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YALE-NUS SYLLABUS for AMERICAN AVANT-GARDE THEATER of the 1960’S and 1970’S
YALE-NUS SYLLABUS FOR AMERICAN AVANT-GARDE THEATER OF THE 1960’s AND 1970’s YHU 3304, Spring semester, 2019 Mondays and Thursdays, 9am-10:30am Room Y-CR9 Professor Joan MacIntosh [email protected] Office hours by appointment only, Mondays, after class. Additionally, there will be a mid-semester conference with each student and an end-of-the-year conference with each student, to give and receive feedback. These will be scheduled within the semester time, and will not infringe on either the Spring Break or the end of the year Reading Period. COURSE OVERVIEW This seminar course will explore the American Avant-Garde Theatre of the 1960’s and 1970’s, and its enduring significance. It will include an examination of the political, social, economic, and aesthetic events that led to its beginnings, and will follow the journey of its passionate creativity and diversity of expression, as well as the political upheavals and the cultural revolution that were inextricably a part of it. Readings will include the work of Gertrude Stein, Allen Ginsberg, The Living Theatre, The Open Theater, The Performance Group, Richard Foreman’s Ontological-Hysteric Company, Charles Ludlam’s Ridiculous Theatrical Company, Mabou Mines, and others. We will also read 1968, Environmental Theatre, Be Here Now, Towards a Poor Theatre, and selected historical overviews. We will explore each group’s vision, body of work, dynamics, and relation and significance to their world. In line with this, students will write about these theatre companies, and create their own live performances and work, based on the readings, possible films, and discussions. -
Nov 2014 Dummy.Indd
NOVEMBERJULY 20102014 •• TAXITAXI INSIDERINSIDER •• PAGEPAGE 11 INSIDER VOL. 15, NO. 11 “The Voice of the NYC Transportation Industry.” NOVEMBER 2014 Letters Start on Page 3 EDITORIAL • By David Pollack Insider News Page 5 • Taxi Drivers and Ebola Updated Relief Stands Thankfully there is a radio show where you can Taxi Dave (that’s me!) not only had the Chairwoman get fi rst hand information needed to answer any of of the TLC, Meera Joshi discuss fears of the Ebola Page 6 your questions whether industry related or even virus, but I had Dr. Jay Varma, a spokesperson from • health related. the NYC Department of Health answering all ques- Taxi Attorney Before we get into Ebola, TLC Chair- tions that drivers brought to “Taxi Dave’s” By Michael Spevack woman Joshi stated that the TLC will attention. How does Ebola spread? What be sending out warning letters to drivers is the best means of prevention and pro- Page 7 instead of summonses for a red light tection? • camera offense. “Vision Zero is not Chairwoman Joshi stated, “Thank you How I Became A Star about penalties,” she stated. To hear this for reaching out to the Department of By Abe Mittleman and much more, listen to this link: http:// Health. The myth of how Ebola spreads is www.wor710.com/media/podcast-the- spreading incredibly faster than the actual Page 15 taxi-dave-show-TaxiInsider/the-taxi-dave- disease ever could. It is really important to • show-102614-25479519/ separate facts from fi ction and the Depart- Street Talk Folks, if you want fi rst hand infor- ment of Health has been doing an amazing By Erhan Tuncel mation, every Sunday evening at 8:00 job in getting that message out there and PM listen to WOR-710 radio to TAXI DAVE. -
Pleasure/Principle
GHADA AMER some kiss we want Breathe into Me There is some kiss we want with our whole lives, the touch of Spirit on the body. Seawater begs the pearl to break its shell. And the lily, how passionately it needs some wild Darling! At night, I open the window and ask the moon to come and press its face into mine. Breathe into me. Close the language-door, and open the love-window. The moon won’t use the door, only the window. jelaluddin rumi GAGOSIAN GALLERY PLEASURE/PRINCIPLE Maria Elena Buszek Feminism must increase women’s pleasure and joy, not just decrease our misery. carole s. vance 1 Feminism can be empowered by seduction. ghada amer 2 few topics have caused more debate within the long history of feminism than those of opposite sexuality and pleasure. Since the late eighteenth century feminist activists, scholars, and The Reign of Terror, 2005 artists have tangled with the issue of whether the representation of women’s pleasure liber- Installation at the ates them from or enforces traditional patriarchal notions of womanhood. While feminist Davis Museum & Cultural Center, Wellesley College thinkers have offered a wide and influential range of contemporary discourse on the ways in which women are victimized and manipulated through the representation of pleasure, Ghada Amer is part of a long tradition of others who have argued for the necessity of pleas- ure—in all its complex manifestations—as both an activist strategy and a human right. Naturally, finding visual languages that perform this task has been difficult—as many artists have learned, efforts to incorporate the highly individualized yet powerful realm of pleasure with the consensus-seeking goals of politics are downright impossible. -
Women Challenging the Norms in the Arab Diaspora: Body Talks in Contemporary Art
Mashriq & Mahjar 6, no. 1 (2019), 85–108 ISSN 2169-4435 Martine Natat Antle WOMEN CHALLENGING THE NORMS IN THE ARAB DIASPORA: BODY TALKS IN CONTEMPORARY ART At fifteen I was widowed.… I was illiterate. You must understand, it’s important not to be afraid to be different. ―Chabia Talal Before embarking on the production of the artistic expression of women of the Arab diaspora, and in particular how they represent the body and sexuality in art, it is first important to foreground representations of the body by women in Western art, because their production also continues to be relegated to the margins of art history. On a large scale and globally speaking, both in the East and West, women have rarely participated directly in the production of art history. Yet, women in the West, who had up to the 1980s been all but excluded from the art world, have challenged us to rethink and recontextualize the representation of the body. Most often they have found identity and affirmation through the desire to differentiate themselves from the long history of masculine production of art. As Marie-Jo Bonnet observes about nudity in Western art: “The nude is thus one of the greatest conquests of women artists of the twentieth As a specialist in twentieth-century French theatre, contemporary writing, photography and painting, Martine Antle (Emeriti Professor, University of North Carolina Chapel Hill) has published extensively on race and gender in 20th and 21st- century French and Francophone literature. Her scholarship spans the political, social, and cultural revolutions that shaped modernity from the turn of the twentieth century to the present. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
Andy Warhol Exhibit American Fare Summer Sets
NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This file is processed using a Prinergy Workflow System with an Adobe Postscript Level 3 RIP. -
The-Vandal.Pdf
THE FLEA THEATER JIM SIMPSON artistic director CAROL OSTROW producing director BETH DEMBROW managing director presents the world premiere of THE VANDAL written by HAMISH LINKLATER directed by JIM SIMPSON DAVID M. BARBER set design BRIAN ALDOUS lighting design CLAUDIA BROWN costume design BRANDON WOLCOTT sound design and original music MICHELLE KELLEHER stage manager EDWARD HERMAN assistant stage manager CAST (IN ALPHABETICAL ORDER) Man...........................................................................................................................Zach Grenier Woman...............................................................................................................Deirdre O’Connell Boy...........................................................................................................................Noah Robbins CREATIVE TEAM Playwright...........................................................................................................Hamish Linklater Director.......................................................................................................................Jim Simpson Set Design..............................................................................................................David M. Barber Lighting Design.........................................................................................................Brian Aldous Costume Design......................................................................................................Claudia Brown Sound Design and Original -
FOX SEARCHLIGHT PICTURES Presents
FOX SEARCHLIGHT PICTURES Presents A MYTHOLOGY ENTERTAINMENT / VINSON FILMS Production A RADIO SILENCE Film SAMARA WEAVING ADAM BRODY MARK O’BRIEN with HENRY CZERNY and ANDIE MacDOWELL DIRECTED BY………………………………………MATT BETTINELLI-OLPIN & TYLER GILLETT WRITTEN BY………………………………………..GUY BUSICK & R. CHRISTOPHER MURPHY PRODUCED BY………………………………………………………………………....TRIPP VINSON …………………………………………………………………………………..…JAMES VANDERBILT …………………………………………………………………………………………WILLIAM SHERAK ……………………………………………………………………………………BRADLEY J. FISCHER EXECUTIVE PRODUCERS…………………………………………………………..CHAD VILLELLA ………………………………………………………………………………………….…TARA FARNEY …………………………………………………………...……………………………TRACEY NYBERG ………………………………………………………………………………………DANIEL BEKERMAN DIRECTOR OF PHOTOGRAPHY………………………………………………BRETT JUTKIEWICZ FILM EDITOR……………………………………………………………………TEREL GIBSON, ACE COSTUME DESIGNER…………………………………...………………………….AVERY PLEWES PRODUCTION DESIGNER…………………………..………………………..ANDREW M. STEARN MUSIC BY..………………………………………………………………………………..BRIAN TYLER http://www.foxsearchlight.com/press Running Time: 95 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] 1 Fox Searchlight Pictures’ READY OR NOT follows a young bride (Samara Weaving) as she joins her new husband’s (Mark O’Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their -
Exhibition Reviews
Exhibition Reviews: Ghada Amer: Love Had No End, Curated by Maura Reilly, Brooklyn Museum, February – October, 2008 1. Press Release, Brooklyn Museum 2. Karen RosenberG, “Veiled or Naked: ScrutinizinG Women’s Roles,” The New York Times, June 20, 2008. 3. Alix Finkelstein, “ReinventinG the Painted Veil,” The New York Sun, February 21, 2008. 4. Sonia Kolesnikov‐Jessop, Sonia. “Ghada Amer: DefusinG the Power of Erotic ImaGes.” The International Herald Tribune, March 12, 2007. December 2007 First Major Retrospective in U.S. of the Work of Ghada Amer to Open at Brooklyn Museum February 16, 2008 Ghada Amer: Love Has No End, the first major U.S. retrospective of the renowned artist’s work, will feature some fifty pieces from every aspect of Amer’s career as a painter, sculptor, illustrator, performer, garden designer, and installation artist. These include the iconic Barbie Loves Ken, Ken Loves Barbie (1995/2002), The Reign of Terror (2005), and Big Black Kansas City Painting—RFGA (2005), as well as a generous selection of works never before exhibited in this country. The exhibition will be on view February 16 through October 19, 2008. While she describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia artist whose entire body of work is infused with the same ideological and aesthetic concerns. The submission of women to the tyranny of domestic life, the celebration of female sexuality and pleasure, the incomprehensibility of love, the foolishness of war and violence, and an overall quest for formal beauty, constitute the territory that she explores and expresses in her art. -
Download Ghada Amer CV
GHADA AMER Born in Cairo, Egypt Lives and works in New York, NY EDUCATION 1991 Institut des Hautes Etudes en Arts Plastiques, Paris, France 1989 MFA in Painting, Villa Arson EPIAR, Nice, France SELECTED SOLO EXHIBITIONS 2015 Love.Earth.Fire. Leila Heller Gallery, Dubai, UAE 2014 Ghada Amer: Rainbow Girls, Cheim and Read, New York, NY, USA 2013 Ghada Amer: Référence à Elle, Kukje Gallery, Seoul, Korea 2012 The Other I, Tina Kim Gallery, New York, NY, USA Ghada Amer, Musee d’Art Contemporain de Montreal, Montreal 2011 100 Words of Love, Cheim and Read, New York, NY, USA No Romance, Goodman Gallery, Johannesburg, South Africa 2010 Color Misbehavior, Cheim and Read, New York, NY, USA 2009 Ghada Amer and Reza Farkhondeh: Roses Off Limits, Pace Prints, New York, NY, USA 2008 Ghada Amer and Reza Farkhondeh: Collaborative Drawings, Tina Kim Fine Arts, New York, NY, USA Ghada Amer and Reza Farkhondeh: A New Collaboration on Paper, Singapore Tyler Print Institute, Singapore Love Has No End, Elisabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York, NY, USA 2007 Ghada Amer & Reza Farkhondeh, Collaborative Drawings, Kukje Gallery, Seoul, Korea Another Spring, Kukje Gallery, Seoul, Korea Le Salon Courbé, Francesca Minini Gallery, Milan, Italy 568 West 25th Street New York, NY 10001 | Tel: +1 212 249 7695 Fax: +1 212 249 7693 www.LeilaHellerGallery.com Ghada Amer, Museo d’Arte Contemporanea Roma, MACRO, Rome, Italy 2006 Breathe Into Me, Gagosian Gallery, New York (Chelsea), NY, USA 2004 Ghada Amer, Gagosian Gallery, Beverly Hills, CA, USA Ghada Amer, Institut Valencià d’Art Modern, Valencia, Spain 2003 Ghada Amer, Forefront 45, Indianapolis Museum of Art, Indianapolis, IN, USA Ghada Amer, Galleria Massimo Minini, Brescia, Italy 2002 Ghada Amer, Gagosian Gallery, London, UK Ghada Amer, De Appel Foundation, Amsterdam, Netherlands 2001 Encyclopedia of Pleasure, Deitch Projects, New York, NY, USA Reading Between the Threads, Henie---Onstad Kunstsenter, Oslo, Norway Traveled to: Kunst Palast, Düsseldorf, Germany & Bildmuseet, Umea, Sweden. -
Spectator 1960-02-12 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 2-12-1960 Spectator 1960-02-12 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1960-02-12" (1960). The Spectator. 664. http://scholarworks.seattleu.edu/spectator/664 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. the News School Edition "All U.S. WEATHER BUREAU REPORT PORCCAtTI Cloudy, occasional rain today; showers. That's Fit to Print" partial clearing tonight. Wtnda to TheS. A.spectator 13-30. Temp, range: 52-38 ' Washington,Friday,February12, 1960 ■ 7O 15 Volume XXVII Seattle, "**££s* No. PRIVATE SCHOOLS AMERICAN JESUIT DISCUSSION TOPIC INROMEPENSTIPS ABOUTTHEWORLD FOR U.S. VISITORS Father William Dunne Describes Tourists at '60 Olympic Ganes U.S. Private SchoolEducation Advised to ClutchTheir Lire As 'Truly Big Business' and BewarePadded Checks A transcript of Father Dunne's tal\ is SPORTS VOCABULARY GIVEN printed on Page 4. BY FRAN FARRELL Art to Be Mixed With Olimpiadi; in Private education in the United Boxers Marble and Bronze ;States was described as "big busi- Among'Athletic' Treasures ness" by Rev. William Dunne, S.J., Rev. Francis Lindekugel executive secretary of the National Head of Theology Department A description of S.U.s Sumrne> Euro' Catholic Education Association, in peart tour is printed on Pag* 7. an address to S.U. alumni at the school's homecoming luncheon. By REV. -
Theatre & Performance
CONTEMPORARY Theatre & Performance MULTICULTURALISM/ DIVERSITY • African-American Theatre • Global Theatre • LGBTQ • Performance • Asian-American • Performance Art Theatre • Experimental Theatre • Latino Theatre (LATC) AFRICAN-AMERICAN THEATRE • August Wilson (1945-2005) - Fences (1987) • Joe Turner’s Come and Gone (1988) • The Piano Lesson (1990) ASIAN-AMERICAN THEATRE • East/West Players (downtown LA) • David Henry Huang - M. Butterfly, Bondage, Yellow Face LGBTQ • Charles Ludlam (19431987) died of AIDS— founded The Ridiculous Theatre Company- The Mystery of Irma Vep (1984) with Everett Quinton • Tony Kushner- Angels in America (1993) • Larry Kramer -The Normal Heart (1985) • Terence McNally - Mothers and Sons (2014) • Split Britches (WOW Cafe)- Beauty and The Beast (1982), Belle Reprieve (1990), Lesbians Who Kill (1992) • The Tectonic Theatre Company (The Laramie Project) • Rent, Hedwig and The Angry Inch, Kinky Boots, Fun Home LATINO THEATRE • LATC (Latino Theatre Company- LA Theatre Center)- founded 1985 by Artistic Director, Jose Luis Valenzuela • Zoot Suit (1979) by Luis Valdez- made into a film (1981) • based on the Sleepy Lagoon Murder Trial (1942) and the Zoot Suit Riots in Los Angeles https://www.youtube.com/watch?v=M51xwySGNYc https://www.youtube.com/watch?v=dwINn5DEL1c GLOBAL THEATRE • Takarazuka Revue (Drag performance in Japan) https://www.youtube.com/watch?v=JLy2iOnBnsA https://www.youtube.com/watch?v=3Wccu0JjcLw • Handspring Puppet Company (South Africa) https://www.youtube.com/watch?v=SqAkQCbuvqg • Chinese Performance (spectacle)