and artist managers 7 Booking agents 7 Promoters 9 Grassroots music venues 9 Concert halls, arenas and stadia 11 Festivals 11 Ticketing 13 Technical supply services 13 The broader ecosystem 14 Professional services 14 Crew 14 Support services 14 Conclusion 15 Report authors 16 Case Studies: Our People 8, 10, 12 2 Live music, Industry, Venues & Entertainment UK live music: At a cliff edge Executive summary The current context The live music industry – which was worth £4.5 billion to the UK economy in 2019¹ – is one of the business sectors worst affected by the coronavirus pandemic, being among the first to close and very likely to be the last to fully reopen. Key statistics n In 2019, live music contributed £4.5 billion to the UK economy² n Revenue has been almost zero since March and 2020 revenue will fall by 81% compared to 2019³ n In 2019, live music supported 210,000 FTEs including 52,000 full time, salaried roles n 76% of live music employees were supported by the furlough scheme, as of August 31st, 2020 n 55% of permanent roles will be lost by the end of the year (28,600 jobs), while temporary and freelance roles have already been decimated Continued 1 Carey and Chambers (June 2020) 2 Carey and Chambers (June 2020) 3 Carey and Chambers, Live Music Survey, September 2020 3 Live music, Industry, Venues & Entertainment UK live music: At a cliff edge Executive summary The current context (continued) Sector employment Following the lockdown in March and the ongoing UK In 2019, the live music industry accounted for 210,000 Government restrictions on public assembly, event FTE6. -
Belfast Telegraph
Viewpoint: Families deserve the truth - Opinion - News - Belfast Telegraph Friday, April 18, 2008 Weather: Hi: 10°C / Lw: 5°C Loadzajobs | Propertynews | Sunday Life | Community Telegraph Belfast Telegraph - IPR Website of the Year Search Site Advanced Search ● niCarFinder.co.uk Home > News > Opinion ● Don't Miss . Loadzajobs.co.uk Opinion ● Propertynews.com Dickie Best ● Belfast Telegraph TV Your tributes to footballer ● Family Notices George's father ● Email ● Most ● Ads For Free Article Emailed ● Belfast Telegraph ● Print ● Most Born to run Version Read ❍ Home Springsteen's backing is a ● Search ❍ News Brucie bonus for Obama ■ Local & National Related Articles ■ World news ● Inquiry told of Nelson's high profile Secret crushes ■ Politics Gráinne McCarry ● 'Troubling questions' at heart of the Nelson asks local celebs ■ Environment inquiry to 'fess up' ■ Education ● The day a 13-year-old boy's world fell apart ■ Letters ● I won't rest until I get the truth about my dad's Keanu Reeves ■ Opinion murder Star of The ■ Technology Matrix just loves Viewpoint: Families playing the anti- ❍ Breaking News deserve the truth hero ❍ Business Thursday, April 17, 2008 ❍ Sport China crisis ❍ Just as the public inquiry into the death of Rosemary Nelson in 1999 is opening, serious questions Superpower Health are being asked about collusion in the murder of RUC constable John Larmour in 1988, killed by investing in world's natural ❍ Features the IRA in a Belfast ice-cream parlour. Dealing with the past, in ways that provide some closure for relatives, is proving a lengthy, costly and far from satisfactory process. resources ❍ Columnists Mr Larmour's son, Gavin, has failed to get the PSNI to re-open the case, although in an earlier investigation ❍ Entertainment the then Police Ombudsman, Nuala O'Loan, found that police had information which, if acted upon, might In Pictures & Video: ❍ Homefinder have identified the murderer. -
Concert Reports from the Hellnoise Archiv Concert Reports from The
Concert Reports from the HellNoise Archiv AMOK VEDAR, MORBID MIND, CDB, DUST DEVILS 28. Februar 2003 Berlin, Garage Pankow Nach langer Fahrt mit den öffentlichen Verkehrsmitteln, traf ich gegen 21.15 Uhr endlich in der Garage Pankow ein. Erstmal hieß es Blase leeren, und dabei wurde man auch schon schön mit der passenden Musik beschallt. Von draußen klang es ein wenig wie Black Metal, umso erstaunter war ich als ich die Band erblickte und die 3 Symphoniker so gar nicht wie ne BM-Band aussahen. Als erstes (oder besser gesagt die ersten 3 Lieder die ich mitbekommen habe) dachte ich es wäre noch Soundcheck, denn irgendwie sah es auf der Bühne doch sehr entspannt aus. Der Sänger hockte ab und zu mal auf dem Boden, dann trank er mal wieder nen Schluck, dann hat die Band untereinander nen bißchen gequatscht. Irgendwann merkte ich aber das es schon der Auftritt ist und lauschte mal nen bißchen aufmerksamer. Meine Verwirrung wurde von Lied zu Lied immer größer, denn bei den Dust Devils fand wirklich jede Stilistik ihren Platz. Was eben noch, vom Drumming her, wie alte Darkthrone klang, uferte nur Sekunden später in Grindcoregebolze aus. Der Sänger hatte ne schöne abgrundtiefe Death Metal Stimme bei der sollte er aber auch bleiben, denn diese zwischenzeitliche Rumgequieke klang nun wirklich schon sehr lächerlich (ich war noch nie nen Freund von Grindcore). Irgendwann hatte die Band keine Lust mehr, was ganz natürlich ist, denn hätten die Dust Devils Applaus hören wollen hätten sie sich selbst beklatschen müssen. Obwohl die Garage zu diesem Zeitpunkt eigentlich mit ca.