Bridgewater Review Volume 32 | Issue 2 Article 11 Nov-2013 Teaching Note: One in a Million: From Bridgewater State to the National Mall Jodie Drapal Koretski Bridgewater State University,
[email protected] Recommended Citation Koretski, Jodie Drapal (2013). Teaching Note: One in a Million: From Bridgewater State to the National Mall. Bridgewater Review, 32(2), 34-35. Available at: http://vc.bridgew.edu/br_rev/vol32/iss2/11 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Laying Bones on the National Mall, Washington, D.C., June 8, 2013 (Photograph by the author) installations as a means to inform the TEACHING NOTE public of the atrocities of war and genocide and to engage citizens in the One in a Million: From Bridgewater process of change. State to the National Mall As one of the event volunteers and project administrators, I witnessed Jodie Drapal Koretski the magnitude of “voice” expressed through installation art; how lay- n June 8, 2013 a powerful and breathtaking ing each bone on the grass from the art installation of more than one million Capitol to the final mass bone display sprawled across the Mall articulated Ohand-made bones transformed the National sorrow, outrage and a call for action. Mall in Washington, DC into a representation of a The One Million Bones project was art- fully designed to engage the audience mass grave. The grave signified the millions of people on a personal level. Participating in who lost their lives through acts of genocide. The the ceremony—by making or laying a installation, One Million Bones, was the product of a bone, or walking through the massive display—prompted all of us to pause three-year-long international social arts awareness and reflect on its significance.