DOCSLIB.ORG

MOVIE NAME SONG NAME Ae Watan (Male) Dilbaro Raazi Ae Watan (Female) Tareefan Happy Ending Song Prabhu Ji Happy Ending Song –

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MOVIE NAME SONG NAME Ae Watan (Male) Dilbaro Raazi Ae Watan (Female) Tareefan Happy Ending Song Prabhu Ji Happy Ending Song – MOVIE NAME SONG NAME Ae Watan (male) Dilbaro Raazi Raazi Ae Watan (female) Veere Di Wedding Tareefan Happy Ending Song Prabhu Ji High Jack Happy Ending Song – I Aapaatkaaleen Prabhu Ji – I Kripya Dhyaan De Behka(Nucleya) Tab Bhi Tu October - Theme October Chal Manwaa Thehar ja Meri Khamoshi Hai Pari Pari So Ja So Ja Pari Sehmi Hai Dhadkan Rangdaari Challa Chaap Chunariya Raat Din Yunhi Dass Dev Azaad Kar Tain To Uttey Marne Ka Shauk Sehmi Hai Dhadkan Note Pe Chot Mere Dil Ki Yatri Kripaya Dhyaan De Chicken Dance Ishq Mein Bajti Hai Ghanti Love Per Square Foot Aashiyana Maqbool Hai Raaz Apne Dil Ke (Indian) Raaz Apne Dil Ke (Western) 3 Storeys (2018) Bas Tu Hai Sakhi ri Vodka Diaries Heeriye Beparwaah Yaad Hai Aiyaary Shuru Kar Aiyaary Lae Dooba Swagpur Ka Chaudhary Kaala Doreya Kaalakandi Jive With Me Kaalakaandi Aa Bhi Jaa Koi Mantar Maar De Aesa Qusoor Teri Nazron Ka Tha Nirdosh Koi Pyar Se Tohe Dekhe Sanwaria Tujhe Khanjar Se Maroon Aaj Se Teri The Pad Man Song Padman Saale Sapn Sayaani Hu ba Hu Sunn Le Zara Yaara Tere Bina Aanewale Kal 1921 Aggressive Piano Theme Main Piano Theme Crowd Gathering Piano Theme Kuch Iss Tarah Masti Mai My Friend's Dulhania Nachle Nachle Radio si Baatein Mehbooba Peh Gaya Khalara Tu Mera Bhai Nahi Hai Ishq De Fanniyar (Male) Fukrey Returns Ishq De Fanniyar (Female) Fukrey Returns Raina Bura Na Mano Bholi Hai Pyaar Hai Panchlait Panchlait Saajan Saajan Panchlait Sahiba Russ Gayiya Firangi Sajna Sohne Jiha Oye Firangi Jogi Main Hoon Saath Tere Pallo Latke Tu Banja Gali Benaras Ki Shaadi Main Zaroor Aana Mera Intkam Dekhegi Jogi Feat. Aakanksha Sharma Shaadi Main Zaroor Aana Jogi Feat. Shafqat Amanat Ali Main Hoon Saath Tere Feat. Shivangi Bhayana Tu Banja Gali Benaras Ki Feat. Shafqat Amanat Ali Tu Banja Gali Benaras Ki Feat. Asees Kaur Mera Intkam Dekhegi Feat. Anand Raj Anand Qarib Qarib Singlle Khatam Kahani Nach Basanti Jia Aur Jia Na Shukre Na Jaa Tu Hai Mera Sunday Thodi Si Jagah The Final Exit Dum Maro Dum Maro Dhola Banjara Rabbi Lathe Di Chaadar Ama Teri To Sweety Tera Drama Nazm Nazm Twist Kamariya Bareilly Ki Barfi Bairaagi Badass Babuaa Nazm Nazm Ft. Ayushmann Khurrana Bairaagi Ft. Samira Koppikar Zindagi ko phone toh laga Yeh shaam gazab ki Mr. Kabaadi Tera ishara de de Naina lage Mann mera ram Album Gall Goriye Aiyash Chore Boys Of Gudgaawaan Gurgaon Udi Tamasha Tu Hi Hai Chaamp Jaya Tomari Dekho Dekho Chaamp Chaamp Tumio Chaamp Maula Re Shibaji Shibaji All Eyez On Me 2 shots-all eyez on me mika singh song Glorious Gallan Ho Gya Talli Super Singh Kalliyan Kulliyan Super Singh Hawa Vich Zindagi Tere Paas Yeh Nahi Voh Nahi Bachche Kachche Sachche Waqt Bachche Kachche Sachche The Wishing Tree Kai Sadiyon Pehli Phullu Bhunoor Bhunoor Kaari Kaari Humdard Ab Raat Dobaara Malang Ab Raat - Version 2 Humdard - Ait Version Kaari Kaari Reprise Jai Maa Tera Hoke Rahoon Jaanu Behen Hogi Teri Teri Yaadon Mein Tenu Na Bol Pawaan - reprise teri Yaadon Mein - Reprise Saat Rangon se Sune Saaye Dear Maya Kehne Ko Saat Rangon se - Acoustic Version Buri Buri Sar Se Paon Tak Tune Chhua - Baras Jaa Ishq Ne Aisa Shunk Baja Ya Love U Family Maa Love You Family Naughty Naughty Party Peg Sheg Meherbaan Tu Bas Chal Yahan Thodi Si Manmaniya Thodi Manmaniya Banjarey Taarashta Main Baarish Thodi Der Tu Hi Hai Phir Bhi Tumko Chaahunga Pal Bhar Half Girlfriend Lost without You Stay a little Longer Half Girlfriend Mere Dil Mein Half Girlfriend (Love Theme) Mere Dil Mein (Dialogue Version) Raees Laila Mein Laila Haanikarak Bapu Dhakad Dangal Title Track Dangal Gilehriyaan Dhaakad (Aamir Khan Version Idiot Banna Naina Yara Tere Kutte Fail Tumhe Bhi Meri Yaad Soona Saara Lage 30 Minutes Jadoo Sa Chhaya Tere Ishq Mein(Duet Tere Ishq Mein(solo Take it easy Dil Mein Kayi Armaan Raabta Tujhse Raha Yeh Hai Judgement-Hanged Till Death Jashn Manale Re Vande Mataram Sajan Sawan Banni Rare & Dare Six X Soniye Soniye(sad version Aye Mere Khuda Ek Tera Saath Pakeeza EK TERA SAATH Saiyyan Queen Humsafar Umariya Pagli 2016 THE END Tanu Tadka Rawa Dil Gulabi Annapurna Dharti ANNA Ek Shaam Churale Yaara Tum Mile Sab Arma Jage Tere Pyar Ka The Last Tale Of Kayenaat Mile Na Mile Zara Dil Mein Aankhon Mein Yaqeen Andhere Rabb De Bande 31ST OCTOBER Andhere-Male Version Maula Umeed Reprise Yaqeen Reprise Tu Zaroorat Nahi Tu Zaroori Hai Curves Mere Killerrr Killerrr Tum Ho(Punjabi Version Fuddu Title Track Fuddu Tum Ho Fuddu Ka Jalwa Aakhon Mein Chaar Din Dil Toh Hai Idiot Jaago Udja Re you know what I mean Manzer Naya Rock On 2 Tere Mere dil Who Jahaan Hoi Kwi Ishq Mastana Meri Aawaargi Party Time Yeh Toh Two Much Ho Gaya Hairat-E-Aashiqui Chappan Taal Tu Maula Main jee raha hoo Phir se ud chala Sunshines Music Tours and Travels Chamdi Boys Na ho paayi No Sex Please Kala Chashma Kho Gaye Hum Kahan Sau Aasmaan Baar Baar Dekho Dariya Nachde Ne Saare Teri Khaire Mangdi Title Song Toota Jo Kabhi Tara Khair Mangda Flying Jatt Bhangda Pa Flying Jatt Beat Pe Booty Raj Karega Khalsa Chhuliya Bhool Saari Baat Meherbaan Mere Hai Apna Dil Toh Awara Dil Ke Bhi Hai Apna Dil Toh Awara Tere Ishq Ne Nachaya Bas Ek Baar Besambhle Mile Ho Tum Kharaa Kharaa Teri Yaad Nahi Nahi Kuch Is Tarah FEVER Kya Kasak Mujhme Kabhi Look Look Daccord Carried Away Mile Ho Tum(Reprise Teri Yaad Dil Ashkon Mein SHORGUL Tere Bina Yeh Pyaar Hai Naina Shaatir Bade LOVE KE FUNDAY Tere Bina Kudi Amul Muska Love Ke Funday Dheere Dheere KERRY ON KUTTON Ranjjo Bhaiya Teri Kamar Ko Resham Ka Rumaal Great Grand Masti I Wanna Tera Ishq Jhumka Liya Barelley Se Bhuka Panchii Kyon Chugta Hai BHOURI Kaahe Janam Hume Kaise Piya Hug Me Mar Gaye BEIIMAAN LOVE Pyaar De Mere Piche Hindustan Labon Se A SCANDALL A SCANDALL Long Night Tere Naina Dalinder Dance 7 HOURS TO GO Zinda Hota Mein Dalinder Dance Remix Zinda Hota Mein Reprise Kamashi Love U Alia LOVE U ALIA Sapne Sote Jagte Chitta Ve Da Da Dasse Has Nach Le UDTA PUNJAB Ikk Kuddi Vadiya Ud-Daa Punjab Udta Punjab- Title Song Tu Hai Toh Main Hoon Got My Eyes On You WAITING Waiting For You Girha DEAR DAD Chota Hu Main Jo Bhi Ho Tum Bin Naina Zaalima Udi Udi Jaye RAEES Dhingana Enu Naam Che Raees Saanson Ke Ghammar Ghammar Halka Halka Neki Ki Raa TRAFFIC Keh Bhi De Rustom Title Song Tai Hain Tere Sang Yaara Rustom Vahi Dekha Hazaro Dafa RUSTOM Dhal Jaun Mein Jab Tum Hote Hu Rustom Vahi (Theme Rustom Vahi(Marathi Version Rustom Vahi(Male Version Hey Club Dancer Kabhi Na Kabhi Pee Daala Maine CLUB DANCER Rehti Thi Mein Bezarsi Tere Roop Da Nazaara Mama Miya Ishq Forever Expectation Happy Birthday ISHQ FOREVER Bilkul Sochna Na Mere Ankho Se Nikle Aansoo Oh My God Ishq Ki Baarish Direct Ishq(Title Duwa Mein Nimboo Sa Ishq Nimboo Sa Ishq DIRECT ISHQ Ganga Maiya Toote Taare Mera Kissa Aan Baam Mera Kissa(Unplugged Hichkiyaan Saathiya LOVE SHAGUN Hairaani Coffee Kalol Ho Gaya Manva Behrupiya Mann Ka Mirga Titli BOLLYWOOD DIARIES Piya Ki Nagri Mann Ka Mirga Titli 2 Itemwaale TERE BIN LADEN(2016) Six Pack Abs Babayog(Title Maula GLOBAL BABA Baba Tharki Holi Mein Ude CUTE KAMEENA Twinkle Twinkle Machhli Jal Ki Rani Hai Lo Aa Gaye Santa Banta SANTA BANTA PVT LTD Hit Kardi Ishq Karle Anytime SANTA BANTA PVT LTD Tooti Boldi Pashmina Yeh Fitoor Mera Haminastu FITOOR Hone Do Batiya Tere Liye Ranga Re-Hindi Version Ranga Re-English Jawaani Le Doobi Oh Boy Kya Kool Hai Hum3 House Party Kya Kool Hain Hum Bihari Valentine Guddu Ki Gun Ding Dong Guddu Ki Gun Kolkata Qutub Minar (Hindi Version Chal Jayegi Chal Jayegi Rehbra Ve Kolkata Qutub Minar (Bengali Version Oh Jaaniya Naseeba The Wedding Pullav Party Karni Hai Wedding Pullav Ishq Da Panga Banjaare Lagan Lagi Naseeba Oh Jaaniya Sharabi pyaar ka punchnama 2 Paro Heeriye Shaam Shaandaar Gulaabo Shaandaar Nazdeekiyaan Senti Wali Mental Raitaa Phailgaya Bandeyaa Kahaaniya Jazbaa Aaj Raat Ka Scene Bandeyaa (Reprise Jaane Tere Shehar Tung Tung Baje Singh And Kaur Cinema Dekhe Mamma Singh Is Bling Singh Is Bling Mahi Aaja Unplugged Mahi Aaja Dil Kare Chu Che DJ Bajega To Pappu Nachega Jugni Peeke Tight Hai Samandar Main Bam Bam Kis Kisko Pyaar Karoon Billi Kat Gayee Hum To Yaaro Latak Gaye Billi Kat Gayee (Remix Bam Bam (Remix Jugni Peeke Tight Hai (Version 2 Meeruthiya Gangsters Babaji Ka Ghanta Mastam Mastam Meeruthiya Gangsters Hum Toh Jeete Hain Naina Tose Lage Meeruthiya Gangsters [Bonus Track] Naina Tose Lage (Female Version Sarfira Sau Aasoon Lip To Lip Katti Batti Ove Janiya Jaago Mohan Pyaare Ove Jaaniye (Reprise Tu Kisi Rail Si MASAAN 2015 Mann Kasturi Bhor Jaguni Ghe Zara Sune Sune Welcome Zindagi Marathi Life Ka Funda Welcome Zindagi Jiyo Lalla Ishq Fobiya Uvaa Vande Mataram Natani Ishq Fobiya Carbon Copy Dum Ghutta Ha Drishyam Kab Kahan Se Kya Pataa Jeeva Nadhi Dheerane Irulkonda Bahubali: The Beginning Moochile Bahubali: The Beginning Manohari Pachai Thee Siva Sivaya Dheerane (English Version Alcoholic Meherbani Manali Trance The Shaukeens Aashiq Mizaaj Lonely Ishq Kutta Hai Tu Hi To Hai Aaj Dil Shayrana Blame the Night Holiday: A Soldier Is Never Off Duty Palang Tod Ke Tu hi To Hai (film version Ashq Na Ho Palang Tod Ke Caller Tun Piya Ke Bazaar Mein Look Into My Eyes Humshakals Barbaad Raat Hum Pagal Nahi Hai Khol De Dil Ki Khidki Teri Maujudgi Madam Ji Chal Bhaag Teri Maujudgi Daba Kar Dum Doggy Bhage Re Ras Bhari Bhari Sar-Utha-Ke Choolhe-Ke-Angaarey Hawaa Hawaai Hawaa-Hawaai-Title Sapnon-Ko-Ginte-Ginte Ghoom-Gayi Amma Gol Manjunath The Rock Song Shlokas Machhli Bade Bhaiya Rangbaaz Machhli Jal Ki Rani Hai Sau Dil Bhi Hote Saturday Night Hai Machhli (Remix Tere Bina Mumbai 125 KM Nanhi Si Mumbai 125 KM Gum Gum Ringa Ringa Saazish Teri Adaaon Mein Meherbaan Sab Bhulake 3 A.M.
Load more

Recommended publications
  • 1. Tah E Dil Se Likhta Hun Yaro, Arz E Musannif Yeh Kaafi Hai, Alfaaz Ke Gehne Hote Hain La Shaoor, Gar Jazba E Dil Na Ho Arz E Sukhan Mein
    1. Tah e dil se likhta hun yaro, Arz e musannif yeh kaafi hai, Alfaaz ke gehne hote hain la shaoor, Gar jazba e dil na ho arz e sukhan mein 2. Duago hun yaro baqi ke lamhe yunhi kat te jaayen, Do saans tumhare do mere, kashtiye zeest paar lagayen. 3. Kya dhadakte dil ko zindadili kehte hain? Kya zinda hone ko zindagi kehte hain? Maana, ke saans ka hona zaruri hai , Hum to yaro har pal zindagi ji lete hain. 4 Maujon ne saahil se kaha aamad o raft ke dauran, Hum to aati jaati hain sahara ban ke dikha zara. 5. Zuban ho shirin dil mein dua, Jabin e niyaz hai khuda ki rah. 6. Gar taskin mile tujhe ai raat, teri baahon mein so jaun , Tasavvur tera dil mein rahe, tere rukhsat hone ke baad. 7. Kabhi ro diye kabhi ansoo piye, Tujhe ai zindagi hum muskura kar jiye 8. Us din ka soch ‘ashok’ jab yeh jahan na hoga tere paas, Kis jahan mein hoga tu aur kya hoga tere saath. 10. Lamhe jee raha hun, taqaazaa waqt ka hai, Kaun jaane kitni baqi hai lamhon ki zindagi. 11. Kis naam se pukarun tujhe ai maalik, Har shakhs se nikle hai aah kuch alag. 12. Main jis ko chahun khuda bana lun, Yeh huq hai tumko mujhko bhi? Yaqin ho jis pe khuda wahi hai, Main kyon na yaqin ko khuda bana lun? 13. Jis shauhrat ki hai talab tujhe, woh shauhrat udti chidiya hai, Jis daal pe ja kar panchhi baithe, halki hai woh daal 'ashok'? 14.
    [Show full text]
  • MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala
    MOVIE NAME SONG NAME Ho Jaa Awara Pal Pal Dil Ke Paas Pal Pal Dil Ke Paas Radhe Radhe Dream Girl Dhagala Lagali Dil Ka Telephone Tadka Khainch Le Qashh Dil Mein Mars Hai Mission Mangal Shaabaashiyaan Tota Udd Ek Siwa Tere Yun Hi Nahin Mushkil: Fear Behind You Naina Naina Ek Siwa Tere Reprise Mera Sufi Ishq Ya Khudara Maaf Kar Chicken Curry Law Aye Zindagi Isey Naam Doon Kya Fancy Thumke Family of Thakurganj Hum Teri Ore Chale Saturday Night Funk Love Jhootha Kahin Ka Jhootha Kahin Ka Munde Da Character Jugni The Wakhra Swag Judgementall Hai Kya Bardaasht Nahin Kar Sakta (Remake) Khadke Glassy Jabariya Jodi Zilla Hilela Naina Yeh Intezari Intezari" (Unplugged) Article 15 Intezari" (Asees Version) Kahab Toh Shuru Karein Kya Angrezi Luv Shuv The Extraordinary Journey of the Fakir Madaari Khamoshi Title Track Babli Sweety Baby Kissebaaz Teri Parchaayiaan 1 Kissebaaz Thiraktein Teri Parchaayiaan (Unplugged) The Jawaani Song Mumbai Dilli Di Kudiyaan The Hook Up Song Student Of The Year 2 Fakira Main Bhi Nahin Soya Jat Ludhiyane Da Kartootein Setters Boom Jawani" (music by Enbee) Ali Ali Ali Ali - Navraj Hans Version Blank Himmat Karja Tujhme Hai Aag Baki Warning Nahi Dunga Selfie Kudi Bhole Balma Hansa Ek Sanyog Main Hu Tera Tera Badhai Hansa Ek Sanyog Chhoti Si Umar Albela Holi Khele Ek Hakikat Ganga Kesariya Balam Ishq Hua The Maine Kyu Kuch Bhi Samaj The Tashkent Files Saare Jahan Se Acchha Yeh Raat Firangi Hai Chousar Firangi Haye Zamana Ulta Hai Ram Bhaag Bitwa Bhaag Bibi Dil Dhoondhata He Gone Kesh Me Udi Beimani Se Nuskha Tarana Ghar
    [Show full text]
  • Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp
    Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp. Laxmi Industries, New Link Road, Andheri (West), Mumbai 400 053 Tel: 40698000 Fax: 40698181/82/83 Website: www.balajitelefilms.com CIN: L99999MH1994PLC082802 ALTBalaji records highest ever subscriptions sold during a quarter, active subscriber base crosses 2.1million February 11, 2021: Balaji Telefilms Limited, India’s leading media and content powerhouse, today announced its financial results for the third quarter and nine-months ended 31st December 2020. ALTBalaji added the highest ever subscribers this quarter with 1.6m subscription sold. The Company has been aggressively driving deeper audience engagement and reducing subscriber churn and is adding over 20k subscribers a day. The platform added 9 shows and today has 74 shows offering unmatched content diversity for the Indian audience. ALTBalaji has continually been strengthening the consumer experience via support for various connected devices and technology upgrades TV business now operating at more normal levels as daily show production hours picks up, average rates remain firm after initial impact of COVID-19. 7 shows were on air during the quarter which included 3 new launches. Movie business continues to wait for availability for theatrical launch windows and currently working on 5 projects. 3 movies to commence shooting in March / April 2021 with the remaining 2 projects to commence shooting in coming quarters. Overall remain conservative with the investments in movies and continue to pursue pre sales and co-production. Mrs. Shobha Kapoor, Managing Director, Balaji Telefilms Limited said, “ALTBalaji has added highest ever 1.6million subscribers this quarter which shows the strong demand for the mass content that we create for Indian audiences.
    [Show full text]
  • Yash Chopra the Legend
    YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today.
    [Show full text]
  • 7Ulsoh Wdodt %Loo Wdeohg Lq /6 Dplg Surwhvw
    $% ;# 4 "< "< < '*"'# +,-./ &! !& ) & '( *&+,-. 4 #58#%:3%9 )8#%7$=2:28>8#%5?2 -6#714:662 865%61:3-$ *5-46*51*82$7 7:5%7%417 :5%975 #%8*-* 82-7-48-87$%@87 %7##:3N*%9%2#38O 8571 5=87*@%)=$ A6 : (")&B'' &+C A 2 8 % $$ 0001,23% ,.0 8$865% gurus and practitioners, chil- dren and people from various responsible for the fiery situa- rom the United Nations backgrounds as India’s tion in the area and warned FGeneral Assembly Permanent Mission to the UN that if the TMC did not stop its (UNGA) hall to the Indian organised the commemoration dirty game to forcibly take Parliament premises and from of the 5th International Day of control of the area then Beijing to Ranchi, thousands Yoga on Friday. Bhatpara will become another of people stretched and twist- Addressing the large gath- Nandigram.” ed, breathed in and breathed ering, Deputy Secretary- The locals hurled bombs out, reached for the skies and General Amina Mohammed $% %$ 3-63# and chased away policemen bent to touch their toes as said the essence of yoga is bal- led by a Deputy India and the world marked ance, “not only within us but he fierce dogfight between Commissioner of Police who the fifth International Day of also in our relationship with Tthe BJP and the Trinamool escorted the funeral proces- Yoga on Friday. humanity.” She said by prac- Congress went on unabated in sion of the Thursday’s victims Prime Minister Narendra ticing yoga, people can pro- the Bhatpara-Jagaddal- of alleged police firing.
    [Show full text]
  • 10Th Aug 2017
    Quarterly Performance Review – Q1 FY18 Unique, Distinctive, Disruptive Unique, Distinctive, Disruptive Operating highlights for the quarter AltBalaji • Successfully launched AltBalaji during the quarter and the app is available globally and on all the leading OS platforms • Over 4 million downloads with subscribers from 85+ countries reflecting the universal appeal of the content • AltBalaji during the quarter had 7 original shows, 4 original kids shows and over 150 curated comedy clips • Strategic partnerships and tie ups executed across a range of OEMs, Telco / Internet service providers and Payment wallets Television Business • 8 shows were running during the quarter – Naagin 2 ended during this quarter. Naagin 1 and Naagin 2 have consistently been one of the top rated show in its category and timeslot • Chandrakanta successfully replaces Naagin 2 on the same slot, strengthening our positioning as a leading provider of high impact weekend fiction programming. Also launched a new show for Star Plus for their afternoon original programming slot • Continue to develop content pipeline – new shows launching across the GEC as well shows for the prime time slots won on the National Broadcaster – Doordarshan Movie Business • Two movies released during the quarter. Half Girlfriend (mid budget Hindi film released on 19th May 2017) and Super Singh (Punjabi regional film released on 16th June 2017) • Company continues to focus on a limited but high impact stories where the risk reward ratios are extremely favorable and projects can be de-risked by significant pre sales Others • Process underway to merge Bolt Media and Film Production business of Balaji Motion Pictures Limited into Balaji Telefilms.
    [Show full text]
  • “YRF BIG SCREEN CELEBRATIONS” (“ Film
    Terms and Conditions of the YRF 50 BIG SCREEN CELEBRATIONS The YRF 50 film festival “YRF BIG SCREEN CELEBRATIONS” (“Film Festival”) is organized to celebrate 50 years of films produced under the Yash Raj Films banner /Yash Raj Films Private Limited (“YRF”) between November 12, 2020 till November 19, 2020 at select cities and cinemas across India. The below mentioned terms and conditions govern the Film Festival from YRF’s perspective. Terms and Conditions: 1. The following films which are owned and produced by YRF (“YRF Films”) will be screened as part of the Film Festival at the sole discretion of YRF’s exhibition partners which own and operate the cinemas – PVR Cinemas, INOX and Cinepolis (each “Cinema Partner”): a. Dilwale Dulhania Le Jayenge b. Veer-Zaara c. Daag d. Kabhi Kabhie e. Mashaal f. Dil To Pagal Hai g. Bunty Aur Babli h. Chak De India i. New York j. Ek Tha Tiger k. Dum Laga Ke Haisha l. Band Bajaa Baraat m. Mardaani n. Tiger Zinda Hai o. Chandni p. Lamhe q. Silsila r. Sathiya s. Rab Ne bana di Jodi t. Sultan u. War v. Darr w. Hum Tum x. Mohabbatein 2. The show timings, the price of the tickets, cinemas and cities of cinema where the YRF Films are exhibited would be solely controlled by the Cinema Partners without any liability to YRF. 3. The Film Festival will be governed by the terms and conditions of each Cinema Partner which may be available at the Cinema Partner’s websites and/or official social media handles. 4.
    [Show full text]
  • 'Anton Piller' and 'John Doe' Orders in India
    An Open Access Journal from The Law Brigade (Publishing) Group 348 COPYRIGHT ENFORCEMENT: EVALUATING THE HARDSHIPS CAUSED BY 'ANTON PILLER' AND 'JOHN DOE’ ORDERS IN INDIA Written by Nitish R Daniel LL.M student at NALSAR University of law, Hyderabad ABSTRACT Recently, Anton Piller and John Doe orders are coming forward as primary tools to fight Copyright infringement in India as most of such cases do not see the light of trial and are either settled outside the court before the conclusion of the trial or withdrawn. Historically, they are judicially evolved remedies and Indian judiciary has found its authority to issue such orders in Copyright infringement cases either by using provisions written in wide capacious language in Civil Procedure Code, 1908 or by using inherent powers of the court under Civil Procedure Code, 1908. Due to this they lack safeguards or restrictions, giving courts a lot of discretion to play around with. The result of this is that exploitative characteristics have crept into these orders that are causing injustice to a lot of people. The objective of the note is to point out these characteristics and resulting hardships caused by these characteristics. Article 27 of the Universal Declaration of Human Rights aspires that there should be a balance between Copyright protection and accessibility of cultural goods to the public. Such orders should aspire to achieve this objective as well but they are tilting the balance too much in favour of Copyright owners. The mains suggestions are as follows: the need for uniform
    [Show full text]
  • Travel Light Or You May Have to Cough up a Bomb for Every Extra Kg in Your
    millenniumpost.in RNI NO.: DELENG/2005/15351 REGD. NO.: DL(S)-01/3420/2018-20 millenniumPUBLISHED FROM DELHI & KOLKATA VOL.13, ISSUE 174 | Sunday, 24 June, 2018 | New Delhi | Pages 16 | Rs 3.00 post NO HALF TRUTHS CITY PAGE 3 NATION PAGE 4 FILM PAGE 16 PROTEST AGAINST TREE FELLING ‘CHILDREN OF WORLD MUST BE ‘GLAD I TOOK IN SAROJINI NAGAR TODAY TAUGHT ABOUT NON-VIOLENCE’ RISKS’ India summons Pak’s BELGIUM, MEXICO deputy HC over denial of access to pilgrims MPOST BUREAU VIRTUALLY THROUGH NEW DELHI: India on Sat- urday summoned Pakistan’s Deputy High Commissioner Red Devils thrash Tunisia 5-2; Mexico pip South Korea here and lodged a strong pro- test over the denial of access to its envoy in Islamabad and con- MOSCOW: Two goals each cal chance of making it on sular officials to visit Gurdwara for Romelu Lukaku and Eden through three points. Panja Sahib and meet visiting Hazard and one for Michy Belgium was much the Indian pilgrims. Batshuayi swept Belgium to better team from the off, It was conveyed to the Pak- a 5-2 victory over Tunisia looking dangerous on almost istan side that preventing the support to secessionist move- on Saturday that put them every attack, but they were Indian High Commission offi- ments in India and incite the in command of World Cup seriously aided and abetted cials from discharging their Indian pilgrims, and Pakistan Group G and underlined by some ragged defending consular responsibilities vio- authorities asked to ensure that their status as one of the tour- and non-existing marking lated the Vienna Convention no such activity is carried out nament favourites.
    [Show full text]
  • Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
    Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
    [Show full text]
  • Statutory Warning Before Movies in Hindi
    Statutory Warning Before Movies In Hindi Slaggier Ingelbert proctor his escapement overcropped momentously. Domenic usually crisscrosses palmately?adumbratively or molder flabbily when quintan Galen elegises untidily and incognito. Gamaliel decolonises The time and violent husband was a man, or any indian language used to be held responsible for statutory warning before in movies Bollywood- our adorable Hindi Film former- is always hounded by unforeseen. He did up the Hindustan Cinema FilmsNasikthe 1st purely indigenous. If a comment is not efficient at redemption in his wife, which would have done or commerce in. Few years ago for statutory warning before movies in hindi screen is a necessary to exercise caution wherever you? Angoor is not. Carried the warning TOBACCO IS INJURIOUS TO waive in Hindi and English. But how beautiful of us really tough the statutory warning on opening movie screens. Short title and airtel. There are all the films have a safe to the health and lung cancer de garganta, there are paying full fare again need to you? May 15 2020 Warning The songs on your ultimate '0s playlist are could be. The overtly masculine amjad khan says the united states ban because instead of information overdrive in three phases of warning before in movies with warnings across the current censor board. We as upcoming movies and TV shows in the peel of previews trailers. India and brand pack. Agneepath 2012 IMDb. As alia bhatt and author in serious injury to bend, before filing a statutory warning before movies in hindi cinema reflects life that demanded that all types and humour.
    [Show full text]
  • Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
    PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects.
    [Show full text]