White Cotton Fabric

Total Page：16

File Type：pdf, Size：1020Kb

Free Workshop Video Series- Ornament Instructions Copyright Jacquelynne Steves JacquelynneSteves.com Supply List Free Workshop Exclusive Project: • White Cotton Fabric (1) 6 1/2” square • Red Cotton Fabric (2) 6” squares • Batting (1) 6” square • 6 Strand Embroidery Floss- White & Green • Small Embroidery Hoop (4 or 5”) • Lightweight Fusible Interfacing (optional) • Thin Green Ribbon or Twine (1) 6” piece • Thin Cardstock • Basting or white craft glue • Sewing Pins • Sewing/Embroidery Needle- size 8 or 9 • Frixion Pen or Embroidery Marker • Pinking Shears (optional) • Scissors- Fabric AND Paper Project Instructions: If desired, place a layer of fusible lightweight interfacing on wrong side of White fabric square. Trace Holly pattern onto White fabric square. Backstitch with 3 strands of green embroidery floss. See video here for embroidery tutorial https://www.youtube.com/watch?v=AulzVkwkKCo (Optional- you can also add fabric painting as shown in above photo.) Print or trace SMALL hexie pattern onto cardstock & cut out on line. Pin to back of embroidered holly design, centering the holly in the center. Trim White fabric, leaving 1/2” seam allowance all around (White fabric should be about 1/2” larger than cardstock template around all sides.) Fold edge of white fabric to back of template; use white thread stitch corner. Go around the hexie, stitching all of the corners. Take out pins and pop out template. Press hexie shape if desired. Layer red fabric and batting so that batting is in the middle and RIGHT sides of the red fabrics are facing out. Use a few dots of basting glue in center to hold layers together. 1 Free Workshop Video Series- Ornament Instructions Copyright Jacquelynne Steves JacquelynneSteves.com Print and cut out LARGE hexie pattern. Use Frixion pen or embroidery marker to trace large hexie onto one piece of the red fabric- this will be back of ornament. Cut layered red fabric & batting into a hexie shape along the traced line with pinking shears or regular scissors. Insert ribbon loop between layers and hand sew to batting. Applique white hexie to center using white thread and tiny stitches. Just stitch to top layer of red fabric, don’t go through all of the layers. Use a running stitch & 3 strands of White embroidery floss to embroider 1/4” from edge of white hexie- go through all layers to hold together. If you’ve used regular scissors instead of pinking shears, you can blanket stitch, whip stitch or zig zag along edges if desired. 2 .

Copy Link

Recommended publications

Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15.
[Show full text]
Owner's Manual
creative 2170 Owner‘s manual This household sewing machine is designed to comply with IEC/EN 60335-2-28 and UL1594 IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. DANGER - To reduce the risk of electric shock: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. • Always unplug before relamping. Replace bulb with same type rated 5 Watt. WARNING - To reduce the risk of burns, fi re, electric shock, or injury to persons: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children or infi rm person. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the Sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth. • Keep fi ngers away from all moving parts. Special care is required around the sewing machine needle. • Always use the proper needle plate.
[Show full text]
Computer Aided Embroidery & Needle Worker
COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPETENCY BASED CURRICULUM (Duration: 1 Year 3 Months) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL- 4 SECTOR – APPAREL GOVERNMENT OF INDIA MINISTRY OF SKILL DEVELOPMENT & ENTREPRENEURSHIP DIRECTORATE GENERAL OF TRAINING COMPUTER AIDED EMBROIDERY & NEEDLE WORKER COMPUTER AIDED EMBROIDERY & NEEDLE WORKER (Revised in 2018) APPRENTICESHIP TRAINING SCHEME (ATS) NSQF LEVEL - 4 Developed By Ministry of Skill Development and Entrepreneurship Directorate General of Training CENTRAL STAFF TRAINING AND RESEARCH INSTITUTE EN-81, Sector-V, Salt Lake City, Kolkata – 700 091 COMPUTER AIDED EMBROIDERY & NEEDLE WORKER ACKNOWLEDGEMENT The DGT sincerely express appreciation for the contribution of the Industry, State Directorate, Trade Experts and all others who contributed in revising the curriculum. Special acknowledgement to the following industries/organizations who have contributed valuable inputs in revising the curricula through their expert members: Special acknowledgement is expended by DGT to the following expert members who had contributed immensely in this curriculum. Sl. Name & Designation Mentor Council Organization No. Shri/Mr./Ms. Designation Expert group on restructuring of Apprenticeship Training Modules 1. Sandeep Kumar Sharma, SASMIRA SEP DEPT, Mumbai Chairman Manager Production 2. Deepak k Pethar, Manager Body Line Clothing, Mumbai Member 3. Umesh V Kapure, Manager, Body Line Clothing, Mumbai Member Finishing Dept. 4. Mahesh Kumar, Executive SK Enterprise, Mumbai Member Marketing 5. Anil Pachariwar, Executive Creative Garment, Mumbai Member 6. Mrs Pranoti Mhatre, Director Pratitis Fashion Design, Dadar, Member Mumbai 7. Mrs Meena Pokale, Executive Bar Code, Colaba, Mumbai Member 8. SD Prabhu, Designer M/s Tex style International, Lowe Member Parel, Mumbai 9. Rajesh Bukari, Designer M/s Tex Part Syndicate, Andheri, Member Mumbai 10.
[Show full text]
A Hole New Story Jumper & Socks Edition
Workshop no.1 A hole new story jumper & socks edition Don’t let your textiles go to waste workshop series Contents 1. Who are we? 3 2. Mending, a story of tradition and care 7 3. Fabrics 101 11 4. Material kit explained 16 5. Visible mending techniques 18 6. Basic sewing skills 23 7. Step-by-step mending techniques 25 2 1. Who are we? 3 TextileLab Amsterdam TextileLab Amsterdam is a group of people that researches, questions and Pictured above (from left to right): speculates how we can help transition the textile and clothing industry towards a more sustainable and value driven approach. From a holistic Cecilia Raspanti approach we look at materials, tools/instruments, processes, culture and Co-founder TextileLab Amsterdam, systems and how these are related. Co-founder Fabricademy: textile academy The research always has a collaborative and value driven nature, where Ista Boszhard findings are shared in a fully open source fashion to create knowledge Co-founder TextileLab Amsterdam, exchange and foster collaboration with a range of diverse stakeholders. Lecturer Amfi Circular economy, sustainable value flows and networks, as well as material Margherita Soldati research and innovation are at the core of the TextileLab operations, going Concept and design TextileLab Amsterdam, hand in hand with exploring informal hands-on alternatives for design, Independent Designer fabrication and production. This wide range of operations and outcomes all feed into education innovation, supporting the change of this field starting Beatriz Sandini from existing educational structures. Concept and design TextileLab Amsterdam, Independent Designer 4 REFLOW Textiles have been a critical and polluting industry since the Industrial Revolution – each year, 14,000 tons of textiles are thrown away in Amsterdam only.
[Show full text]
Project: Blowing in the Wind
American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Blowing in the Wind DESIGNER: BY TSUKI FOX (LITTLEGRAYFOXBLOG.COM) Long straight stitches dotted with French knots radiate from the center of this graceful dandelion pouf. Wispy fly-stitch florets create a sense of movement. Pattern may be downloaded for personal use only. No electronic or printed reproduction permitted without the prior written consent of Meredith Corporation. ©Meredith Corporation 2014. All rights reserved. 1 American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Blowing in the Wind Materials on wrong side, press finished • 12" square of blue linen embroidery. Insert embroidery • 6"-diameter wooden embroidery into hoop, centering design and hoop pulling fabric taut. • Embroidery floss: white • Embroidery needle 7. When all stitching is complete, • Matching sewing thread turn the hoop over. Stitch a running stitch approximately 1 1 ⁄ 2” outside the hoop in the Instructions fabric that extends past the hoop 1. Pattern is on page 4. Using a edges. Pull the thread to gather light box or a sunny window, the fabric; knot the thread. trace the pattern onto the center Trim away the extra fabric of the fabric using a sharp approximately 1” outside the pencil. gathered line. 2. Place blue linen square in 8. If desired, cut a felt circle that is embroidery hoop, centering slightly smaller than the back of traced design inside hoop and the embroidery hoop. Whipstitch pulling fabric taut. Tighten the felt circle to the gathered screw. fabric on the back side of the hoop. 3. Using four strands of white embroidery floss and beginning at the bottom of dandelion stem, chain stitch stem.
[Show full text]
My BERNINA Embroidery Workbook
MYMy BERNINA BERNINA EMBROIDERY WORKBOOK BERNINA MASTERY BOOK SERIES EMBROIDERY BERNINA EMBROIDERY WORKBOOK For BERNINA 880 PLUS, 790 PLUS, 770 QEE, 700, 590, 570 QEE, 535, and 500 EMBROIDERY MACHINES 1 ©2017 BERNINA of America. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. 012918 My BERNINA BERNINA EMBROIDERY WORKBOOK TABLE OF CONTENTS INTRODUCTION ....................................... 4 CENTERING A COMBINED DESIGN IN THE HOOP . 21 SETTING UP - MACHINE/MODULE .......... 5 CHECK/TRACE ........................................ 21 SETTING UP - MACHINE .......................... 6 VIRTUAL POSITIONING/ABSOLUTE CHECK ..22 SETTING UP-HOOPING FABRIC AND STABILIZER .. 7 CHANGING TO SINGLE COLOR EMBROIDERY . 23 SETTING UP-ATTACHING BERNINA HOOPS .. 8 ADDING A BASTING BOX ...................... 23 DESIGN LIBRARY ...................................... 9 STITCHING A DESIGN ............................. 24 DESIGN SELECTION ................................ 10 SEQUENCE CONTROL ........................... 25 PRESSER FOOT SELECTION .................... 11 PINPOINT PLACEMENT .......................... 26 STITCH PLATE SELECTION ...................... 11 THREAD-UP COMMAND ....................... 27 HOOP SELECTION/DISPLAY MENU ........ 12 CHANGING LETTERING SIZE .................. 28 HOOP CALIBRATION .............................. 13 WORD ART - CHANGING LETTERING SPACING . 28 JUMP STITCH LENGTH ........................... 14 WORD ART ...........................................
[Show full text]
Project: a Mother's Blessing
American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: A Mother’s Blessing DESIGNER: SARAH WRIGHT (SARAHJANESTUDIOS.ETSY.COM) A timeless and endearing piece, this heartwarming mother-and-child sampler is destined to become an heirloom. Pattern may be downloaded for personal use only. No electronic or printed reproduction permitted without the prior written consent of Meredith Corporation. ©Meredith Corporation 2014. All rights reserved. 1 American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: A Mother’s Blessing Materials 5. When all stitching is complete, 1 • 8 ⁄ 2×15"-wide oval wooden turn the hoop over. Stitch a quilting hoop running stitch approximately 1 • 15×21" piece of white 100% 1 ⁄ 2" outside the hoop in the cotton fabric fabric that extends past the hoop • DMC embroidery floss: #3821, edges. Pull the thread to gather #744, #3761, #807, #798, the fabric; knot the thread. #304, #3806, #3713, #169, Trim away the extra fabric #168, #632, #436 approximately 1" outside the • Embroidery needle gathered line. 6. If desired, cut a felt circle that is Instructions slightly smaller than the back of 1. Pattern is on page 5. Using a the embroidery hoop. Whipstitch lightbox or a sunny window, the felt circle to the gathered lightly trace the pattern onto fabric on the back side of the white fabric with a sharp hoop. pencil. Place the fabric in the embroidery hoop if desired, centering the design inside the opening. Pull fabric taut and tighten the screw. 2. Referring to the color key on the pattern for embroidery floss colors, complete the solid lines with three strands of embroidery floss and a split stitch (including mother’s and child’s hair and faces, pillowcase, bunny ears, dress, loops on left side of quilt, quilt edges, waves on right side of quilt, and the word “Blessed”).
[Show full text]
Passing on Needlework Skills to Young People
CT-MMB.700 PASSING ON NEEDLEWORK SKILLS TO YOUNG PEOPLE Why should we pass needlework skills on to young people? Don't they have enough to do with school, sports, music lessons, TV, and video games? And besides, it's so easy to buy needle crafted items at the store—the ones imported from overseas. Before you answer these questions, think about why you enjoy doing needlework yourself. We live in an age of technology and because of this, many parents have failed to see the importance of teaching handwork to their children. Family sociology has changed, families are spread out across the country, and the tradition of passing heritage skills from one generation to the next has almost been lost. Thankfully, the needle arts are experiencing a renewal, and many adults are learning the skills that were abandoned when they were growing up. Needlework includes knitting, crochet, quilting, embroidery, needlepoint, tatting/lacework, and rug making. Simply put, it is handwork that requires some sort of needle or tool and thread or yarn to create an item of decorative or practical use. The benefits of teaching young people needlework are numerous. Handwork develops focus and concentration. It encourages following a process in order to complete a project. It enhances critical thinking and math skills. It increases hand/eye coordination, small motor skills, and builds self-esteem. Moreover, it provides a means to promote healthy, interpersonal relationships between adults and children. Studies show that young people are less likely to engage in risky behaviors when they are bonded to trusted adults.1 Pointers for successfully working with young people Patience is the key when is comes to working with children.
[Show full text]
Make a Furoshiki Project 2004-2 This Japanese Wrapping Cloth Is Beautiful and Functional by Pepper Cory Sponsored by Bernina of America and Qnntv
Quilting Arts TV SERIES 2000 Make a Furoshiki project 2004-2 This Japanese wrapping cloth is beautiful and functional by Pepper Cory Sponsored by Bernina of America and QNNtv Susan Brubaker Knapp and Pepper Cory Materials Furoshiki (pronounced f’rosh- CUTTING kee) have been a staple of Finished Size: 30" square From focus fabric, cut: Japanese domestic life for many • 1 yard large-scale focus fabric (I • 101/2" x 301/2" rectangle for center. used a dramatic Asian-style print.) years but only recently have • 61/2" x 101/2" rectangle for left panel. • 10" square of indigo blue solid (This become important in the U.S. • 101/2" x 121/2" rectangle for right panel. square will be sashiko stitched.) and even world-wide, where the • 5" square of a bright accent solid inundation of flimsy plastic bags From light-medium solid, cut: (This square will be sashiko accumulating in landfills has stitched.) become a concern. • 1 (21/2" x 40") strip. From the strip, 3 • /8 yard light-medium solid (I used a cut 1 (21/2") square, 2 (21/2" x 41/2") Carrying a furoshiki when you’re natural linen-like fabric.) rectangles, and 1 (21/2" x 61/2") running to the store is a quick • 1/4 yard dark solid for sashing rectangle. • 1 yard backing (I like to choose a way to handle small purchases • 1 (31/2" x 40") strip. From the strip, hand-woven check or plaid to bring and save a bag. I wear mine to cut 1 (31/2" x 61/2") rectangle, in the idea of a “country versus city” the store as a scarf and leave the 2 (31/2" x 91/2") rectangles, and look.
[Show full text]
Scissors and Shears Page 1
Choosing and Using 1.130 Scissors and Shears Page 1 Facts and Facets The information in this Guideline is designed to help you choose and use the most appropriate cutting tool for the project at hand. Consider quality and end use when shopping for scissors, shears and rotary cutters. (For information on rotary cutters, see Guideline 1.133.) Many fabric stores have display models you may try before buying from stock, while some cutting tools are packaged so you can actually sample them. To test scissors or shears, hold them as you would to cut, and consider how their weight and balance feel in your hand. Check for smoothness inside the handle rings. Then cut a variety of fabrics as the quality tests below suggest. To help ensure future satisfaction, also look for: • Tempered- or stainless-steel blades. The former has a reputation for quality and strength, the latter for value and being lightweight and rustproof. Photo courtesy of Heritage Cutlery • Uniform width and angle of the cutting Wipe scissors clean with a dry cloth after edges. each use. This is especially important after • Smooth cutting from the back of the cutting polyesters and other synthetics; lint blades to the points. from these manmade fibers is abrasive and can dull the blades. • Adjustable screw securing the blades. If the blades on scissors work out of Keep the cutting blades sharp. Some alignment; shears with an adjustable stainless steel scissors and shears come screw can be readjusted using the screw with a molded plastic sheath that has a to correct the blade alignment.
[Show full text]
Dreamed of With
Create the home you’ve always dreamed of with... Row by Row Teepee Tent Oversized Applique Pillow NOW ONLY DC6050 50 built-in stitches, easy thread bobbin, automatic $ thread cutter, extra wide 799 table & hard cover. RRP $899 Free Gift Optic Magnifier Makes it easy to see the tiniest detail under the needle. LOCAL STOCK AVAILABLE NOW – OFFERS END SOON For the true Embroidered Bag Unlimited Handmade projects professional... by you & Janome creativity... Visit createyourworld.com.au for step-by-step instructions on how to make our great pieces. Get social & share your creations with us using #janomeathome. Orange Tutti Frutti Swirl Quilt Placemat NOW ONLY MC15000QM Retro Plant Cosy NOW ONLY Ml644D Sewing & embroidery machine in one. Best Seller. Easy change to rolled hem. $ 5 hoops. Max. embroidery area 230x300mm. $ Easy thread lower looper. Colour coded 10,999 510 built-in stitches, automatic tension 649 threading guide for 2, 3, or 4 thread RRP $11,999 & pivot function. Includes 27 feet plus RRP $799 overlocking. Includes lint catcher. WiFi & 6 iOS apps. Embroidery Tealight Holder Janome Artistic Digitizer NOW ONLY Continental M7 FREE TRIAL OFFER NOW ONLY Sewist 740DC $ Our largest workspace ever at 343mm (13.5”). Create professional and stunning looking $ Lightweight machine for everyday sewing, Sews up to 1300SPM. On screen QR code links foot pressure, variety of direct stitches, 6,599 embroidery designs with Artistic Digitizer 749 slide-out stitch charts, needle threader. RRP $6,999 with Janome AcuSpark App. New Quilt Block RRP $899 Advisor & expanded Sewing Applications. software. Windows and Mac compatible. Includes hard cover.
[Show full text]
Embroidery Workbook Bernina
MYMy BERNINA BERNINA EMBROIDERY WORKBOOK BERNINA MASTERY BOOK SERIES EMBROIDERY BERNINA EMBROIDERY WORKBOOK For BERNINA 880 PLUS, 790 PLUS, 770 QEE, 700, 590, 570 QEE, 535, and 500 EMBROIDERY MACHINES 1 ©2017 BERNINA of America. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. 012918 My BERNINA BERNINA EMBROIDERY WORKBOOK TABLE OF CONTENTS INTRODUCTION ....................................... 4 CENTERING A COMBINED DESIGN IN THE HOOP . 21 SETTING UP - MACHINE/MODULE .......... 5 CHECK/TRACE ........................................ 21 SETTING UP - MACHINE .......................... 6 VIRTUAL POSITIONING/ABSOLUTE CHECK ..22 SETTING UP-HOOPING FABRIC AND STABILIZER .. 7 CHANGING TO SINGLE COLOR EMBROIDERY . 23 SETTING UP-ATTACHING BERNINA HOOPS .. 8 ADDING A BASTING BOX ...................... 23 DESIGN LIBRARY ...................................... 9 STITCHING A DESIGN ............................. 24 DESIGN SELECTION ................................ 10 SEQUENCE CONTROL ........................... 25 PRESSER FOOT SELECTION .................... 11 PINPOINT PLACEMENT .......................... 26 STITCH PLATE SELECTION ...................... 11 THREAD-UP COMMAND ....................... 27 HOOP SELECTION/DISPLAY MENU ........ 12 CHANGING LETTERING SIZE .................. 28 HOOP CALIBRATION .............................. 13 WORD ART - CHANGING LETTERING SPACING . 28 JUMP STITCH LENGTH ........................... 14 WORD ART ...........................................
[Show full text]