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Ji Woon Kim Rhetoric 105 Professor Mary Hays 15 March 2016 Loss Of
Ji Woon Kim Rhetoric 105 Professor Mary Hays 15 March 2016 Loss of Original Intention: Budget for Art or Art for Money? A Review of Alter Ego by Laurence Green, mainly focusing on the movie Ryan by Chris Landreth *Blue-Revised As the title of the movie suggests, it is all about Ryan, who was a notable animator and an Oscar nominee back in 60’s and early 70’s, contributing greatly to moving arts. This movie was made by Chris Landreth, who got interested in him after he got to know that a big figure in animation industry was now living in a street in Montreal. Interestingly, the movie is based on an actual interview, and it is dubbed within the animation. This actually made the movie realistic, as we can hear real voices of the two animators. However, the notable point of the movie is that all characters in the animation have distorted looks. The reason is because Chris wanted to show psychological status through physical attributes. Chris uses surreal CG imagery to show the psychology of each character from his technique called “Psychorealism”(Chris Landreth). The use of “psychedelic CG animation” elucidated the life and unstable mind of the legendary animator, Ryan Larkin. In the movie, their relationship was beyond one-way sympathy toward the wrecked life of Chris’s hero, Ryan. Especially, it shows through the embodiment of “colorful chains” around both of them after the success in their career. When Ryan achieved the climax of his career with “Walking” and “Street Musique,” colorful chains wraps around his face. -
In-Person Screening
THE NFB FILM CLUB FALL/WINTER 2020–2021 CONTACT Florence François, Programming Agent 514-914-9253 | [email protected] JOIN THE CLUB! The NFB Film Club gives public libraries the opportunity to offer their patrons free screenings of films from the NFB’s rich collection. In each Film Club program, you’ll find films for both adults and children: new releases exploring hot topics, timely and thought-provoking documentaries, award-winning animation, and a few timeless classics as well. The NFB Film Club offers free memberships to all Canadian public libraries. ORGANIZING A SCREENING STEP 3 Organize your advertising for the event—promote IN YOUR LIBRARY the screening(s) in your networks. (To organize a virtual screening, STEP 4 please refer to our online program.) Prior to your event, test the film format that was delivered to you (digitally or by mail) using your equipment (you have two weeks to download your STEP 1 film(s) from the day you receive the link). Decide which film(s) you’re interested in from the available titles, which can be found by clicking on the NFB Film Club page. STEP 2 Send your selection(s) by e-mail to [email protected] and include your screening date(s), time(s), and location(s), as well as the film format required for your venue. We can supply an electronic file (MP3, MOV) or can ship a physical copy. PROMOTIONAL MATERIALS ATTENDANCE FIGURES To help you promote your screenings, you’ll To assist us in tracking the outreach of the NFB’s also have access to our media space and all films, please make note of the number of people archived promotional materials (photos, posters, who attended each library or virtual screening. -
ED 128 812 AUTHOR INSTITUTION AVAILABLE from JOURNAL CIT EDRS PRICE DESCRIPTORS ABSTRACT DOCUBENT RESUME CS 202 927 Donelson, Ke
DOCUBENT RESUME ED 128 812 CS 202 927 AUTHOR Donelson, Ken, Ed. TITLE Non-Print Media and the Teaching of English. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 75 NOTE 168p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Road, Urbana, Illinois 61801 (Stock No. 33533, $3.50 non-member, $3.15 member) JOURNAL CIT Arizona English Bulletin; v18 n1 Entire Issue October 1975 EDRS PRICE MF-$0.83 HC-$8.69 Plus Postage. DESCRIPTORS *Audiovisual Aids; Bibliographies; Censorship;. Classroom Materials; *English Instruction; Film Production; Film Study; Instructional Films; *Mass Media; *Multimedia Instruction; Radio; Secondary Education; Teaching Methods; Television ABSTRACT The more than 30 articles in this issue of %he "Arizona English Bulletin" focus on various aspects of using nonprint media in the English classroom. Topics include old radio programs as modern American folklore, slide shows, not-so-obvious classroom uses of the tape recorder, the inexpensive media classroom, cassettes in the remedial classroom, censorship, study of television programs, evaluation guidelines for multimedia packages, problems involved in a high school filmmaking program, and student film festivals. Additional material includes a list of 101 short films and a question-answer section on film teaching. (JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility a- lften encountered and this affects the quality * -* of the microfichr hardcopy reproductions ERIC makes available * via the EPIC Docu.,_, Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. -
'Mod Odele' Revisited Filmed by Michel Brault and Gilles Groulx in 1958
ral (1954, Colin Low), Hunger (1973, Peter Foldes), 1.A. Martin, Photographe (1977, lean Beaudin), Memorandum (1965, 10hn Spotton and Donald Brittain), On est au coton (1970, Denys Arcand), The Railrodder (1965, Gerald Potterton), Rouli-roulant, or The Devil's Toy (1966, Claude lutra), Sad Song of Yellow Skin (1970, Michael Rubbo), Street Musique (1972, Ryan Larkin) and Alexis Tremblay, Habitant. The survey was interesting for those fIlms mentioned and for those fIlms noticeable by their absence (for whate ver reasons). Award-winning fIlms which failed to gamer any votes at all were: Evolution, High Steel, Paddle to the Sea, Tchou-tchou, Whistling Smith, and Wrestling. Only one vote was cast for Neighbors, Universe, Volcano: an Inquiry into the Life and Death of Malcolm Lowry, and Walking. Are these fIlms victims of that perennial Canadian malady of works of art being recognized elsewhere but not by their countrymen? Mclaren's fIlms" and "all of Pierre ballet and special effects piece; Nobody The survey was not a large one and Perrault's fIlms." Waved Goodbye, Don Owen's 1964 perhaps not a representative sampling. Over one hundred fIlms were men documentary-turned-fiction-feature; But it was not insignificant in that tioned at least once on one list or Wake Up, mes bons amis or Un pays those surveyed are responsible for much another. This in itself is quite a testi sans bon sens, Pierre Perrault's inves of the post-secondary training fIlm mony to the general quality of NFB tigation of nationalism; City of Gold, studies in Canada. More importantly productions and also, I would think, Pierre Berton's nostalgic recollection it was meant not as a defmitive list to its range. -
Allison Schulnik's Hobo Clown
Allison Schulnik’s Hobo Clown: grotesque resistance, storytelling metamorphosis and Franz Kafka by william boyd fraser, sculptor A Major Research Paper presented to OCAD University in partial fulfillment of the requirements for the degree of Master of Arts in Contemporary Art, Design and New Media Art Histories Toronto, Ontario, Canada, April, 2015 © william boyd fraser, 2015 ii Author’s Declaration i hereby declare that i am the sole author of this thesis. this is a true copy of the thesis, including any required final versions, as accepted by my examiners. i authorize OCAD University to lend this thesis to other institutions or individuals for the purpose of scholarly research. i understand that my thesis may be made electronically available to the public. i further authorize OCAD University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. iii Abstract Allison Schulnik’s Hobo Clown clay stop-motion film is analyzed using a rhetorical triangulation of persuasion. A hybrid method alternates Schulnik, reader and an imaginary Other for three points of view providing comparisons of story perspective. Franz Kafka’s The Metamorphosis provides an exemplary third person narrative style. A history of stop-motion animation, hobos and clowns, along with animation theory of metamorphosis contribute to a hypothetical null questioning of Schulnik’s grotesque as a constructive identity resisting expectation. Mise-en-scène of staging and music provide sensory, visual and auditory description along with primary source materials and theoretical insight for describing a reading of the film’s grotesque transformations. -
Eviren: Ass. Feridun AKYUREK Butun Dunyadaki Izleyicilerinl Cogu Kez
SiNEMADA 'KUKLA(*) <;eviren: L. Bruce HOLMAN Ass. Feridun AKYUREK Butun dunyadaki Izleyicilerinl cogu kez egitmek, eglendirmek ve sevindirmek tum kukla tarihinin yerine getirdigi bir gorevdir. Arkeologlar tarafmdan bulunan hayvan ve insan Ilgurlerinl birles tiren ilkel sanat yapitlari, olasidir ki, dinsel ve toplumsal yonden anlamh oykulerin anlatimmda kullamlmisti. (1) Canlandirma fil mi olarak kukla, ardmdan uzunca bir gelenege sahip, bash basma bir kaynaktlr. Daha once varolan kuklalar, sinemadaki kuklalarm atalaridir. Filmcerceveleri arasmdaki devinime bagli olan canlan dirma kuklalan, sinema filminin baslamasmdan sonra varolmus, uygulayimmi hileli filmden (trick-film) ogrenerek canlandirmada kullamlmistir. Sinemanm tarihi, XIX. yuzyil ortalarmda phenakistiscope, zo etrope, praxinoscope gibi optikle ilgili araclara uzanir. Oncelikle bu aygitlar, ag tabaka izleniminin imge ureten devinimlerinin go- (*) 1. Bruce Holman, «The History of Puppet Animatlon-. Puppet Animation in the Cinema, History and Technique, The Tantivy Press, London, England, 1975, ss. 19-48. (t) Bil Baird, «The Art of the Puppet», (New York: Macmillian Co, 1965). 263 rungusunde belirlenmis bir devinimin evrelerini tanimlayan resim lerin bir aynmmm sunumunda kullanildi. Bir resim verilip geri ~e kildiginde, goz imge sonrasiru kisaca alikoyar. Bir devinimin aynm icinde hizlica sunulan son adimlari betimlendiginde, gelecek gO runtu ile temel devinimin izlenimi karisarak, birincisinin imge son rasi algilandmlir. (2) Baslangicta, optik aygrtlar bu etkide, oncelikle -
Baixar Baixar
1º Congresso de Estudantes de Pós-graduação em comunicação do Rio de Janeiro 22, 23 e 24 de novembro de 2006 – Rio de Janeiro – UFRJ O documentário animado “Ryan” e o psicorrealismo Índia Mara Martins1 Doutoranda em Design Puc-Rio 2 Resumo: A proposta deste artigo é discutir como o documentário animado Ryan, de Chris Landreth, renova a linguagem do documentário e cria novas perspectivas para a utilização dos recursos de computação gráfica na produção audiovisual, já que não busca representar o real, mas valorizar o ponto de vista do documentarista. Palavras-chave: documentário, animação, tecnologia 1 Trabalho apresentado ao GT05 - Tecnologias e Estéticas da Comunicação - do 1o. Congresso de Estudantes de Pós-Graduação em Comunicação do Rio de Janeiro, 2006. 2 Graduada em Jornalismo, mestre em Multimeios (Unicamp), doutoranda em Design (Puc-Rio), Coordenadora da Produtora Modelo, do Centro Universitário da Cidade do Rio de Janeiro. Pesquisadora de Novas Mídias. [email protected] 1º Congresso de Estudantes de Pós-graduação em comunicação do Rio de Janeiro 22, 23 e 24 de novembro de 2006 – Rio de Janeiro – UFRJ O documentário animado O documentário animado pode ser definido como um filme de situações e fatos reais registrados em suporte eletrônico utilizados como base para posterior intervenção gráfica da animação, que muitas vezes é computacional. Quase sempre apresenta a valorização de aspectos subjetivos das situações a partir da representação das personagens e dos cenários. Temos duas possibilidades de documentário animado: um dos mais comuns utiliza imagens live action mais a animação, e o segundo, o mais radical, apresenta uma animação como resultado final. -
A Moment in Time the Life of Ray Alf
A Moment In Time The Life of Ray Alf Outline for a Biography John Fraim & Don Lofgren John Fraim GreatHouse Stories 189 Keswick Drive New Albany, OH 43054 760-844-2595 [email protected] www.greathousestories.com © - 2014 By John Fraim “What will you do with your moment in time?” Raymond M. Alf 2 Chronological Outline 1870 William Robert “Sawney” Webb founds the Webb School in Bell Buckle Tennessee. 1887 Thompson Webb is born, the youngest of eight children. 1905 Raymond Alf is born in Canton, China on December 10th to missionary parents from Iowa. He would later provide his usual dramatic flourish to his birth date observing, “It happened just below the Tropic of Cancer, on the south bank of the Chiu Kiang ninety miles from the blending of its muddy contents with the clear blue waters of the South Pacific. There floated on the Chu Kiang, or Pearl River, countless house boats, sampans, junks, and many other kinds of boats in which lived a large part of the population of the metropolis of Canton, China.” It was the final years of the Qing Dynasty which had ruled China for 250 years and it was traditional to clear evil spirits away for the entrance of a new person into the world. As Ray recalls, “There were demons in the river, and to cope with the dangers posed by them, a dragon boat came to the rescue. It was manned by some thirty men with paddles. The long sleek canoe-like vessel, on the bow of which was carved a dragon’s head, shot through the water with incredible speed. -
Covina City Los Angeles County California, U
COVINA CITY LOS ANGELES COUNTY CALIFORNIA, U. S. A. Covina, California Covina, California Covina is a city in Los Angeles County, California, about 22 miles (35 km) Covina es una ciudad en el condado de Los Ángeles, California, a unas 22 east of downtown Los Angeles, in the San Gabriel Valley. The population was millas (35 km) al este del centro de Los Ángeles, en el valle de San Gabriel. La 47,796 at the 2010 census, up from 46,837 at the 2000 census. The city's población era 47.796 en el censo de 2010, frente a 46.837 en el censo de 2000. El slogan, "One Mile Square and All There", was coined when the incorporated eslogan de la ciudad, "One Mile Square and All There", fue acuñado cuando el area of the city was only (some say slightly less than) one square mile. área incorporada de la ciudad era solo (algunos dicen un poco menos de) una milla cuadrada. Covina is bordered by West Covina, to its south and westside. Irwindale Covina limita con West Covina, al sur y al oeste. Irwindale se encuentra al lies to the west, as well as the unincorporated area of Vincent, and the city of oeste, así como el área no incorporada de Vincent y la ciudad de Baldwin Park. Baldwin Park. Azusa and Glendora are to the north, the unincorporated Azusa y Glendora están al norte, la comunidad no incorporada de Charter Oak al community of Charter Oak to the northeast, San Dimas to the east, the noreste, San Dimas al este, las áreas no incorporadas de Ramona y Via Verde, y la unincorporated areas of Ramona and Via Verde, and the city of Pomona to the ciudad de Pomona al sureste. -
Ryan Through the Looking Glass: Psycho-Realism and the Animated Documentary
1 Ryan Through the Looking Glass: Psycho-realism and the Animated Documentary Gurleen Kaur Abstract: In this article, the author analyzes the working of the animated documentary, with specific focus on the use of psycho-realism in Chris Landreth’sRyan (2004). Her work draws on Actor Network Theory (ANT) and Sergei Eisenstein’s concept of ‘plasmaticity’, in addition to the work done by Bill Nichols, Paul Wells, and Anabelle Honess Roe. The mobility inherent to ANT can be seen aesthetically in motion in the plasmatic body of animation. The article analyzes how Ryan builds a strong case of psycho-realism with its surreal character design, non-discriminatory aesthetics that do not differentiate between the world inside and the world outside, the subject and the filmmaker, and the living and the non-living, but renders them alive and coexisting within the film through animism. Ryan takes the viewers through the looking glass and into a realm where physical laws no longer govern time and space. A new surreal dimension opens up that is able to capture the liminality and mobility of visual truth. Keywords:Animated Documentary, Actor Network Theory (ANT), actors, alief, black- boxing, circulating entity,fantasmatic, indexical realism, liminality, non-Euclidean space, network, plasmaticity, psycho-realism, photorealism, plastination, surrealism. The increasing prevalence and popularity of the animated documentary is symptomatic of a deeper and a more nuanced understanding of the traditions of animation and documentary filmmaking, which in itself -
Monthly Magazine for Age 50 and Better JANUARY 2019 VOL 4 ISSUE 7 FREE! ©2018
Monthly Magazine for Age 50 and Better JANUARY 2019 VOL 4 ISSUE 7 www.redbirdtimes.com FREE! ©2018 2019 SENIOR ALERT: Avoiding 'Trust Mills’! Recently, our offices received a flurry of calls pertaining to a seminar a trust may not be necessary. Again, the organizers of these seminars held in the Martinsville area given by an out-of-state company, are not at all concerned with whether or not you truly need a trust. extolling the virtues of incorporating Revocable Living Trusts into Their goal is to simply sell you on the need for a trust and make a your family's Estate Plans. profit. First of all, this needs to be made crystal-clear: The truth of the Many times, after a trust package has been sold at one of these matter is that not everyone needs a trust! A Revocable Living Trust seminars, the dubious estate planning representative then makes a does NOTHING to protect assets in the case of someone going to a visit to the elderly couple in order to review the trust and obtain the nursing home, or in regards to their long-term care expenses later on. required signatures. However, that representative also has an ulterior In fact, it may even complicate Asset Protection/Medicaid Planning motive. That person is now armed with all of the elderly couple’s in a crisis situation! It is best to have a very full understanding of financial information (remember – there is no actual attorney-client the short and long-term consequences of that type of trust before confidential relationship in this case) and makes a sales pitch to proceeding. -
Animációs Mozgóképtörténet I
Animációs mozgóképtörténet I. Animációs mozgóképtörténet I. M Tóth , Éva Kiss , Melinda Created by XMLmind XSL-FO Converter. Animációs mozgóképtörténet I.: Animációs mozgóképtörténet I. M Tóth , Éva Kiss , Melinda Szerzői jog © 2014-2019 M Tóth Éva DLA, Kiss Melinda DLA, Budapesti Kommunikációs és Üzleti Főiskola Created by XMLmind XSL-FO Converter. Tartalom Animációs mozgóképtörténet I. ........................................................................................................ vii Megjegyzés ...................................................................................................................................... viii 1. Az animáció műfajáról általában .................................................................................................... 1 1. 1.1. Animációs technikai műfajok ......................................................................................... 2 2. 1.2. Az animációs tervezés fázisai ........................................................................................ 5 2. A mozgókép kialakulásának előzményei ........................................................................................ 7 1. 2.1. Képtörténet ..................................................................................................................... 9 1.1. 2.1.1. Képmutogatók .............................................................................................. 10 1.2. 2.1.2. A panoráma és cikloráma ............................................................................. 11 1.3.